Top 1200 Female Voice Quotes & Sayings - Page 4

The female body is a masterpiece. Everyone likes to look at the female body, especially in dynamic, athletic sport.

I have never had an unsupportive female boss. I've had several female bosses. They've all been super supportive.

You can strengthen your leadership voice by finding what I call its Maximum Resonance Point and learning to pitch your voice there. That gives you the strongest voice and thus the one that people are most likely to want to follow.

When it comes to the challenges of being an entrepreneur and a female, specifically a female entrepreneur, it's something that we really have been living for a long time in a different pool.

I guess from my perspective being a female athlete as well, there's probably not a huge amount of female athlete books out there.

I would love to do a project with all of my female friends and create something from scratch and have some female-driven story with the women in my life who are so strong, confident, and beautiful inside and out.

Women are given their due, and I think female-centric roles are also well-written. But it doesn't matter who is in the centre - a male or female. As long as it is an entertaining, gripping film, people just enjoy it.

A lot of people [are] saying civil union," Faried told KDVR. "I don't like it being called that because I can get married to a female and it can be called a marriage. Why can't a female be married to a female and male be married to a male and it be called a marriage? You still have the same thing, same love and happiness.

I get the feeling that characters are written female when they have to be, and all the other characters are male, and it doesn't occur to somebody that the lawyer, the best friend, the landlord, whoever, can be female.

I think a lot of people compare female writers or female comedians to each other in a way that men are not. Male comedy writers are not scrutinized.

I think as time goes by you'll get female comics who are weirder - you'll get a female Mighty Boosh.

That term's definitely got a negative aura to it, because people think a diva is somebody with an attitude who demands things all the time. Of course there is that type of diva, but my idea of a diva has always been a singer - whether male or female - who gets on that stage and captivates you with their presence and their voice.

I am not one to go for traditional female roles, because I don't think traditionally female characters are very interesting, and I don't think they represent real life.

What I really would like to see is more female stories out there. Particularly older female stories, because women are predominantly ticket-buyers.

I try not to focus on politics too much - I would never be described as a hugely political woman - but the fact of the matter is, just me being a female, immigrant, stand-up comedian, single-mother ... that is political. We still live in a world where a woman with a voice is a political gesture.

When I was in college, my graduation thesis was called 'Female Directors.' I interviewed all of the important female directors from Mexico. There were four. That was it.

So sometime the expectation of the female by a high expectation. Because peoples think that female were weak in term of, like, of the physically and compared to the men.

Let the men do their duty & the women will be such wonders; the female life lives from the light of the male: see a man's female dependants, you know the man.

When the two shall be one, the outside as the inside, and the male and the female neither male nor female.

We're always being told 'find your voice.' When I was younger, I never really knew what this meant. I used to worry a lot about voice, wondering if I had my own. But now I realize that the only way to find your voice is to use it. It's hardwired, built into you. Talk about the things you love. Your voice will follow.

I've wanted to produce for a long time. I'd love to get a bunch of my girlfriends together - a female writer, a female director - and create something. Creatively, it's a different dimension. Why wouldn't people want that?

It had a language. It's a very emotional language that only exists in India, that part of [inaudible] so we wanted to use that. I had two versions - one with my voice and one with the girl's voice. But he preferred the girl's voice and he preferred my voice with an [inaudible].

Working with the brothers can put pressure on my voice, so I choose to do my own solo thing so I can save my voice. I couldn't do both now. The Neville Brothers is a funk band; they play loud, and I have a strong voice.

When you recognize that there is a voice in your head that pretends to be you and never stops speaking, you are awakening out of your unconscious identification with the stream of thinking. When you notice that voice, you realize that who you are is not the voice - the thinker - but the one who is aware of it.

I've auditioned for animation stuff for a long time; that's a tough field to crack into. I don't think I have the strongest voice. I don't have a theater-trained voice or a radio voice, but I think I make good character choices.

There aren't enough good roles for strong women. I wish we had more female writers. Most of the female characters you see in films today are the 'poor heartbroken girl.'

If that voice that you created that is most alive in the poem isn't carried throughout the whole poem, then I destroy where it's not there, and I reconstruct it so that that voice is the dominant voice in the poem.

There's no need for a female character that does things like a male character; that's not what makes interesting female characters in my view.

If someone goes, 'Can you be sassier?' I go, 'I can be my kind of sassier. I'm not gonna put a voice on. The voice I have is my voice.'

I've always been very respected as a female singer in metal, or in general as a female singer.

Exotic: meaning you're "desired." For madness is seductive, sexy. Female madness. So long as the female is reasonably young and attractive.

When we create female characters, I think often there is a tendency to kind of make female characters emotionally bulletproof.

I'm not interested in making movies only with female protagonists. I think it's ridiculous to think that a female director can't direct men. That makes no sense to me.

What has praise and fame to do with poetry? Was not writing poetry a secret transaction, a voice answering a voice? So that all this chatter and praise, and blame and meeting people who admired one and meeting people who did not admire one was as ill suited as could be to the thing itself- a voice answering a voice.

I don't really consider myself a female director, and I don't want to do so for other women. Female directors are just directors.

The lyrics are usually the last take. So after like five times, saying it over and over again, your voice starts to relax and you get into the groove of the record. Personally I don't raise my voice; my voice is usually lower, more casual.

I would like to see more female stories out there, particularly older female stories.

I wish that there were more female driven films, female-centric films being made.

When the kirtan is harmonious with so many people, it’s a tumultuous beautiful sound. We can’t hear just one voice during the chorus; or rather we do hear one voice. But that one voice is actually the sound of everyone’s voice in harmony. That’s our offering to God. And why is it so pleasing to the Lord? Because we are all cooperating for a higher purpose. We are all united for the pleasure of the center, for the pleasure of Krishna, in spite of all our differences.

Everyone needs to get more comfortable with female leaders-including female leaders themselves.

The female love interest is boring to me. A female that's interesting, smart, funny - that's what I'm drawn to. I wouldn't say that every character has to be smart, but she has to have one trait I can relate to.

Anna Katherine Green wrote about a female inquiry agent, and there were a scattering of female investigators in the 1970s, authored by men, who just didn't ring true. So I thought, 'Well, there's an opening here for something.'

I've always thought that there is a great female James Bond movie to be done. I'm not literally calling her Jane Bond, I mean, but a female secret agent.

A lot of my female fans discovered me through the passion I have for bettering myself. Not to say the dudes don't, but my female fan-base is based off women who want to do better.

It's every woman's tragedy, that, after a certain age, she looks like a female impersonator. Mind you, we've known some lovely female impersonators, in our time.

I very happily stand for the right of every man and woman in Pennsylvania to have their voice heard in elections. And when they do have their voice heard, it's nothing short of a privilege to welcome and respect that voice because this is a democracy, and that's what we do.

I get 'female Kendrick' quite a lot. I'm definitely not complaining. At the same time, I want to be the female Simz. I just want to be me.

There are a lot of female directors in Lebanon but we can't really talk about a true film industry, it's still very small. But we do have a few female directors.

Discerning the will of God is a very tricky thing, partly because, you know, the little voice in my head can either be God's voice or it can be my own ego doing a magnificent impression of God's voice.

In an encounter with divine reality, we do not hear a voice but acquire a voice, and the voice we acquire is our own.

There's a different energy with a female director, a female at the head of the production. I don't prefer one over the other, but they're definitely different experiences, and I would love to have more of them.

I don't think in a male or female way. I don't differentiate between male and female. I never have. I'm not considered a feminist.

There's still only maybe three female writers or two female writers to 10 guys in any kind of writer's room.

Photography was so perfectly suited to my sensibility and situation, it gave me a voice, a kind of crazy, out-of-whack voice, at the beginning, but a voice. I could finally put into images bottled up feelings of absurdity and alienation - and also joy and delight.

Female characters in literature are full. They're messy: they've got runny noses and burp and belch. Unfortunately, in film, female characters don't often have that kind of richness.

I'd say it's far more challenging to be female and be a showrunner. People are not surprised to see a black person running this show, but the female aspect is the thing that I get asked about.

Voice is one of the most elusive qualities in any story. We recognize it when we hear it, but it's hard consciously to create an authentic voice. Somehow voice seems to be the natural manifestation of all the narrative decisions we've made so far. We discover it more than we fabricate it.

Today, the ideal male is the gay man and the ideal female is the worker female, the woman who can work in a coal mine just like all the other men.

This business is based on numbers, and the numbers show that it's worth investing in female-driven and female-directed films.

Many couples, many people, are not living with real human beings, but with their ghosts. Who has not followed for years the spell of a particular tone of voice, from voice to voice, as the fetishist follows a beautiful foot, scarcely seeing the woman herself? A voice, a mouth, an eye, all stemming from the original fountain of our first desire, directing it, enslaving us, until we choose to unravel the fatal web and free ourselves.