Top 1200 Female Quotes & Sayings - Page 4

I have this theory that the likeability question comes up so much more with female characters created by female authors than it does with male characters and male authors

Seal the door behind us. (Acheron) Um, not to be argumentative or anything, but didn’t we have to fight to get that opened? (Kish) Well, if you want to leave it open and let all the demons in – (Female Dolophonos) Close it, please. (Kish) I somehow thought you’d agree. (Female Dolophonos)

I don't set out to write female lead shows, necessarily. I like deeply flawed characters. When they come to me, or when I'm introduced to them, I follow the stories and the people, rather than setting out to do a female lead thing.

I would love to play Nefertiti or Cleopatra or the Queen of Sheba. We preserve more male history than we do female. We have to preserve [female history]. No more complaining. We have to do it.

You condition a vulnerable boy at puberty to become aroused by brutality. It's the violence, not the nudity. Frankly, I wouldn't mind if every teenage boy had a subscription to Playboy. They'd be looking at attractive naked female bodies while they masturbated, not eviscerated female bodies.

When I created Buffy, I wanted to create a female icon, but I also wanted to be very careful to surround her with men that not only have no problem with the idea of a female leader, but were in fact engaged and even attracted to the idea.

I really think the range of emotions and perceptions I have had access to as a black person and as a female person are greater than those of people who are neither.... So it seems to me that my world did not shrink because I was a black female writer. It just got bigger.

The male dares to be different to the degree that he accepts his passivity and his desire to be female, his fagginess. The farthest out male is the dragqueen, but he, although different from most men, is exactly like all other dragqueens; like the functionalist, he has an identity - a female; he tries to define all his troubles away - but still no individuality. Not completely convinced that he's a woman, highly insecure about being sufficiently female, he conforms compulsively to the man-made feminine stereotype, ending up as nothing but a bundle of stilted mannerisms.

It was just really, really tough getting anything when you were a female. Basically, I just took advantage of everything I could. But when people are going to flat out tell you they're not going to hire anyone that's female, there's not much you can do about it.

That whole idea of chick lit being a thing that you just lump all the commercial female writers into - it went on for years.I'd switch on the radio, and I'd hear, 'Two female authors are here to discuss chick lit - is it dead?' and I'd think, 'Argh, no, not again. Are we seriously still having this conversation?'

I want to support other women because of the opportunities I've had - and I've had a lot of opportunities. What I try as a female director is to do the best job I can and, in the meantime, bring attention to as many other female directors and writers as I can.

When I was growing up, softball had stereotypes along with other female sports. But society is definitely changing since the WNBA and WUSA. Muscles on female athletes are OK now. Young girls can look up to beautiful, athletic, fit women.

We haven't evolved a hero story that's female. We're always trying to fit women's stories into this male structure, which is this rising action, this powerful conflict, and this falling action. And I think a female hero story is not that. It's something else.

I can't imagine writing a book without some strong female characters, unless that was a demand of the setting. I actually tend to suspect that in real life, there have always been very strong female characters, but at certain stages of society, they've been asked to cool it.

Let the women play in more feminine clothes like they do in volleyball. They could, for example, have tighter shorts. Female players are pretty, if you excuse me for saying so, and they already have some different rules to men - such as playing with a lighter ball. That decision was taken to create a more female aesthetic, so why not do it in fashion?

It doesn't seem that the female brain is organized for fetishes. I suspect it has to do with our animal backgrounds. Fetishes are a frustration fall back for men cut out of the breeding Olympics. The female can always get sex. It's her role to deny sex.

A young female essayist saying they're influenced by Joan Didion is like a young female singer-songwriter saying they're influenced by Joni Mitchell.

I think part of the pressure put on 'strong female characters' comes from the fact that there is so often 'the team girl,' who must be all things to all people. Part of avoiding that is having as many female characters as I can, and allowing them to thrive in their own right, not inside a framework they didn't ask for and don't want.

Male menopause is a lot more fun than female menopause. With female menopause you gain weight and get hot flashes. Male menopause ? you get to date young girls and drive motorcycles.

I've had countless jihadis shut me down straightaway and say, "I'm not allowed to speak to any woman who is not my relative." But among the few I'm able to get through to, I think that being female makes me more approachable, soft, all the stereotypes of what female means.

Female heterosexuality is not a biological drive or an individual women's erotic attraction or attachment to another human animal which happens to be male. Female heterosexuality is a set of social institutions and practices... Those definitions... are about the oppression and exploitation of women by men.

To me, feminism in literature deals with the female characters being in some way central to the thematic concerns of the book, or that they are agents of change to some degree. In other words, the lens is focused deeply and intensely on the female characters and doesn't waver, which allows for a glimpse into the rich inner lives of the characters.

In light of the strong correlation between female education and demographic decline, a purely empirical perspective on Malala Yousafzai, the poster girl for global female education, may indicate that the Taliban's attempt to silence her was perfectly rational and scientifically justifiable.

When men create movies about femme fatales, it really is always about how that female can destroy that male. It's not really about what's happening on the interior of that female.

I am a cisgender woman who has always had a lot of female friends. While many of us have traits in common, none of us will ever be exactly the same. So it's enormously important to me that my female characters be people, and be allowed to be whatever they need to be.

The first basic need of a male is sexual fulfillment; for a female, affection. The second most basic need of a male is recreational companionship; for a female, communication and conversation. The third basic need of a male in a relationship is an attractive woman; for a woman, honesty and openness. The fourth basic need of a male is domestic support; for a female, financial support. The fifth basic need of a male is admiration and respect; for a woman, family commitment.

I have this theory that the likeability question comes up so much more with female characters created by female authors than it does with male characters and male authors.

You cannot call a poem female just because it is written by a woman. Nevertheless, I think attempts to find femininity in female bodies, life, and thinking, attempts to find a way for women to speak, will improve widely in Korea.

Your body can be very female, which is something you can do nothing about, but then you can have the soul, the mind and the spirit of both male and female. The women friends I am closest to somehow have this masculine side to them, they shove their hands in their pockets when they walk: I love that side.

Most people view female directors as female only, that we only deal with women's issues and women characters. Although most of my films have dealt with women, I do have work that deals with other matters, and I'm always open to different stories regardless of gender.

I can only imagine how much more fun it's going to be to play someone who shares my identity rather than having to contort myself to play a boy. I'm going to gun for those roles, be it a transgender female or a cisgender female.

For much of the female half of the world, food is the first signal of our inferiority. It lets us know that our own families may consider female bodies to be less deserving, less needy, less valuable.

I'm attracted to films that have strong female characters because there are strong female characters in my life.

If the poetry world celebrate its female stars at the true level of their productivity and influence, poetry would wind up being a largely female world, and the men would leave.

Other female rappers are overly sexual, have no wit, and their lyrics are so generic. I want to change the game to make rap that shows I'm not a normal female rapper - it's not about how rich I am, how much sex I have, or how many boyfriends I have. That's just not me.

The dumber half of the audience - whether they're male or female, and a lot of them are male - for some reason responds very quickly to the feminine voice. How can I put it? They kind of instantly react to the female voice in a positive way quicker than they would the male voice.

It's funny: when I was a kid, my mom would reorganize the record collection all the time. She'd have classical, she'd have Celtic, she'd have rock and roll, and then she'd have female singers. And I don't like it that female singers are their own genre.

I so find Harold Pinter and David Mamet's writing to be exciting, and obviously there aren't that many female - at least with Mamet, there aren't that many good female roles. But I always thought it would be interesting to play one of the guy roles.

I am one of the few composers who has been lucky enough to manage to do songs with female singers, despite the labels and producers wanting otherwise. They don't believe that songs with female voices can work and often push us to work with male singers.

The female mind is capable of understanding analytic geometry... The difficulty may just be that we have never yet discovered a way to communicate with the female mind. If it is done in the right way, you may be able to get something out of it.

I'm very conditioned by my surroundings, by the influences of social media, by the television I watch. And I always found, growing up, that even inspiring female characters or complex female characters in television and film, I often found that their complexity was actually just another facet of their sexuality.

There's so much about Dolly Parton that every female artist should look to, whether it's reading her quotes or reading her interviews or going to one of her live shows. She's been such an amazing example to every female songwriter out there.

I'm really interested in male and female brains and whether female brains or male brains are better at maths.

[Footnote:] The female of any species is generally regarded as a relatively anabolic organism, more passive than the male, who is relatively katabolic and active. The fact remains that one frequently runs across a rather katabolic female.

In the not-for-profit world, I never felt that being female was an impediment. I was, however, given my break into commercial theatre by a female producer, Judy Craymer, and women - in particular, Donna Langley, president of production at Universal - were crucial in giving 'Mamma Mia' a home in Hollywood.

This is a culture of female display. And the reason it's a culture of female display is that on the Upper East Side women far outnumber men, if you do the sex ratios. I can't say exactly what they are, but you could google it. People have said two to one. So, it's a female display culture because sex ratios are skewed toward men, and they sort of have their choice, even if they're married.... Also, women are economically dependent on men, and so there's that aspect of needing to perform your beauty and your scarcity.

I don't really find it to be a man-dominated industry. I mean, I guess when you look at it, it is, but I don't really look at it as a female or male thing, or female or male guitar players or whatever.

The nationalism I seek is one that decolonizes the brown and female body as it decolonizes the brown and female earth

Most of the female-directed films, if they got distribution, would have fewer dollars to support the film and play in fewer theaters than the men. Because the female-directed films go to smaller companies. So the gap starts widening.

I couldn't wait to be an adult woman, and I'm glad I felt that way as a kid because, when I grew up, I realised I live in a world where the female form is really disrespected, and society is often trying to wrestle the female form into a shape that looks more like a young boy.

If you add up all the forms of genocide, from female infanticide and genital mutilation to so-called honor crimes, sex trafficking, and domestic abuse, everything, we lose about 6 million humans every year just because they were born female. That's a holocaust every year.

I guess the biggest difference between me and many of today's female graduate students is that a lot of them were raised by mothers with careers, and they got college degrees studying with female professors. Both of those factors make the enterprise of educating yourself for a serious profession seem feasible.

Any female who thinks that she needs a female in front of her in order to learn as much as she can, or to envision a career in a particular field, has declared herself a follower rather than a pioneer - and a follower based on a characteristic irrelevant to intellectual achievement.

London has a 50 per cent female population so we want to aim long term to have 50 per cent female officers. It's good for police to reflect the public that we serve.

What's a problem with India, in particular, is female feticide - aborting a female fetus. It is unacceptable and illegal, but it happens on a large scale. Then there's also the killing of baby girls. Female feticide is pretty much middle-class, Indian experts say. This is not happening among the poor; they just have to keep bearing children and hope they live. This casts into doubt the spurious argument that we just have to wait until everyone's middle class and then all of this will sort itself out. Better-off women will have fewer children - but at what cost?

Male filmmakers only need to tap their female selves in order to develop their female gaze as many great filmmakers have done. But why is it important to do so? Because the world has been run by aggressive males and landed itself in a fine mess.

As a female in a home with a whole bunch of brothers and being very close to my father, without a mother and later having a hostile relationship with my stepmother, there were all kinds of Freudian issues rising from possessing a female body that I had to negotiate with no guidance, and I did this negotiation almost instinctually.

It is not as common as female/male prostitution, but yes my friends and I had female clients. But this is a request that most girls are not willing to do. No, we never saw it as anything different, because if ladies were paying for an escort, they were still considered our clients, and they were treated as such.

I hate to say there are female and male ways of dealing with power, because I think each of us has a male and a female part. But based on my own experience, women will tend to be inclusive, to reach out more, to care a little more.

The EP is called 'Kiddo' because this has been an uphill battle for me. As a female in the industry, as a female of colour, some people will demean me. So it's like, 'OK, you wanna call me kiddo? I'll show you kiddo.'