Top 65 Fender Quotes & Sayings

Explore popular Fender quotes.
Last updated on December 18, 2024.
With longevity comes, 'Nothing is going to kill me; I cannot irreparably damage my career.' Those days are over. The most I can sustain are fender benders.
Some guy hit my fender, and I told him, 'Be fruitful and multiply,' but not in those words.
I realize this is blasphemy, but a few weeks ago I tried to watch a NASCAR race being run at Talladega. I lasted about five minutes before terminal boredom overtook me. It appeared to be nothing more than a high-speed freeway commute--a mob of luridly painted, identical lumps of metal loping at 180 mph around the banking, fender to fender, nose to tail. Knowing the scenario would surely devolve into a multicar demolition derby that would thrill the goobers in the grandstands, I turned off the set to later learn that this time it was Jimmie Johnson who triggered the eight-car melee.
I love the sound of a Fender Rhodes or James Jamerson-style bass lines that are their own melody, and live drums and Moogs. — © Corinne Bailey Rae
I love the sound of a Fender Rhodes or James Jamerson-style bass lines that are their own melody, and live drums and Moogs.
My first guitar, a Fender Jazz Master, I traded it in for a Les Paul Deluxe.
What I think is cool about Fender, and what originally drew me to them, was the Fender electric guitar headstock, which I've never seen on another ukulele. I feel like a rock star when I'm tuning it.
I guess everybody saw it. It's a deal where I'd been racing cars a long time and I knew going around the track the fender was on the tire hard.
The Fender Precision is my instrument, my beloved Precisions.
With my old man I got no respect. When he took me hunting he gave me a three minute head start. Then on the way home he tied me to the fender and put the deer in the car.
It's not too hard to play Fender Rhodes keyboard if you get the right one, with some good action on the keys. If you got an old one that ain't been touched up, it could be kind of difficult to get real loose on it.
I love to photograph the tools of one's trade: Duncan Grant's paintbrushes, the typewriter of Herman Hesse, or even my own guitar, a 1957 Fender Duo-Sonic.
I was playing a Fender Telecaster when I first joined.
I don't really play overseas stuff. I'm a bit of a dinosaur in that way. You gonna improve on a Les Paul or Fender Stratocaster? Those are perfect designs, and there is nothing to add really.
I play a Fender Jazzmaster and three stacks and a combo, two old Marshall Plexis and a Hiwatt combo and a Hiwatt combo with Marshall cabs.
So, I went to see No Doubt play on March 14, 1987 at the show at Fender's Ballroom in Long Beach, California. A week later I tried out and I joined the band and that was obviously a completely incredible thing for me and a life changing moment.
Playing a Fender is an art itself. They're always going out of tune.
I have two main bass guitars, and my main bass is a four-string 1964 Fender Jazz, and I've named it Justine.
The spirit of Route 66 is in the details: every scratch on a fender, every curl of paint on a weathered billboard, every blade of grass growing up through a cracked street.
One day, I was just fingering around on the keys of a Fender Rhodes piano, and I came up with this little riff, and all of a sudden, it morphed into a song. It had never been touched by a guitar, which was very weird for us. 'Under the Ground' is the first song I have ever written that had nothing to do with the guitar.
I did splash out on a 1964 Fender Jaguar guitar in L.A.
I go through about two Fender mediums a night because I don't pick straight down; it's sort of sideways, and it shaves them off. — © Robin Trower
I go through about two Fender mediums a night because I don't pick straight down; it's sort of sideways, and it shaves them off.
I'm always scouring the universe for great old instruments from the '50s and early '60s. That's really, for me, the golden age of basses, when they had just been invented within 10 years of that period and they had just started to come into their own, especially the old Fender jazz basses and old Rickenbackers and Gibsons. I'm always on the lookout. It's fun.
You could have knocked me down with a fender.
In early '57, I bought a Fender Telecaster.
I wouldn't be windmilling a Fender Telecaster if it weren't for Pete Townshend.
I'm using Fender Twin Reverbs and Fender Blues Devilles on stage.
I generally use a lot of analog instruments, a few synths from the '80s like the Roland Juno-106, and an old Fender bullet guitar.
It's really cool what you can do with a guitar and a Fender Twin and a space echo.
The first amp I had back in the '50s was a small Fender.
The two dozen commonplace childhood photographs - snowsuit, pony, tennis racket, looming fender of a Dodge - were an inexhaustible source of wonder for him, at her having existed before he met her, and of sadness for his possessing nothing of the ten million minutes of that black-and-white scallop-edged existence save these few proofs.
Fender Custom Shop made this nickel plated Stratbelieve it or not, it sounds incredible.
I called Leo Fender, the dead guy, a dork. Now I'll never get an endorsement.
I got my first real bass guitar in my hands when I was 14 - a 1957 Fender Precision, which is still hanging on the wall in my front room. I loved the heaviness of it and the feel of the wood. I still do.
I was not a great guitarist, so I sold my 1960 Fender Stratocaster in exchange for a Shure Microphone, made in Chicago, and a flute.
I've been playing a Fender since 1963, and before that it was my dream guitar. I can't endorse it more than that.
Many kids and parents ask me, 'What kind of guitar can I buy?' It's a great opportunity for those people to be able to buy a quality guitar that's not necessarily a little Fender or whatever. Ernie Ball signature model guitar is something that's more signature.
I have an electric Fender and a Telecaster. I have a Taylor and a Martin. I want to get more guitars for more sounds.
I met Leo Fender, who is the guru of all amplifiers, and he gave me a Stratocaster. He became a second father to me.
Without the Fender bass, there'd be no rock n' roll or no Motown. The electric guitar had been waiting 'round since 1939 for a nice partner to come along. It became an electric rhythm section, and that changed everything.
When I first played the guitar without plugging it into an amplifier, the people at Fender were blown away. They couldn't believe the sound. I said, 'See, gentlemen, the world is no longer flat.'
I come from a big family of musicians, so I was lucky enough to grow up with guitars all around the house. Even though I didn't really know much at the time, my brother had a Les Paul Goldtop, and my dad always had this Fender or some bizarre Pedulla-Orsini guitar.
My Portuguese uncle had a Portuguese version of a ukulele. The family would pull it out after dinner and play Portuguese folk songs on it. I couldn't wait for him to finish so I could get my hands on it. I was seven or eight years old. And he used to have a Fender amp in his house and an electric guitar. I would spend hours making sounds.
The smell of that buttered toast simply spoke to Toad, and with no uncertain voice; talked of warm kitchens, of breakfasts on bright frosty mornings, of cozy parlour firesides on winter evenings, when one's ramble was over and slippered feet were propped on the fender; of the purring of contented cats, and the twitter of sleepy canaries.
Ever since I was a kid, I've been a Fender connoisseur. And to have my name associated with greatness like that, it's amazing. I couldn't be more proud of anything. My children, and then being associated with Fender. In that order!
I've used Fender Strats with Marshalls since forever, though since I last played London, I've switched to my YJM Seymour Duncan pickups, and I also have a Fender YJM overdrive pedal, which is fairly new.
My brother was the first in Lancaster to have a Fender Stratocaster. — © John Waite
My brother was the first in Lancaster to have a Fender Stratocaster.
I really like the Budda head with a big Orange cabinet with Celestion 30 speakers and my '63 Fender Telecaster.
The Les Paul was more challenging because of the weight of it, but the tone was there that the Fender will never have and vice versa. So you have to make a decision as to what you're going to have as your main instrument. After seeing Hendrix, I thought, 'I'll stick with the 'Strat.'
Caught between the longing for love, and the struggle for the legal tender, where the sirens sing and the church bells ring, and the junk man pounds his fender. Where the veterans dream of the fight, fast asleep at the traffic light, and the children solemnly wait for the ice cream vendor.
I like guitars in the Fender style because they have skinny necks.
My guitar is a mutation between a classic Fender Stratocaster guitar, which I played for years, and a Gibson solid-body like an SG or a Les Paul. It contains all sounds of the basic classic rock n' roll guitars. It does what I want it to do.
I love my Fender Rhodes. It's been a part of my family since that keyboard came out, and I've had it reworked so that it's in the best condition it's actually ever been in. That is my baby.
Out of all the guitars in the whole world, the Fender Mustang is my favorite. They're cheap and totally inefficient, and they sound like crap and are very small.
I've got a Fender Concert amp from the '60s, the one Joe Osborn used. He played his bass through it.
In sixth grade I had a band called The Blueberry Waterfall. I had borrowed a guy's Fender Jaguar and Boss Tone Fuzz, which you plugged straight into a Blackface Twin. It was a little power trio - we were actually pretty good for our age.
The first guitar I ever picked up was an acoustic black Fender, so it makes perfect sense that Elias plays Fender guitars. As far as details, it's simple; Elias and Fender have a great relationship.
All right." He straightened up and seemed to be true to his promise to let it go. "I will be a man about this." That lasted until he saw the scratches on the hood from the mountain lion and the front fender, Where Abigail had dragged it off the driveway. Wailing, he went to it and sank to his knees. He sprawled over the hood and laid his head on the damaged fender. "I'm so sorry, Bets. I should of hidden the keys. Booted your tires. Something. I had know idea anyone would hurt you so, baby. I swear I'll never let anyone hurt you again. Ayyy, how could they do this to you? How? Oh the humanity!
I'm left-handed, and it's not very easy to find reasonably priced, high-quality left-handed guitars. But out of all the guitars in the whole world, the Fender Mustang is my favorite. I've only owned two of them.
[On her mastectomy:] Fact is, I'm the same car I always was, except now I have a dent in my fender. — © Betty Rollin
[On her mastectomy:] Fact is, I'm the same car I always was, except now I have a dent in my fender.
One of the key guitars in my career has been an early-Seventies Fender Telecaster Deluxe that I had before Sonic Youth started and that I played pretty much throughout Sonic Youth.
This site uses cookies to ensure you get the best experience. More info...
Got it!