Top 396 Festivals Quotes & Sayings - Page 6

I began writing early - very, very early... I was already writing short stories for the radio and selling poems to poetry and art festivals; I was involved in school plays; I wrote essays, so there was no definite moment when I said, 'Now I'm a writer.' I've always been a writer.

I go to a lot of writers conferences and literary festivals that tend to be in college towns or cities, and I'm eager to see what happens if those same texts and those same questions move outside of those areas to smaller rural communities where there are surely people who read and love poetry.

Government sponsorship of religious activity, including prayer services, sacred symbols, religious festivals, and the like, tends to secularize the religious activity rather than make government more ethical or religious.

I started singing Folksongs with my mother when I was 6 years old. We sang at Folk festivals and concerts and schools. There was always music being played either on record, Jazz and Folk, by musician friends of my mother. I took to singing very early, I believe it has been a Gift I was born with.

When it's my show, I know that everybody is there to see me - but I like a challenge, and I like the fact that at festivals not everybody is there to see me, but I have the chance to convert people.

I think one of the things the writers' festival does that is very good is that it brings writers from around the world and around the country and locally and puts them all in the one spot together, and that's what a lot of the world's great writers' festivals do.

Having grown up in the theater family, having done a huge amount of acting from a very little boy to precocious teenager in Shakespeare festivals that my father produced, I went off to college and fell in with the theater gang. I was already an experienced actor. I became a kind of campus star. I heard all this applause and laughter.

Christianity indeed has equaled Judaism in the atrocities, and exceeded it in the extent of its desolation. Eleven millions of men, women, and children have been killed in battle, butchered in their sleep, burned to death at public festivals of sacrifice, poisoned, tortured, assassinated, and pillaged in the spirit of the Religion of Peace, and for the glory of the most merciful God.

If you get to bring a little movie on the festival circuit, it's a nice experience because you get to see it with an audience. People who go to festivals to watch films are usually a little more eager to enjoy them. It's exciting because it's like you're going to the film's opening night at every festival.

Frank Sinatra was very devoted to what it was he did. At the end of his life, what he had left - there have been accolades, mementos, festivals, superlatives, all that stuff. He's done movies, TV, done this, done that - what he had left was a love of his audience, and that kept him alive.

I worked on the line, I've been an executive chef, I've worked for the Mets, I've worked for various steakhouses, vegetarian restaurants, a lot of Middle Eastern stuff. I've worked my fair share of a lot of different things. I've worked at festivals and street fairs, you know? I've been through it all.

The Tibetans are dirty. They wash once a year and, except for festivals, seldom change their clothes till they begin to drop off. They are healthy and hardy; even the women can carry weights of sixty pounds over the passes. They attain extreme old age; their voices are harsh and loud, and their laughter is noisy and hearty.

I think people probably lie about not reading their own reviews. I don't think that's true - I've been to a lot of music festivals and hung out backstage, especially in the past couple of years, and I see all these bands reading about themselves in newspapers. So I don't think that's true.

My hat's off to documentary filmmakers. I don't know if I'm ever going back to it. You're treated like a second-class citizen at most film festivals. You take the bus while everybody else is flown first-class. If you're a feature film director, you're put in a five-star hotel, and if you're a documentary director, you stay in a Motel 6.

I love festivals because they seem like more of an artsy, supportive attitude - which benefits a more theatrical performer sometimes with having theater and other non-club venues, as well as the audience being filled with other artists. It's nice to be with other comics, as usually at other road gigs, I'm solo for the most part.

The reality is that we have all these awards and all these festivals that give out awards, so you sort of go, 'okay, well, people liked the film, and I think it's a good film, and it's up for an award - well, I guess it should win the award then.'

We knew people in Cleveland who had been making movies for 20 years that nobody sees. Every couple of years, they make a little small movie on their own, and it goes to some minor festivals, and that's it. Four years later, they do it again. That's a fulfilling life for some filmmakers, and they're happy to work that way.

Hosting over 35,000 concerts and festivals each year, Live Nation has the opportunity and responsibility to provide our artists and fans with a live music experience that protects our planet. The adverse effects of climate change are undeniable, and we want to use our place on the world stage to be part of the solution.

[Amy Ray and I] both have this part of our brain that makes us think that everybody should and will be nice and friendly and forthcoming. And then we're completely disillusioned. We have all these grand plans. One of them is the Rolling Thunder Pussy Revue. There's all these women's festivals going on this summer, and we don't think they're as adventurous as they could be. Lilith Fair-right away, by the name, you know they aren't pushing the envelope hard enough.

One of my first festivals was Oxygen 2006. It had this amazing lineup with the Arctic Monkeys on their first or second album, the Strokes, Kings of Leon, the Magic Numbers and then the Who and James Brown. I waited in the pit for a good eight hours to see James Brown.

I love festivals in that people seem to let their hair down more. I love that people run from stage to stage. I love going as a performer because you get to see band that you wouldn't necessarily go see.

When you're battling against the minds of the studios and the money that can go into promoting larger budget films, it's very hard for a very small-budget Australian film to get a look in. You can get critically acclaimed and go to various film festivals around the world, but that doesn't necessarily mean the majority of people are going to hear about it.

After years of touring you experience music festivals that are mostly the same - where you copy and paste the same experience into a muddy field in California or a muddy field in England.

I used to say Edinburgh was a beautiful actress with no talent. I thought it was just like a shortbread tin. I think that's because I did six Festivals in a row there, and I never saw the real Edinburgh, just a lot of deeply annoying Cambridge Footlights kids wanting to be actresses.

I'm involved with a baroque opera company here in Italy. I write some of their booklet material, comments on operas. I also write for some baroque opera festivals because this music is my real passion.

I make films, and festivals, museums, and academia are embracing the work. It will be heard. It's bound to happen because cinema is universal. You create it, some people will notice it, some people will watch it.

Film schools are now nearly 50-50 male-female, and women are also well represented at festivals and in indie film. But what happens to them after they direct their first film or short? Where do they go? They certainly aren't being given the same opportunities as their male counterparts.

Not everyone’s a lifer in this world, but what separates the wheat from the chaff is intellect. Intellect is a true indication of taste. Some smart kids are standing in these EDM festivals, in the mud and heat and sick, and they’re thinking, “Yeah, this is fine for now, but this can’t be it forever”. There’s got to be something better – but they have to find it for themselves. That’s the next generation right there.

But there's more than just solving the how-to problems. I've often said that if we're going to have a real rural renaissance, I'd just take the solving of the how-to problems for granted. The first thing I'd provide would be festivals.

I'm Indian-American and I think that when I think of myself as being culturally Indian, it had so much to do with when I lived with my parents and was a kid because they would take me to the Diwali festivals. They would take me to the temple, and they would teach me about all the different holidays.

When it's my show, I know that everybody is there to see me - but I like a challenge, and I like the fact that at festivals, not everybody is there to see me, but I have the chance to convert people.

All cultures are different. Some commit genocide. Some are uniquely peaceful. Some frequent bathhouses in groups. Some don't show each other the soles of their shoes or like pictures taken of them. Some have enormous hunting festivals or annual stretches when nobody speaks. Some don't use electricity.

Sometimes during a show or a film, while you're shooting it, you'll think, "This is great, it's going to be fantastic, the script is incredible, and the actors are great, and everything is working out brilliantly." And then you see it, and you kind of go, "Oh god, it's not as good as I thought it was," and it doesn't get an audience to watch it. It only does a couple of festivals and then dies and whatever.

I think I first realized I wanted to be in country music and be an artist when I was 10. And I started dragging my parents to festivals, and fairs, and karaoke contests, and I did that for about a year before I came to Nashville for the first time. I was 11 and I had this demo CD of me singing Dixie Chicks and Leanne Rimes songs.

Film fests are an opportunity to see different kinds of films that you usually don't get to watch. When I'm part of a jury, then I get to judge films, but otherwise I attend festivals to watch two or three films a day and network with a gathering of cinema lovers from all over.

'Big Day Out' is one of our favourite festivals, it's such an eclectic mix of so many different things and it's really about music - which is what a good festival should be about. The reaction from the fans in that part of the world rivals our greatest territories and the kids are always very rabid and very appreciative of us being there, so we're super excited to get back.

Festivals are fun for kids, fun for parents and offer a welcome break from the stresses of the nuclear family. The sheer quantities of people make life easier: loads of adults for the adults to talk to and loads of kids for the kids to play with.

Fashion is primitive in its insistence on exhibitionism, which withers in isolation. The catwalk fashion show with its incandescent hype is its apotheosis. A ritualized gathering of connoiseurs and the spoilt at a spotlit parade of snazzy pulchritude, it is an industrialized version of the pagan festivals of renewal. At the end of each seasonal display, a priesthood is enjoined to carry news of the omens to the masses.

If you're into comedy, you will know what the show is about. We have so many comedy geeks, comedy enthusiasts, fanatical people who go to comedy festivals and follow comedians, and really treat it like rock 'n' roll - which it can be, but more like the geeky rock 'n' roll.

My parents weren't involved in show business, but my parents would show me. We'd watch old films in the house. Little film festivals of Westerns and stuff like that when I was a kid. I knew I wanted to be those guys in those movies before I knew what being an actor was.

I share with a lot of people who have seen The Green film at gay film festivals when you are the only gay guy on the block, you feel this responsibility to be this ambassador. You spend a lot of time making sure that other people feel comfortable with you. The perception that we project on that community, that gets in the way of a clear line of communication.

I'm happy that my films were discovered by chance by foreign film festivals. That makes me realise more that there is a world outside Japan too. For me, it's an occasion to meet many people and to experience directly the response of international audiences to my films. But for me as a director, my attitude towards making films hasn't changed with the fame. I feel it's not good to change as a person anyway

I directed one of my shorts that did festivals around the world, and that was great. I've got a bit of a bug for that now. I just hope I keep challenging myself and keep doing stuff that interests me with people who I respect and who teach me stuff. If I can keep doing that in anything - acting, writing, directing or whatever - I'll do it because life is short.

My daughter Cosma is a very popular actress in Germany. She also organizes these wonderful open-air parties. She has a wonderful teacher, she's very smart. And I sometimes perform at her festivals.

The guy who runs Big Day Out doesn't like us for some reason; I don't even know why. We do all the other festivals, and we enquired about it. Who knows, maybe he'll eventually crack, but maybe not. We're just going to keep knocking on his door late at night saying, 'Come on, dude!'

Usually when I take my films to festivals, I feel incredibly anxious about them. I wonder how it will be received, how the audience will react. I feel deeply responsible for them.

When we were shooting in Shreveport, me and a couple of friends went down to Lafayette, because they had a big Zydeco music festival down there. We spent two days dancing to Zydeco music, eating fried alligator... It was one of the craziest festivals I've ever been to in my life, but I loved it.

Of course, some people call me one of the most well-networked people in the world, but I am a very unsocial person - I never go to a cocktail party; I am never seen at a charity event. I have one exception: I'm a member of the board for one of the big European music festivals, so I participate, with pleasure, in concerts.

Why won't they let a year die without bringing in a new one on the instant, can't they use birth control on time? I want an interregnum. The stupid years patter on with unrelenting feet, never stopping - rising to little monotonous peaks in our imaginations at festivals like New Year's and Easter and Christmas - But, goodness, why need they do it?

In starting to learn about film festivals and what were good ones - 'cause there are five billion of them - it was just a really good East Coast festival. And I thought this little movie was an East Coast film.

When it can be proved that the observance of Christmas, Whitsuntide, and other Popish festivals was ever instituted by a divine statute, we also will attend to them, but not till then. It is as much our duty to reject the traditions of men, as to observe the ordinances of the Lord. We ask concerning every rite and rubric, "Is this a law of the God of Jacob?" and if it be not clearly so, it is of no authority with us, who walk in Christian liberty.

Obviously there is stuff that I wouldn't play in a club that I play at festivals, and vice-versa, but my sets are still dominated largely by my own music. I think that's what makes me stand out a bit. My music is also festival- and club-friendly, so it generally works out well.

At festivals there's always one spectator from Egypt who says, 'I like it, it moved me, reminds me of so many things.' I get a lot of reaction from the Arab world at fests. But the percentage of people from the Arab world who like it should be the same as anywhere else.

I have an idea about building almost like a studio for some of the best Tropfest filmmakers, so they can come together and support and be given space and resources they need to tell great stories year around, so it's not just about the festivals. You know, the sky's the limit with this thing, and I'm still making it up as I go along.

King René of Anjou [(1409-80)]was a strange compound of amiable, great and trifling qualities. He was so excellent a sovereign as to acquire the surnom of the Good. He was brave in war, delighted in tournaments and wrote on them, instituted festivals and processions, partly religious and partly burlesque, was a fond husband, a romantic lover, a good painter for that age, and a true philosopher.

Far more people die in the developing world than in the West. At religious festivals mainly. That's not a myth - the numbers don't lie. I think it's just because in the West crowds tend to be manufactured by commercial interesting, and they have, or at least should have, a responsibility for keeping people safe.

That's the reality of my life - I do normal things and then get to go to film festivals and wear borrowed clothes and turn up at premieres and talk about things I am passionate about. But then you click back to normality and your family and friends.

I think a very good movie director makes films to entertain people, but not to be considered like they were Cervantes, you know? One of the biggest problems now, with all the festivals and everything, is a confusion between the quality and the beauty and the highness of things. A film is a film. It's something to entertain you a couple hours. Not to be considered as if it were Shakespeare.

Now, there are so many movies, so many festivals, and so many awards going on, each judged with each other, like your work is worse than others and that's not fair. How can you tell what's best and what's worst from these awards? We're talking about art.

I first visited the Toronto fest in 1979, its fourth edition, when it was known as the Festival of Festivals and had an audience of about 40,000. I happily returned to the 10-day skein nearly every year thereafter, as attendance swelled to 400,000 and it grew into the most influential film festival in North America, perhaps the world.