Top 1200 Fictional Character Quotes & Sayings - Page 12

Explore popular Fictional Character quotes.
Last updated on November 15, 2024.
I feel as if dystopian and utopian representations are historically the most effective way of criticizing modern society. You know, because you don't have to be factually accurate. You can kind of construct some awesome strawman arguments in your fictional world.
If you do a character, always make the character with a big question mark. Even if the character is very enigmatic and all over the place, make him always with a question mark, because if you turn a question mark upside down, like they do in South America in Spanish, then it becomes a hook.
No person and no character is beyond redemption, ultimately. That's the great thing about playing a character that has kind of a dark side; there's room to explore the opposite.
In 'The Trip,' I play the character named Ananya Makhija, a Delhi girl who wants to get married. This is a different character from whatever I have portrayed onscreen so far - of a sweet, small-town girl. Most importantly, you will not find a trace of my character from 'Masaan.' So, I think this will change my image of a small-town girl.
Football doesn't build character, it reveals character. — © Marv Levy
Football doesn't build character, it reveals character.
Any character can find an audience and work if you have passion for that character. You might have to just scrape off the dirt and the barnacles and pull it out and highlight it.
[And on going from character to leading actor] I don't approach anything differently; I just approach it as a character. I'm always astounded at the fact that I've ever played a leading character in anything [Laughs]. And my wife concurs with that, frankly. She always thought I would be, at best, the wacky neighbor on a sitcom, so this is all just a surprise and a joy.
As an actor, I always feel that each and every character in my films has to be distinct. The character Thilak that I play in 'Kavan' will be one such unique role in my career.
And a lesson in this movie is dig beneath the surface. And so with my words, with my character, I purposely created a character that was away from how you've known me thus far in my career.
I never agree to do a character that molests a woman. I have been very conscious not to do such roles. I believe that even a villain should have character, which people can remember.
House Intelligence Committee Chairman Adam Schiff, D-Calif., whose youthful dreams of being a successful Hollywood screenwriter never materialized, is proving to the world that he does indeed have a talent for concocting fictional stories.
In some ways, what I learned is that you can take a character and breathe with them, and its up to the audience to interpret rather than you putting moral stamp on the character.
Now, being a POW certainly doesn't qualify anyone to be president. But it does reveal character. This is the kind of character that civilizations from the beginning of history have sought in their leaders.
There is something in the character of every man which cannot be broken in--the skeleton of his character; and to try to alter this is like training a sheep for draught purposes.
When I'm given a role, I'm consumed by a passion to bring to life a character that exists only on paper. I mull over the character for days and internalise his feelings.
Circumstances don't create character. They reveal character.
There's a pressure to be the wrestler that you are, that character that you've created 24 hours a day 7 days a week. It's tough for wrestlers sometimes to sort of have that separation between person and character.
For me acting is passion, emotion, and creating the character and the whole world around the character. We enjoy all that. Sleeping on time, eating healthy, you are what your lifestyle is.
Ideas and philosophies change just as machines do. Religions changed because of the birth control pill. Politics changes because of the hydrogen bomb. All because of science fictional inventions.
TV and film both attract me equally. In both, you do search for a role that would be enjoyable to do, that has a great storyline and then, secondly, you look at the cast and the crew - are they respectable? How I look at it is my character - has the character got enough substance? It can't just be a one faced character, which is there to fill a gap. He has to have a purpose, so if it ticks all of those boxes then generally it's a good choice.
The characters are born from repetition, from repeatedly thinking about them. I have their outline in my head. I become the character and as the character I visit the locations of the story many, many times. Only after that I start drawing the character, but again I do it many, many times, over and over. And I only finish just before the deadline.
Creating the fictional background for a game world isn't significantly different from creating a background for fiction. — © John M. Ford
Creating the fictional background for a game world isn't significantly different from creating a background for fiction.
I don't really try to judge any character that I play, afterwards I figure it out, but while I'm working on the character, I have to find something in them to relate to.
Heart and head are the constituent parts of character; temperament has almost nothing to do with it, and, therefore, character is dependent upon education, and is susceptible of being corrected and improved.
What a director really does is set the emotional temperature and the mood and the level, amount, or lack of, distance between the action and the character, and the character and the audience.
Life is what our character makes it. We fashion it, as a snail does its shell. A man can say: I never made a fortune because it is not in my character to be rich.
What we're doing on 'The West Wing' is fictional. It's not a place to learn about politics or government. Has there ever been a fundraiser on 'The West Wing?' No. So right there, you're in Disneyland.
The true athlete should have character, not be a character
Just because you are a character doesn't mean you have character.
Fictional characters exist in only two places, neither of which is on the printed page. They exist, first, in the mind of the writer and, second, in the mind of the reader.
Character matters; leadership descends from character.
I loved the idea of a book of fairytales meant especially for peculiar children, and I love even more the idea of making that fictional book real.
Usually I start with a concept, which I then sketch out so that I can get a feel for the character. The character doesn't really become real to me until I draw them.
Mark Zuckerberg is a genius. Not in the Asperger's, autistic way depicted in the very fictional movie 'The Social' Network, the cognitive genius of exceptional ability. That's a modern definition that reduces the original meaning.
In writing biography, fact and fiction shouldn't be mixed. And if they are, the fictional points should be printed in red ink, the facts printed in black ink.
As a young actor, I was advised to bide my time. Back then, there weren't good roles for someone like me. There were handsome leading men and character actors for smaller supporting roles. But I was told to hang in there, and it was good advice. We're all character actors now. Even a handsome man is a character actor at my age.
Today's youth cannot miss something they have never known, but I fear that there are no current fictional characters whose impact and influence will last with such abiding affection into their 'sore and yellow' as this splendid man's creations have in mine!
Mostly we are addicted to television shows for two reasons; whether it's because we get to connect with the story-line as somewhat similar is faced by all of us, or otherwise it gives you something which is totally fictional, unrealistic but catchy.
A cartoon character isn't a specific person. It isn't Tom Cruise or George Clooney playing the part, it's a character that could be you. It's easier for you to get drawn into it in a special way.
Todays youth cannot miss something they have never known, but I fear that there are no current fictional characters whose impact and influence will last with such abiding affection into their sore and yellow as this splendid mans creations have in mine!
I really believe that when you're playing a character that everything is contained in the script. If I'm pulling from things from my own life, then I think I'm being disingenuous to the character and the story.
I make a playlist for every character I portray. Music plays a huge part in helping me understand a character. Every time I get a new role, I will take a chunk of time to just sit and listen to a bunch of songs and select the ones that make sense in my mind for that character. I can't even explain how much it helps me.
I want to be true to the character and maintain some consistency and give the audience what they love while at the same time keeping things fresh and grow the character.
Oh, I'm dying to play Donald Trump someday, just because he's an unbelievable character. I'm a character actor; that's what you look for: outsized human beings. — © John Lithgow
Oh, I'm dying to play Donald Trump someday, just because he's an unbelievable character. I'm a character actor; that's what you look for: outsized human beings.
There is no such thing as playing someone else's character. Every actor takes a character and makes it his/her own while enacting it on screen.
I call myself a character actor all my life. I've done a certain amount as a leading man, but character actors in my estimation - it's a lost art these days.
The philosophical underpinnings of my approach to acting are that there are universal human qualities, and that every character is actually available within each one of us, that if we tap down into that universal humanness, we can find whatever character it is that we need to play already there within ourselves, and it's just a matter of peeling apart the onion that is you and finding that character within you, because of this universal human quality.
You have to play the character in the best way you know how and do what you need to do in order to bring that character to life and not worry about the millions of people that you may be disappointing!
If you do a character that resonates enough, people are always going to see you as that character. It will just be up to me to make choices where I can flex other muscles.
Politics and the pulpit are terms that have little agreement. No sound ought to be heard in the church but the healing voice of Christian charity. The cause of civil liberty and civil government gains as little as that of religion by this confusion of duties. Those who quit their proper character to assume what does not belong to them are, for the greater part, ignorant both of the character they leave and of the character they assume.
There's a theory in gameplay, particularly in first person shooters, that sometimes you don't want to have that much of a character because then it destroys the experience of the player being that character.
Sometimes an actor performs a character, but sometimes an actor just performs. With writing, I don't think it's performing a character, really, if the character you're performing is yourself. I don't see that as playing a role. It's just appearing in public.
A character who is thought-out is not born, he or she is contrived. A born character is round, a thought-out character is flat.
I know about various fictional and folkloric vampire mythoses the way other people know about the personal life of celebrities.
Winning takes character. Workers get the most out of themselves. When a body has limited talent, it must muster all its resources of character to overcome adversity.
Some songs depend heavily on the character, but, for the most part, a great song begs for reinterpretation every time it is sung, even when in character.
You can make an interesting character in a small portion of a movie, for a character that doesn't have that much on the page, if you just find the contradictions. That's something that I try to bring to my performances.
A little girl thought I was mean like my character on 'Zoey,' and I convinced her that 'Logan' is just a fake character and I am really a nice guy. — © Matthew Underwood
A little girl thought I was mean like my character on 'Zoey,' and I convinced her that 'Logan' is just a fake character and I am really a nice guy.
The character of a generation is moulded by personal character.
The most important thing you can do as an actor is bring as much of yourself to the character to ground the character in some sort of reality, and then you build around it and on top of it.
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