Top 1200 Fictional Character Quotes & Sayings - Page 16

Explore popular Fictional Character quotes.
Last updated on November 14, 2024.
Style is a form of expression! It's what makes your character your character, to put it in laymen's term.
I am playing the character of a grandmother in 'Doctor Don' which is completely different from my previous roles. My character is dashing, carefree and has a bindaas mindset. She loves to live her life happily.
I am an actor and I do not have to relate to whatever I play on screen them at a personal level. What is important is to understand the character, do enough homework to know the frame of mind of the character or his back story.
I don't really approach a character as to whether or not it's good or bad. I just approach a character as to where it lives in me. — © Zachary Quinto
I don't really approach a character as to whether or not it's good or bad. I just approach a character as to where it lives in me.
The villains are all parts of me. For years I've been wondering what it would be like if all those negative elements were forced onto the main character's side. I can understand a character with that kind of anger.
For me, one thing I love is having an arc for a character. I love being able to see a character go through something and to learn.
Take care of your kid's character, and everything will follow after that. Character is everything
One of the things I've learned in playing a character like Becca from 'You're the Worst' is that there really is such a joy and freedom in behaving badly and in being a character that you do roll your eyes at. She's just so delicious to loathe.
It can be frustrating and even frightening to observe the success which sometimes comes to outlaws and rogues who seem to refute notions of universal justice. Every time we see a villain enjoying the fruits of dishonorable acts we find ourselves doubting the value of character and the validity of the virtues we have been taught. Thus, it takes character to believe in character, but that belief is always rewarded, often by material success, but always by the esteem it earns from those who matter.
Character calls forth character.
As an actor, I need to convince the audience that the character that I'm playing is real, and the situation that this character is in is also real.
It took me a while to get over 'Highway'. I started living the character of 'Veera' very closely. I don't think I would be able to give so much to a character the way I did with her.
Everything of mine which has been filmed so far has been one character short, and that character is me.
When I saw the script [of The Man], I saw the character and knew I could do the character. It's a relationship movie, which is also what I love to do. That's what attracts me to projects.
It's so much easier to write for an actor than for an imaginary character and then try to fit that character to an actor. It doesn't work very often in my experience. — © Michael Schur
It's so much easier to write for an actor than for an imaginary character and then try to fit that character to an actor. It doesn't work very often in my experience.
It's quite a layered character that I portray in 'Jalebi' and I needed to deviate and cut-off completely from the world to get into a different zone as a character. I'm really glad it proved beneficial and worked to my advantage.
And he said that he wrote the Bond character based on the character of David Niven. That's how he saw Bond.
I don't pretend to be the character. I am the character.
Culture is not just an ornament; it is the expression of a nation's character, and at the same time it is a powerful instrument to mould character. The end of culture is right living.
To choose the ideal voice for a character is to give a character an ardent and vivid life, to allow him or her to speak, rather than speaking for them, in an older style of omniscient narration.
When you play a character, there's always a part of you. Like, you always bring out a side of you when you do another character.
Well first of all you have to make the character strong so that people can follow that. And then hopefully that character can integrate with the background of the social situation that people can recognize.
Filming a movie is different from a TV show because film is a lot quicker, you get to see the character progress and grow all in one script, and in television, you wait for a weekly update on each character.
When you're playing a character, you don't really want to have an opinion about where you're going to end up. Otherwise, you can't really stay in the moment and in your character.
The great thing about literature is that you're making up your own interpretation of the character anyway. Also, you're given basically a bible of who a character is and you're kind of shooting yourself in the foot if you're not reading it.
Christopher Guest, he'll call and say, 'We're doing this movie, and I'd like you to play _' and he gives you the character, then I always like to enlarge on the character.
Whenever feasible, pick your team on character, not skill. You can teach skills; you can't teach character.
The point of acting is to hide yourself and get lost in character. To play the same character in eighteen movies would be defeating the purpose I believe so I try to keep a little bit of diversity.
Don't write stage directions. If it is not apparent what the character is trying to accomplish by saying the line, tell us how the character said it or whether or not she moved to the couch isn't going to aid the case.
Even when I took up 'Drishyam,' I was not the lead character. I liked the role as the story was about my character and that was enough for me to take up the film.
I did take some voiceover classes. I always loved the idea of doing a voice for a cartoon character. I just voiced the character of Suzi X in the upcoming 'The Haunted World of El Superbeasto.'
Nothing about character is hereditary. Everyone, regardless of social background, financial status, race, or sex, enters the world with an equal opportunity to become a person of great or petty character.
Character is plot, and casting is character.
I'm a huge fan of BioWare games. I think they do some of the best character-building. I mean, I have a relationship with Thane from 'Mass Effect' that is as vivid as any crush that I've had on a TV-show character.
While you're testing out armatures of puppets, you're also trying to find the proper visual vocabulary for the character and to come up with a guidebook of sorts for how a character will move and act.
I'm pulling out different aspects of my personality in writing each character and, if I'm doing my job well, I'm being true to the situation and true to the character.
I didn't want to do character roles because when you are doing comic characters, you only get character roles.
For me, character comes from a specific condition or situation. I cannot really define a character outside that situation.
The person you see in the ring is me in a mosh pit, pretty much. I am that character, I don't even like calling it a character. It's just me. — © Rhea Ripley
The person you see in the ring is me in a mosh pit, pretty much. I am that character, I don't even like calling it a character. It's just me.
Evil is such a simplistic way to describe any character, be it Iago or Caliban, or any character from history.
If you have a character who wins all the time - well, if you have a character that loses and wins, it makes him more alive. Bugs Bunny, for example, didn't always win.
The palmist looks at the wrinkles made by closing the hand and says they signify character. The philosopher reads character by what the hand most loves to close upon.
When you're playing a character, as an actor or actress, you can't judge them for what they do. You really have to find what is in them that you have compassion for and fall in love with that character, regardless of what they do or how they behave.
The power of the Latin classic is in character , that of the Greek is in beauty . Now character is capable of being taught, learnt, and assimilated: beauty hardly.
One of the things I like about a character: I always think it's fascinating when a character can turn on a dime and go from one emotion to another. I like watching that.
'Huge' is a show about self-discovery and follows kids at a weight loss camp. My character is shy, so when she meets Nikki Blonsky's character Willamena Rader, who's not, they become friends.
On-screen relationships are the best because you don't have to worry about saying the wrong things. And if the guy's got a girlfriend, or I'm not attracted to him, it's even better. It's just my character kissing his character.
Dialogue is character and character is plot.
I really am a guy who can be black and white. I don't understand, too much, the gray. And truly I can go from one type of character to another type of character.
HIV is certainly character-building. It's made me see all of the shallow things we cling to, like ego and vanity. Of course, I'd rather have a few more T-cells and a little less character.
Belief is everything when you're performing something. If you don't have the belief behind it, then that actually puts a shunt on the character. It's like, "Does the character believe this for a minute?"
The character has to have some kind of arch. The character has to go through an event, and be changed by the human event. — © Constantin Stanislavski
The character has to have some kind of arch. The character has to go through an event, and be changed by the human event.
I'd rather play a character that was really, really different to me as to someone who is quite close to my character.
When you approach it, and I hate sounding like the pretentious actor, but yeah, I think you have to find things within the character that are likeable, or at least human, and not to go at it with any sort of predetermined notions as to what that character is.
In creating a new character, it's sometimes difficult to find a touchstone, a North Star that will always point you in the direction that character will travel.
Every character I do is something special to me. Every time you score with a great character relationship in a movie, it becomes your baby.
Then I got the offer to play Buck Rogers, but I turned it down thinking it was a cartoon character. Well I was wrong, it wasn't at all. So I read the script and decided I liked the character, it had a good concept.
I've worked in this business long enough that I know people who complain, like, 'My character does this, and my character does that,' and I think it's just ego talking.
I don't understand when people say character actors. You either have the protagonist or the antagonist and I've played both. It's an actor's role to play a character. Does that mean that main stream heroes and heroines are characterless?
I'm a character actor and that's what I do. All the roles that I've had have been mainly support roles, because character actors don't usually get the lead in movies. It rarely happens.
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