Top 1200 Fictional Character Quotes & Sayings - Page 8

Things have character. So I'm interested in how the character of the thing might function as a protagonist in what isn't a narrative.

Character is the ability of a person to see a positive end of things. This is the hope that a man of character has.

Good Web design is about the character of the content, not the character of the designer.

I like exploring, especially being and getting more comfortable with a character and in the space a character is always in.

Character isn't who you are when life goes your way. Character is who you really are when the bottom falls out.

My character from 'Panda Eyes,' Fay, is the character I see myself in a lot.

But if you can empathise with a character and if you can emotionally resonate with that character and understand their emotional journey, I think you are home.

Anytime you take on a character... you just have to find the parts of the character that you can understand.

Character is one of most precious parts of you. You can't get involved in things that will damage your character.

You can't take a character anywhere they don't expect the character to go. But within those confines is where creativity lies.

The audience has its own gestalt, and it becomes another character - a character that changes each night.

As long as a character doesnt die, the character can always come back.

Even when I'm writing in character I'm normally still writing about things I know or things that have happened to me or using that character to start an exploration of my own consciousness. Really though, any character that you can examine is just an examination of a part of your own consciousness.

The unfinished character of human beings and the transformational character of reality necessitate that education be an ongoing activity.

You can't take a character anywhere they don't expect the character to go. But within those confines is where creativity lies

The important thing to understand about American history, wrote Mr. Ibis, in his leather-bound journal, is that it is fictional, a charcoal-sketched simplicity for the children, or the easily bored.

I think it's really hard to make songs that pursue an agenda. You can kind of do it a little bit through a character, so the character gives voice to something or their story, the story of the character tells you something, but, for me anyway, it's really hard to write directly about politics.

Well, it's difficult to fall in love with a character when you just read the pilot. You don't really know who the character is.

There's really one character for every actor. The voyage is to find that one character.

'Character," says Novalis, in one of his questionable aphorisms - character is destiny'.

You really try to work the character out and spend time in the headspace of the character. That's what I did.

To a large extent, people's interest in the character is the mystery of the character.

For me, as an actress, you are playing a character, and to play that character, you have to get into that mindset.

With any character, I try to focus more on who the character is and how they got to be who they are.

I love my snaggle fangs. They give me character and character is sexy.

There's something so beautiful in playing a character that supports another character's success.

The main character and the most important character are not always the same person - you have to know the difference.

[As an actor] you're looking to crawl into an anonymous fictional person's skin, but then you have the ironic obligation to promoting the movie in such a public way that it almost undermines the initial intention of going under the radar.

If I leave the fictional world for too long, it's a bit like stepping through a portal, entering another reality, and then not knowing how to get back to where you were before.

Leadership consists of character and strategy. If you can't have both, opt for character.

When it comes to the look of a character, it plays a very important role in shaping up a character's personality.

It's hard for people to differentiate between a character they see on television and a person who plays the character.

I don't have any room in my heart for that character [Kevin McCallister ]. I like the actor [Macaulay Culkin], but the character, no.

My character in 'Saaho' is completely contrasting to my character in 'Baahubali,' and I am quite excited about it.

Greatest thing we can produce is character. Everything else can be taken from us, but not our character.

A man cannot have character unless he lives within a fundamental system of morals that creates character.

Not many know, but the costumes of your character can really help you to get into the skin of the character.

I am me. I've always been a character, and my character's story lives into pro wrestling.

If you're going to make a movie about a character who is a supervillain, it's fantastic to have a core sense of empathy for that character.

When you are a character actor they trust you will go in and give them a full character and leave.

My only job as an actor is to try and understand the character and, to the best of my ability, bring this character to life.

A clown's makeup and character, that's all he has to sell. He loves and believes in that character.

You never display your character more clearly than when you speak about the character of others.

Usually, witches are the little side character... a bad female character that comes in and leaves.

You play your character and it isn't right to step out of it. You have to stay in that character.

I've usually had two styles: the Fletch character and the Clark Griswold character.

My initial response was to sue her for defamation of character, but then I realized that I had no character.

When you study a character, when you're making a film, you want to understand the character: like, what makes them tick?

Breathing is always key in any character. When you have a character with no voice, that makes it even more important.

Whatever character you play, whatever film it is, whatever story it is, for me, in my training it's always something that gives you a layered character, it's understanding the secret of that character, and so whatever comes up as "Oh, I thought that person was that," you are always carrying that within you. So actually what you're playing all the way through is both and it's just what comes out in the scene or the circumstance.

The greatest work in all the world is the building of men and women of character. Without character there is not much that is worthwhile.

I think there's a bit of me in every character. Basically it just depends on what happens with the character.

The character of the English players is very good. It is a working character. If they are on the pitch they like to work.

With any character, you have to put part of yourself into it because we are the soul that brings that character to life.

I don't know what the character is going to be. We sit down and we create a character, and all of the characters in all of my films are made like that.

One must keep one's character. Earn a character first if you can, and if you can't, then assume one.

I don't worry about whether a character is likable, as long as the character is believable.

Winning takes character and intelligence. It is the most important thing you can do because it's a reaffirmation of your character.

I do really believe that all guitarists have a different character that comes through, that's a strong character, the stronger the person is.

I was always a character actress and never a sex symbol. Even when I was the leading lady, I was a character actor.