Top 1200 Fictional Worlds Quotes & Sayings

One of the things that writing has taught me is that fiction has a life of its own. Fictional places are sometimes more real than the view from our bedroom window. Fictional people can sometimes become as close to us as our loved ones.

For me, there's a fine line between telling a story that's fictional with lots of details and then removing yourself too much from it, so it's bloodless, a little too fictional.

I don't think there is a fictional character who resembles me because fictional characters are not real!

Let me also remind you that zero, like all of mathematics, is fictional and an idealization. It is impossible to reach absolute zero temperature or to get perfect vacuum. Luckily, mathematics is a fairyland where ideal and fictional objects are possible.

There are only two worlds - your world, which is the real world, and other worlds, the fantasy. Worlds like this are worlds of the human imagination: their reality, or lack of reality, is not important. What is important is that they are there. these worlds provide an alternative. Provide an escape. Provide a threat. Provide a dream, and power; provide refuge, and pain. They give your world meaning. They do not exist; and thus they are all that matters.

I love the idea of fictional worlds kind of all cohering in some way.

I love it when real science finds a home in a fictional setting, where you take some real core idea of science and weave it through a fictional narrative in order to bring it to life, the way stories can. That's my favorite thing.

People are looking for a simplicity in their fictional worlds where good and evil are clearly delineated, that you can't find in the real world, and that provides an enormous comfort - and that, I think, has an awful lot to do with the reason fantasy is so popular.

Kafka is one of my very favorite writers. Kafka's fictional world is already so complete that trying to follow in his steps is not just pointless, but quite risky, too. What I see myself doing, rather, is writing novels where, in my own way, I dismantle the fictional world of Kafka that itself dismantled the existing novelistic system.

There is the physical world that we live in, which we perceive through the senses, but there are other worlds. Right in front of you there are other worlds, right now. Those worlds are as real, if you will, as the physical world.

My fictional worlds were those of a fabulist, of an intellectual fantasist. I was the lawgiver, and the countries and inhabitants of my imagination were answerable to me. If I wished for a man to levitate; to enter another's story by rowboat or by intoning a sentence or by performing a shadow-puppet play; if I wanted him to become a swarm of intelligent elementary particles and enter the Internet and travel into the past and far into the future, it was so.

I write fiction that reflects Islamic logic: fictional worlds where cause and effect are governed by Muslim rationale. However, my characters do not necessarily behave as 'good' Muslims; they are not ideals or role models.

What's fascinating to me is the way that multiple stories go into creating any world - a fictional world, but certainly the world that we live in as well. Of course, I cannot control that world. I can just control the fictional world.

I've always been interested in invisible worlds, and I like to visit digital worlds, you know, any world that's imposed on us.

I just realized that I never look at a painting and ask, 'Is this painting fictional or non-fictional?' It’s just a painting.

It's more difficult playing a real-life person than a fictional character - you can go easy on yourself with a fictional character.

One of the things that makes characters real is details. Life offers a lot of details. You just have to choose and use them wisely. When you give them to fictional people and a fictional story, their purpose and their meaning changes, so it's best to see the version in the book as fiction entirely, wherever it started out.

Science fiction is about worlds you don't know and worlds you can create, like in 'Avatar'.

It is easy to slip into a parallel universe. There are so many of them: worlds of the insane, the criminal, the crippled, the dying, perhaps of the dead as well. These worlds exist alongside this world and resemble it, but are not in it.

I felt like I had proof that not all days are the same length, not all time has the same weight. Proof that there are worlds and worlds and worlds on top of worlds, if you want them to be there.

I'm trying to listen to my past, listen to what's most deeply going on inside myself, my creative set of fictional characters, a fictional world - to listen to that world, to search.

I've always written towards movies that take place across two worlds. Most of the movies that I've worked on take place in two worlds, or sometimes three worlds, where you have a normal world and a fantasy world that mix and overlap. I never shy away from the series stuff in the real world. Big Fish is about mortality.

It is perhaps both a blessing and a curse that fictional worlds spring into my mind nearly fully formed and it takes quite a while to sift through everything to find the story.

Women writers are often conflated with their narrators - as if we can't consciously construct fictional worlds from the ground up and can only write diary entries.

This is a work of fiction. Still, given an infinite number of possible worlds, it must be true on one of them. And if a story set in an infinite number of possible worlds is true in one of them, then it must be true in all of them. So maybe, it's not as fictional as we think.

I love building out the worlds of my fiction with fictional books.

As with real families, my fictional family on 'Life Goes On' had its ups and downs, and as part of the fictional downers, the actors were often called to cry on cue. This absolutely terrified me, because I was a pretty happy kid who didn't have much to cry about.

Fictional realms are usually terrible places to vacation, as they tend to be full of monsters and conflicts - Narnia and Middle-earth would both be good places to get killed - but I wouldn't mind visiting the worlds of Iain M. Banks's 'Culture.' You'd just have a hard time getting me to leave.

Science fiction in particular is often assumed to be about the future, or about some abstract technological or philosophical idea, or just about 'adventure,' but writers can't build worlds out of nothing. We use bits and pieces of the real world to assemble our fictional ones.

The grandest and simplest things contain worlds within worlds. Seeing them is a matter of the right point of view, and your painter's eye is the special portal to such sights.

If you will practice being fictional for a while, you will understand that fictional characters are sometimes more real than people with bodies and heartbeats.

Distribution may not matter in fictional worlds, but it matters in most. The Field of Dreams conceit is especially popular in Silicon Valley, where engineers are biased toward building cool stuff rather than selling it. But customers will not come just because you build it. You have to make this happen, and it's harder than it looks.

When you're training as an actor, a lot of the big work you're learning is to treat fictional characters like real people. You don't have the problem of discovering a backstory with real people, but there's always a mystery which is common to both fictional and factual characters. They are never quite the person you think they are.

When I write fiction, I have the illusion of being able to control these fictional worlds and these characters, and to make them say what I want them to say. Of course, the problem is that it is an illusion, and by the end of it you realize that you're not in control of it at all; the characters have taken over, and they're driving the vehicle.

I am not interested in making didactic polemical statements. That is not the way I want to make films. There is a place for polemics, but I don't think that it is in fictional cinema. Fictional cinema works subtly and deeply.

Never get so stuck in being responsible and mindful that you can't let it all go and run off chasing your private dream, if it leads to the shiny worlds, the worlds of beauty.

There are different worlds, endless worlds, and different beings come from different worlds. In my particular case, I come from the stillness. We call it the dharmakaya, the clear light of reality. I know it quite well.

It was interesting to do a completely fictional piece. You know, Saving Private Ryan was not a fictional piece! So the challenge was: How do you incorporate real emotions? How do you incorporate aspects that people are going to be able to identify with?

Organic as a dandelion seed, [the ship of our imagination] will carry us to worlds of dreams and worlds of facts

I have been challenged with the fictional languages I have to learn. I wasn't terrible at languages at school - I got an A in French, so I did well enough - but I didn't enjoy them. I'm not even sure if that plays into how well you learn a fictional language!

When you meditate and still your mind, you will gain the wisdom of knowing things in this world, in other worlds and beyond worlds - it just comes to you.

There, Master Niketas,’ Baudolino said, ‘when I was not prey to the temptations of this world, I devoted my nights to imagining other worlds. A bit with the help of wine, and a bit with that of the green honey. There is nothing better than imagining other worlds,’ he said, ‘to forget the painful one we live in. At least so I thought then. I hadn’t yet realized that, imagining other worlds, you end up changing this one.

It's a funny thing with documentary films - you want them to feel as entertaining and as gripping as a fictional film. With a fictional film you want it to feel as realistic as a documentary film.

To really be a nerd, she'd decided, you had to prefer fictional worlds to the real one.

We willingly enter fictional worlds where we cheer our heroes and cry for friends we never had.

The higher worlds are around us. These worlds are not only heavenly worlds, not only worlds of happiness, though paradise and happiness are in them, but they are also worlds that could be terrible for the people, by dangerous facts and creatures.

I have found that the person with a sense of story built in from childhood is in better shape than one who has not had stories . . One knows what stories can do, how they can make up worlds and transpose existence into these worlds. . . .One learns that worlds are made by words and not only by hammers and wires.

And now good morrow to our waking souls, Which watch not one another out of fear; For love, all love of other sights controls, And makes one little room, an everywhere. Let sea-discoverers to new worlds have gone, Let maps to other, worlds on worlds have shown, Let us possess one world, each hath one, and is one.

Imagination is the Discovering Faculty, pre-eminently. It is that which penetrates into the unseen worlds around us, the worlds of Science.

It goes without saying that all of the people, living, dead, and otherwise, in this story are fictional or used in a fictional context. Only the gods are real.

If you look at television shows, which of course are fictional so you don't expect them to be real, but they're constantly showing career women who are also successful mothers and also look gorgeous. And we fall into believing that these fictional lives are somehow accurate depictions of what our real lives should be about.

The best moment in writing any book is when you just can't wait to get back to the writing, when you can't wait to re-enter that fictional place, when your fictional town feels even more real than the town where you actually live.

Like a Chinese box, the world of the novel contained smaller worlds, and inside those were yet smaller worlds. Together, these worlds made up a single universe, and the universe waited there in the book to be discovered by the reader.

The kingdom of God is like a mustard seed, beginning as the smallest of seeds but growing until the birds of the air make their nests therein. There are old worlds and new ones. There are earthy worlds and cyber worlds. But one truth remains the same now and forever, that Jesus rules them all.

There are so many different worlds in Long Island. That's why it's so fascinating. Between Great Neck and Montauk, there are 10,000 worlds.

What writers of fantasy, science fiction, and much historical fiction do for a living is different from what writers of so-called literary or other kinds of fiction do. The name of the game in F/SF/HF is creating fictional worlds and then telling particular stories set in those worlds. If you're doing it right, then the reader, coming to the end of the story, will say, "Hey, wait a minute, there are so many other stories that could be told in this universe!" And that's how we get the sprawling, coherent fictional universes that fandom is all about.

I quote fictional characters, because I'm a fictional character myself!

Children's books deal in idealized worlds, so they're a document of how our notion of ideal worlds has changed over time.

Beyond this world, beyond other worlds, be they inter-dimensional worlds or physical worlds, there is something else, which is the vast unknown eternity.

Worlds on worlds are rolling ever From creation to decay, Like the bubbles on a river Sparkling, bursting, borne away.