Top 1200 Film Festival Quotes & Sayings - Page 19

Explore popular Film Festival quotes.
Last updated on November 7, 2024.
Clearly any film company that makes a film is always going to talk about sequels particularly if they see something as being successful, which Werewolf was.
The song 'Bolo Naa' from the film 'Chittagong,' which got me the National Award, wasn't even promoted in India, whereas the film won laurels all over the world.
My deepest apologies to all of our friends, fans and people who have worked on and supported us being a part of this festival, we are sorry for these awful circumstances and you can be certain this will not defeat us.
I know it's a film and all of that, and it's a Hollywood film, but it kind of feels like this sometimes, when you're in pain and it hurts, and you're desperate. Or you are about to cross some moral line and it's so seductive and you just do... and all that.
I think people are willing to take more of a risk on an indie film, about character, etc...but at the same time, when I work on projects that are substantially bigger, in a way they do feel small. Even though the catering is way better and we actually have someone shooting with real film.... The budgets are bigger but the story still feels small, like an indie film.
We shot 'Party Girl' on film, and I remember being told, 'We need to get this in two takes because we don't have a lot of film in the mag right now!' — © Parker Posey
We shot 'Party Girl' on film, and I remember being told, 'We need to get this in two takes because we don't have a lot of film in the mag right now!'
'Ashes of Time' was my third film, and as a young director at that point, it's not very often that you have the chance to make a big martial arts film, so of course I jumped at this opportunity.
I'm launching my own festival in South Wales. It's something I've wanted to do for a long time. It's going to be held at Margam Park, because I wanted the venue to be as close to my home as possible.
When the film industry moves to the 21st century, there should be no doubt in anyone's mind that the money used in film-making is clean and devoid of any underworld connections.
I learned some big lessons on my first film, a horror film which was never released in the U.S., even though we sold it to Harvey Weinstein for a lot of money.
I used to love going on a junket and promoting a film when it was not a 24-hour news cycle, and when there weren't so many media outlets. You could actually talk about the film.
You have to face the fact that I have no reputation as a composer; I have my reputation as a songwriter and a performer-and that opportunity came this summer, when I was invited to perform at the Lincoln Centre festival in New York... three nights.
There's so many people that are interested in film and especially in terms of the technology side of film, that suddenly the fruits of everybody's labor is really starting to manifest itself all across the planet.
In fact my first film ran for about 400 days. It all depends on hype, marketing and publicity, which are actually more expensive than the actual film.
We're still working out the details, but I'd be delighted to do the film. The problem at the moment is my busy schedule. Shooting on this film has been extended by a month, but I need to be in the U.S. by Dec. 20.
I would love to say something really cool, because I did film studies. So, like, a Jean-Luc Goddard film - something like that. But I genuinely would love to be in 'Titanic.' I'm such a loser. That's, like, my childhood film. Like, I love it.
I had directed a short film called 'Girvhi' earlier, on child labour. It was a fictional story. At that time, I realised I could direct a film if given a chance.
Sometimes I work on film sets. I've done this for 40 years. I always wanted to photograph on the set of an Ingmar Bergman film. Unfortunately, I never had the opportunity.
My second film 'Johnny Gaddar' got delayed because of financial reasons. The film was taken over by another production house and in the process we lost a year. — © Sriram Raghavan
My second film 'Johnny Gaddar' got delayed because of financial reasons. The film was taken over by another production house and in the process we lost a year.
Every part of it is important; the film comes alive when you edit it, the film comes alive when you write it, the film comes alive when you act it, and the same with the directing. They're all the most important part at the time and that's why I enjoy doing it, because you're creating a story and every part is a very integral part of it.
The general view is that actors start on soaps and then maybe graduate to prime-time television or film; normally you don't see a film actor going to do a soap.
We have a conservative government that only thinks in terms of efficiency. They are spending a lot of money on military expenses and less and less on culture. My position is that culture can actually be economically viable. When I make a film, the film costs $3 million. Now, in Quebec, it grossed $3.5 million, which is a small film. It's not a comedy. There are no stars in it. And, it still grosses $3.5 million. That's just in Quebec.
There are so many bands that after their second record are headlining music festivals, and they're still... suited to playing in a tent. Very few bands when they headline a festival can pull it off.
I channel the rote and the new and unseen. My head has always been the busiest of crossroads, a festival of happy and unhappy arrivals. In the hours before daybreak when I was a boy, god sent me words as visitors.
To fans in a festival setting it's like a picnic. You want to have a good time with your friends in that crowd. And in the background you hear the band play, 'Oh, that's my favorite song!' everyone is there to enjoy the afternoon and that's about it.
I have had several offers to make the book into a film. I don't know if the message could be accurately transmitted, and so I have been somewhat hesitant in granting film rights.
I'd go from film to film and almost detach from one world and jump in another. I was living as these people and not having a self. I didn't know who I was. And things just get really dark.
When you're doing a film and the majority of the film is cast black, for me, it's most important to get people to view those movies as just movies, as just good movies. At the end of the day, regardless of the color of the cast, we're all doing the same thing in this business: trying to make a good film.
Filming movies and TV are vastly different. Film is more of slower pace. You usually have more time to develop characters, and it sometimes takes up to 3 months to film one movie. Sometimes you'll spend half the day filming one scene. TV moves much faster. It takes about 10 days to film an episode.
At Temple University, and I'm sure this was the way in a lot of film classes, comedy was not an option, and not considered a serious form of expression. You had to make a film about an issue.
My tutor was a film director on the side, and she introduced me to film. She then put me in one of her short films, and it came out of that. That's when I fell in love with the process of making a film. After that, I was about 15 and I was like, "This is what I've gotta do." So, I started taking acting lessons, and then I applied to college to do acting. I got an agent, and it all just happened.
It's in the public domain. That's one of the reasons I do it so much. But luckily, it's a brilliant film [ Night Of The Living Dead]. Every horror aficionado must see that film at least once.
I'm a big movie fan. After a show, if I'm on the bus or a plane, it's often hard to get to sleep, so I'll watch a film. An action film can even relax me.
I love theatre - it's where I started - and I've directed a play myself. I'm not sure if I want to direct a film, but certainly, as an actress, I'm always thinking, 'Surely this must be my last film.'
After the blockbuster 'Magadheera,' I made a film with comedian Sunil as the hero. If I am interested in making a film - big or small - I will go ahead and make it.
We made one film called Thy Neighbor's Wife in which I got flogged at the public whipping post for adultery. I did my best acting in that film, I guess.
Learning how to do some of the technical work on the film can be helpful too and allows you to start the film on your own. However, if you are passionate about an idea, just begin.
Remember that film 'Sliding Doors,' when John Hannah woos Gwyneth Paltrow by reciting Monty Python sketches? I can tell you now that doesn't work, so that film's wrong.
I did this film for less money than it costs to stay in this hotel. We shot it in 20 days. We couldn't screw up takes for fun because we didn't have enough film.
I have a film called 'A Lonely Place For Dying,' which is the most watched film on the Internet, over 3 million hits, more than any of Hollywood's films.
I think there are certain technical things about acting that change between working in film and television. Everything definitely slows down and we have more time in film.
I will die trying to do another 'Baahubali' kind of film. It's not a film that can be easily replicated. I believe only Rajamouli has the experience and vision to handle projects on such scale.
It's very cool to be able to say that my first real film was 'Footloose' and my second film I got to star alongside Tom Cruise and Catherine Zeta-Jones. — © Julianne Hough
It's very cool to be able to say that my first real film was 'Footloose' and my second film I got to star alongside Tom Cruise and Catherine Zeta-Jones.
Film as dream, film as music. No form of art goes beyond ordinary consciousness as film does, straight to our emotions, deep into the twilight room of the soul. A little twitch in our optic nerve, a shock effect: twenty-four illuminated frames a second, darkness in between, the optic nerve incapable of registering darkness.
I saw Dolly Parton play at the Glastonbury Festival to about 120,000 people. It was an ocean of human beings. I was a mile away from the stage, and I swear to God, I could feel her energy.
Bonnaroo has kind of become the granddaddy of all American festivals. The thing I love about it most is that it wasn't born out of picking the top ten bands off the Billboard chart and creating a festival around it.
Box office figures are not something that can decide the success of a film on its own, but they are one of the many yardsticks that help me measure how well a film has been received.
Honestly, I was not good in my debut film 'Poster Boys.' With my second film, 'Laila Majnu,' I was struggling with everything and I just felt lucky to even get the part.
Ever since I made the short film 'Black And White,' which had almost no dialogues, the idea of making a silent feature film fascinated me.
Writing a film - more precisely, adapting a book into a film - is basically a relentless series of compromises. The skill, the "art," is to make those compromises both artistically valid and essentially your own. . . . It has been said before but is worth reiterating: writing a novel is like swimming in the sea; writing a film is like swimming in the bath.
Rather than doing a hero-oriented film, I love being a part multi-starrer film, because such films always strike a chord with audience.
'Ramaiya Vastavaiya' means, 'Ram, will you come?' The movie is a remake of the Telegu film 'Nuvvostanante Nenoddantana,' which was my first film as a director. So, it's close to my heart.
What's the point of doing a great character in a bad film? Instead, I want audiences to thoroughly enjoy a film and remember my part when they walk out of a cinema hall.
You become a film critic because you're interested in film. I don't know whether knowing so much about cinema leads you to make better films, but it certainly can't hurt. — © Michael Haneke
You become a film critic because you're interested in film. I don't know whether knowing so much about cinema leads you to make better films, but it certainly can't hurt.
I guess there are certain conventions that come with film and with scoring film. So maybe one of those is menace in a lower register. It's trying to evoke some sense of chaos and adventure.
But I don't think as film-makers it is our responsibility that every time we make a film we should be saying something. If you are entertaining people, that's more than enough.
What they did was to make a pilot and it may well go to series at the next festival but I don't have any news on that. It's already been on Paramount actually, but as it's on Paramount it'll probably be on several more times... hopefully.
The world may not be ready yet for the film equivalent of books on tape, but this peculiar phenomenon has arrived in the form of the film adaptation of J. K. Rowling's 'Harry Potter and the Sorcerer's Stone.'
'Aashiqui' became a cult hit film. It was my first film which gave me not just recognition but stardom too, so I will always remain partial to it.
It was closer to manual labor than shooting a film. I always think of something Michael Caton-Jones told me: 'Pain is temporary. Film is forever.'
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