Top 1200 Film Industry Quotes & Sayings - Page 18

Explore popular Film Industry quotes.
Last updated on November 17, 2024.
For example, how you would introduce a leading character into your film, and as an absolute ingenious example, [Elia] Kazan in his film Viva Zapata!, how he introduces his leading character Marlon Brando into the film. No film ever did it as wonderful as he did it.
There's prejudice everywhere. I don't think the music industry is as bad as the movie industry. But I have taken a few hits over the years for my sexuality, and for being honest about my life. In the end, it's the music that rules the roost.
If I wasn't a trader, I would probably be in the film business in some capacity and writing in some other form. I went to NYU Film School and London Film School. — © Jeff Cooper
If I wasn't a trader, I would probably be in the film business in some capacity and writing in some other form. I went to NYU Film School and London Film School.
What I tell business leaders is you're in the space industry - you just don't know it yet. Every industry will be impacted by space. The internet would not exist without space-based communication.
For so long, the fashion industry has designed almost exclusively for a particular woman with particular measurements, and they've never really been challenged on it. We're all consumers, yet we're rarely given a voice within this industry that dictates what we wear.
There are things that you could do with film that you could never do with HD. There's a warmth and an organic quality - almost a handmade quality - that goes into film. Film will always have a bit more of a humanistic feeling to it.
Let me put it this way: if I am the leading man of the film, and the film-maker is asking me to support him in a certain aspect so as not to burden the budget of the film, I will do whatever I can to support his vision.
My mom was very worried when I was starting off my career in the film industry. She never told me to not take up acting, but she would always tell me to have a backup plan so that if nothing works out in the acting career, then I can switch.
'Podaa Podi' is a film that sees Simbu and Varalakshmi in three phases of life. Thus this film of course takes more time to wrap than usual flicks. The film is entirely being shot in London and we require to shoot it only during a particular season as the script demands it.
I can't believe 50 years have gone by since that film was released. I blinked and suddenly here I am. We all really felt blessed and as for me; how lucky can a girl get. Great music does more than enhance a film, it cements our memories in the film going experience.
In the film industry you never really know if all the various ingredients will come together - sometimes they do, and sometimes they don't. As an actor, you don't have much control over those things. It's a director's medium in that sense. All you can really do is minimise the risks of being involved in something that might not work and look for something that also suits you.
I did some feature work, then tried TV. I was always very aware that the only power that you have is the power of options. If the film industry dries up, then you focus on the TV or the books. For me, it was always about what story do I want to tell next?
Why isn't the movie industry forced to open its shooting locations to an organization that is there to advocate for animal actors? The industry isn't allowed to pick and choose which movies using young children it will or won't allow to be monitored. The vulnerable should be protected.
It's really strange, but I find a connect with Shivaji Raje through Rajinikanth. Rajini sir is born a Marathi, he's a superstar in Tamil film industry and a national icon too. He started his life as an ordinary man and reached the pinnacle. This is how Shivaji Raje's life also traversed from common to extraordinary.
I left film because I felt that photography was my art. It was something I could do on my own, whereas film was so collaborative. I thought as a photographer I could make something that was artistic and that was mine, and I liked that. And it wasn't until I got back into film and I have very small crews and I could do very tiny filmmaking that wasn't 100 people that I still felt that I was making something artistic as a filmmaker. So, you know, I'm an artist, and whether it's photography or film, I want my voice to be there and I think my voice is very strong in this film.
The computer industry is the only industry that is more fashion-driven than women's fashion. Maybe I'm an idiot, but I have no idea what anyone is talking about. What is it? It's complete gibberish. It's insane. When is this idiocy going to stop?
Many economists and industry experts agree that the United States faces unfair competition and artificially low prices that have damaged the domestic steel industry. But they don't agree that a tariff is the right approach for addressing the problem.
As I had visualized, 'Heroine' is shaping up to be a very contemporary film with a different premise and strata. This film, like most of my other films, is a blend of facts and fiction. The film has a larger span, more characters, and costumes... a journey that revolves around an actress's life and the showbiz.
People ask 'How does doing a film compare to doing an ad?' Well, when you're doing a commercial you don't have to sell tickets. You have a captured audience. Which is actually completely rare and great; it gives you a lot of freedom. When you make a film, you have to do advertisements for the film.
Youth theatre isn't just about a precocious child that wants to sing and dance in front of people. It's for everyone; it's about a community, it's about being supported by your peer group. You learn skills - not just acting but all the other sides - working in the TV, film, and theatre industry.
I make a film - and once I've made it, everyone comes along and says 'Ah! This is a film that's political, or social', or whatever. But I'm not telling the story that they see. I made a film, told a story, but I wasn't thinking about exactly what it all meant.
My pay packet is reasonable. But I prefer doing films where I have a meaty role. The set-up of the film and the filmmaker also matter to me. For me those are vital issues that help me decide on a film. You never sign a film only for money.
'Race' is one of the most successful film franchises in Bollywood. So I was really excited and honoured on being approached for the film. But since I was already committed to another film during the same time as the makers are planning to shoot 'Race 3,' things eventually didn't work out, unfortunately.
Even Hollywood millionaires are now clamoring for legal protections for their illegal-alien nannies and gardeners, though such elites would hardly countenance a similar legal laxity that would allow foreign film technicians, screenwriters, and actors to flood southern California to work in their industry for a fourth of their own pay.
I did not want 'Battleship' to be perceived as an American war film. I wanted to do everything I could to make the film accessible to a global audience. It felt like bringing an alien component to the film would help take the American jingoism out of it.
The film is a direct mirror of the director. If your director doesn't know how to dress, there will be an aesthetic of the film that won't come through - whether it's in the costumes if he doesn't know exactly what he wants or the look of the film.
'The Stepfather' was the first time I sort of carried a film, or led in a film, and doing it was fun, and I felt very special. Afterwards, though, I was terrified. I just thought, 'Wow, this is basically going to be about me. If this film is a success or a failure, a lot of it's on me!'
Bollywood is a place which is completely free from caste, region and religion. Some people might work in the industry with the help of networking but I feel is that it's your artistic competence that gets you work in industry.
Make film, shoot film, run film. Do something. Make film. Shoot anything.
The fact is that you could not be, and still cannot be, a 25-year-old homosexual trying to make it in the British film business or the American film business or even the Italian film business. It just doesn't work and you're going to hit a brick wall at some point.
If you ask me, I have not really seen any negative side of this industry. I have not met those kinds of people who can change the way I see this industry and make me feel that it's a bad or a dark place.
I never, ever had it in my mind that I wanted to be in the record industry, because I still contend that the record industry is an insidious affair. It's this terrible collision between art and commerce, and it will always be that way.
Unfortunately, music is a male-dominated industry. It's not that there aren't plenty of women working in the industry, it's just, the higher up you go... it's like how women who play in the WNBA make so little, compared to men in the NBA.
I've been through the music industry and with the Internet the music industry is not what it used to be.
No, I'm not the first or last model of my type in this industry. You can make up all the reasons you think I am where I am, but really, I'm a hard worker that's confident in myself - one that came at a time where the fashion industry was ready for a change.
To be clear, I don't know whether the fossil fuel industry and its allies engaged in the same kind of racketeering activity as the tobacco industry. We don't have enough information to make that conclusion. Perhaps it's all smoke and no fire. But there's an awful lot of smoke.
Most of us who got into film industry in early 2000s weren't prepared for the constant vigilance that being a celebrity requires, and there's no school for learning how to handle it well or gracefully. It's a hard thing to figure out. A lot of people don't deal with it well because they're either too paranoid or they're doing things they probably shouldn't be doing in public.
Many things have changed in our culture here in England as a direct result of the Pistols: the whole street-fashion thing in London, for example, or the coverage of popular culture in the national press, or the fact that the film industry is now about young people making films about young British issues.
Fashion is harder than the film industry. You have to constantly be able to crank out hit after hit after hit on demand and on a very tight calendar. I've come back, I've lost it, I've come back again. It's really as good as your last collection.
A certain kind of film is a big theatrical film and a certain kind of film isn't. It doesn't bother me so much that you can pick your format. — © Richard Linklater
A certain kind of film is a big theatrical film and a certain kind of film isn't. It doesn't bother me so much that you can pick your format.
I'm sorry, I'm not very knowledgeable about the plastic model industry, so I can't answer that question. Unfortunately, I can't really make a statement on the plastic scale modeling kits, probably because I'd be eradicated from the industry if I made my true feelings known.
One of the earliest memories I have of feeling the power of film music was watching Willy Wonka & the Chocolate Factory. That was a really clear epiphany for me, when I realized that each film has its own music, and that there was someone out there who wrote this very specific music for just this one film.
After I finished university and started going to auditions again, and I also did a bunch of other jobs. I worked in the insurance industry, the digital media industry; I worked in a financial services company for three years.
The silent film has a lot of meanings. The first part of the film is comic. It represents the burlesque feel of those silent films. But I think that the second part of the film is full of tenderness and emotion.
Nollywood is a genre, and not the entire Nigerian film industry. However none of the 'New wave' of directors in Nigeria would know what was possible without the Nollywood model, so I'm grateful to them for showing us that our stories are of interest to people other than Nigerians. I would describe myself as a filmmaker, period.
Part of what the food industry does with public relations, just like the chemical industry or the oil industry, is to try to erase their fingerprints from their messaging. So when consumers hear about a recent effort like the "food dialogues" put on by a group called the US Farmers and Ranchers Alliance, do they know necessarily that these "dialogues" are being funded by companies like Monsanto, a large chemical company and the controller of most of the patents on genetically modified seeds? No, they don't.
Life without industry is guilt, and industry without art is brutality.
The wind industry has made major strides over the past two decades, and they have proven their industry to be efficient and self-sustainable. There is no need for the taxpayer to continue to subsidize a wind start-up tax credit.
I liked 'The Help,' and I love Viola Davis. But I didn't think that film was a great film; I thought that was a very uneven film. I thought the Southern women were so caricatured that it was kind of like 'Harper Valley PTA' or something like that.
Our film [Hide and seek ]was created as part of the Asian American Film Lab's 11th 72 Hour Film Shootout filmmaking competition, where filmmaking teams have just 72 hours to conceive, write, shoot, edit and submit a film based on a common theme. The winners were announced during the 38th Asian American International Film Festival in New York last July. The theme for 2015 was 'Two Faces' and was part of a larger more general theme of 'Beauty'.
I don't really get stuck in a time warp where, if my film is a success, I have to keep partying till the next one releases, or if my film is a flop, I keep wallowing in sorrow until the next comes my way. My hard work in each film is always there.
I'm going to insult a whole industry here, but it seems like TV is for people who can't do film. I'm not talking about actresses; I'm talking about lighting people. Lighting on TV is just so... it's sinful, it really is.
I did martial arts since I was 10 years old, and I've got as much love for the movies as I have for martial arts, so when I was 18 years old, I started studying performing arts with the eye of getting into the film industry and went to drama school after that.
The most striking about modern industry is that it requires so much and accomplishes so little. Modern industry seems to be inefficient to a degree that surpasses one's ordinary powers of imagination. Its inefficiency therefore remains unnoticed.
Film is subjective, and we must be careful with that. The kinds of films I love are those that observe, and I give possibility for people to talk. No need for me to tell people what to think - even when I make a film like 'S-21.' It's only one point of view. It's still a film; it's not a tribunal.
It's easier to go from theatre to film than the other way round. In film you're absolutely loved and cossetted and cared for. In film your director makes your performance. In theatre you're carrying it all.
The traditional Hollywood system is pretty rigid, but the film scene in, say, South Africa is booming with a lot of possibilities. If you have the cameras and reasonable capital, you can put your film in theatres next to 'Guardians of the Galaxy.' A great example of that was Kagiso Lediga's film 'Blitz Patrole.'
Every single line, every single thing has to be fought over. There's kind of like an intrinsic doubt from absolutely everyone in my crew, my producer, everyone. It's not just the film industry - it's a worldwide thing. It's the culture of the world to doubt women.
We have not had a ton of innovation and marketing in the concert industry, much like the record industry. We have been a fairly old-school business compared to Coca-Cola and the big packaging/marketing companies.
Within the fashion industry, being on shoots and working with agencies and other models, it's never been an issue being anything other than straight. It's so accepted within this industry. Out of every community that I'm a part of, or have been in, the fashion industry has been the most accepting. To the point where it was celebrated. I'd be on set talking about my girlfriend and someone would say "Oh, you're a lesbian! That's amazing." It's such a warm, welcoming community in that sense.
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