Top 1200 Film Scores Quotes & Sayings - Page 20

I think it's important that your first film be your worst film, that one's life trajectory should go up.

When you're in the process of becoming an actor, you think that you just need to get that one film. But once you get that one film, the stress increases.

Hakim Ziyech has got a left foot that can open a can of worms, Timo Werner scores plenty of goals, Tammy Abraham looks like he's getting better and then there's Mason Mount. They've just got so much attacking talent.

I'm not a film star, I am an actress. Being a film star is such a false life, lived for fake values and for publicity.

I would never recruit a player who yells at his teammates, disrespected his high school coach, or scores 33 points a game and his team goes 10-10.

I'll need every ounce that I have to drive it through. Film and TV require that energy. Sometimes fight scenes can be pretty intense. When I was shooting 'Heaven' it was truly guerrilla film-making.

I did a film called 'Black Dynamite' that was very, very funny. That seems to be a film that's kind of a cult classic.

Matthijs is very mature for his age: he has the physique of a 24-year-old. He is also strong with both feet, has an extremely good range of passing, can head the ball, scores goals, and is a real leader at the back already at the age of 18.

Film work can be very interesting, but it also can be awfully boring because who creates the film? The actors? No. It is the director. It's his piece of work.

I think with a lot of filmmakers, their first film is their best film because they had to think on their feet and solve problems with ingenuity.

Working as an AD and producer prepares you in the sense that you know what you have to do to make a film. But nothing prepares you for your first film.

Nowadays, if a studio assumes that his film is bad, there is always an executive that gets more nervous than usual and thinks that if they change the music, the film will become a masterpiece.

I prefer to make a film that people have a really intense reaction to than have a film that people feel ambivalent about.

Kenya doesn't have much of an infrastructure for hosting a film of this scale. Our producer decided that for the film to really work it had to be in Kenya.

In any art movement, the art has to move into a new phase - a filmmaker has a desire to make a film that is not like a previous film.

Rather than fretting about IQ scores, voters should try to determine what candidates read - other than the Bible, which they all say they read - and the kind of people with whom they spend their time.

There's no need to make any film. The word 'need' is pretty strong. But if there's a purpose behind making the film, there can be a justification for it.

Early on everyone should do, every time they do a big film, they should do a little film. It really does keep you grounded.

I'm a character actor but unlike a lot of character actors, I don't look radically different from film to film and there was a bunch of them at once.

I had written movie scores, television series, played with other people. Carl had done the same with Asia, with other bands, everything. We weren't about to entrust Greg automatically with a production credit.

I like the movie 'Das Boot,' the German film made in the '80s. I found out it was a series that was made into a film for the U.S.

If you look at my career, I have already proved that after a big action film like 'Chatrapati,' I could do a cool film like 'Darling.'

I couldn't be happier starting 2019 with this film 'Haathi Mere Saathi.' It's the first time that I am doing a trilingual film which I'm excited about. It will be my Tamil and Telugu debut.

When we started Angels Airwaves, we wanted to produce our art on different mediums, but the film was an ambitious one because we actually didn't go into it thinking we could make a big feature film.

The thing that fascinates me is that the way I came to film and television is extinct. Then there were gatekeepers, it was prohibitively expensive to make a film, to be a director you had to be an entrepreneur to raise money.

I think technology has advanced so far now that there are some cameras on the market that give film a run for its money. It's all about flexibility in capturing images, and digital or film, it doesn't matter to me.

Any time there is a film in a 'foreign language,' in Spanish or Korean or whatever language, it's usually not an American film. It's usually from another country.

Playoff basketball isn't about who scores, stats or putting numbers up on the board. It's just about winning at the end of the day. When you play a game in a series, it becomes chess. It becomes who can outsmart the other team.

I'm not trying to clock scores in this lifetime, it's just that things are better now than they were like five, ten years ago. Music has gotten a lot better. There's a lot of people who are committed to - soulfully.

If you are going to do a film about the South Pole, the chances are that you will film it in Hawaii! Whatever is most difficult, you will get to do it.

It's very important that a film that intends to play tricks on the audience... has to play fair with the audience. For me, any time you're going to have a reveal in the film, it's essential that it have been shown to the audience as much as possible. What that means is that some people are going to figure it out very early on. Other people not til the end. Everybody watches the film differently.

Vijay Sethupathi looks a film as a film. He never looks at what kind image he is going to get out of the character.

I was always into film, but theater was my entry point. I always felt like film didn't make sense to me, as a kid.

I never thought I would debut in a Telugu film; it was my destiny to take up a film that, incidentally, was about destiny.

When I see films made from books, I make a huge effort not to remember the book. It's important to see the film as a film.

I am not going to do a film based on a bad scenario just to make a big Hollywood film or work with Hollywood stars.

The only difference between working on a huge-budget film and a lesser-budget film, is the quality of lunch and dinner.

I'm not a film star; I am an actress. Being a film star is such a false life, lived for fake values and for publicity.

If I was ever gonna remake a Peckinpah film, it would be 'Bring Me The Head of Alfredo Garcia.' That's my favorite Peckinpah film.

If I am not able to go to theaters confidently and watch a film then I don't expect people to watch my film also.

When we made the original 'Dhoom,' we wanted to make a film that would not bore us and wanted it to be just a breezy cool film.

Often with film, I find that you're just really getting to know a person. They're just starting to sink in, and then you wrap the film.

Honestly, there are so many things about structuring a story for film and telling a story for film that are really different from doing radio.

I'll never forget the first screening at the Berlin Film Festival. As soon as the film ended there was an outbreak of booing, which made us look at each other with some surprise.

For the most part, the American film market has become very corporatised, even independent film to a degree, and because of the corporate management mentality, they want to take the safe way.

With Fever, the film was so made for the screen, and there's so much surround sound that was done for the film - enormous detail paid to that. I wasn't thinking video, because I didn't know how it was going to turn out.

For me, as an actor, going from TV to film was interesting because TV and film are two very different things.

A good project but a poor director will always make a mediocre film, but an average script and good director can make a good film, as he will put in everything to make the film look good.

I think you get out of film school what you put into it. If you don't care about making movies, film school will do you no good.

I have never pretended to be a legal scholar, but when scores of lawyers are lining up to agree with the Supreme Court that the president has the power to make choices when it comes to whom to deport and whom to let stay, then I tend to agree with them.

If it's a choice between doing a film and not doing a film, I'd rather not. But then, you remember that you're supposed to be earning a living and that it's your career.

I had a film career in the late 90s. And then I stopped having a film career because suddenly I didn't do anything.

I hope I've made a good film. And before you ask, a good film is one that I'd see three years from now and not cringe.

Any actor will want his 100th film to be a commercial film, the biggest movie of his career.

But I won't work with the exact same crew film after film because I feel the work would get a little complacent.

All films are learning processes. I am still trying to work out how you make a movie. I didn't study at film school or any of those things. I didn't bother with film theory.

Perhaps I shall not write my account of the Paleolithic at all, but make a film of it. A silent film at that, in which I shall show you first the great slumbering rocks of the Cambrian period, and move from those to the mountains of Wales...from Ordovician to Devonian, on the lush glowing Cotswolds, on to the white cliffs of Dover... An impressionistic, dreaming film, in which the folded rocks arise and flower and grow and become Salisbury Cathedral and York Minster.

I started using film as part of live theatre performance - what used to be called performance art - and I became intrigued by film.

It was a wonderful experience to work with Sylvia. She pushed me to be more powerful with my acting, and she told me scores of the most incredible stories I've ever heard. She is amazing.

If you're an artist, it's OK to put your money into your art. The advantage, in hindsight, is that you become the film, and the film becomes you; you breathe it.