Top 850 Filming Quotes & Sayings - Page 10

The four of us couldn't have made a record with the time left over when we were shooting the show. We were on stage from 7.30 in the morning 'til 7 at night. Later on, when there was a break from filming, and we were sick of doing it the old way.

We have all the technology to record things in the streets. Now the historians cannot twist it or change it, because we have cellular phones or video cameras, and we are filming in the streets what's going on. We have the voices of everybody recorded. There's too much recording and I think that's wonderful.

It's the texture of New York that people miss by filming elsewhere. There are layers and layers of character - even in the pavement - that you can't get anywhere else. And the speed that the people move. It's so different from other places.

I started singing for The Phantom in January, and we started filming in October and I sang all the way through to the next June. In fact, I was singing for about two months before I even knew I had the role.

I use filming as an excuse to take classes. I got my certification in sailing for 'Wedding Crashers,' and now I can handle a 26-foot boat. I played a seamstress once, so I took sewing classes. I love dipping into these other lives.

I remember filming my TV show, 'Growing Up Supermodel,' and just being uncomfortable. And then when I saw myself on TV, not even recognizing myself, it was really hard to see.

When I was filming in Budapest for ITV's 'Titanic,' I realised I'd never been to the ballet before so decided to see a production of 'Giselle.' I went on my own. As it was my first ballet, it was a very bizarre and interesting experience but very enjoyable.

Breaking Bad' gave me a career. It gave me more work than I could possibly imagine - I started filming it when I was 14 years old, and I finished when I was turning 21.

Playing in front of an audience was just such a turn-on for me, and you have 200 people in the audience and it's like doing live theater. And filming something that goes to millions of people several weeks later, it's an interesting dynamic.

I love doing TV. It's such a breakneck pace, you know. It's kiss and go with your leading man. You meet them in the morning and go right into a clinch. The filming is over before you know their last names.

Getting to do what I think was my fifth BBC drama with Nikki Amuka-Bird - we've done 'Shoot The Messenger,' 'Five Days,' 'The No. 1 Ladies' Detective Agency,' 'Born Equal' and now 'Small Island' - was another highlight for me. And filming in Jamaica was great, too.

I was really keen on making a film on Balraj Sahni. But when I approached his son Parikshat for his consent, he told me he had already given the filming rights on his father's life to another producer.

Apart from those other riders there is a whole production team [ of The Fourth Phase] behind the cameras too, hauling hundreds of kilos of fragile and awkward filming equipment up those same frozen landscapes. They're the real heroes.

You don't want to do a show and then it's done and say, 'Wow, I didn't do anything.' Please, you don't understand how fast it goes. Before you know it, you're filming your last episode. People remember you a month, and then you're done.

For me 'Submarine', is probably one of the most important things I've done and it will always remain the closest thing to my heart. It was an amazing experience and it really changed things for me after I'd finished filming it because of the people on it.

The first television show I did was a production called 'The Pacific,' which was this huge HBO series with an insane budget and 300 extras and a crew of 150. We were filming out in the middle of the wilderness in my hometown. I was so green. I didn't understand anything that was happening.

When I started filming '2 Broke Girls,' I actually was broke, so I was eating all the junk food they kept on set. But then I developed a skin rash that lasted over six months. The doctors said that it was due to stress, my diet, and lack of exercise.

My mom usually does my self-tapes, and we've built a kind of shorthand with one another... Also, just having fun with it and not feeling restricted in your space and giving yourself enough space filming the shot to move around, things like that.

Basically, when I was filming John Tucker the guy that I was seeing for two years was cheating on me. Sophia, Ashanti, and Arielle really became the same girls they are in the movie, and we became best friends. They were there for me so much.

It's weird because I've grown up a lot after filming the first 'Hunger Games' movie. Growing up with a character is really interesting because you feel like you have this connection with the role.

I want to read books and go for walks and make dinner. I guess there are people who love working and that's great. I'm not one of them. I love tackling roles and I love theater, but filming, I don't get it. It seems mind-numbing to me.

I like filming in New York a lot myself, but London is accommodating to me; the weather's very good there and the conditions for shooting and the financial conditions, the artistic conditions are good, so it's a pleasant place to shoot.

I have the opportunity to make my films and I think that's a luxury. I don't have any problems by filming things that can have a connection with left-wing policy, even if we have a right-wing government. There are some countries which cannot say the same, so I'm lucky.

When you make a movie, everyone should leave their own personal problems at home. When they start bringing those to set, filming can be very difficult... You don't need any extra drama. Put the drama into the story, in the characters.

There was a moment in time when we were filming in London, and we thought someone stole one of the queen's wigs. But I think someone had just misplaced it. It was so funny. I remember it being the most panicked day on set. 'We're missing a wig!'

When I'm filming something, I quite forget that it's all still got to come together and be edited. I'm so engrossed in trying to do the best I can on a day to day basis that I forget that people will see it and judge it.

It was a scene I was really looking forward to, and one that I embraced, and when we were filming it, George got closer and closer and closer with that camera - he was practically up my nose for the final shot. So I knew it was a moment that I had to do my best to get right.

The first time I met James Franco, he was dressed like James Dean. He was James Dean, literally, filming a biopic.

The filming happens in my home, and I cook like I do at home, on my home stove with my house pots and so on. That's who I am. I am very true to my real profile.

With 'Dance Moms' in L.A., we film on Wednesday, Thursday, Friday, and Saturday. When we film in Pittsburgh, we film the same days, but we still dance in our studio when we're not filming, so I'm dancing every day except Sunday.

It was a strange feeling, filming a night scene in Selly Oak High Street with a television crew and famous actors in tow, when twenty years ago, at that time of night, I would've been stumbling around in search of a kebab.

I have a really great family, and when Im not filming, I go home and walk the dogs, take out the garbage, clean my room, all that stuff. My family and my friends keep me in line, and make sure I dont get crazy.

When I was filming 'Prudence' in Zimbabwe, I noticed the hold fundamentalist Christianity had on sub-Saharan Africa. So I thought I'd like to make a film about religion in Africa because the prosperity gospel is big business where people are desperate, poor, and sick.

Writing a play is like smashing that [glass] ashtray, filming it in slow motion, and then running the film in reverse, so that the fragments of rubble appear to fly together. You start - or at least I start - with the rubble.

Before filming I'll be constantly thinking about my role at the back of my mind and slowly build up the intensity until I can explode on set. There is a very fine line between not quite getting there, and getting that bit too intense.

I don't let [my friends] visit me filming and I don't bring them to premieres. It's a different head zone - when I'm on set, I'm working. When I'm just with my friends, I can just hang out, do normal stuff and generally be a complete idiot. It's the same with everyone.

There have been a lot of things where communities haven't been portrayed in a positive light, and even when we were doing 'Youngers' in Peckham, people were cautious about what we were filming.

I try to always be open to what the actors want to try. I don't storyboard and try to be intuitive and open on the day of filming.

The camera does not like acting. The camera is only interested in filming behaviour. So you damn well learn your lines until you know them inside out, while standing on your head!

My routine while filming a movie is so basic: wake up, work, shower, sleep. I try to cut all the things that aren't absolutely imperative, so I can be 100 percent when I get to set the next day. I just feel and work better that way.

The toughest part of acting is never a single thing. It's more like a whole character. I find film really difficult - trying to make it feel like a consistent character when you're filming everything out of order.

We never really know what's around the corner when we're filming - what turn a story will take, what a character will do or say to surprise us, how the events in the world will impact our story.

We were fortunate that most of the '1666' stuff we did shoot all together. We were filming out in Hampton, Georgia. It was so amazing. They built a village for us to shoot in. It made our job as actors so much easier.

My crew [on "Fitzcarraldo" filming] actually said, "We have filmed it from outside on the rocks of the shore. We should be on board [the ship]," and I said it's dangerous, I only do it if you cinematographer Thomas Mauch and you actor [Klaus] Kinski decide on your own.

The research period of a film is the most exciting part of the process, and filming is sometimes a letdown because when you're dealing with biopic material, the real thing is always much more intricate than the story told in the film.

The first Superman film took up a huge chunk of our lives, but it was a wonderful time for us. We were young, my daughter was little, we were filming in London for a year, so we became like a close family.

I take my laptop everywhere with me, and I will write on long journeys. I will write sitting in my hammock in the middle of the rainforest. When everybody else is chilling out after filming, I am usually writing!

My eldest daughter's been to a few sets of mine and gets spoiled when she's doing her nails, her hair. Though more often than not, you bring them to set, and they realize the filming process is pretty boring.

Often times, while filming 'WAGS Atlanta' with 3 male producers, we were told to dress 'WAGGY' for scenes, not realizing that WAG style isn't universal! WAG style can encompass a myriad of different looks.

I was walking around bored one day, and I started filming stuff with my cellphone. There are all these shows where people are trying to do these outrageous stunts, and I thought it would be funny to do all these stunts that aren't outrageous but then act like they are.

I was filming 'The Avengers' when I got the call for 'Rush,' so I went from 215 pounds, which is how much I weigh when I'm playing Thor, down to about 185 pounds to be able to fit into the car. That was all in about four months.

I found an old dilapidated house in Banjara Hills which the owners were demolishing, and requested them to give it to me for filming, which they obliged. We worked nearly four months on that building to make it look the way we wanted.

For me, I don't participate in the filming when I represent a reality show star in a case, because that would mean waiving my right to attorney-client privilege, and that would hamper my ability to mount an effective case.

We started filming [with Brandy Burre ]and didn't really know, at first, what we were doing. Eventually, the thing just grabbed a hold of both of us and became what it is. But, yeah, we were very close before and we're even closer now.

I love doing TV. It's such a breakneck pace you know. It's kiss and go with your leading man. You meet them in the morning and go right into a clinch. The filming is over before you know their last names.

When you see how people in the developing world react and how they use a camera, you realise how narcissistic we are and how the filming of ourselves and thinking that we're interesting enough to care about is odd.

Filming scenes like that are always odd but I feel comfortable with Josh and care about him a great deal, so it could be much worse. Scenes like that are just part of the job.

I began filming 'God Loves Uganda' by first meeting some of the Ugandan and American missionaries who have helped create Uganda's evangelical movement. They were often large-hearted. They were passionate and committed.

The last TV show I binged on was 'Hannibal' because it stars two of my friends, Mads Mikkelsen and Hugh Dancy, who I first met filming 'King Arthur' back in 2003, and I just lapped this show up; loved it.

A fairly young, intelligent-looking man with long hair asked me whether filming or being filmed could do harm, whether it could destroy a person. In my heart the answer was yes, but I said no.