Top 967 Filmmaking Quotes & Sayings - Page 5
Explore popular Filmmaking quotes.
Last updated on December 24, 2024.
What is exciting today is that with technology filmmaking has been democratized, and so many more people have access to making a film.
Technology continues to bring us wondrous advances in filmmaking to improve how we view movies.
[Allied] meant to be a film that's a bit different. It's roots are in the '40s and '50s, and that sort of filmmaking style.
I feel so part of the filmmaking community. It's amazing how much people support each other.
I've been lucky to work with some of the most creative people and it's true that I enjoy filmmaking and I'm an enthusiast.
Filmmaking, whatever the window dressing or the scale of a film may be, is eventually about telling a story.
Although filmmaking is collaborative and involves trust, ultimately it is the director who holds the whole picture together in their head.
Filmmaking is all about what we like to do on-screen. We have attempted that in the film. I have worked very hard to perform the character.
To be animating at the same time, it's the ultimate freedom in filmmaking because you can literally put anything on the screen that you can imagine.
Woody is so musical in his filmmaking. I've never worked with anyone I've trusted so completely. He won't let you hit a false note.
I've known Venkatesh Maha since 2015 and we often discuss several things related to cinema and filmmaking.
Louisiana has a storied history in filmmaking, with one of the world's most diverse settings for cinematic and television productions.
I come from a filmmaking tradition and a storytelling background. So somehow I've emerged like a mutant who can straddle both worlds.
In the Indian system of filmmaking, you don't plan well in advance, stick to a storyboard, or deliver only the scripted lines.
You have to be very prudent with what you are doing and what sort of tools you are utilizing. Drones have become a wonderful new tool in filmmaking.
Even in traditional filmmaking, you're always trying to find novel ways of telling stories, and this is different.
If you take a regular animated film, that's being done by animators on computers, so the filmmaking is a fairly technical process.
Filmmaking is hard enough as it is. If you can find a group you love working with, it makes it just a little bit easier.
I began my filmmaking career by shooting a feature length documentary in China in 2004, the year I graduated from film school.
Filmmaking is to me very similar to being in a café somewhere in Paris and looking at the people walking by.
It's incredible to see the creativity, beauty and hardships people capture when filmmaking is opened up and shared with the world.
I think good filmmaking is when you really hold the mirror up truthfully, and you don't angle it and you don't hide things with smoke and mirrors.
At any filmmaking class, you learn the power of the visual medium and are always trying to minimise the words.
The filmmaking process is a team effort. A screenwriter cannot possibly do exactly what he wants as if he was writing a novel.
To me, any kind of filmmaking that's reactive is not going to be as good as something more inventive and original.
As a film director I like to have the actors create their own close-ups. It's an older style of filmmaking.
I was drawn to painting and filmmaking because I was interested in communicating visually, which spills over into my tendencies as a writer.
At times, I thought of leaving filmmaking because of the pressure and frustration 'Adhugo' had put on me.
After I finished school, I went to JJ College of Architecture and then to Harvard. I did my B.A. with a major in filmmaking.
When it comes to filmmaking, we have to deal with ego, anger, and a lot more; barring all these, how the team works towards the outcome matters.
The great lesson about filmmaking is never take "no" for an answer, especially if you have a lot of passion and inspiration to do something.
Filmmaking is like any kind of art form. You have to try to figure it out, and you're going to do that by trying.
I'd come into filmmaking as a painter so, for me, making 'Good Will Hunting' was experimental because I didn't know how to do it.
Wong Kar-Wai is a really great inspiration. He's always referred to as the Jimi Hendrix of filmmaking.
My knock with filmmaking is the whole bureaucracy around it, so in some ways, staying outside of it is easier for me.
I was attracted to filmmaking in college because of my love of storytelling. You can have such an impact and reach a broader audience than conventional journalism.
In the end, you really want to make the best film that you can, and in the reality of the filmmaking world, you have things like budgets.
I love writing, but I stopped because I felt I was more effective approaching filmmaking from a different vantage point.
A lot of filmmaking is just sort of slowed down by lawyers who feel they're more important than the filmmakers.
My faith in my filmmaking changed on the heels of 'Titan.' It allowed me to pursue things that I previously would have questioned.
There is no guaranteed formula. And that's one of the interesting things about filmmaking. You could put $115 million in, and it doesn't guarantee success.
Filmmaking is a very collaborative art. Unlike a painting that an artist paints sitting by himself, as a director, you have to work with a team.
If we do our jobs well and throw in a little evangelizing, we can make sound as important a part of filmmaking as it should be.
It's like low-budget filmmaking - a focus on dialogue and relationships over plot. Quirky. Improv.
I came to filmmaking because it's my passion. I decided I can't have it distorted or marred by someone else deciding what it should be.
If you look at most mainstream filmmaking, to be honest, some of these films aren't even asking questions anymore at all.
For me, it doesn't matter what kind of role I am doing. I just enjoy the process of acting and filmmaking.
All directors make films in individual ways. But the classical kind of view of filmmaking is that you have a script and it's very linear.
If you're a fan of auteur filmmaking, I'd say get yourself invested in some really good TV shows.
There could be no filmmaking without industrywide agreement on frame rates, lenses, and audio recording equipment.
It is impossible to give a performance that makes you unaware of the fact that you're watching an actor and be really involved in all aspects of filmmaking.
The good thing about the Anvil school of filmmaking was that it was fly by the seat of your pants. There was no safety net.
I'm going in a really weird I-don't-know-where direction, but I prefer anything [different] from how standardized filmmaking has become.
For me writing and filmmaking is a therapeutic process. It reflects themes that I'm going through at a time in my life.
Find your own specific voice in filmmaking and go for it. Either people will get it or they won't and that's what it's all about.
Obviously, I've made several films in Korea, so I'm very well accustomed and acclimated to Korean filmmaking.
There's so often - in filmmaking, you're backed into something that already has these set parameters, whether it's a sequel or a book that people love.
The influence of Steven Spielberg to my career is unquantifiable. Every day on the set with him is a master class in filmmaking.
I think I feel that way - that filmmaking is a responsibility, not only creatively but also financially in that it's a business. You can't forget that.
Howard Hughes was this visionary who was obsessed with speed and flying like a god... I loved his idea of what filmmaking was.
