Top 967 Filmmaking Quotes & Sayings - Page 6

Explore popular Filmmaking quotes.
Last updated on December 24, 2024.
Filmmaking is a very complex form - ya know, acting, lighting, screenwriting, storytelling, music, editing - all these things have to come together.
I think the art of filmmaking is something you learn through actions, by doing it, not by learning theories. And as you do it, your mind starts to change.
Filmmaking is kind of a vain hobby when maybe we should all be taking to the streets. But it seems irresponsible not to be informed by politics in some way. — © Ryan Fleck
Filmmaking is kind of a vain hobby when maybe we should all be taking to the streets. But it seems irresponsible not to be informed by politics in some way.
The fact that I was taking naps in churches, in between takes of the [Ordinary World], and there was that guerilla style of filmmaking, I felt more at home with that.
Many people don't understand that in filmmaking, if you make a fundamental mistake, everything goes wrong - but you don't realise it till the film is made.
Rajini sir has always been a part of my life from childhood. And I entered into filmmaking because I was influenced by his films.
That's the magic of filmmaking. When you are on sets 18-20 hours of the day for two-three months at a stretch, the unit becomes like family.
I love just about every aspect of the filmmaking except acting. I would never be able to do that, but the rest I really enjoy.
Filmmaking, like sex, isn't a polite enterprise. It involves a lot of mess and the bottom line is, if somebody ain't screaming, you're not doing your job.
I don't think it would be possible for me to respect people like Ridley Scott or James Cameron more than I already do. They're gods of filmmaking.
I'm really impotent against the overwhelming bleakness of the universe and the only thing I can do is my little gift [filmmaking] and do it the best I can, [...] which is cold comfort.
There is a great tradition of independent filmmaking in the U.S. that I absolutely respect. There's some wonderful stuff that comes out in this country against all the odds.
Each project draws you in on its own merits as opposed to an intellectual choice of, "Well, I'm going to shift from vérité filmmaking to more archival." — © Liz Garbus
Each project draws you in on its own merits as opposed to an intellectual choice of, "Well, I'm going to shift from vérité filmmaking to more archival."
The idea of working with Steven Spielberg was very attractive. He's such a master. He knows the language of the camera and of filmmaking, which gives him a great freedom.
I do feel like in filmmaking you are largely in control of the perception of you. If you want to be seen as the comedic person you've got to write a comedy and go after that.
What I want to do with my filmmaking is help kids experience the truth and wisdom of nature no matter where they are, whether or not they have the opportunity to go to a national park.
A lot of filmmaking is an endurance contest between you and the people you're filming. Every time that you relax, I promise you, something interesting will happen.
'Crazy Rich Asians' and 'A Simple Favor' were each a master class in filmmaking, and I had so much fun working with all my costars.
Being a TV comedian, actor, writer, columnist, and all that is quite helpful to me in acquiring wide varieties of knowledge, which is crucial for filmmaking.
The holy trifecta of directing and filmmaking is character emotion, camera movement and music. When you hit those three, that's magical. That's what I'm trying to do.
In terms of cinema and filmmaking, there are certainly the unexpected gifts that the actors bestow on you. Film is always a question of compromises with respect to what you originally intended.
I wasn't searching for a common denominator - I started wondering about the challenge of working in other cultures. What I reached was the sudden acknowledgment of the universal aspect of filmmaking.
I'm peripheral in Colab's history because others were involved in media, filmmaking, and music, and I was always a studio artist.
Filmmaking is like playing in your imagination and getting paid to do it. I guess I'll ride this horse until it bucks me.
I got into filmmaking in order to tell very personal stories, and in this day and age, the opportunity seems all the more precious.
It's always better to make a hero than lean on one. My goal is to emulate China in the filmmaking business, not Los Angeles.
Any film that you make, it's a very high end game of musical chairs ... but that's just the nature of filmmaking. You do the dance with a certain actor.
I think everything that you do, you're learning. I mean, every movie that you make is like a film school; that's one of the things that I enjoy about filmmaking.
There's a level of sophistication of filmmaking that's mind-boggling. Anything you need for your movie, there's an establishment that can make it happen really fast.
I've had really great experiences working with first-time directors. They come at filmmaking with fresh ideas. I've been very lucky that way.
I was really disappointed that Warner Bros. didn't think highly enough of my film or my filmmaking to ask me to make the new Superman.
It is really important that young people find something that they want to do and pursue it with passion. I'm very passionate about filmmaking. It's what I love to do.
Even bigger directors like Mani Ratnam and Ram Gopal Varma have faced flak, that doesn't mean they've shied away from filmmaking.
As an adult, there are technical aspects of filmmaking you understand, like having to pick up a cup on the same line every time.
'Jurassic Park' was able to get away with big, dynamic filmmaking that might be out of place in another kind of story.
Someone asked me the other day, 'What's the biggest influence on your filmmaking career?' And they started naming filmmakers. I went 'Naw, it's Jesus actually.'
Sometimes I wonder how my filmmaking would have been affected by film school but in the end I'm glad I got to figure it out on my own.
It's dangerous to think too much about how a film will be received. Filmmaking is not a popularity contest. Some would disagree. — © Julia Leigh
It's dangerous to think too much about how a film will be received. Filmmaking is not a popularity contest. Some would disagree.
I've been around Hollywood and filmmaking long enough to know that it's a tricky dangerous business when you go on camera, you got to watch yourself.
After becoming Miss World, I now have some idea of what goes on behind the camera, and that filmmaking is a tedious and time-consuming process.
I was mentioning with the digital camera, maybe this new fashion of filmmaking gives a closer look of what life may be like. But it's still nothing but a copy.
There is no filmmaking legislation because distributors are not interested in sharing their money with the film industry - for instance, by giving a percentage of ticket sales back to filmmakers.
Filmmaking is not a balancing act, although some directors think it is. I don't believe in it. I like ups and downs. They're the best way to translate my feelings to the screen.
I suppose I've been working for a long time, so I've seen all kinds of filmmaking. I can fit into anything, and it doesn't feel that weird or that fascinating.
I think some people have a vague idea, but the general public has no clue what the actual behind-the-scenes of filmmaking is and what this profession is.
I have had my innings. And in a way I am happy that I came in an era when a lot of attention was paid to different aspects of filmmaking.
Filmmaking requires the participation and cooperation of many people. It's unrealistic to expect that you're not going to be challenged by unforeseeable forces from every direction.
Filmmaking has been my love since my mother brought me to see James Whale's 'Frankenstein' at the local library at the age of six. — © Sean Baker
Filmmaking has been my love since my mother brought me to see James Whale's 'Frankenstein' at the local library at the age of six.
Filmmaking is challenging for men and women. In both cases, it is incredibly difficult. And gender is neither a guarantee of greater sensitivity, capacity for empathy or aperture.
I think filmmaking should be a wonderfully free collaborative process, and it so very rarely is. I often see directors as jailers of my talent.
If you think about filmmaking as an entire spectrum, starting with the writer and ending with maybe the marketing department, the actor's contribution is a rather slender band.
'Beatrice Cenci' was an amazing film. If it were released today it'd win Best Picture. It's so well done, it's so contemporary, and the filmmaking is so smart.
I played baseball in high school, and in some parallel universe, if I had not gone into filmmaking, I may have been the coach cursing at the kids.
I'm a huge Robert Altman fan and don't take issue with his filmmaking, as eccentric as it is. But I just think 'Nashville' was a world he didn't know.
Filmmaking in general is my second career. I thought that writing wasn't practical, so I went to business school and got an MBA, and I worked three years in grant management.
Although technology has been playing a key role in filmmaking, I feel there are plenty of opportunities in other branches of filmdom.
Thhe essence of documentary filmmaking is how you manipulate the material to create an emotional impact, as opposed to just delivering information.
I spent several years in the film finance business, but I returned to what I loved most about the industry - actual filmmaking, producing, writing and directing.
Aamir Khan in a sense, was my first teacher for filmmaking. He used to answer my doubts on the sets of 'Joh Jeeta Wahi Sikander.'
I used to be a huge fan. "The Simpsons" taught me a lot about filmmaking. It imitates film, but it's drawn, so everything is super clear
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