Top 1200 Filthy Language Quotes & Sayings - Page 16

Explore popular Filthy Language quotes.
Last updated on October 16, 2024.
With your votes you are working for your future. It is not a holiday; it is the most serious day of work since you were born. Better to come in clothing dirty from work than with your soul filthy from having sold your right to justice.
Programmers are always surrounded by complexity; we cannot avoid it.... If our basic tool, the language in which we design and code our programs, is also complicated, the language itself becomes part of the problem rather than part of its solution.
George Orwell's '1984' frequently tops surveys of our greatest books: it's not a celebration of poetic language. It's decidedly anti-literary, a masterpiece of personal and political narrative sequence. And its subject matter is crucial, because what '1984' shows is that language can be a dirty trick.
You have to understand accounting and you have to understand the nuances of accounting. It's the language of business and it's an imperfect language, but unless you are willing to put in the effort to learn accounting - how to read and interpret financial statements - you really shouldn't select stocks yourself
The way the educational system in Russia works is studying a foreign language is part of the program, so by the time you get to the age of 10, you pick up another language. I speak a bit of Russian, a bit of English, a bit of Spanish a bit of French.
Poetic language features an iconic rather than a predominantly conventional relationship of form and content in which all language (and cultural) elements, variant as well as invariant, may be involved in the expression of the content.", "Analysis of the Poetic Text.
Years ago I went to the Wailing Wall in Jerusalem and did what all tourists there do: wrote some words on a scrap of paper that I tucked into a crevice in the wall. When I closed my eyes and touched my head to the warm stone, it came to me: "All language is prayer." This must be so. Who is it we are speaking to when we speak to anyone? To that person, and also past him or her to Out There. If there is language, it means there is the possibility of being heard, being met, being loved. And reaching out to be heard, met, or loved is a holy act. Language is holy.
If you listen to the urban speech patterns there you'll find it's quite characteristic that a sentence will begin in one language, go through a second language and end in a third. It's the very playful, very natural result of juggling languages. You are always reaching for the most appropriate phrase.
Any fifth language that you use should be equally used as just another bit of theater language, so that if you have a strong text, then the light should be as strongly part of that text as, for example, the sound it should be or whatever it is that you see.
Bilingualism lets you have your cake and eat it. The new language opens the doors to the best jobs in society; the old language allows you to keep your sense of 'who you are.' It preserves your identity. With two languages, you have the best of both worlds.
This organization of functional discourse is of vital importance; it serves as a vehicle of coordination and subordination. The unified, functional language is an irreconcilably anti-critical and anti-dialectical language. In it, operational and behavioral rationality absorbs the transcendent, negative, oppositional elements of Reason.
George Orwells 1984 frequently tops surveys of our greatest books: its not a celebration of poetic language. Its decidedly anti-literary, a masterpiece of personal and political narrative sequence. And its subject matter is crucial, because what 1984 shows is that language can be a dirty trick.
Literature is a form of language that breaks with the whole definition of genres as forms adapted to an order of representations, and becomes merely a manifestation of a language which has no other law than that of affirming in opposition to all other forms of discourse its own precipitous existence.
I think I've got an Irish sensibility for language - I like how people talk. I'm not saying I've got it, but I'm obsessed with the way they use language, like they use a swear word very poetically.
For remember that in general we don't use language according to strict rules-- it hasn't been taught to us by means of strict rules, either. We, in our discussions on the other hand, constantly compare language with a calculus preceding to exact rules.
I try to write each piece in the language of the piece, so that I'm not using the same language from piece to piece. I may be using ten or twenty languages. That multiplicity of language and the use of words is African in tradition. And black writers have definitely taken that up and taken it in. It's like speaking in tongues. It may sound like gibberish to somebody, but you know it's a tongue of some kind. Black people have this. We have the ability as a race to speak in tongues, to dream in tongues, to love in tongues.
My language limitations here are real. My vocabulary is adequate for writing notes and keeping journals but absolutely useless for an active moral life. If I really knew this language, there would surely be in my head, as there is in Webster's or the Dictionary of American Slang, that unreducible verb designed to tell a person like me what to do next.
Man is the namer; by this we recognize that through him pure language speaks. All nature, insofar as it communicates itself, communicates itself in language, and so finally in man. Hence, he is the lord of nature and can give names to things. Only through the linguistic being of things can he get beyond himself and attain knowledge of them-in the name. God's creation is completed when things receive their names from man, from whom in name language alone speaks.
I loved languages, and loved learning languages. It was fantastic. But I was alone there. I remember that time as a real Virginia Woolf time. More than any language it was her language that influenced me.
In the future, we've forgotten it. It's disappointing to find out that the past is the present is the future. Nobody wants that. And yet, that's what it is. Maybe it's a kind of surrealist move, to use language like "post-racial" - thinking that if you create the language for it, it will happen. I wish it worked that way. But that's not our reality.
By listening to his language of his locality the poet begins to learn his craft. It is his function to lift, by use of imagination and the language he hears, the material conditions and appearances of his environment to the sphere of the intelligence where they will have new currency.
In mathematical analysis we call x the undetermined part of line a: the rest we don't call y, as we do in common life, but a-x. Hence mathematical language has great advantages over the common language.
When I took part in European leaders summits, it was sometimes unpleasant for me to hear Romanian, Polish, Portuguese, and Italian friends speak English, although I admit that on an informal basis, first contacts can be made in this language. Nevertheless, I will defend everywhere the use of the French language.
Color is a language. It is the language of painting. How painting expresses itself is in large part with color. — © Joseph Raffael
Color is a language. It is the language of painting. How painting expresses itself is in large part with color.
There's no linear narrative - the structure is more like a series of variations on a theme (how identity is shaped by language), with the past constantly bleeding into the present, dreams into reality. And the language, while incredibly lyrical in places, also has this underlying dissonance, the sense of it having itself been translated.
There is a pretty interesting document called 'action writing.' Which is not all about spontaneity and first thought, best thought,' but a certain kind of attention to the smallest increments of the phonemes of language, The kind of power of connection, what he is able to do with language.
I remember I was unsure about doing 'Shameless.' I'd never acted in anything so commercial. I read the script in the garden with my mum, Mary. She said it's filthy dirty, but she said these people have love and sex and nothing else. That made me take the role.
I sat staring, staring, staring - half lost, learning a new language or rather the same language in a different dialect. So still were the big woods where I sat, sound might not yet have been born.
The main issue when it comes to hiring someone from Asia is the language barrier. It's difficult to book someone when they don't speak the language and they can't deliver the lines or even speak to the director. But in terms of Asian-American actresses, we all speak it fluently!
There is another language beyond language, another place beyond heaven and hell. Precious gems come from another mine, the heart draws light from another source.
I figure I'm just one of many people. I'm not that different from anybody else, and I don't have great language, highfalutin' language - I'm very ordinary. So I figure if I write about myself, other people with similar feelings and experiences would go, 'Oh, that's me.'
In a language known to us, we have substituted the opacity of the sounds with the transparence of the ideas. But a language we donot know is a closed place in which the one we love can deceive us, making us, locked outside and convulsed in our impotence, incapable of seeing or preventing anything.
I sent my ex-husband a bully card: You held hate in one heart and spoke niceties with the other, you laid warm hands upon me in public and wounded me in private, your noble face hid your filthy ways, and your sorrow was but laughter.
I'm a millionaire, I'm a multi-millionaire, I'm filthy rich. You know why I'm a multi-millionaire? 'Cause multi-millions like what I do. — © Michael Moore
I'm a millionaire, I'm a multi-millionaire, I'm filthy rich. You know why I'm a multi-millionaire? 'Cause multi-millions like what I do.
With our educated workforce, our language as the international language of commerce, we are ideally geographically located to prepare for success. Following Brexit, we will have the tools at our disposal to take advantage of these attributes, and to benefit from the new opportunities that are emerging around the world.
I think in Somali, I cuss in Somali, when I'm afraid I reach for somali and this language is very rich, very filling. It's an unflinching language; the crudest most terrible things sound perfectly normal in Somali.
Compared to coal, which generates almost half the electricity in the United States, natural gas is indeed a cleaner, less polluting fuel. But compared to, say, solar, it's filthy. And of course there is nothing renewable about natural gas.
I think foreign countries really do like it when American artists sing in their language. And when you go over there and say, 'Hi, how are you?' in their language, they love it. It makes them feel like you're doing it just for them. We in America take so much for granted.
I have difficulties with contemporary language. Big difficulties. I counted, you know, something like 160 words have disappeared from the English language because of the use of the word "like." "I'm like, he's like" - not "thought," not "as if ."
This happens to a lot of kids from different backgrounds - they lose a lot of their parents' and grandparents' teachings, language and culture because they have to deal with another language and culture 24/7. By the time I was 44, I was terrible at Spanish. I was always intimidated whenever I had to speak it.
God has to speak to each person in their own language, in their own idioms. Take Spanish, Chinese. You can express the same thought, but to different people you have to use a different language. It's the same in religion.
To stop challenging someone from using anti-gay language simply because they persist in using anti-gay language strikes me as a defeatist approach.
God has to speak to each person in their own language, in their own idioms. Take Spanish, Chinese. You can express the same thought, but to different people you have to use a different language. Its the same in religion.
And yet because of my attempt at sincerity I have been condemned, hooted at, reviled; filthy rumors have been circulated about me, not about my characterizations but about me personally, my private self.
Doing, a filthy pleasure is, and short; And done, we straight repent us of the sport: Let us not rush blindly on unto it, Like lustful beasts, that only know to do it: For lust will languish, and that heat decay, But thus, thus, keeping endless Holy-.
We think in language. The quality of our thoughts and ideas can only be as good as the quality of our language.
So is not mathematical analysis then not just a vain game of the mind? To the physicist it can only give a convenient language; but isn't that a mediocre service, which after all we could have done without; and, it is not even to be feared that this artificial language be a veil, interposed between reality and the physicist's eye? Far from that, without this language most of the initimate analogies of things would forever have remained unknown to us; and we would never have had knowledge of the internal harmony of the world, which is, as we shall see, the only true objective reality.
The visual is sorely undervalued in modern scholarship. Art history has attained only a fraction of the conceptual sophistication of literary criticism. Drunk with self-love, criticism has hugely overestimated the centrality of language to western culture. It has failed to see the electrifying sign language of images.
And poets, in my view, and I think the view of most people, do speak God's language - it's better, it's finer, it's language on a higher plane than ordinary people speak in their daily lives.
A woman who utters such disgusting and depressing noise has no right to be anywhere, no right to live. Remember that you are a human being with a soul and the divine gift of articulate speech, that your native language is the language of Shakespeare and Milton and The Bible. Don't sit there crooning like a bilious pigeon.
Even though many Indians can read or speak English, for most, it is not their first language. At the office, we speak in English, but we consume our culture in our own language.
There are many ways of writing badly about painting... There is an 'appreciative' language of threadbare, not inaccurate, but overexposed and irritating words... the language of the schools which 'situates' works and artists in schools and movements... novelists and poets [that] see paintings as allegories of writing.
I distrust pious phrases, especially when they issue from my mouth. I try militantly never to be affected by the pious language of the faithful but it is always coming out when you least expect it. In contrast to the pious language of the faithful, the liturgy is beautifully flat.
I'm a millionaire, I'm a multi-millionaire. I'm filthy rich. You know why I'm a multi-millionaire? 'Cause multi-millions like what I do.
To create a language all of a piece which would be a women's language, that I find quite insane. There does not exist a mathematics which is only a women's mathematics, or a feminine science.
It seems inconceivable that a species of human could possess fully modern language and not be fully modern in all other ways, too. For this reason, the evolution of language is widely judged to be the culminating event in the emergence of humanity as we know it today.
I'm not an escapist, but the value of language is that it can create places that did not exist before. And so language for me doesn't reflect the world, it extends the world, so that it becomes larger and more fantastic and less mired in this school shooting bullshit. It actually builds a future - that's how evolution occurs.
She [Sadie Thompson] gathered herself together. No one could describe the scorn of her expression or the contemptuous hatred she put into her answer. "You men! You filthy dirty pigs! You're all the same, all of you. Pigs! Pigs!"
Some advice: keep the flame of curiosity and wonderment alive, even when studying for boring exams. That is the well from which we scientists draw our nourishment and energy. And also, learn the math. Math is the language of nature, so we have to learn this language.
When you do a film in a foreign language, you know there's a cost in it, that you know, unfortunately, the audiences of foreign language films have not been cultivated. There's a market, but the market has been reduced, unfortunately, and you know that when you're making a foreign language film, you're making a choice.
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