Top 1200 Filthy Language Quotes & Sayings - Page 19

Only idiots and infants need things. The language of needs is the native tongue of socialists, therapists, and paternalists of all sorts and is addressed to needy dependents. The language of wants is spoken by self-respecting adults and is addressed to other self-respecting adults.

That the language of the poetry of Jamaican music is rastafarian or biblical language cannot simply be put down to the colonizer and his satanic missionaries. The fact is that the historical experience of the black Jamaican is an experience of the most acute human suffering, desolation and despair in the cruel world that is the colonial world.

Language is the expression of ideas, and if the people of one country cannot preserve an identity of ideas they cannot retain an identity of language.

What are your fees?" inquired Guyal cautiously. "I respond to three questions," stated the augur. "For twenty terces I phrase the answer in clear and actionable language; for ten I use the language of cant, which occasionally admits of ambiguity; for five, I speak a parable which you must interpret as you will; and for one terce, I babble in an unknown tongue.

Even though I have spent literally years of my life trying to learn another language, any other language - and even though I have in the past claimed in several key professional contexts that I speak other languages - I am in fact still trapped inside the bubble of English.

The world does not speak. Only we do. The world can, once we have programmed ourselves with a language, cause us to hold beliefs. But it cannot propose a language for us to speak. Only other human beings can do that.

English general and singular terms, identity, quantification, and the whole bag of ontological tricks may be correlated with elements of the native language in any of various mutually incompatible ways, each compatible with all possible linguistic data, and none preferable to another save as favored by a rationalization of the native language that is simple and natural to us.

Music is a universal language insofar as you don't need to know anything else about a musician that you are playing with other than that they can play music. It doesn't matter what their music is, you can find something that you can play together, with what their culture is. The dialect part of it comes into play, but nothing like the differentiation that language sets up, for example.

When you're in love it's beautiful. When you're not it's just dirty filthy sex. Loveless sex has no true spiritual meaning deep inside your soul. But love makes everything totally cool. Love is God's special gift to horny teenage girls and boys. It makes them feel less guilty.

Thank God that at this hour I am dangerous to the war profiteers of this country who rob the people on the one hand, and rob and debase the government on the other; and then with their pockets and wallets stuffed with the filthy, bloodstained profits of war, wrap the sacred folds of the Stars and Stripes about them and [about] their blatant hypocrisy to the world.

Literature belongs first and foremost to the language in which it is being written. The very same book, even if it is translated very accurately, let's say from Hebrew into English or from English into Hebrew, becomes a different book because language is a musical instrument.

Unlike Joseph her husband, Mary is neither upright nor pious, but she is not blame for this, the blame lies with the language she speaks if not with the men who invented it, because that language has no feminine form for the words upright and pious.

Lyrical poetry is not a big part of most people's lives. Twitter now becomes an interesting way of getting cared for language into people's space. Because there is something deep inside of us that responds to cared for language, whether it's literary, poetry, or really good lyrics in a song.

Text input is certainly useful, but images and speech are a much more natural way for humans to express their queries. Infants learn to see and speak well before they learn to type. The same is true of human evolution - we've had spoken language for a long time compared to written language, which is a relatively recent development.

External realities - worlds of politics, economics, law, war, interpersonal and social relations - are part of prose fiction. Fiction also includes the realities of a character's interior language. Poetry can encompass the same realities, but in compressed, intensified language, which creates entirely different degrees of emotional force.

Music is a manifestation of the human spirit, similar to language. Its greatest practitioners have conveyed to mankind things not possible to say in any other language. If we do not want these things to remain dead treasures, we must do our utmost to make the greatest possible number of people understand their idiom.

Literature can no longer be either Mimesis or Mathesis but merely Semiosis, the adventure of what is impossible to language, in a word: Text (it is wrong to say that the notion of 'text' repeats the notion of 'literature': literature represents a finite world, the text figures the infinite of language).

Our young people have come to look upon war as a kind of beneficent deity, which not only adds to the national honor but uplifts a nation and develops patriotism and courage. That is all true. But it is only fair, too, to let them know that the garments of the deity are filthy and that some of her influences debase and befoul a people.

There is a chapter in my book that is dedicated to the whole Comic-Con world, dedicated to the fans, and it features all the biggest names from the con world out there saying the most outrageous stuff you can imagine. If you want to see the entire cast of "The Avengers" going off, you gotta read it. It's super fun. Even George Lucas is there, and he's filthy!

It is not the responsibility of the language to force good looking code, but the language should make good looking code possible.

Modern language must be older than the cave paintings and cave engravings and cave sculptures and dance steps in the soft clay in the caves in Western Europe, in the Aurignacian Period some 35,000 years ago, or earlier. I can't believe they did all those things and didn't also have a modern language.

Directing non-actors is difficult. Directing actors in a foreign language is even more difficult. Directing non-actors in a language that you yourself don't understand is the craziest thing you can possibly think of.

For me, wellbehaved books with neat plots and worked-out endings seem somewhat quaint in the face of the largely incoherent reality of modern life; and then again fiction, at least as I write it and think of it, is a kind of religious meditation in which language is the final enlightenment, and it is language, in its beauty, its ambiguity and its shifting textures, that drives my work.

The language you use for your poems should be the language you use with your friends.

I try to be sensitive to the power of language, to the power of language that God uses to reveal something about what Christ is doing in our time. That is why I'm always excited about preaching, because there is always something new.

I learned a new language for it all in the 90s. Which in some ways isn't bad... I mean getting people to think about what language actually means before they use it is a good thing. But it's become very clear the past nine years that some Americans truly resent thinking before they speak.

Houston is a cruel, crazy town on a filthy river in East Texas with no zoning laws and a culture of sex, money and violence. It's a shabby, sprawling metropolis ruled by brazen women, crooked cops and super-rich pansexual cowboys who live by the code of the West -- which can mean just about anything you need it to mean, in a pinch.

American Sign Language is a language. It's fun to learn, and it's different from other languages because you use your hands, you use your face, your facial expressions, and there is also an incredible culture that comes with it and an amazing community too, and through that, we can support each other.

Virtue is not a chemical product...it is a historic product, like language and literature; and this means that if we cease to care about it, cease to cultivate it, cease to transmit its funded values, a large part of it will become meaningless, like a dead language to which we have lost the key.

In your relationship with God there are also times when you want to say things and you're trying to find the words to express them. In a human relationship sometimes you struggle for words and you've got to do it, but in a relationship with God he can actually give you a language which enables you to communicate. In a relationship with God you feel things and you want to express them and you're not limited by human language. You can express what you really feel in your heart, through a language that he gives you, and that helps you to communicate with God.

Everyone is used to speaking a slightly different "language" with their parents than with their peers, because spoken language changes every generation - like they say, the past is a foreign country - but I think this is intensified for children whose parents also grew up in a geographically foreign country.

I had never thought about what it might mean to be deaf, to be deprived of language, or to have a remarkable language (and community and culture) of one’s own. Up to this point, I had mostly thought and written about the problems of individuals–here I was to encounter an entire community.

When I was a young person I went to the university and I learned a rational language, to think with the left side of the brain. But in the right side of the brain you have intuition and imagination. Words are not the truth; they indicate the way to go, but you need to go alone, in silence. Symbols have a language that kills the words.

I don't want to be an object of consumption. I like to get out there and participate because I care about it. It's not because I've gotten filthy rich off the hides of young skaters that I feel some sickening obligation to act on, and make myself look like I'm not that bad of a guy. It's because I actually care.

I was more worn out with the "Odyssey" than it was with the "Iliad." I mean, just comparing those two - you can see how it's changing, how the language of the "Iliad" is somehow monstrously new - and that language of the "Odyssey" is more comfortable, even for us.

Learn Languages the Right Way. Language acquisition games and abstract communicative method are bullshit. The second-best way to learn a foreign language is alone in a room doing skull-numbing rote memorization of vocabulary, grammar, key phrases, and colloquialisms. The best way is in bed.

Good poetry and successful revolution change our lives. And you cannot compose a good poem or wage a revolution without changing consciousness unless you attack the language that you share with your enemies and invent a language that you share with your allies.

We have found that companies need to speak a common language, because some of the suggested ways to harness disruptive innovation are seemingly counter-intuitive. If companies don't have that common language, it is hard for them to come to consensus on a counter-intuitive course of action.

Serial tasking is hard because switching tasks is hard, even when the tasks are easy and similar. In some experiments, bilingual speakers are asked to read out numbers, first in one language and then midway in another language. They often stumble at the switch, taking many tries before they hit their stride again.

When I first moved to L.A., I cleaned apartments after people moved out. When people move, they leave stuff behind and haven't cleaned for weeks. I like to clean - I have no problem with cleaning - but some apartments were filthy and disgusting. And there'd always be a random flip-flop left somewhere on its own.

The old view was that delicacy of language was part of the nature, the sacred nature, of eros and that to speak about it in any other way would be to misunderstand it. What has disappeared is the risk and the hope of human connectedness embedded in eros. Ours is a language that reduces the longing for an other to the need for individual, private satisfaction and safety.

In Italy, you're in your comfort zone when it comes to language, lifestyle, your habits and preparations, and moving abroad is not easy. It's not easy to carry over your own ideas about football, your own methods. You have to get everything across in a different language, and that wastes a lot of energy.

Language surely does affect our thoughts, rather than just labeling them for the sake of labeling them. Most obviously, language is the conduit through which people share their thoughts and intentions and thereby acquire the knowledge, customs, and values of those around them."

The death of a language. The word has the same kind of reluctant resonance as it has when we talk about the death of a person. And indeed, that's how it should be. For that's how it is. A language dies only when the last person who speaks it dies.

I believe rhythmic sensibility is always a product and extension of language, defined broadly, among other things. But it is an immediate product and extension - no time elapses between the exposure to language and the creation of rhythmic sensibility.

Poetry is not a matter of feelings, it is a matter of language. It is language which creates feelings.

I don’t usually think about things that are filthy, or unpleasant. I think about the good things, because I know they exist. And I want to believe in those good things.

I felt an absolutely indescribable sense of menace. It was hell on earth to be there [in the presence of the entities], and yet I couldn't move, couldn't cry out, couldn't get away. I'd lay as still as death, suffering inner agonies. Whatever was there seemed so monstrously ugly, so filthy and dark and sinister. Of course they were demons. They had to be. And they were here and I couldn't get away.

There is no reason to believe ... that the "essential purpose" of language is "communication". Language can be used to transmit information, but it also serves many other purposes: to establish relations among people, to express or clarify thought, for play, for creative mental activity, to gain understanding, and so on. In my opinion, there is no reason to accord privileged status to one or the other of these modes.

When I discovered that, through acting, you can speak a beautiful language aloud and have a relationship to language that isn't one that's just eyes-to-page, pen-to-page - it's one that's full-bodied, full-voiced, full-heart... it really opened my heart and made me feel like I could be a storyteller.

Absolute freedom doesn't exist and never did. Just as we don't spit on the floor at work, swear at customers, or send out letters full of misspellings, so too we might have to 'watch our language.' It is odd that the request for unbiased language in schools and workplaces is considered intolerable when other limits on our freedom to do whatever we want are not.

In Buenos Aires, I have a very close friend who speaks very good English, and she taught me. It was quite difficult because the muscles of your mouth are used to your language, and then when you want to speak another language, they don't go to the place they need to go to make the sound.

Living like that utterly convinced me of the extreme limitations of language. I was just a chlld then,so I have only an intuitive understanding of the degree to which one losses control of words once they are spoken or written. It was then that I first felt a deep curiosity about language, and understood it as a tool that encompasses both a single moment and eternity

There has been this resurgence in anti-LGBT language in the U.K. and the U.S., and the rest of the world. In the U.S. we've heard it with Trump's rise. Here, I've heard language borrowed from the most conservative anti-gay voices in the U.S. used by some gay and lesbian people against trans people.

I think language is a system that we have devised to negotiate a series of more amorphous entities. It's a layer you can use to see where those things exist, but if you don't have anyone speaking anymore, those things are still there. The things that language stands for do not require humans, and in fact are often trampled down by humans.

I was a regular kind of academic music student. I was at Juilliard. I had to study all the contemporary music of the time, and changing that language very radically was just a sign or a signal that I was going to try to do something very different. I find that that's what I feel closest to. I found no real inner response in me in a non-tonal language.

Words are our life. We are human because we use language. So I think we are less human when we use less language.

On of the reasons that I wanted to study literature was because it exposed everything. Writers looked for secrets that had never been mined. Every writer has to invent their own magical language, in order to describe the indescribable. They might seem to be writing in French, English, or Spanish, but really they were writing in the language of butterflies, crows, and hanged men.

Records have never really been my strong suit. I've always been a much better live act. I didn't understand the language of the studio. You sing differently in a studio. The language, the craft - it's just a whole different deal. I avoided the problem on my first record by doing a live album.

One must not consider a language as a product dead, and formed but once; it is an animate being, and ever creative. Human thought elaborates itself with the progress of intelligence; and of this thought language is a manifestation. An idiom cannot therefore remain stationary; it walks, it develops, it grows up, it fortifies itself, it becomes old, and it reaches decrepitude.