Top 1200 Finishing A Book Quotes & Sayings - Page 17

I think every book is a reaction to everything you're written before, and most immediately to the book you wrote just before.

When me and my sister were toddlers, it was 'The Jungle Book' literally every day. If it was lunchtime, it was 'Jungle Book' time.

The experience she gained should be invaluable to her continued growth and contribution to our team. In reality, compared to American players, she would just be finishing her college career.

What sells a book sells a book, same in traditional or self-publishing . You gotta shake your tail feathers.

Any time anyone makes a comic book into a movie, in some way, I think they have to kill the comic book.

In a badly designed book, the letters mill and stand like starving horses in a field. In a book designed by rote, they sit like stale bread and mutton on the page. In a well-made book, where designer, compositor and printer have all done their jobs, no matter how many thousands of lines and pages, the letters are alive. They dance in their seats. Sometimes they rise and dance in the margins and aisles.

If you read, your book is kind of your friend, because it's like the book is telling you its story and you're being the listener.

My mother was a star-struck girl from a little town in Arkansas who had gone to finishing school in New York, and whose mother had given her anything she ever wanted.

I see the world as voices, as colors, as it were. From book to book, I change, the subjects change, but the narrative thread remains the same.

I'm in a comic book fan. I have long boxes at home. I'm a comic book collector; I'm not joking. It's just the coolest thing ever.

My first book of poems was published privately in 1949. That was my mother. The book was '25 Poems.' It cost 200 dollars.

I think climbing mountains or buildings or whatever has been a really good metaphor for finishing my work. Because no matter how tired you get, no matter how you feel like you can't possibly do this, somehow you do.

The greatest thing about writing a book is that at first it's all inchoate, but the more you work on it, the more the book teaches you its internal rules.

Creation is a book proclaiming the Creator. It is a book of beauty that our intellect reads, but through the passageways of our five senses.

Many adults feel that every children's book has to teach them something.... My theory is a children's book... can be just for fun.

The best part of all, the absolutely most delicious part, is finishing it and then doing it over I rewrite a lot, over and over again, so that it looks like I never did.

You have to surrender to a book. If you do, when something in it seems to be going askew, you are wounded. The more you have surrendered to a book, the more jarring its errors appear.

I was a massive Tolkien fan. 'The Hobbit' was... my favorite book as a little girl, and the Silvan Elves were my favorite characters in the book.

When I was really little, my favorite book was 'The BFG'. I read it - my teacher in, like, first grade read it to us. I love that book.

I wasn't a very outgoing child. I read a lot of books and the characters in each of the books became like imaginary friends - I immersed myself in the different worlds. I always hated finishing books that I really loved for that reason.

I remember the first time I held my book, my first book in my hands. I cannot tell you how it moved me.

I like reading Ball Tongue lyrics and all that stuff. And they published a book, and I wouldn't give my lyrics, and it's all wrong in the book, and I giggle. It's funny.

During one performance of 'Les Miserables,' the barricade didn't leave the stage, so we had to actually end up finishing the second act with the barricades on the stage, which was very strange... doing the love scene on the barricade.

Making a painting is like having sex for a month or something. Then I go through this period of elation at finishing the work. Then you drop off - you know, 'post-coital man is sad,' as the old saying goes.

I re-read The History of White People by Nell Irvin Painter. It's a book every one should read, particularly Americans, as the USA is her primary focus. Her book demonstrates that white is not universal, that white is not neutral, that it has a history, which she eloquently delineates. It's not often you finish a book understanding how the world operates better than before you read it.

Any alphabet book for children where 'P is for Patti' Smith and 'X is for the women whose names we don't know' is something I can recommend, especially when the book is as well written, representationa lly diverse and vividly illustrated as this one.

My work looks like a comic book in form, but it's not a typical comic book in content. I write autobiographical stuff.

Book ideas are like planes, lined up to approach the runway. Some never leave the gate, but others move quickly to the front of the line. It was like that with The Four Purposes. Honestly, I cannot remember the moment I had the idea for the book; perhaps because it emerged like a green shoot emerging from the soil of my subconscious. But it seemed important enough to begin the flow of words that eventually shaped themselves into this new book.

Beginning well is a momentary thing; finishing well is a lifelong thing

I was lucky in getting my first book published; my first book was 'Bunnicula,' which I wrote with my late wife Debbie, for the fun of it.

I think of a book and a play, or a book and a movie, as two separate things - I don't think of it as my novel having a new life.

The book of nature is the book of fate. She turns the gigantic pages, leaf after leaf never returning one.

The more I like a book, the more slowly I read. this spontaneous talking back to a book is one of the things that makes reading so valuable.

For me, every translation is a new book, with the translator inevitably broadening the meaning of the original book in any translation.

I predict that this will be the greatest book ever and it will sell more than any other book in history

You always hope a book's going to be a success. I don't think I've ever written a book thinking, 'This will be bad and no-one will like it!'

When I write a book, I write a book for myself; the reaction is up to the reader. It's not my business whether people like or dislike it.

A book is quite a beautiful thing, even more so learning. Together, however, all they amount to is called book-learning.

To be honest, I wrote so many drafts of this book [ The Nightingale ] and changed the characters so many times; the real surprise is that I finished the book at all.

I don't write a book so that it will be the final word; I write a book so that other books are possible, not necessarily written by me.

As far as I'm concerned, I'm a writer who's writing books, and therefore, I don't want to die. You'd miss the end of the book wouldn't you? You can't die with an unfinished book.

I'm sort of contrary and stubborn sometimes. When everybody says, 'You have to read this book! You have to read this book!' I'm like 'Oh, I'll get around to it.'

The curse of comic book adaptations, when I was younger, was that the director or producer would go, "Don't worry about it, it's just a comic book."

Don't be afraid to fail. I fail every day. I failed thousands of times writing The Book Thief, and that book now means everything to me. I had many doubts and fears about that book, but some of what I feel are the best ideas in it came to me when I was working away for apparently no result. Failure has been my best friend as a writer. It tests you, to see if you have what it takes to see it through.

I am very bad at remembering the books I've read and so recently I had a wonderful experience. I decided I wanted to teach Toni Morrison's The Bluest Eye. I hadn't read it in twenty-five years. I was surprised to find how much I drew from that book. Stole from that book, learned from that book about writing. I had forgotten and there it was. Morrison has called that text faulted. I cannot see how.

There is today a frightful disappearance of living species, be they plants or animals. And it's clear that the density of human beings has become so great, if I can say so, that they have begun to poison themselves. And the world in which I am finishing my existence is no longer a world that I like.

Is the prestige conferred by the Man Booker prize for the book or me? I would prefer it on the book and for me to be treated ordinarily.

I really strive to bring something new to each book. I don't want to write the same book over and over again.

As far as I'm concerned, I'm a writer who's writing books, and therefore, I don't want to die. You'd miss the end of the book, wouldn't you? You can't die with an unfinished book.

For most people, what is so painful about reading is that you read something and you don't have anybody to share it with. In part what the book club opens up is that people can read a book and then have someone else to talk about it with. Then they see that a book can lead to the pleasure of conversation, that the solitary act of reading can actually be a part of the path to communion and community.

I cheat on my books a lot, which is not a good thing because it's good to stick with one book and get to the end of it, but I'm a book philanderer.

You need me as much as I need you. That makes us equal partners in my book. Well, your book is just wrong.

I'd much rather have a book that a few people love intensely than a book that a lot of people like okay.

A mom reads you like a book, and wherever she goes, people read you like a glowing book review.

I think it is always a long shot getting a book made into a film. Making that book into a film is going to be quite a challenge.

I don't know if I've ever derived such an immediate sense of calm and well-being from any book as I did from 'Right Ho, Jeeves.' It was like I was Pac-Man and the book was a power-up.

The process of making a movie has expanded in terms of effort and time for the director, doing commentaries for the DVD for example, finishing deleted scenes so they could be on the DVD, and doing things like a web blog.

In the case of 'The Book Thief,' my research was hearing the stories of my parents when I was a child. But I started changing the stories when I began moulding the book.

You have to write the book that wants to be written. And if the book will be too difficult for grown-ups, then you write it for children.

The funniest book I've ever had read to me is 'I, Partridge.' It's a brilliantly written book, but it's the greatest audiobook there has ever been.