Top 1200 First Job Quotes & Sayings - Page 3

My first pilot gig, in fact my first job in television, was 'Freaks and Geeks,' and the experience of directing that pilot was probably the single most formative of my directing life.

When Carpenter was shooting 'Vampires' in New Mexico when I was living there, I desperately tried to get a job working on that film, and I couldn't. So my first job as a PA was on a CBS movie of the week that was shooting next door, and whenever I could, I would sneak over so I could watch.

I didn't even have a career before 'Stranger Things' - it was my first acting job, my first time on a professional set, and my character wasn't even supposed to be a big deal - it all just exploded.

I had to really learn what it meant to be on a set and what the expectations were and what producers are. I had to learn who I'm talking to and what their functions are. I had a couple of gaffes: I would ask a person a question, and it wasn't their job. I had to Google their job description. That was the first big adjustment.

To me, success was not having to have a boss and not having a day job. I've been living my own version of success since the early '90s when I first got signed. I haven't had a job since then.

You have to play with the mentality that you are about to lose your job, and that they're going to talk about 'The Other Guy' first. You have to think, 'I want my name mentioned first.'

I like the idea of taking what is essentially a boring, officious job and turning it into something that is a fantasy, to a degree. I suppose there is a juxtaposition involved in that because you do have to be a civil servant but you're doing a tremendously exciting job, or potentially an exciting job, or a glamourous job.

You become world famous, and you sit with kings and queens, and then your first job is just a job. You can't go back to living the way you did before because you've been taken out of one setting and shown the other. That becomes a struggle and makes you struggle.

When I first became captain the job was new and refreshing and didn't affect my batting. I was still in the same mental pattern I had had for 10 years; batting came first and captaincy fitted in with that.

Success doesn't have a downside for me. I'm busy, but I've always been busy whatever job I've had. My very first job working in a furniture factory was bloody busy! That's just modern life. It's not a downside, you just have to be organised and keep things in perspective.

There are ways we can go do a better job of educating young moms and dads about the vital role they have as the child's first teacher. I think there are ways in which we can partner with local school districts and states to do a better job to provide nutrition options at school.

My first assistant-coaching job in football was at William & Mary in 1961. The pay wasn't much, so to get $300 more per year, I agreed to coach the golf team. I didn't even know how to keep score, and really, my main job was not to wreck the van on the way to tournaments.

It was just a series of accidents that I became an actor. My first job was when a friend called and said he was putting together a song and dance group for the 'Gale Storm Show.' The role also involved a few lines. Then a man's wife, who had seen me in that, recommended me for a job she was doing.

It's about what the players are doing. My job is facilitate that. My job is to put them in positions to succeed. My job is to listen to their ideas, take them if they're good, quietly push them to the side if they're not. My job is to help them grow.

No job in America should go unfilled because somebody doesn't have the right skills to get that job, nobody. So, if there's a job open, we should train those folks right away so that they can do the job.

If not for food stamps, Medicaid, and various job programs, I would never have gone on to be the first in my family to go to college, the first black woman to represent my ward on the Cleveland City Council, and, ultimately, a State Senator.

Women are being considered as candidates for vice-president of the United States because it is the worst job in America. It's amazing that men will take it. A job with real power is first lady. I'd be willing to run for that. As far as the men who are running for president are concerned, they aren't even people I would date.

My first job out of law school was as one of two women assistant U.S. attorneys in an office of 63 U.S. attorneys and the first woman to do criminal work appearing only before male judges. Scared? Every day of my life.

My first filming job was one of the first episodes of 'Black Mirror,' before anyone knew what that was going to be. It was this mad project with some great people behind it - and now it's 'Black Mirror!' It was sort of baptism by fire.

We made history when President Obama appointed Sonia Sotomayor, a proud Latina, the first Hispanic Supreme Court justice. And as the President likes to say, 'Every single one of them wasn't just the best Latino for the job, but the best person for the job.'

'The Naked Civil Servant' by Quentin Crisp. I was so intrigued by the man, I hunted him down when I moved to New York. My first interview was with him. I filmed our conversation and it got me my first job in television.

Boxing was my first kind of job.

My first college internship was at Sony Pictures Entertainment in Los Angeles. My second internship was at McKinsey & Company as a consultant - that turned into my first job after graduation.

I was born and raised in North Little Rock, Arkansas. I was 15 when I got my first job serving food to the residents in a retirement home - 22 years later I would shoot my first film in one.

My first modeling job was Gap, and my first time in front of the camera was for a Soda Pop Girls commercial - it's one of those Bratz dolls, Barbie dollsone of those.

My first-ever job was when I was 14 or 15 in Washington, D.C., a job that I got through Marion Barry's summer-youth-employment program. It was working in the locker room of a public swimming pool, deep inside Anacostia in Southeast D.C., about five to 10 minutes from my house.

My first really big job was an advertorial for Italian Vogue. I cried on set because I didn't know what to do. That was two weeks after being in Milan for the very first time. I think I had one or two test shoots there.

My first job was working Saturdays in Sports Soccer in Newcastle. I only used to work three or four hours a week, so it wasn't a huge amount, but I do remember spending the first pay I got on a new pair of trainers.

I didn't come out and roll from job to job - my first year was really tough. I had to work as a teaching assistant for an agency; I ran a pancake stall in Dulwich Market. I taught drama classes and ran my own workshops. I applied for every advert on Gumtree there possibly was.

The job of the first eight pages is not to have the reader want to throw the book at the wall, during the first eight pages.

I suppose the biggest thing I learned is that I'm in it for the right reasons. I love my job as much now as when I first began. I still feel fully invested in every audition, every job - large or small, every appearance, every meeting with every fan.

My first job after graduating was working with Robert Zemeckis. I got a job a week after graduating and moving to L.A. So I got to work on 'What Lies Beneath' and 'Castaway' as a PA, which is basically like a gopher.

For many people, the hardest thing about job-seeking is figuring out where to start. All through college, I heard my friends asking themselves, 'What do I want to do with my life?' And guess what? After college, and after that first job, people still ask the same question.

You have to have a first job to learn how to act, do interviews, pose for photo shoots, and negotiate how you'll say lines with writers. My first network show, 'Cavemen,' just happened to be one that was culturally reviled.

I think that devices like Glass are going to do a terrific job of capturing your first-person perspective. And that's what people first think of when they think of GoPro.

I was not such a great student, .. So, when I graduated high school, I went to work cooking. I cooked a little at home, but back then, cooking wasn't really a profession that you aspired to, unless your family was in the business. I looked at it as a job. My first job was at Joe Allen's, and I remember there was a photo over the bar of the Triple Dead Heat from the 1944 Carter Handicap.

My first pilot gig; in fact my first job in television; was 'Freaks and Geeks,' and the experience of directing that pilot was probably the single most formative of my directing life.

I had in effect been thrown out of graduate school because I was a lousy graduate student, and I had to find a job, and I took the first job that came along. It happened to be a management trainee job in a life insurance company, and I just stayed. It was always, mainly, the idea was that I would support myself as a writer, and I knew I would have to have some sort of work, and it didn't make a whole lot of difference to me what it was. I mean, I could have been a paper hanger or something for that matter.

When I finally accepted a full time job, I saw that as giving up on my artistic dreams. But three years later, I wrote a blog post based on life in the corporate world, which went viral and became the basis for my first book, which allowed me to quit my job to be creatively independent once again.

My first modeling job was Gap, and my first time in front of the camera was for a Soda Pop Girls commercial - it's one of those Bratz dolls, Barbie dolls... one of those.

I think that President [Dwight] Eisenhower was... did the most marvelous job in the war, not really a military job: a public relations job, and it was essential that there should be a public relations job done in the post that he had.

When my first grey hairs appeared in my 30s, a senior BBC producer quietly took me aside and told me to cover them up. It was the first time I realised being youthful was a job requirement - looking older was not allowed.

How do you get out of a belief system? First you have to destruct the belief system. Traditionally, the teacher is supposed to remove your ignorance. But when you remove ignorance, you start with removing what is causing the ignorance, which is your belief system. So the teacher's job indeed is to first deconstruct your belief system. And then to give you inspiration so you'll go out to create a path to discover what is spirit, what is beauty, what is love, because these things nobody can teach you. So teaching really should be a demolition job.

The first play I ever did was with Michael Langham, Brian Bedford, and Colm Feore, at Stratford Festival. That was my first professional job, and I got to work with Garland Wright and so many great artists.

I was actually sacked from my first job. It was at a workshop for a short film this poet had written, about when she used to work in a strip club. After the first week, I was told not to come back.

I remember one of my first prayers when I became a Christian was simply, 'God, provide a job for me. I don't care how hard I have to work, just provide a job and opportunity so that I can take care of my family.' And you know, that was really all I asked from Him.

A white manager loses his job and gets another job, he loses his job, he gets another job. Very few black managers can lose their job and get another job.

I did come to realize that getting your first job is hard, but it's not nearly as hard as getting your seventh job. That is hard. That's when you really have to prove it to people.

I became a manager very young. My first sous chef job I was, maybe, 25. It was a bit too early for me. But it's on-the-job training. You really just get stuck in there and it's trial and error. You learn by your mistakes, and hopefully you don't keep making them. And if you do, you just keep trying to fix it.

I remember the first job I ever had was working on 'Firefly,' and I was talking to Joss Whedon, and he was asking if I was going to Comic-Con. He called me a loser for not going that first year.

And every job that I had was a stepping stone to my next job and I never quit my job until I had my next job. And so opportunities look a lot like work.

Childhood is like a mirror, which reflects in afterlife the images first presented to it. The first thing continues forever with the child. The first joy, the first sorrow, the first success, the first failure, the first achievement, the first misadventure, paint the foreground of his life.

When I first graduated college, I told my parents I'd try to pursue comedy for the first year or two, and if it didn't work out, I'd put my nose to the grindstone and try to find a job somehow. I went to UCB, and it clicked with me.

B looked down the shaft, at a metal ladder and darkness beyond. "Me first?" Of course. You're the apprentice, so you always go first into the unknown. If anyone's going to be eaten by a grue, it should be you." Tough job. But at least the hours are terrible.

I started this job in 1995, and I felt the same pressure in my first day, with my first team, Reggiana, in the Second Division, as I feel now. Nothing has changed, but what changes are the number of games, especially for top teams. For this reason, the work has pressure. But only this.

My very first professional job was with a theatre company in 1965 and the first job they gave me was literally shovelling sh*t. I was an assistant stage manager and they told me to clear out the prop store. I opened it up and no-one had been in there for 25 years and it was inches deep in rat sh*t. So before I could get anywhere I had to clear it up. I thought, 'All these years of training, the best drama school in the world, and this is what I'm doing.'

My very, very first professional job was when I was 19 years old - I got a job doing an educational industrial film on Shell Motor Oil's oil products. I really put my heart into it - I wrote a script for it, I did a lot of research.

It is almost as difficult to keep a first class person in a fourth class job, as it is to keep a fourth class person in a first class job.

The first job of the historian and of the journalist is to find facts. Not the only job, perhaps not the most important, but the first. Facts are the cobblestones from which we build roads of analysis, mosaic tiles that we fit together to compose pictures of past and present. There will be disagreement about where the road leads and what reality or truth is revealed by the mosaic picture. The facts themselves must be checked against all the available evidence. But some are round and hard--and the most powerful leaders in the world can trip over them. So can writers, dissidents and saints.

I didn't want wrestling anymore; I wanted to not want it. But I couldn't get a job anywhere, which was part of the reason I was homeless. I couldn't get a job pumping gas. I couldn't get a job working at a warehouse, I couldn't get a job at Baskin Robbins, I couldn't get a job anywhere.