Top 174 Fitzgerald Quotes & Sayings - Page 2

Explore popular Fitzgerald quotes.
Last updated on April 22, 2025.
I'm a long time [Scott] Fitzgerald fan, as probably everyone in America is. And I've always been fascinated by that theme of, what is the price of the American dream and what parts of your soul do you walk away with? The conflict of art versus commerce was also very interesting to me.
On a really dark night, you can see between 1,000 and 1,500 stars, and there are millions more that haven't been discovered. It is so easy to think that the world revolves around you, but all you have to do is stare up at the sky to realize it isn't that way at all. -Brian Fitzgerald
Writers are notoriously unable to know about themselves. Faulkner thought 'The Fable' was his best novel. F. Scott Fitzgerald liked 'Tender Is the Night,' an experimental novel.
I don't want to compare myself to somebody like Fitzgerald or Hemingway, but I feel like, for some writers, going to a certain city, a certain place, is what kickstarts your imaginative process.
Was it for this the wild geese spread The gray wing upon every tide; For this that all that blood was shed, For this. Edward Fitzgerald died, And Robert Emmet and Wolfe Tone, All that delirium of the brave? Romantic Ireland's dead and gone, It's with O'Leary in the grave.
Fitzgerald said a very interesting thing in his diary; that human life proceeds from the good to the less good - that is, it's always worse as you go on. That's true. — © Michelangelo Antonioni
Fitzgerald said a very interesting thing in his diary; that human life proceeds from the good to the less good - that is, it's always worse as you go on. That's true.
My style of singing has always been referred to 'soul' singing when it fact it's more influenced by English R&B Blues Shouting. I'm closer to Led Zeppelin as a vocalist than to Ella Fitzgerald. It was torture dealing with major labels.
Scott Fitzgerald is a sound you like to hear at certain times of the day, say at four in the afternoon and again late at night, and at other times it makes you slightly sick.
Once, in an interview with 'V' magazine, I said that I preferred Fitzgerald to Hemingway. I think that Hemingway is an amazing writer, but by being related to him, I had it in my head that I had to like him.
I just wanted to do a music show, with the whole realm of music from Ella Fitzgerald to rock bands like Cream to Kenny Rogers. We had a lot of country, but we did every kind of music. The Monkees were on, and so was Johnny Cash.
I have struggled for decades now with the fear of and resistance to change - mostly in the realms of technology, transportation, and the ways people choose to communicate. If I had a theme song, it would be that lovely song 'I'm Old-Fashioned,' as sung by Ella Fitzgerald.
The window in which it's acceptable to listen to Ella Fitzgerald's 1960 record 'Ella Wishes You a Swinging Christmas' is short, so I keep it in heavy rotation throughout the festive season.
An age is the reversal of an age: When strangers murdered Emmet, Fitzgerald, Tone, We lived like men that watch a painted stage. What matter for the scene, the scene once gone: It had not touched our lives.
As for the writers who have influenced me they are many. Hemingway, Chandler, Ray Bradbury, Richard Matheson, Charles Beaumont, William Goldman, Flannery O'Conner, Carson McCullers, F. Scott Fitzgerald, and so many others. As a kid Kipling and Edgar Rice Burroughs, and Robert E. Howard.
Unlike F. Scott Fitzgerald and Tom Wolfe, I don't like proper dress while working. I like writing in pajama-like clothing, which eases and relaxes me and allows me to connect with the decidedly improper.
These pearls of thought in Persian gulfs were bred, Each softly lucent as a rounded moon; The diver Omar plucked them from their bed, Fitzgerald strung them on an English thread.
The guys that are out there now like Calvin Johnson and Larry Fitzgerald they're making $16 million, $15 million a year, and I'm not looking for anything like that. A lot of that money goes to the quarterback position and rightfully so.
Well, when I was a young writer the people we read were Hemingway, Fitzgerald, Sartre, Camus, Celine, Malraux. And to begin with, I was a bit of a copycat writer and very derivative and tried to write a novel using their voices, really.... I keep it out of print.
I was a good college kid, all-American and baseball-playing, living in the dorms with a million barbarians. I did not expect to be claimed by Fitzgerald hook, line, and sinker. 'This Side of Paradise' - that sweet, sophomoric pastiche of notes, scenes, poetry, and plays - I felt like he'd written the book just for me.
I have always loved creating and entertaining. It started with music, singing. I grew up in a household filled with music - not pop but old-school stuff, Ella Fitzgerald, Louis Armstrong.
I can do the vocal acrobatics but I really try not to. I've always been drawn to singers who sing it like it is, pure, straight down the line: Ella Fitzgerald, Patti Smith, Carole King. Simplicity is really important to me.
When I heard Billie Holiday's voice, Nina Simone's and Ella Fitzgerald's - there was something about their voices to me that was such a different texture than what I was used to listening to at the time. Hearing those jazz voices were so different, and I think I just gravitated toward it.
I would have given anything to keep her little. They outgrow us so much faster than we outgrow them. Brian Fitzgerald, talking about his children.
My father was a very strong male figure to me as a child. He was very dashing, had a wonderful sense of humor and was romantically handsome in the Scott Fitzgerald genre.
I was under the influence of the early modern masters, Fitzgerald and Steinbeck and Hemingway, especially, when I was a kid. I reacted against writers like Barth and John Hawkes. I did not care for the post-modernist stuff; my allegiance was to realism.
I remember Ella Fitzgerald sort of coming into my life like a bolt of lightning - like, what is that? It was one of the purest examples of God in art that I'd ever seen.
Mr. Scott Fitzgerald deserves a good shaking. Here is an unmistakable talent unashamed of making itself a motley to the view. The Great Gatsby is an absurd story, whether considered as romance, melodrama, or plain record of New York high life.
Fiction writing was in my blood from a very young age, but I never considered writing as a real career. I thought you had to have some literary pedigree to be a successful author, the son of Hemingway or Fitzgerald.
My background was always more soulful pop. I was named after Ella Fitzgerald, and when I was a kid, I was listening to Lauryn Hill, Etta James, Joss Stone. For me, it was always about the voice.
I am sometimes asked to name my favourite books. The list changes, depending on my mood, the year, tricks played by memory. I might mention novels by Nabokov and Calvino and Tolkien on one occasion, by Fitzgerald and Baldwin and E.B. White on another. Camus often features, as do Tolstoy, Borges, Morrison and Manto.
Robin Vos and Scott Fitzgerald want to have good public schools, good roads and good health care for the people of Wisconsin. We just have to find a way to do it. I think we can.
There is no singer I can think of who can touch Ella Fitzgerald. And when Billie Holiday sings, she's merciless about it. Her voice has just this immaculate sadness - even in happy songs, there was something that was so broken about it.
Novels by British writers are among my favorites because our family has enjoyed travel in England and because they are written with an economy of words as if they were written with a pen instead of a computer. Penelope Fitzgerald is a favorite.
Reading it now for the seventh or eighth time, I am more convinced than ever not merely that The Great Gatsby is Fitzgerald’s masterwork but that it is the American masterwork, the finest work of fiction by any of this country’s writers.
I'm comfortable singing jazz. The only thing I was concerned about is that everybody, even in jazz, has their own style. To me, the queen of doodling was Ella Fitzgerald, and scatting is something I never thought I could do.
In such novels as This Side of Paradise and The Great Gatsby, Fitzgerald depicts the spirit of the hour which is usually about 4 a.m. His suave young men, always commuting between Princeton and The Plaza in Stutz Bearcats never sat still for long. It was too uncomfortable, with a large flask in the hip pocket.
Perhaps it suddenly brought to us the sense of change. Or irresponsibility. But don't forget that, though the people in the twenties seemed like flops, they weren't. Fitzgerald, the rest of them, reckless as they were, drinkers as they were, they worked damn hard and all the time.
Ive got a soft spot for really cheesy 1980s ballads by Pat Benatar and Foreigner. When I'm having my make-up put on at 6am and I need to be warmed up gently, it's always Ella Fitzgerald or Nina Simone.
How about your favorite book?" "This Side of Paradise by From. Scott Fitzgerald." "Why?" "Because it was the last one I read." This made them laugh because they knew I meant it honest, not show-off. Then they told me their favorites, and we sat quiet.
F. Scott Fitzgerald has an indespensible quote: 'The test of a first-rate intelligence is the ability to hold two opposed ideas in the mind at once and still retain the ability to function'. Or, as I like to call it, 'O.J. killed his wife, and the police are corrupt.'
It’s Fitzgerald’s thin-but-durable urge to affirm that finally makes Gatsby worthy of being our Great American Novel. Its soaring conclusion tells us that, even though Gatsby dies and the small and corrupt survive, his longing was nonetheless magnificent.
I hadn't read or heard a lot about [Tom] Wolfe until I read this script, and in that way I think it was really clever to write a piece about him instead of Max Perkins,[Ernest] Hemingway, [John] Fitzgerald, or others that people have strong opinions of already.
When I was young, I was a passionate reader of Sartre. I've read the American novelists, in particular the lost generation - Faulkner, Hemingway, Fitzgerald, Dos Passos - especially Faulkner. Of the authors I read when I was young, he is one of the few who still means a lot to me.
Growing up, I had a natural love for women like Diana Ross, Mary Wells, Ella Fitzgerald. Then I got into Dionne Warwick, Nina Simone, and Patsy Cline. — © Natalie Prass
Growing up, I had a natural love for women like Diana Ross, Mary Wells, Ella Fitzgerald. Then I got into Dionne Warwick, Nina Simone, and Patsy Cline.
'The Great Gatsby,' by F. Scott Fitzgerald, remains the most perfect novel that has ever come out of the United States. Everything in the book moves as it should, in the manner of a piece by Bach or Mozart.
Penelope Fitzgerald's nine novels are thin enough that if you were so inclined, you could take her entire literary output down from the shelf with a single stretched hand. You'd be holding an eclectic bunch.
I look back at Ella Fitzgerald and Sarah Vaughan, and especially Betty Carter, whom I admire the most, and I say, OK, they set a standard of excellence. I listen to them not for what they are doing, but to study where they are coming from because, for me, jazz is life experience.
I was born and grew up in Fitzgerald, way down in south Georgia. It was a mill town and my family ran the cotton mill. My grandfather was mayor many times and my family felt deeply rooted to that spot.
For every Scott Fitzgerald concerned with the precise word and the selection of relevant incident, there are a hundred American writers, many well-regarded, who appear to believe that one word is just as good as another and that everything which occurs to them is worth putting down.
The struggle to write with profundity of emotion and at the same time to live like a millionaire so exhausted F. Scott Fitzgerald that he was at last brought down to the point where he could no longer be both a good writer and a decent person.
I actually got thrown into my Bar Mitzvah because my teacher, my Cantor, did not tell me that they would all say 'amen' at the end of each, for want of a better word, paragraph. And that threw me completely. I almost went into an Ella Fitzgerald sort of scat.
If you look at any list of great modern writers such as Ernest Hemingway, William Faulkner, and F. Scott Fitzgerald, you'll notice two things about them: 1. They all had editors. 2. They are all dead. Thus we can draw the scientific conclusion that editors are fatal.
Scott Fitzgerald said famously that "he who invented consciousness would have a lot to be blamed for." But he also forgot that without consciousness, he would have no access to true happiness or even the possibility of transcendence.
My dad was into jazz, so there was a lot of Thelonious Monk and Duke Ellington playing in the house, but also a lot of soul, such as Aretha Franklin and Ella Fitzgerald, while my mum liked Prince and Diana Ross.
The best vocalists I can think of are female. There is no singer I can think of who can touch Ella Fitzgerald. And when Billie Holiday sings, she's merciless about it. Her voice has just this immaculate sadness - even in happy songs, there was something that was so broken about it.
I respected Ella Fitzgerald, Nat King Cole and Frank Sinatra. Those were my heroes, and they were 10 years older than I was.
Bootleggers were romanticized by people like F. Scott Fitzgerald, for example. Gatsby is a bootlegger. And they were not thought of as evil criminals in the newspapers, either. There was a certain amount of affection for them.
I just used to love the sound of especially a female vocal like Ella Fitzgerald for example, it's just that empowering self-control that can make a whole room go silent. I fell in love with that sound.
My parents were into The Mills Brothers, Perry Como, Ella Fitzgerald, Bing Crosby, Sarah Vaughn, and all those people sung the most wonderful songs - and even when I got into rock 'n' roll, that stayed with me.
I was into all sorts of music as a kid. I was very curious about ethnic music and different styles. I loved Django Reinhardt. I loved Ella Fitzgerald. I was also influenced by all the crooners of the day, like Johnny Ray, Frankie Lane.
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