Top 244 Flair Quotes & Sayings - Page 4

Explore popular Flair quotes.
Last updated on November 21, 2024.
I think young people can spot when people believe what they are saying and when people aren't believing what they are saying, and when I was a kid, I really did believe what Ric Flair and Randy Savage and Bret Hart said in their promos. I think there has to be some believability.
I think my fans respect me for bein' as truthful and honest as you can be and still be Rap music and not be opinion music. It's still Rap, its still style, flavor, flair, and people just kind of like how I present myself and the things that I do.
Even though The Cure helped pioneer the jangly, dance-oriented guitar and keyboard style it continues to embrace, there are other bands that now employ the post-punk style with greater flair. This leaves The Cure's live presentation seeming a bit anonymous.
I got to work with Ric Flair. I got to work with John Cena when he was just coming into his own. I got to work with Santino when that character was just started. — © Maria Kanellis
I got to work with Ric Flair. I got to work with John Cena when he was just coming into his own. I got to work with Santino when that character was just started.
I wore the Marc Jacobs dress, so I love Marc Jacobs. He has a vintage flair. But I've always worn a lot of vintage stuff, so it hasn't been a lot of designers. If I see something that I like, I just buy it.
When you change, you change with what you got. What I got is my speed. I got a little bit of my instinct and flair.
I still recall the first time I laid eyes on Ric. Dusty Rhodes and Dick Murdoch were wrestling, at the time, in Minnesota, and they took a liking to this kid who'd been hanging around the matches. That kid was Ric Flair, and they brought him to my ranch in Amarillo, Texas.
Jim Crockett could just advertise Ricky Steamboat and Ric Flair, and we would do great numbers just off of the two names being hooked up for the evening. Fans knew we'd go out there and give them a hell of a match, win, lose or draw.
The Fall of the House of Zeus is a riveting American saga of ambition, cunning, greed, corruption, high life and low life in the land of Faulkner and Grisham. These are good ol' boys gone bad with flair, private jets, and lots of cash to carry. Curtis Wilkie, a child of the South and a reporter's reporter, is the perfect match for this wild ride.
I'm very interested in trying to make comedy shows that are a bit bigger, more theatrical, more of a "show." Some people might say I'm trying too hard, but that's a compliment to me. I like to inject a bit of production value and flair to comedy, or at least to my little corner of comedy.
Courage, I don't think anybody is born with courage. I think you may be born with a flair to braggadocio, you know. That's not courage.
Neiman's book is written with considerable flair, as many critics have already noted, but it possesses a far rarer and more valuable quality: moral seriousness. Her argument builds a powerful emotional force, a sense of deep inevitability. . . . It is not often that a work of such dark conclusions has felt so hopeful and brave.
The hard part for me was not the wrestling - it was showing emotion, telling a story, and being able to connect with fans. Coming out as Ric Flair's daughter and being called athletically gifted, it's hard to say, 'Hey, like me! You can relate to me!' It wasn't working, so I completely switched my character.
There's certainly an element of responsibility that goes with being on the cover of WWE 2K18, but I'm just stoked for it. I think it's awesome for our generation to have a guy on the cover who comes from the group of guys and girls on the road right now who are grinding it out every single day and night. I feel honored to have gotten the opportunity and that I was chosen to be that guy when it could have been anyone from Charlotte Flair to Sasha Banks to Roman Reigns.
Charlotte Flair - she took my title from me. I did beat her twice; however, she beat me and took my title from me, unfortunately. But I'm gonna get it back.
Flair was a guy who 90 percent of your match was called on the fly, while Savage was a guy who had 90 percent of it set in stone before the match began.
I think Ric Flair has been tarnishing his legacy since 1990 - he has done more to tarnish his career then anything I could have said or did, then anybody could have said or did.
There was a match in Alaska that I had with Beth Phoenix at a house show where we had a standing ovation from Ric Flair, Triple H, John Cena, and Arn Anderson. I got to work with her so much that we knew each other's body language. Got a standing ovation from the entire locker room. It was amazing.
Whenever I wore it there were some questions whether the outfit was just too over the top. I'm like, "Do you know who you're dealing with here, and her eccentricities, her style, her flair?" These little things were sometimes those - I love it. I love having a real-life model. But I also do flush it out with my own personal experiences and my own essence, and hopefully they mesh together.
Half of me is this wacked-out comedienne who will do anything for a buck and a laugh. Well, at least for a laugh. But the other half is a lot darker, sadder and more pensive. It's the dark side that feeds the outrageousness and allows it to surface. I think that's true for anyone with comic flair.
When I started doing advertisements, I really enjoyed the whole process of shooting, and I realised that I could do the little bit of acting required quite easily. My directors also told me that I have a flair for acting and that I should polish it and try for films. Then I thought I probably had it in me - why not give it a shot?
When I debuted on the main roster, people just hated me. They were booing me. Social media got to me a bit. They were like, 'She's just there because she's Ric Flair's daughter.' I was like, 'Why doesn't anybody like me?' It really got to me.
I've always been creative verbally, had a flair, my teachers said - wrote great expository essays in elementary school, scribbled little poems, embraced all writing assignments. And all along I read voraciously - first in Russian and then, after we left the USSR, in English, and even Spanish.
I've got some great stuff in my sports memorabilia collection. But my favorite thing by far is the robe. I actually have a Ric Flair robe with 'the Nature Boy' on the back. That's awesome. When I look at it, it brings back so many memories of my childhood and my teen years.
Everything I do has a certain quality, a certain flair, a certain flavor. I like to eat the way I like to dress, the way I listen to music: put it all together, and it's a great party.
Richard A. Posner is an extraordinary person. If he did not exist, it would be hard to believe that he could. (...) He writes with a flair that puts most journalists to shame and a depth of knowledge that puts most professors to shame.
Every film, every fight choreographer, wants to have a different flair, have a different fight technique. So any film I've done that involved weapons has always been fascinating because everyone is different.
Obviously, having my dad's last name, I think that's more the chip on my shoulder because it has been a mixed blessing. I always will have the Flair stigma, and I think that's where I deserve to be there or this, or I'm not just his daughter. I think that's the chip on my shoulder.
Sports-entertainment has provided me with many blessings, but nothing was ever more unpredictable and fun than hanging with Ric Flair, Barry Windham, Arn Anderson and Tully Blanchard, who, in my opinion, are the greatest incarnation of The Four Horsemen and the most important faction to ever step into the ring.
The pressure was always there, but I feel like it was almost invisible to me. I had too much going on once I got rolling with Evolution and won my first title. They say the cream rises to the top, and I felt like the cream. I rose to the top real quick, and I was surrounded by Triple H, Ric Flair, Shawn Michaels, Undertaker, these guys who were very well respected in the profession, and they wanted to work with me.
I would study the best, the most flashy, the guys that had that flair, the guys that had that wow. I'd study those fighters, and I made up my mind that I'd be all of those at once.
Flair, Dusty Rhodes, Shawn Michaels, The NWO, The Invasion, the wild stories, and the Attitude Era. All the crazy stories - you love them, and you get addicted to them and the lifestyle. But you have to separate them and toe the line and separate yourself from what is real and what is not.
Redefine the sport in terms of your expertise, in terms of your talent, in terms of your strength, in terms of your flair. Make it interesting. Make it something that people want to watch.
I need to make one thing clear, the IIndian way of playing cricket is loved around the world. People love to watch an Indian batsman, because he is different from say an Australian one. That is why we are special, we play with our own kind of flair, our own style, and we shouldn't change that.
Ric, I feel like he hasn't changed up for no one. He's been the same since Day 1, since he was in the limelight as a pro wrestler. Even now, just his mentality and who he is: Find who you are and just be that. He's always being him. That's what I admire the most about Ric Flair.
A lot of times we would feed off of the crowd. A lot of things that we were doing in the match was called on the fly. For example, Ric Flair and I would go into a match and have a couple of spots and moments set up. And then, of course, we would line up the finish. But the rest was called on the fly.
Some guys play so straight, and that may be their thing; like, a lot of guys are good playing like that. I can't play like that. I have to flair out. I have to yell. I gotta scream. I gotta talk trash - that's how I get myself going.
Avoiding any of the tenets of amateurism, after all, certainly does not make you a good professional. Perhaps it is better to see fearless flair and professional steeliness as two ideas which must always coexist. One half of sport may be about harnessing human talent, but the other half depends on setting it free.
It's rare that the sequel to a good movie lives up to expectations. Such is the case with Die Hard 2, the somewhat-muddled but still entertaining return of Bruce Willis' John McClane. Fortunately, the original Die Hard was good enough that there's room for the second installment to be enjoyable while still not matching the pace or possessing the flair of its predecessor.
She looked at me. "What? Is there something wrong with my idea?" "It's not very heroic," I said dismissively. "I was expecting something with a little more flair." "Well, I left my armor and warhorse at home," she said. "You're just upset because your big University brain couldn't think of a way, and my plan is brilliant.
Manu Ginobili - I like to watch him. I would pay to watch him play the game. He will try things that will drive a coach crazy, like a full-court bounce pass, but he has such a flair for the game. I love his energy and his spirit and his unpredictability.
If you think childlike, you'll stay young. If you keep your energy going, and do everything with a little flair, you're gunna stay young. But most people do things without energy, and they atrophy their mind as well as their body. You have to think young, you have to laugh a lot, and you have to have good feelings for everyone in the world, because if you don't, it's going to come inside, your own poison, and it's over.
I ended up [doing video] meeting Gillian [Grassie] at the same time that we were getting together a book. We ended up working on it, and she recognized that I had a flair for certain things, and we've worked through it together so that the writing could be really good. It was the perfect partnership, just finding my literary voice and figuring out how comedy translates to the written word.
Ric Flair is out there crying, his nose is running. He's probably drowning from the size of his nose running. — © Roddy Piper
Ric Flair is out there crying, his nose is running. He's probably drowning from the size of his nose running.
I grew up in Fayetteville, North Carolina where Fort Bragg is, basically where the Mid Atlantic territories were sort of based out of the Carolinas. So I grew up watching guys like Ric Flair, Dusty Rhodes and the Road Warriors.
One of the many American ideals that make no sense at all is that we're all a million rugged individualists marching in lockstep. We dress accordingly, at least the men. If it's always been thus, I yearn for the halcyon days of the man in the gray flannel suit because at least that guy had some flair.
I wasn't a class clown, I never developed this comedic flair as a kid. Even when I decided to become an actor, it was just to be an actor, not necessarily a comedic actor. I wasn't that guy who struck out with women so he became really funny, and that's when the women started to like him.
After illuminating the work of Rembrandt, Caravaggio, Louise Bourgeois, Balthus, and other modern artists, Mieke Bal again demonstrates her extraordinary flair for cultural criticism in taking on the work of Doris Salcedo, exploring the philosophical and aesthetic stakes of this committed political art and the relation between beauty, violence, and memory. A tour de force.
I learned early on as a baby-face you had adapt to their style. Ravishing Rick Rude had his own style and his own way with a little bit of some Ric Flair-isms. But I always learned to adapt myself.
I can only guess that, for guys in their 30s and 40s who watched me play, they understood that the score never mattered and my paycheck never mattered (in relation) to how I played. I played with Little League enthusiasm and professional flair. That's what fans are really looking for.
The complete novelist would come into the world with a catalog of qualities like this. He would own the concentration of a Trappist monk, the organizational ability of a Prussian field marshal, the insight into human relations of a Viennese psychologist, the discipline of a man who prints the Lord's Prayer on the head of a pin, the exquisite sense of timing of an Olympic gymnast, and by the way, a natural instinct and flair for exceptional use of language.
When it comes to fashion, I'm just inspired by anyone who has their own flair or piece on anything. I love originality. I love when people bring some bold and don't do what's been done or being done. I don't think I have anyone in particular. Just anyone who's original really inspires me.
Teaming up for Evolution, I think Batista and I credit a lot of our success to Ric Flair, but especially Triple H. He has an amazing psychology for the business. He understands how to tell a story, and you just pick his brain the best you can while riding with him. It was a great advantage for us in terms of learning our craft.
I wasn't the most prodigiously talented cricketer in Karnataka, let alone India. Some of my team-mates in my school team could hit the ball cleaner than I do. I had to work through that lack of talent, so to speak, that lack of natural flair. Runs never came easy for me.
There are dozens of ways of failing to make money. It is one thing to fail to make money because your single talent happens to be a flair amounting to genius for translating the plays of Aristophanes. It is quite another thing to fail to make money because you are black, or a child, or a woman.
I'm always traveling, so I tend to online shop. My go-to sites are Net-a-Porter and Matches. I recently moved to N.Y.C. and frequently shop at Sur La Table for my kitchen; Flair home collection, Aedes de Venustas for all my favorite home fragrances.
A lot of guys, if they're a face and they see their drawing ability start to falter, they'll turn heel and they're right back on top again. Same thing with a heel. All of a sudden they'll turn into a good guy. Ric Flair has done that throughout his career a number of times.
Criticism is above all a gift, an intuition, a matter of tact and flair; it cannot be taught or demonstrated--it is an art. Critical genius means an aptitude for discerning truth under appearances or in disguises which conceal it; for discovering it in spite of the errors of testimony, the frauds of tradition, the dust of time, the loss or alteration of texts. It is the sagacity of the hunter whom nothing deceives for long, and whom no ruse can throw off the trail.
Miami is nothing like me, and thats why I need to be here - its the opposite. Im practical, where this place is moody, Im stolid in my interior, where this place has a certain flair, and Im materialistic in a sense that this place is fundamentally spiritual - theres a quicksilver quality about this place.
Tell a child, a husband or an employee that he is stupid or dumb at a certain thing, that he has no gift for it, and that he is doing it all wrong and you have destroyed almost every incentive to try to improve. But use the opposite technique, be liberal with encouragement; make the thing seem easy to do, let the other person know that you have faith in his ability to do it, that he has an undeveloped flair for it - and he will practice until the dawn comes in at the window in order to excel.
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