Top 76 Fleetwood Quotes & Sayings

I just love watching football. It doesn't matter what level it is, whether it's Fleetwood or Blackpool. I love to go and watch games.

Eventually, I had to figure out what the hell I was going to do with my life. I needed to find my way back to Fleetwood Mac.

I did spend a year in high school being obsessed with Fleetwood Mac.

You know, I was never totally thrilled with being a Fleetwood Mac member, but surprisingly, I was having such a good time reuniting with John, Mick, and Stevie.

I love wearing a lot of color, and I am majorly into scarves. I'm the Beau Brummell of Fleetwood Mac, no doubt.

I love Journey and Fleetwood Mac.

When I work alone, my process is like painting. With Fleetwood Mac, it's more like movie making.

Fleetwood Mac always take a long time to make a record - you know what.

My father loved music. He loved Motown and R&B, and my mother loved Journey and Fleetwood Mac, so they were always listening to it and playing it.

My favorite record of all time is Fleetwood Mac's Tusk. It's made up of a bunch of songs that don't really sound the same, but they all go really well together.

I was born in 1974, so I grew up listening to what was on the radio - my mom's car sounded like Fleetwood Mac, because that was what was on the radio.

Dancing freely to Fleetwood Mac always makes me happy.

I was always inundated with music, whether it be my mother's favorites like Fleetwood Mac and Carole King and the Carpenters, or my dad's jazz music.

The old Fleetwood Mac was much better; they did some beautiful and, to my mind, very authentic blues. Chicken Shack did pretty well in Europe, but after I left, it was over.

I dearly remember the old days... Fleetwood Mac had this one-of-a-kind charm. They were gregarious, charming and cheeky onstage. Very cheeky. They'd have a good time.

I guess you can look at Fleetwood Mac as the 'Pirates Of The Caribbean' movies and my solo career as indie films.

I'm a bit of a Fleetwood Mac girl. I also think you can't beat a bit of old school Girls Aloud to get in the mood for going out.

The 12 years I was in Fleetwood Mac before were not particularly happy years. I was not in a very good place, psychologically, when I left. I didn't have a lot of confidence in what I was doing.

There is nothing like this extended family that is Fleetwood Mac. And I think you have to say, for all the perceived and real dysfunction that there has been, underneath that, there is and always has been a great deal of love. And that keeps pulling us back together.

We have always been like The Eagles and Fleetwood Mac in that we have numerous lead singers.

One of my really good friends in New York is a musician and looks just like Lindsay Buckingham. We always fancied ourselves the nice Fleetwood Mac.

If you look at the history of popular music, the most successful musicians have started out being really marginal and esoteric. The Beatles and the Rolling Stones. Madonna. Prince. Bruce Springsteen. Fleetwood Mac. David Bowie. Public Enemy. Nirvana.

I left Fleetwood Mac to make myself happy, and fortunately, it worked.

I'm a big fan of Peter Green's Fleetwood Mac.

Fleetwood Mac are more like a folk-rock band.

When I discovered blues - I was 12-years-old - I didn't discover it in America where it was from; I discovered it from Fleetwood Mac - the original Peter Green Fleetwood Mac, Saveloy Brown - like British blues interpretations of it,' which then, when I started the liner notes and seeing all these names, I was like, 'Who's Willie Dixon?' Then I go to the record store and ask the guy there and he goes, 'Oh, you don't know anything.' And so, to me, that's the root of most of it anyway.

One of the things about Fleetwood Mac is, when we're not together, we don't talk a lot or keep in touch. We keep a healthy distance.

Moving to Fleetwood was a shock to the system at first. I'd never been at a full-time club.

Certainly, whatever I learn while I'm out solo, I bring back to Fleetwood Mac.

As a member of Fleetwood Mac, for two weeks I was still working at the restaurant because I'd given them notice. I didn't just want to walk in there and say, "'I'm going to be a famous rock star so I quit and I never liked your food anyway".

My mother raised me right - everything from Fleetwood Mac and the Doors to Pink Floyd and so on and so forth.

The Eagles, let's face it, they were a pretty cool group, Fleetwood Mac, Blondie. I had this really eclectic background in music.

We've always connected musically in Fleetwood Mac because we're the only people who play more than one note. I'm not the best pianist, but I know how to interlace around what Lindsey's playing.

I'm rather old-fashioned about this video business. It's all relatively new. We really don't do videos, Fleetwood Mac. We've only done two.

Obviously, this is a huge change with the advent of Lindsey Buckingham not being a part of Fleetwood Mac. We all wish him well and all the rest of it.

Fleetwood Mac were really accessible musically, but lyrically and emotionally, we weren't so easy. And it was our music that helped us survive. But all of us were in pieces personally.

I played Benedick in 'Much Ado About Nothing' nearly 30 years ago at the RSC, alongside Susan Fleetwood as Beatrice, and I loved every minute.

I feel like fifteen years with Fleetwood Mac was like working on my thesis, doing research for some kind of paper.

It probably all started with The Beatles, and then I guess it goes out from there. Springsteen... Fleetwood Mac... I mean, that's all so inherent in us that when we're making records now, we take a lot from the artists who are around us.

One of the things about Fleetwood Mac, you gotta say, is that it's not very often that you get everyone to want the same thing at the same time.

When I was a kid, and Elvis Presley broke through to a middle class, white audience, it was a sociological phenomenon that lasted through the Beatles and even a bit through Fleetwood Mac.

When you become successful on the level that Fleetwood Mac did, it gives you financial freedom, which should allow you to follow your impulses. But oddly enough, they become much harder to follow.

There have been several occasions during the course of Fleetwood Mac over the years where we've had to undermine whatever the business axioms might be to sort of keep aspiring as an artist in the long term, and the 'Tusk' album was one of those times.

With Fleetwood Mac, it's an amazing chemistry that we have on stage.

Fleetwood Mac is just one of my all-time favorite bands.

We're celebrating our sixth year with my Fleetwood's, and in a restaurant, that's a lot.

Fleetwood Mac was one big lesson in adaptation for me. There were five very different personalities, and I suppose that made it great for a while.

When you're rich and famous you are the dominant force in a relationship, even if you try hard not to be. I've talked of sacrificing everything for Fleetwood Mac, but I realize now that it is simply the only thing I've ever wanted to do.

I loved Queen, Journey, Fleetwood Mac, and people like Barbara Streisand. The thing with me is that classical music was also an inspiration. I took piano lessons at the Royal Conservatory of Brussels for 10 years.

I've grown up with my parents' music tastes, listening to Fleetwood Mac and the Rolling Stones.

I was always so jealous of a band like Fleetwood Mac, for instance, where Christine McVie would sing a whole bunch of songs even though Stevie was the obvious lead singer. It added variety to their shows.

My other family is Fleetwood Mac. I don't need the money, but there's an emotional need for me to go on the road again. There's a love there; we're a band of brothers.

You could say that Fleetwood Mac is a bit of a dysfunctional family, but we are a family.

My father and mother listened to oldies, from be-bop and swing music to - I hate to admit it, but - Barry Manilow, Fleetwood Mac and the Moody Blues.

I take inspiration from so many places. I think, more than anything, it would have to be the music made by others that I've then fallen in love with, whether it's Madonna, Blood Orange, Fleetwood Mac, or Pink Floyd!

Defining something being a Fleetwood Mac song is calling it a Fleetwood Mac song, you know? Nothing becomes Fleetwood Mac until that's what you call it.

I had Fleetwood Mac on, and Saido Berahino asked me if it was from a movie soundtrack.

I think there's a reason to go off and do something and experiment - splinter off and do something different. It keeps the nucleus of Fleetwood Mac fresh.

Mick Fleetwood was one of my first interviews. And if you've ever talked to that dude, he's the sweetest guy in the world - he's just a trip.

Fleetwood Mac has been pretty truthful. Open about what we do. We've always done it from the inside out. Versus being pressured from the outside and changing the inside. And that's our story.