Top 1200 Folk Music Quotes & Sayings - Page 20

All their sport in the park is but a shadow to that pleasure that I find in Plato; alas good folk, they never felt what true pleasure meant.

I can think and play stuff in classical music that possibly violinists who didn't have access to other types of music could never do. It means I'm more flexible within classical music, to be a servant to the composer.

Teenagers are passionate and they want music that speaks within their hearts. It's a big deal for students to listen to Christian music and talk about it at school. Music is a very exciting element of your life when you're love. I think it's huge.

What is the best music is impossible to define. Just because it's played by a virtuoso player, doesn't mean it's great music. It might not reflect the soul of a people, which is really my criteria for great music.

I started when I was really young. I was playing classical music when I was 4 and when I turned 11 I started to write pop music. I guess you could say it was my intellectual evolution and my love of music began to change.

The native music of North America, the original-roots music of this country, is also the underworld music of this country.

Rock stars are idiots. You know that! Remember this moron never went to music school, never learned music theory and can't read or write music. So why not be suspicious of everything this idiot says?

My entire life has really revolved around music that was written about the time that I was born, 1908, to just before the First World War and shortly after it. This music I've always known, and it is that music that's most important to me.

In terms of black music - the only music that we can call our own, that was really born here - I don't think a lot has been done to chronicle the relations between American history and where black music fits in.

I try to pick music for a diner that doesnt involve a lot of lyrics, so you're not paying attention to that. As long as it doesnt dominate the party, it should be more atmosphere music. When I'm by myself, I never play music.

Pop culture has none of the vibrancy that you find in the folk culture, where people speak directly to their own experience in the human condition.

In school I was interested in music, but I never saw myself being a musician at that point. Music technology was the only subject I cared about: it taught me the basics of music production and I started making beats and freestyling with my friends.

You can learn to write. But what you write is something that depends on your taste and on your vision or whatever. Also, of course, the music I listened to inspired my idea of music. When people ask me "Where's your inspiration? Where does it come from?" I have no idea. Music is about music. Not about life and love.

When I started, DJs weren't in the media, electronic music wasn't in the sales charts and a DJ was the freak in the corner who provided the music while other people had fun. So to do it, you must have been a freak and a music lover.

I screwed up at a young age with my parents. They were very religious and they didn't really understand music. They didn't really listen to music. I went through a series of battles with them about why I loved music.

There is a beauty to touring - to be honest, there's a way that music connects and you really feel the actual reaction of people to the music that you're making, and I feel like if I didn't do that I just wouldn't know, and I don't think my music would be the same.

Music is my expression. Music is my release. Music is my therapy.

I want to continue to constantly put out great music, expand further and further with the live show and music that is attracting music fans from all over the place, not only for ravers or electronic heads.

I mean, I wasn't the best student in school. It would be different if I were to pursue music while I was already in school and doing things for my parents to be proud of and music was a side thing. Being that I dropped everything to do music, they was not with it.

As far as my New York influence, one thing I'm proud of in my career is, I rep Brooklyn, New York all day. But people don't look at my music as New York music. People consider my music underground music.

It is an occupational hazard of devout folk to become stuffy bores. This should not be. Of all people, we should be the most free, alive, interesting.

I don't like the idea that in music, clothes, taste or anything, we are limited to a certain style, because we need to maintain an identity, maybe between some subculture group. Hopefully, all those walls break down, and music is just music.

Music is one whole force. And I think the Proms have always represented very clearly that music is a universal language, one that everyone can speak. I've just followed my goosebumps in every direction and have found a recipe for what my music feels and sounds like.

I think that the best music and the music that people relate to the most is the honest music that people feel themselves in it.

Music, great music, distends the spirit, arouses profound emotions and almost naturally invites us to raise our minds and hearts to God in all situations of human existence, the joyful and the sad. Music can become prayer.

The Celtic folk-tales have been collected while the practice of story-telling is still in full vigour, though there is every sign that its term of life is already numbered.

Modern civilisation is complicated and artificial. Simple folk live in a world of love and peace. Let no one hate another or harm another.

Music is more of a hobby to me than my hobbies, if that makes sense. I love music; my dad and brother were very musical, and music just happens to be one of my hobbies that became my vocation.

When I'm feeling stressed out and overwhelmed, sometimes I'll read a book. But most of the time, I will either listen to music or play music. I'm basically always playing music, even if I'm not stressed!

I think the world is very much embracing this whole concept of musicians going out and playing their instruments and playing music for music as opposed to music that has something to do with some form of image or imagery.

We grown-up people think that we appreciate music, but if we realized the sense that an infant has brought with it of appreciating sound and rhythm, we would never boast of knowing music. The infant is music itself.

The way I make music is just a reflection of how I think music should be made. Where you sit in a studio, and you make music, and you use technology to your advantage, not to hide all the blaring mistakes.

Music first, music last, music always

I think the [music] industry really suffered from music being available online because it made young people feel, "why should you pay for music, if it's so readily available for free?"

I have moved around a lot, and I've lived in all of these different environments - that has affected the kinds of music and the range of music and influences I've had in my life. All of those influences - more subconsciously - play into the music I make.

I'm like a little kid when it comes to music. I mean, the music is always blasting wherever I am that people always knock on my door and say, 'It's too loud!' But I think music gives so much inspiration.

And it's all just from word of mouth. No big marketing. That means the folk who come to the gigs are there 'cause they love their tunes. That means it's real.

For me music is pretty personal. I generally listen to it alone, and I've never been a lover of concerts. So I don't think I really bond with other people over music. That's not unique to music for me, either. I feel that way about film, television, art, everything. I read a book alone, so why wouldn't I listen to music alone?

Music is sunshine. Like sunshine, music is a powerful force that can instantly and almost chemically change your entire mood. Music gives us new energy and a stronger sense of purpose.

We're all friends, inside the music and outside the music. I mean, we don't sound anything alike, we don't approach our music anything alike, but we come from the same genuine place. We want our music to be real and we don't want to compromise our art.

One thing about skating that I don't think people focus on enough is the music factor. The music is a huge component of figure skating. It can dictate not only the choreography but the emotion. If it's not the right music it can ruin a performance.

I just wanted to do a music show, with the whole realm of music from Ella Fitzgerald to rock bands like Cream to Kenny Rogers. We had a lot of country, but we did every kind of music. The Monkees were on, and so was Johnny Cash.

I didn't get played on radio or TV for 3 years. They all told me the same thing: it was too urban. They don't see grime music as commercial music, but all music is commercial; it's how you make it. That's what I'm trying to say.

The only music I was listening to for ages was old soul. So I wasn't listening to a lot of new music - especially indie music.

As in music, when we hear the crescendo building, suddenly if the music stops, we begin to hear the silence as part of the music.

I am a musician who stopped working with music. Now I work with visual music, or audio-visual music.

My mother got me into music when I was a little kid. She used to play music, blast it, when she was cleaning the house, while I was crawling around. I just love loud music.

The devil ain't got no music. All music is God's music.

There are a lot of options when it comes between music and acting. For me, because I'm so passionate about my music career, you have to be extremely passionate when you have opportunities like films and real money actually coming to you compared to with music.

To me, that's when music was music. Every studio had a full symphonic orchestra and a whole bunch of singers they used on every picture. Every radio show had singers on it, and NBC and CBS had their own staff orchestras. Music was everything. And it was good music; it wasn't based on three chords.

I think music is a big, big wide world, and I am voyager on this particular ship in this sea of wild music, and I'm gonna dive in and find as many fish as I can and catch them all. I love music.

Making music clips, I have a responsibility to depict the artist in a way that suits them, and feels comfortable with how they want to present their music. From there I usually try to tell a story visually that complements the music, that lets the music be the hero element of the project. I just try to do something that feels sincere and creative and a little bit home-brewed so it doesn't feel too plastic or phony.

Obviously there are pieces of classical music that are some of the most beautiful music ever written, for me anyway is a lot of classical or contemporary music, so it's a different kind of space that you enter when you're listening to it.

I'm a real guy. I'm not money-laundering. I make money off music, and music is my source of income. It feels good. I'm not selling T-shirts, I'm not doing none of that other crap. Straight music.

We're always trying to elevate the platform of Christian and gospel music, church music, worship music and not just elevate it to our comfortable corner of the earth that we maintain an international and global mindset for what we're doing.

I learned quickly that trying to force Country Folk to love the Big City is like telling your gay cousin, "You just haven't met the right girl yet.

That’s why I make music. When I listen to my favorite music made by other people, that’s what it does to me. So as a musician, I’m just trying to do the same thing with music I make. Sometimes it works, sometimes it doesn’t. But when someone comes to me and says the music I’ve made has affected them emotionally, that’s the most gratifying part of my job.

There are just so many people making music out there. I've always promoted the idea that everybody needs to make music. I think the more music there is in the world, the better, but it does make it highly competitive.

I don't think anyone listening to my music needs any special knowledge. They don't need to have a background in contemporary music. They don't need to go to new-music concerts all the time in order to be able to understand it.

The way I like to think about it is, even though I started music early - I started in classical music - it wasn't until I discovered jazz that I really fell in love with music and realized this was what I wanted to do for a living.