Top 247 Footage Quotes & Sayings

The footage that you're about to watch of China's dog-leather trade is one of the worst things I've ever seen.

I was the star of one of the school plays when I was in Year 10. It was 'Bugsy Malone.' There is probably footage of it somewhere.

Before GoPro, if you wanted to have any footage of yourself doing anything, whether it's video or photo, you not only needed a camera, you needed another human being. And if you wanted the footage to be good, you needed that other human being to have skill with the camera.

When we get to what happens when we die, we don't have any video footage. So let's at least be honest that we are speculating, because we are.

As long as I know what I'm playing, I shouldn't concern myself with others' footage.

I watched her do speeches, but the only footage we could find of [princess] Margaret was archive footage, which was of her public presentation of herself.

I really like 'The Three Kings' DVD. I love that movie and all the extra footage and documentaries.

There's this kind of incredibly mistaken idea that because it's so much cheaper to roll the camera than it used to be and it's so much easier to accumulate a ton of footage, that then you can just go shoot a ton of footage and the editor will make sense out of it. But if you don't have something deliberate made, you're not gonna save it in the editing room.

There has got to be a lot of unreleased video out there, live footage and whatnot. There's always going to be something extra for the Pantera fan.

On 'Senna,' it got to the point where there was so much footage that our first editor had the wild suggestion that we only use the archive.

It's wonderful to work on footage by someone who understands how to get it to cut right, which a lot of directors don't.

There was no actually stock footage in "Medium Cool." I wrote the script. I wrote the riots. And I integrated the actors in the film in the park during the demonstrations. But nowhere was it like we had stock footage and then later, in editing, integrated it into the film. It was all done at the time.

Whenever you went into any place where there was Michael Jackson footage at Sony, it was like going through Homeland Security.

I started playing around with GoPros on my own to get some cool footage. But it's actually become a big training tool for my team and me.

All one has to do is look at old footage of the firebombing of Dresden during World War II and think of the people beneath those bombs. It's horrific.

To receive footage that has been shot with editing in mind, it is a blessing.

I watched tons of archive footage of princess Margaret and listened to the music she loved; that was really immersive and brilliant.

I think part of what made the original 'Sufferfest' charming was the extremely low production value. It was all shaky handheld footage from Cedar.

Occasionally, I hanker for the time when I sold more records, but I don't sit and drool about it. When I do look at early footage of Talking Heads, I realise I was just a wreck.

I found a lot of stuff that's never been seen before. That was the goal: to not use cliché Cold War footage but give people a sense of the place and setting. It's a field you still need. At first it was a lot of fun, and then later it became a little bit intimidating. "Oh my God, I've got so much footage. Where am I going to put it? What am I going to do?" I ended up really only reviewing about 20 to 30 percent of what I had. So it was a task.

I'll bet I've got more footage of just plain cows than anybody else.

I'm always coming back with too much footage. Most filmmakers do, but I'm always surprised that it keeps happening to me.

Look at a football field. It looks like a big movie screen. This is theatre. Football combines the strategy of chess. It's part ballet. It's part battleground, part playground. We clarify, amplify and glorify the game with our footage, the narration and that music, and in the end create an inspirational piece of footage.

I was always looking at footage of dancers from Nicholas Brothers to Ralph Brown to Sand Man to Miller Brothers and Lois, and I grew up looking at old footage.

As for that footage, video footage showing the dead children allegedly killed in the chemical attack, it is horrible. The question is only who did it and what they did, and who is responsible for this. These pictures do not answer the questions I have just posed. There is an opinion that it's a compilation by these very rebels, who are connected with al-Qaida and who were always distinguished by exceptional brutality.

It's funny; before I started writing professionally, I had a job logging video footage for behind-the-scenes footage for special features.

I can access footage much quicker, yes. But in terms of living with a film and knowing what's right, digital doesn't do that for you.

It's a disadvantage when there is not enough footage of an opponent.

It's terrifying to show incomplete footage.

One of the great things about The Umbrella Academy' and its TV version is that there are 10 hours of footage, so characters are a lot more fleshed out and further developed.

All the NASA footage is in the public domain, and it's so beautiful; it's really stunning.

Footage of young people getting shot. That bothers me. It hits a nerve.

I saw footage of a well-known pastor holding a Bible and saying, "This book says homosexuals should be killed."

When I'm shooting, as much as writing, I see edited footage in my mind, so I work that way, and it's economical.

A good actor's director, first of all, is prepared, so there's not an exorbitant amount of wasted footage.

When people come to me with an idea and they say, 'We can do it found footage or traditional,' I always say to do it traditionally.

The first thing I wanted to do, as a boy, was to be a skier, because I had seen film footage of somebody skiing.

I watched the footage of Saddam being executed, and it really made me think...is there nothing on the internet that I won't masturbate to?

If you look at footage of the Newfoundland Regiment, you see they are at rest and giddy and being silly with one another. Silliness is the antidote to trench warfare.

No picture, no footage, no story. The people these days require some visual evidence in order to believe what they read.

When you shoot a movie so quickly you can't really afford to shoot a bunch of extra footage because you don't have that luxury.

The bad news is that 50 people died in a hotel fire; the good news is that we got exclusive footage.

I go to matches to watch players who entertain. I still watch old footage of Paul Gascoigne.

It's our job to get into the hardest-to-see places and bring back the best footage - we have the best footage of North Korea ever shot. If that's a stunt, then I'll keep on doing stunts until I die.

YouTube is found footage. It's here to stay, and people will always come up with new concepts that will make sense for found footage.

I love archival films very much. I spent thousands of hours watching archive footage. Every time I see it, I see something. Sometimes I think I know this footage, but two years later, I see it again, and I see something new.

I became vegan because I saw footage of what really goes on in the slaughterhouses and on the dairy farms.

If you continue to act now and be a member of the WWE Universe, you will see the same footage from... another... camera angle.

If we had a completely found footage feel, with no editing, then we would have a twenty four hour movie and that doesn't really work either.

Over time it just got more and more intense as far as the trust factor. For example, when we started editing the film [Dream of Life], I thought, man, I need to make sense of all the footage I have; I need to ground the film. And one day I was hanging out in Patti's [Smith] bedroom, which is where Patti works, and in the corner of her bedroom is this great chair, and that's when she began showing her personal things to me. The camera was there, and we realized that we were really making the movie and making sense of the footage in the movie.

However wack anyone thought 'Whatzupwitu' was, there's not a lot of people that have footage of themselves dancing around in the clouds with Michael Jackson. I do have that forever.

I don't believe in having spaces in the home that don't get used. We pay so much for square footage that to waste it is criminal.

The only thing people fear more than what's going to happen is not getting footage.

I was not born when my father retired in 1979, but I watched footage of his games on VHS.

I worked in a post-production facility for television, but in the machine room, so I was one of the nerds, essentially - making sure everyone had their footage in and all of that stuff.

With every project I start out on, there's no footage. It's always a big slog to find the footage.

I think what's exciting about doing it as found footage - if we all are being honest, found footage gets a little bit of a bad rap sometimes, but I think that there's a lot of potential in the medium in taking it seriously and in treating the audience with respect and in treating the characters with respect in terms of, why is the camera really on? Where would the camera be when it is on?

How many have seen that Osama bin Laden footage? Pretty scary. In fact, today, NBC ordered 13 more episodes.

It turned out it was really easy to create commercial stock footage.

I love what Paul Thomas Anderson did with 'The Master' with putting out those teasers made up of footage that's not in the movie.