Top 565 Format Quotes & Sayings - Page 9

I think what we have going in the Casino Battle Royale is going to show people an exciting, different take on the traditional battle royal format, different than what anybody has done. It's not going to be two hours of battle royals. It's going to be really, really action-packed.

'This is Spinal Tap' was a film we felt really had to be done like that. It wouldn't have worked any other way. And it turned out to be the first time a fiction film had really been made in a documentary format. I continued to do that, obviously, because it's a fun way to work.

I'm always getting sent new stuff, so I have to incorporate digital equipment into my sets, but I try to play vinyl as much as possible. It's just the best-sounding format still. And I've been using vinyl since I started deejaying, for over 15 years, so it also just feels the most natural for me.

I'm trying to use people like Meredith Monk and Philip Glass and Terry Riley as the backing tracks for new pop songs. It's really hard trying to use the format and write a pop song on top of avant-garde music, so we'll see. It could be cool, or it could totally flop.

In today's retail environment, competition comes from every conceivable retail format. To succeed, we have to operate more efficiently and compete more effectively against players at all levels of the retail demographic. There is no question that this is a bold and exciting move, and one I believe will have a positive impact on competitive retailing for American consumers in the longer term.

Being open and observant of people and the world around you is really important. People have the same desires and needs online as they do offline. The way that people are stays constant. You can change the format, make it easier for them to communicate or use photos instead of words but human necessities never change.

You need to be naive enough to do things differently. No big publishing house would have allowed us to co-create a fully designed, four color business book in landscape format - because it was contrary to the publishing industry logic. However, we thought of Business Model Generation as a product, not just a book - similar to Apple products.

My goal with The Adventures of Captain Underpants was to invent a style which was almost identical to that of a picture book - in a novel format. So I wrote incredibly short chapters and tried to fill each page with more pictures than words. I wanted to create a book that kids who don't like to read would want to read.

I don't want to speak for everyone, but I think it really picks up where the other film left off. It's true to the format. A lot of times, sequels get overblown for the sake of doing it. Even in the trailer, 'there's eight people in the house', that's just the worst thing you can promote in a sequel. Two people, now there's eight, it's like Jurassic Park with the dinosaurs playing video games.

Newness only becomes mere evil in its totalitarian format, where all the tension between individual and society, that once gave rise to the category of the new, is dissipated. Today the appeal to newness, of no matter what kind, provided only that it is archaic enough, has become universal, the omnipresent medium of false mimesis. The decomposition of the subject is consummated in his self-abandonment to an ever-changing sameness.

Film is a narrative format. Some fashion films try to retain some of the poetic mystery, but most of the time they only end up looking like some crappy, pretentious film-school thing. So I think the interest in film is really about the fashion world finding another form of expression.

Well I think the problem is, is that...what people don't realize is they're gonna get away from the people that they're marketing with now. They're tryna change everything about the format of the NBA, the imaging and everything. This is more about control you know what I'm saying? This has nothing to do with clothing. This is a control issue.

The usual way the people are taught to think in amerika is that each subject is in a little compartment and has no relation to any other subject. For the most part, we receive fragments of unrelated knowledge, and our education follows no logical format or pattern. It is exactly this kind of education that produces people who don’t have the ability to think for themselves and who are easily manipulated.

I have absolutely no interest in rock and roll. I'm just being David Bowie. Mick Jagger is rock and roll. I mean, I go out and my music is roughly the format of rock and roll, I use the chord changes of rock and roll, but I don't feel I'm a rock and roll artist. I'd be a terrible rock artist, absolutely ghastly.

Writing books isn't a drastic departure from writing for the stage. I've always written in the long format, five, eight, 10-minute pieces rather than one-liners, so since writing books, the process hasn't changed much. A piece in my live routine can end up as part of one of my HBO specials, and it can also end up in one of the books.

Communication is paramount, and what medium or what format you utilize should be a non-issue. In some respects, that has created a barrier for new media, especially web new media, because often times maybe the media itself comes before the concept, before the ideas, and ends up navigating or dictating the outcome.

By the time I wrote those first three songs for his new CD ... I wanted to push the poetics as hard as I could push them, and not decide the songs were finished until I committed them to whatever the recording format was. I went through drafts right up until I recorded every single one of them.

A TV show has to be a certain length and, you know, you have expectations from the viewers. You know, you want to see the characters again, or you want to see certain dynamics between the characters or certain kinds of storylines. And you kind of figure out how to best fit what you want to say into that format.

Plato used the dialogue format because the exchange of views, the posing and answering of questions, showed that understanding is a living, dynamic process. He distrusted writing because the settled character of the written word makes it look as if truth can be fixed and made to stand still. It is worth remembering that this greatest advocate of the objective reality of truth also believed that our access to that truth was sustained in reasoned discussion.

We didn't want to worry about the formula that has been implanted into our brains - this verse/pre-chorus/chorus format. When we were writing 'The Papercut Chronicles,' we had no idea about any of that. We didn't know how to count bars or how to write what's considered a well-formatted pop song.

With the long-format interview, I can get into really interesting conversations with my guests. You know what it's like to get the opportunity to speak to really interesting people and pick their brain about things. To have time to let a guest actually speak and tell a story and get into detail is really exciting.

My first book, 'To Be or Not To Be,' took 'Hamlet' and converted it to the choose-your-own-path format. It was a great fit for a book where you control what happens - a book as game - because the plot of 'Hamlet' is very game-like: get a mission from a ghost to kill the final boss, kill the final boss, and game over. You win.

You find a personality whom you think the TV audience will embrace and find a format that is tailor-made for the personality. In the case of Andy Griffith, we moved the personality of a wily country shark - a funny and shrewd guy - into another arena. In this case, he is a lawyer, and it is a dramatic series.

If we look at India and the Indian demographics and the Indian consumer, I think the Indian consumer is going digital, social, and mobile. They want everything in a digital format, everything available on the go, and we socially connected.

There are many things that have stayed consistent. But the biggest change, of course, is technology, the way it's used, the way films are shot, the format that they're shot in, and the way films, of course, are edited. It's very different than it was in the past.

The width of a line may present the idea of infinity. An epigram may contain a world. In the same way, a small picture format may be much more living, much more leavening, stirring, awakening, than square yards of wall space.

The ghetto music of my era is hip-hop. And Parliament, and Curtis Mayfield, and Marvin Gaye, that was all the ghetto stuff when I was a baby, and then when I was a teenager it was hip-hop and we were taking all those old '70s sounds and recreating them and putting them into a hip-hop format.

For me it's about the character, not as much about the genre of it [movie]. I'm excited that I get to work and play interesting characters and I'm not just the girl who gets to play the girlfriend or the wife. I get to play real women who have struggles and troubles and passions and that's always what I hope to do no matter what format that lies in.

Indian actors, because of the format of our stories, need to be good actors, and be able to perform emotional sequences, do a bit of comedy, dance and singing, action, because all of this forms just one film. In many ways I'd say there are greater demands on Indian actors than there are on Hollywood.

Because of social media being such a marketable format, things are constantly being released, so people don't pay as much attention because they have a million things being thrown at them. You reach more people, but now there's more content. Before, it was harder to get the people but there was less content.

This album is my life, and my life's really not that interesting. It's not "not interesting," but I'm just some dude just like everyone else. But by recording it in an album format, it becomes a product. That's the idea of Built on Glass; it's the relationship between my personal life and the music I make.

We get information in the mail, the regular postal mail, encrypted or not, vet it like a regular news organization, format it - which is sometimes something that's quite hard to do, when you're talking about giant databases of information - release it to the public and then defend ourselves against the inevitable legal and political attacks.

Larry and I, and a bunch of our colleagues, were sitting on great stories that needed to get out to an audience in one way, shape or form. We've both produced comics in the past, and audio dramas seemed like a similarly interesting option, the other side of the coin. As we've continued with the project, the format has become a vital way for us to tell our stories.

I actually like doing commercials. I don't like doing them to the exclusion of everything else, but I like doing them. The 30-second format is very hard. I sometimes call it American Haiku. And I think some of the commercials I've done are not so bad.

I want to go back to the format that radio started with rock n' roll, with country artists and rhythm and blues with that oldies type feeling. I want to put it all together and create a Top 40 of rhythm and blues and country and straight blues with Wolfman at the reins.

Because there are so many factors when considering the potential impacts of GMOs on our health and environment, we wanted to make a film that could unpack complex subject matter, while taking the audience on an entertaining ride. It is a very powerful tool because it allows viewers to understand the nature of these very complicated issues in a digestible format, and then hopefully engage in a dialogue about them in their respective homes and communities.

'Star Trek' is a 'Wagon Train' concept - built around characters who travel to worlds 'similar' to our own, and meet the action-adventure-drama which become our stories. Their transportation is the cruiser 'S.S. Yorktown,' performing a well-defined and long-range Exploration-Science-Security mission which helps create our format.

I grew up with synthesizers and weird, spacey music-hip-hop, R&B, modern rock-that I heard on the radio. That's influenced the way I play music. It's natural for me to go with what I feel. If I didn't let that other stuff out and stuck to a certain format, I would feel like I was missing out on something. I'm just enjoying my ride and being who I am.

There are some pop songs I hate but I can't get them out of my head. Our songs also have the standard pop format: Verse, chorus, verse, chorus, solo, bad solo. All in all, I think we sound like The Knack and the Bay City Rollers being molested by Black Flag and Black Sabbath.

As a songwriter I hate this whole, 'If it's a sad song, it has to sound like a sad song thing.' And that goes all the way back to my days with the Format. I'm an insane narcissist, so if I have to get something off my chest, I'll get something off my chest.

Our approach is very simple we have nothing to negotiate ... We have the Minsk format and we need immediately just a ceasefire and the withdrawal of heavy artillery and weapons and tanks from the touchline, the solution is very simple - stop supplying weapons ... withdraw the troops and close the border. Very simple peace plan. If you want to discuss something different, it means you are not for peace, you are for war.

The majority of my background is multi-camera format, which is very broad and a very arch perception of reality. Whereas single camera tends to be more truthful and a little more intimate of a medium. Friends was an education in intelligent comedic banter; in intelligent vernacular. It was an education in scene study. It was an education in group dynamic. I came out of there with a masters degree in comedy.

Strangely enough, for me, Instagram has been a creatively freeing and inspiring format lately. I have been so very resistant to nearly all forms of media, yet finally this made it into my atmosphere, and in discovering this I have been propelled into some movement and new ideas. Real life images, curated images, even the visual diarrhea are incredible fertilization for movement in some direction or another.

T20 is such a format that finishes quickly, and you only have four overs. If there are three bad balls in one over, you will go for runs, and your whole analysis suffers. The team is on back foot because of three balls. So each and every ball becomes very important. It makes the bowler think.

So far I've seen the life studies packet used as (1) an umbrella, (2) a makeshift towel, (3) a pillow, and now this. I have never actually seen anyone study with it, which either means that everyone who graduates from Thomas Jefferson will be totally unprepared for life or that certain things can't be learned in bullet-point format.

[It] is not that television is entertaining but that it has made entertainment itself the natural format for the representation of all experience. […] The problem is not that television presents us with entertaining subject matter but that all subject matter is presented as entertaining. (87)

I think acting is really fully adapting - to your surroundings, to your emotions, to the people that you're working with, to being tired, to want to go home, to being lonely, to being happy. It's adapting for me, and trusting. Adapting and trusting, that's my format right there.

Any comic can get on the radio show and be funny. You can get that on any morning radio show or afternoon radio show. There are plenty of people who do that. It's not a difficult format, to sit around with two or three comics and be funny.

I never thought of my work in terms of being radical, although I tried to make it radical- that is, to shift the premise of what goes for pictures on a wall. I wanted my work to say something other than the usual- the usual format for an artwork being a rectangle, a square, or anything flat, framed, and attached or hooked on the wall. That was accepted practice, mainline thinking.

It is of course daunting to make ones public debut in a new format, particularly with a well loved character, and in a medium as much scrutinized by the web-o-sphere as comics... But I had the comfort of having great editors at IDW (Chris Ryall and Denton Tipton) and I knew whatever I wrote, Ilias would make me look good.

I would not want to be the Europa League in the current format, that's for sure. Thursday night games are difficult to contend with given the level of physicality we deal with in the Premier League. We struggled with it at Newcastle and we were not alone in that among the English clubs. Until that issue is addressed, no Premier League team wants to be in the Europa League. That's the reality, even if some don't want to admit it.

However, I think that sometimes when shows do, you know, have a good season or a bad season, it comes down to something as simple as the crop of contestants that year, and do they break through in a way that makes the audience excited. Those are the kinds of things that tend to make a difference, more so than tweaks to the format and that sort of stuff, as much as we, obviously, would all like to try to assume that it's in our power.

With a track like 'White Christmas,' everybody has done that song in every format you can imagine, so I just looked at the chords at that particular song and what chords would make it work. That's kind of quite a sad song, and I had this idea of someone singing it in the subway, someone who is homeless, old and sad.

The projects I have done on television, they're sitcoms, situational comedies. The problem is, maybe because they go on every day, Monday through Friday, one-hour format, maybe that's why they're labeled as a telenovela. But technically speaking, they're sitcoms because they're situational comedies.

Getting to do 'December Songs' in a cabaret-style format was so interesting because it's like a one-woman song cycle that actually tells a story. It feels like a theatrical experience more than a cabaret because I didn't talk in between. We went from one song to the next, nine songs in a row - bam - I told the story in half an hour.

Probably the reason it's a little hard to break away from the album format completely is, if you're getting a band together in the studio, it makes financial sense to do more than one song at a time. And it makes more sense, if you're going to all the effort of performing and doing whatever else, if there's a kind of bundle.

I think I heard it [ Ferris Bueller's Day Off ] earlier. This was being played on a station in San Francisco called Live 105, which was a new wave station. It was one of the first stations to change its format in the early '80s. There was this wave of really strange music coming from Europe like Kraftwork and Freur.

David Agus is one of America's great doctors and medical researchers, a man dedicated to improving the health of as many people as he can. Written in a style and format that will truly engage readers, The End of Illness presents a dramatic, new way of thinking about our own health-a way that could lead to greatly improving the quality of life for millions, starting right now.

Schools train people to be ignorant, with style. They give you the equipment that you need to be a functional ignoramus. American schools* do not equip you to deal with things like logic; they don't give you the criteria by which to judge between good and bad in any medium or format; and they prepare you to be a usable victim for military-industrial complex that needs manpower.

Elephant and Piggie could just Google themselves! With the Elephant & Piggie Like Reading! series, we're picking artists who have a voice already. They have a sensibility. I don't want to make a book about blades of grass. That doesn't interest me. I want to make a book that Laurie Keller uses to express herself in this format. That's the key. That's what's going to keep it individual.