Top 549 Franchise Quotes & Sayings - Page 8

Bin Laden actually is the most European or westernized of all the Arab leaders. He's the one who is the most polished ironically. He's smart and handsome and rich... you know, he's quite the eligible guy. Well trained by the CIA. He's a very dangerous man indeed and he now has this franchise called Al Qaeda, which rivals Starbucks in its ubiquity.

We believe that either our own teams or teams that we direct are best capable of creating 'Mario' games that will live up to the franchise. The same is true for 'Metroid' and 'Zelda' and all those wonderful properties. For us, we want to control those characters as a key corporate equity.

I hadn't seen 'The Purge' until I was trying to do the research for it. But it was my friends and my cousins, in particular, who came to me not too long before the audition process and asked me if I had seen it. They were talking about how great it was. I was engaged in the opportunity to do the film because of their intrigue with the franchise.

The elective franchise is withheld from one half of its citizens...because the word 'people,' by an unparalleled exhibition of lexicon graphical acrobatics, has been turned and twisted to mean all who were shrewd and wise enough to have themselves born boys instead of girls, or who took the trouble to be born white instead of black.

It's really wonderful that it's the whole franchise being recognized and it's a collective award. Each film has anywhere between 2,000 and 6,000 people working on it and so really the award is for each and every one of us. We are like a family.

Cars' is such a great franchise of movies, and they've done such a great job connecting with young kids and building that. It's pretty incredible, very neat to be a part of it. When I saw the first one, I never thought I'd ever have a part in one. It's different. You definitely have to get out of your comfort zone to do it.

You're moving a franchise. You're leaving one city and going to another, which is difficult from a fan standpoint, from a fan-base standpoint, but you have to take care of the detail things. As you go through that step-by-step process, from my standpoint, my job is to keep in mind the player needs.

I think that the success of the franchise is helpful for launching different aspects of my career. It's sort of the reliable cousin that you can always count on for every family reunion. Because of 'Step Up' I've been able to really take my career to the next level. I have them to thank for a lot of my success.

I loved making 'The Hunger Games' - it was the happiest experience of my professional life. Lionsgate was supportive of me in a manner that few directors ever experience in a franchise: they empowered me to make the film I wanted to make and backed the movie in a way that requires no explanation beyond the remarkable results.

We were postwar middle-class white kids living in the slipstream of the greatest per-capita rise in income in the history of Western civilization; we were 'teen-agers' - a term, coined in 1941, that was in common usage a decade later - a new, recognizable franchise. We had money, mobility, and problems all our own.

It took the United States until 1920 to give women the franchise and another 40 or 50 years to start utilizing women's potential. How many women of incredible potential did we fail and what achievements were lost to all because we never tapped that potential?

If you look at Disney's slate compared to the other Hollywood studios, it stands out because of big titles and strong franchise films which also extend beyond cinemas, to merchandising or theme parks given the legacy of the four brands - Disney, Pixar, Marvel and now Lucasfilm.

I fell in love with that movie [Now You See Me]. I liked the actors. I thought it was an interesting world. When they called me with the opportunity to direct the next one, the first question I needed to address was, what are we going to do to make it different? How can I add something to the franchise? If I can't add anything, then there's no reason for me to do it.

Castle Rock and New Line each have their strengths, but the great thing about New Line is that they are a real focused-market, niche-market player who understand franchises. They probably understand the franchise business in motion pictures better than anyone else out there.

We made too many expensive movies trying to offset the loss of the 'LOTR' income. There was a lot of pressure to re-create that franchise, which turned out to be unhealthy for us, because it's such a once-in-a-lifetime success. It would be like trying to re-create 'Avatar' over and over again.

There have been discussions of doing 'The Demon Cycle' on both large and small screen scale, and while there is no project currently in development, I think the series has both the big imagery and complex character development to have legs either as a TV series or film franchise.

...Catholicism is like Howard Johnson, and what they have are these franchises and they give all these people different franchises in the different countries but they have one government, and when you buy the Howard Johnson franchise you can apply it to the geography - whatever's cool for that area - and then you, you know, pay the bread to the main office.

[On Los Angeles:] This city is a hundred years old but try and find some trace of its history. Every culture is swallowed up and spat out as a franchise. Taco Bell. Benihana of Tokyo. Numero Uno Pizza. Pup 'N' Taco. Kentucky Fried Chicken. Fast food sushi. Teriyaki Bowl.

If 'Star Wars' wasn't enough to prepare me for a dark future, there was the 'Planet of the Apes' franchise, conveniently repeated for me in Los Angeles on KABC's Channel Seven 3:30 movie. Apes enslaving humans! Mutants with boils and an atom bomb! Ape riots in Century City! They killed baby Caesar's parents!

I still wake up thinking about draft choices we should have made that would have impacted the franchise for a long time, but I don't wake up thinking about one individual player move.

I basically just make films that interest me. And I don't want to make the same film twice, you know? But I've never found a franchise, so... I guess I'm lot poorer because of that, but... what astonishes me is that, at my age, I can still find things that interest me. And that's tremendous.

'Monster Hunter' was its own series, its own franchise, and it just so happened that we wanted to make a realistic fantasy-based action game, and because we had the staff available to make something like that, we're able to make this game. The ideas for 'Dragon's Dogma' came from a completely different place.

Essentially I feel like all of that pressure when you're making the first of a franchise of [movies based on] books that mean so much to people that has so much attention on it, it can be quite paralyzing I think. I think a lot of that creeped in the first time around and it maybe affects the work.

The Commissioner was correct to ban Mr. Sterling from all official NBA business, to levy the stiffest allowable fine, and we will support his recommendation to press for Mr. Sterling to relinquish his ownership of the Los Angeles Clippers franchise.

For 'Ghostbusters,' the thing that makes it such an amazing franchise and an amazing idea is that it is adds the element of physics and technology. It's not just about ghosts. Who the heck came up with that? It is such a good idea, such a unique combination of stuff from different genres. Ghosts and sci fi.

'Quantum of Solace' was a bit of a different circumstance than a lot of my other films because you're stepping into a franchise, and also in that particular film, we're dealing with a script from the writer's strike, which was difficult to handle because there was never time to really develop a finished script.

The woeful tales of 'Super Mario Bros.' and 'Street Fighter' have taught studios that merely slapping a name to a movie is not enough to bring in the fans of the franchise. Also, the way games now unfold their stories more parallels that of a movie, with characters and plot points actually meaning as much as a high score.

With every episodic, there's a learning curve where writers try to find the voice of the characters by way of the actors. Many details are found along the way. On 'Caprica,' although the franchise already existed, we were creating an entirely new world full of new characters.

I'm a big Batman fan; to be honest, to be a part of any superhero movie would really fulfill all of my childhood fantasies. If I could get beaten up by Batman, and just be part of the franchise, even getting kicked through a window would be great!

When I set out to make 'Bourne Identity,' my main goal for the franchise was to create something where it feels like you're in the action. You're not just passively watching it from far away. That's something that I have constantly aspired to do - even in 'Swingers,' to feel like you're Jon Favreau; you're not just watching him.

I definitely felt that I was put at a very high place to be able to be a part of such a wonderful franchise in cinema history, so I was definitely very driven at doing a great job and having my body look the way it should and just being a part of the creative process.

I lived by a bay for a while, and I shucked oysters. Some packing things. You know, just whatever odd job you can find whenever you're moving around. I never really cared much for the franchise kind of work, so I'd try to find things that I considered to be a little more honorable.

We are quite excited about making 'Bhootnath 2.' It is a good franchise and we would definitely like to take it ahead. We would like to make third and fourth installment as well. The basic premise of the film will remain same, the ups and downs and the hilarious moments between Mr. Bachchan and the kid.

When I found out that I'm playing Nagini, I thought it was meaningful because it's an important character in the 'Harry Potter' series. 'Harry Potter' is a franchise film with many Caucasian actors, so I thought many Korean viewers would be happy.

As a businessman, I saw club tracks as a new franchise that could be profitable for years to come. It was like being in McDonald's and realizing that even though cheeseburgers and fries sold big, you could also make money serving up McRibs, which are always available for a limited time only.

We get a lot of emails, a lot of suggestions on the kinds of ideas and things that people would like to do. There's a lot of good ones, but a lot of them are something that the franchise couldn't or wouldn't endorse, just as being not consistent with what the NBA would want or, probably, what we would even want, too.

When I think, where did I laugh the most, where did I eat the most, where did I just feel good all the time, I would say making the Bond movie 'Die Another Day.' To be part of such an iconic franchise and to travel to exotic places - that was the most fun I ever had.

I have to just come to work every single day. That's not just on the field but off the field, because you have little kids looking up to you; your face is the face of this franchise and this university. You have to understand that every decision that you make is going to be criticized.

When I saw the bidding start a few teams were going at it, and I was thinking 'wow I'm actually going to get to go to India for sure,' so I was even happier than when the bidding started because I knew for sure that at least I would get to be associated with a franchise.

In 'Uncharted,' we do the scenes the same way you would do a film or television show. The motion capture - the performance-capture process - is what makes such a difference for this franchise. So I don't approach it any differently. The other actors and I go in and rehearse scenes together, and then we go in the next day and perform.

I don't have any interest in doing superhero franchise movies. I don't connect to the fantastic and I'm not a comic person, it's just not my thing, so I'm not looking in that direction - but ambitious films on a big scale I'm very interested in looking at. I'm interested in reality, I'm interested in people, so it's just about finding a project I'm interested in.

A quarterback that goes out and performs for you and is a franchise quarterback is more valuable than a player playing another position, but there's a lot more risk there. It's a more difficult position to play, and there are lot more failures.

I did a business in a box called College Pro Painters. They taught you how to paint houses, how to hire and fire, how to sell, how to deal with customers. You got a one-year franchise. It was the hardest year of my life in terms of hard work. I won manager of the year. It was very successful.

There's a lot of cool stuff going on in independent film. But obviously, yeah - all the comic-book-franchise stuff is deeply boring. But these comic-book characters are the pagan pantheon of gods in today's contemporary culture. It's so important to so many people.

The United States is where I want to finish. I love the States. I want to have a subscription to NBA and go with my children to every game. I can already see myself there. I do not yet know the city, but why not play for Beckham's franchise in Miami? Playing under Beckham would be the best.

We all wish we could stay with one franchise and it work out the way it work out but it doesn't necessarily work that way, but you've got to keep balling.

Ask Bond-watchers of a certain age about the six actors who have slipped into Bond's Savile Row suits in the Broccoli franchise, and they might say it's really Connery and five other guys - since he, being first and being Sean, stamped the role with his sulfurous masculinity.

What we have here is a rousing boy's adventure story, adapted from stories that Edgar Rice Burroughs cranked out for early pulp magazines. They lacked the visceral appeal of his Tarzan stories, which inspired an estimated 89 movies; amazingly, this is the first John Carter movie, but it is intended to foster a franchise and will probably succeed.

The fans reacted very positively to me being cast [The Mortal Instruments] which, as a Twilight or Harry Potter franchise, when you read a book and you have someone in your mind or you have a vision and then they're cast in real life, it can go either way. So I was very, very honored and happy that they were excited.

I expect us to be good; very good. I expect us to first and foremost be better than we were last year and get back to having this franchise as one of the premier franchises on and off the court, and I think we have the opportunity to do that this upcoming season. I really believe that.

You really, really feel like you have no control [participating in franchise] . I mean, it's a huge juggernaut, especially when something becomes part of the cultural landscape in a way as well. It's really scary because you get trapped and you get scared of changing, which is the worst thing that can happen if you want to be any kind of artist.

I don't want to talk about anybody else's movie, but I understand fan skepticism when you're like, "Oh yeah, a Godzilla movie." Which, by the way, our first movie was Batman Begins and was not dissimilar from questions and conversations from people about where the Batman franchise was, so I get it.

I never heard of anyone saying they want to deploy their capital wisely and go buy a sports franchise. What you want to do is just not lose money. You see, I don't have to work anymore. I tell people I don't have a real job. On the other hand, I learned long ago that you can't go broke if you turn a profit.

There's been injuries to where my perseverance may have gotten overlooked-just my hard work and what I bring to a franchise and to a team may have gotten overlooked. But it's a matter of staying professional and playing the game of basketball and ultimately doing whatever it takes to win a championship for your teammates.

The Madden NFL franchise holds a special place in popular culture and the cover is a coveted position for players all over the league. I'm honored to be the first cover athlete chosen by Madden NFL fans and it's a great way to cap off an amazing year for the Saints and the city of New Orleans.

It took me a while to understand the meaning of a franchise: the reasons why you see lawyer, doctor, cop shows. It's not because anyone in their right mind says, 'You know, what's the most fascinating thing in the world?' It's because you need something new that happens every week in a frame.

My relationship with the Grizzlies might change, but my relationship with Memphis won't. What I feel inside and how I feel about Memphis and its people has nothing to do with a franchise or a temporary thing. It's not going to change.

Reality TV has blown away the need for a roster of familiar faces in films. Plus, films became franchise and didn't need stars. But the real difference between stars and celebrities is that stars have training and talent, and celebrities just have exposure.

I feel some responsibility, being one of the few women directors who are being given opportunities. Sometimes, that makes me want to take on some big franchise because I want to show people that women can do it.

Instead of just purchasing an ad campaign, target test and measure. Give an ad a small try. If the response is enough to pay for the ad, make it larger. With a franchise, ask the most successful franchisees what they did. Ask the bottom five guys what they did and avoid it.