Top 355 Fred Weasley Quotes & Sayings - Page 5

Sadly, I do my homework. I've a soft spot for the boring minutiae. I read the Charter of the United Nations before meeting with Kofi Annan. I read the Meltzer report, and then I'll read C. Fred Bergsten's defense of institutions like the World Bank and the I.M.F. It's embarrassing to admit.

After marching across the Edmund Pettus Bridge in Selma as a young man, John Lewis went on to become a legendary leader for civil rights alongside other giants of the movement like Dr. Martin Luther King, Jr. and Rev. Fred Shuttlesworth.

I wanted to be Stan Laurel, then I wanted to be Fred Astaire and then Captain Kangaroo. I actually started out as a radio announcer when I was 17 and never left the business so that's literally 70 years.

The Scooby gang doesn't travel because they are looking for crimes to solve. They travel because they're one step ahead of the deprogrammers. Somehow, Fred's got them all snookered. It probably has something to do with the Scooby Snacks.

You sail into the harbor, and Staten Island is on your left, and then you see the Statue of Liberty. This is what everyone in the world has dreams of when they think about New York. And I thought, 'My God, I'm in Heaven. I'll be dancing down Fifth Avenue like Fred Astaire with Ginger Rogers.'

So top grade's O for 'Outstanding,'" Hermione was saying, "and then there's A-" "No, E," George corrected her, "E for 'Exceeds Expectations.' And I've always thought Fred and I should've got E in everything, because we exceeded expectations just by turning up for the exams.

We are very excited to re-launch the collaboration with Fred Perry. We have great appreciation for the heritage of the brand as well as their dynamism in guiding the brand towards the future. Their openness to create synergies between both our brands will bring interesting, creative results.

I wanted to be Stan Laurel, then I wanted to be Fred Astaire and then Captain Kangaroo. I actually started out as a radio announcer when I was 17 and never left the business, so that's literally 70 years.

For tech, I like the 'DailySearchCast', 'TWiT' and anything Veronica Belmont does on CNET. I think Perez Hilton is a riot, and the rest of my consumption is by people: Folks like Dave Winer, Fred Wilson, Mark Cuban, Brian Alvey, Jeff Jarvis, Xeni Jardin, etc.

I acted three times with Fred MacMurray, three times with Martin and Lewis, four times with Rock Hudson. Three times with Glenn Ford.

I haven’t got the heart to take the mickey out of him, even,” said Fred, looking over at Ron’s crumpled figure. “Mind you . . . when he missed the fourteenth . . .” He made wild motions with his arms as though doing an upright doggy-paddle. “Well, I’ll save it for parties, eh?

I know great songwriters. Fred Neil would come up when he was in L.A., we all used to hang out. He would sit there and sing, and we would just melt. I mean, we would go to his recording sessions.

I met Andy Warhol in the '60s, a wonderful time, with wonderful people. There was Fred Hughes, and Jed Johnson, who I liked a lot. Jed Johnson decorated my apartment in New York, at the Pierre. It was his first job.

I think that's the big difference between this one [Ordinary World] and a lot of the other rock 'n' roll movies. They're playing to tape, but Fred Armisen and I were actually in a rock 'n' roll bad together. I also really related to the character, especially when it came to the parenting part. I'm a pretty klutzy parent.

Most men, even egotistic actors, always shy away from dancing with me. Other dancers report the same trouble. They probably figure that I would be mentally comparing them with Fred Astaire or Gene Kelly. So I go to parties and usually just sit - unless George Burns is there - and then I have a ball.

Over the years, myths were built up about my relationship with Fred Astaire. The general public thought he was a Svengali, who snapped his fingers for his little Trilby to obey; in their eyes, my career was his creation.

I lived for 15 years in Los Angeles, and I still can't believe that the handsomest man in the world, Cary Grant, and the greatest performer in the world, Fred Astaire, and Johnny Carson, one after another - they were all in my home at different times. I celebrated my 50th birthday with them. Unforgettable.

I always see celebs in very weird spots. I don't always go to fancy-shmancy places, but I see celebs at coffee shops or random stores, when you're looking for a sweater and turn around like, 'OMG, that's Fred Savage!'

You hear younger women say, 'I don't believe I'm a feminist. I believe women should have equal right and I believe in fighting for the rights of other women, but I'm certainly not a feminist. No, no, not that!' It's just a word. If you called it 'Fred' would it be better?

Look at the greatest dressers in history - Philadelphia socialite and diplomat Angier Biddle Duke, Sir Anthony Eden, Fred Astaire, the Duke of Windsor, John F. Kennedy, and Gary Cooper - they all sport the well placed pocket adornment.

I have always been Fred Durst and I've always been me.

I remember as a young man seeing these bigger-than-life, strong images of black manhood in the form of Jim Brown and Fred Williamson, Jim Kelly, Billy Dee Williams. All these guys were these alpha males who were smart, attractive. I said, 'Wow, I want to be like that.'

His name was Fred Rogers. He came home to Latrobe, Pennsylvania, once upon a time, and his parents, because they were wealthy, had bought something new for the corner room of their big redbrick house. It was a television.

The greatness of America is that it produces exuberant geniuses like Louis Armstrong and Fred Astaire and Leonard Bernstein. We are meant to be a jazzy people who talk big and jump on the table and dance; we aren't supposed to be dopey and glum and brood over old injuries.

I was born Pauline Matthews and grew up in Bradford as one of three children - I had an older brother, David, and an older sister, Betty. My father Fred worked in the mills as a textile weaving supervisor, and my mother, Mary, was a housewife.

I loved old black and white movies, especially the Fred Astaire and Ginger Rogers musicals. I loved everything about them - the songs, the music, the romance and the spectacle. They were real class and I knew that I wanted to be in that world.

I was very laced with drugs myself, but Fred seemed to be even more so than me. That might have had something to do with it. That might have had something to do with nobody wanting to play my records, too, I don't know.

Fred Sturm has proven to be a great asset to the musical world as a teacher, composer and author. His gifts have enriched the musical life of all the people who have been fortunate enough to share his wisdom and musicality.

I learned what research was all about as a research student [with] Stoppani ... Max Perutz, and ... Fred Sanger... From them, I always received an unspoken message which in my imagination I translated as "Do good experiments, and don't worry about the rest."

On the analogy of 'Dictionary Johnson,' we call Fred R. Shapiro, editor of the just-published Yale Book of Quotations (well worth the $50 price), 'Quotationeer Shapiro.' Shapiro does original research, earning his 1,067-page volume a place on the quotation shelf next to Bartlett's and Oxford's.

I would love to do a Fred Astaire/Gene Kelly type movie musical - a fun, song and dance, romantic comedy. Or, even just play the lead in one of those broad comedies - that would just be fantastic.

I loved 'Cabaret.' I loved what it had to say and the whole style and brilliance of the book. It was my first time performing Fred Ebb and John Kander's work. They took risks. Even when their shows are fun and funny, they are about very serious issues.

Many of you may remember that I supported Mike Huckabee for president in 2008. He was doing great, beating out Mitt Romney, when some shenanigans were pulled by bringing in Fred Thompson as a candidate to compete against Mike for the evangelical and conservative votes in South Carolina.

I asked Fred Astaire once when he was about my age if he still danced, and he said 'Yes, but it hurts now.' That's exactly it. I can still dance, too, but it hurts now!

While I was making my solo films, RKO was busily trying to get me and Fred Astaire back together. The studio wanted to capitalize on the success of 'Flying Down to Rio' and realized that the pairing of Rogers and Astaire had moneymaking potential.

I live in a wonderful world of make-believe. A world of Ginger Rogers and Fred Astaire. A world of Winnie the Pooh and Edward Bear. Things like that. Wonderful things. Funny things.

Fred Rogers was a children's-TV host, but he was not Captain Kangaroo or Officer Joe Bolton. He was an ordained Presbyterian minister who was so appalled by what he saw on 1950s television--adults trying to entertain children by throwing pies in each other's faces - that he joined the medium as a reformer.

I could talk for seven hours about Johnny Depp. There's no one like him. He has this amazing ability to watch something and then pick it up and do it, within seconds. He'll hate me for saying this, but I don't care. I'm going to say it anyway. He's Fred Astaire. He's this genius dancer. He says that he can't dance, but he can.

I'm sure I would have been considered a more significant artist if I was a singer-songwriter. It's just not the way I roll. I love being a curator and a musicologist. People write me letters and thank me for turning them on to Fred McDowell and Sippie Wallace, and that's partly my job this time around.

Well, my sister played trumpet. Can you imagine having a sister blowing the trumpet around the house, Fred? And my brother, he played piano. Everybody was playing some kind of music, so it was natural for me to get into it.

I have a photograph at home of Fred Astaire from the knees down with his feet crossed. It's kind of inspiring because it reminds me his feet were bleeding at the end of rehearsals. Yet when you watch him, all you see is freedom. It's a reminder of what the job is about in general, not just being in musicals.

It's such a funny thing. Hollywood is terrible unless you happen to be a celebrity who's a Republican. So Ronald Reagan can be a Hollywood celebrity, and he's a Republican, and then he can become the president, and that's okay. Fred Thomson, well, that's okay. But the rest we need to demonize. There's no consistency.

My dad got into this group, Commission, with Fred Hammond, and that was my biggest gospel memory. I would hear that all the time, and listening to their voices helped me develop my voice because I would try to emulate them as a kid. It taught me tone, and it gave me a balance.

When I was a kid, I loved Nicholas brothers films. It was like skateboarding. Even Gene Kelly: I always preferred him to Fred Astaire, just because he was more athletic, like skateboarding.

She was just the most wonderful mother. She loved working with Fred Astaire - she would talk about working with him.

I woke up last night and thought: 'I must call somebody in my next novel Casablanca.' It's such a great name. I don't want to call anybody Fred or Jane or Susan, so when three people get into bed together, you don't know who they are.

He was a wonderful gentleman, elegant, with great humility. All the wonderful things you can say about a person, you have to say about Fred Astaire.

Fred Wilson is a legendary VC and the Managing Partner of Union Square Ventures in New York City. At AVC, he writes one of the most popular startup blogs and covers issues from negotiation to hiring to fundraising. He's a machine for dispensing helpful advice and insightful commentary for those in our industry.

As a little girl, I didn't dream of being a ballet dancer; I dreamt of being a movie star like Ginger Rogers and dancing with Fred Astaire. I used to watch the Sunday double-bills on TV and Iong to be part of what seemed a perfect Disneyland world. Astaire was a genius.

I went over to say hi to Rob and he introduced me to Wayne and Fred. I had made a radical purchase of some brown Beatle boots. Wayne was like 'Where did you get those boots! Who is this guy?

A couple of hundred years from now, maybe [science fiction writers] Isaac Asimov and Fred Pohl will be considered the important philosophers of the twentieth century, and the professional philosophers will almost all be forgotten, because they're just shallow and wrong, and their ideas aren't very powerful.

I decided I wanted to go to Cambridge, and then I got introduced to Fred Sanger. I was very conscientious, and I asked him when I first got there if I should start reading up on things. But he said, 'No, I think you can just start these experiments,' so I plunged right in.

I think I was so grateful, in the years after Sleater-Kinney broke up or went on hiatus or whatever you want to call it, to find 'Portlandia' and co-create 'Portlandia' with Fred Armisen, which allows for levity, allows for the same kind of kinetic energy, but channeled through absurdity and surrealism.

I asked Fred Astaire once when he was about my age if he still danced, and he said 'Yes, but it hurts now.' That's exactly it. I can still dance too, but it hurts now!

I was asked to act when I couldn't act. I was asked to sing "Funny Face" when I couldn't sing and dance with Fred Astaire when I couldn't dance and do all kinds of things I wasn't prepared for. Then I tried like mad to cope with it.

Even Gene Kelly: I always preferred him to Fred Astaire, just because he was more athletic, like skateboarding. His leaps were big. There was something really great about his moves.

He had no memory of ever being hugged like this, as though by a mother. The full weight of everything he had seen that night seemed to fall in upon him as Mrs. Weasley held him to her. His mother's face, his father's voice, the sight of Cedric, dead on the ground all started spinning in his head until he could hardly bear it, until he was screwing up his face against the howl of misery fighting to get out of him.

I was asked to act when I couldn't act. I was asked to sing 'Funny Face' when I couldn't sing, and dance with Fred Astaire when I couldn't dance - and do all kinds of things I wasn't prepared for. Then I tried like mad to cope with it.

Fred Astaire, Gene Kelly, Donald O'Connor - those were my idols. All I ever wanted to be was a motion picture song-and-dance man. I kind of fell into other things. Did walk-ons and bits for years and worked in little theater at night.

For all Trump's criticisms of government, his family wealth came from feeding at the government trough. His father, Fred Trump, leveraged government housing programs into a construction business; the empire was founded on public money.