Top 1200 French Cinema Quotes & Sayings - Page 20

Explore popular French Cinema quotes.
Last updated on November 18, 2024.
I loved cinema while growing up and, for the longest time, wanted to be a director.
I believe in the institution of marriage; Other than cinema, it's the only way to be immortalised!
As beautiful as cinema is, it's a massive part of the problem of why we look at ourselves in the way we do. — © Florence Pugh
As beautiful as cinema is, it's a massive part of the problem of why we look at ourselves in the way we do.
Cinema teaches us about the human body and how we look at things.
I don't think that Argentinian cinema is well-known outside Argentina the way it should be.
If you can't believe a little in what you see on the screen, it's not worth wasting your time on cinema.
Normally I make myself swim, do exercises. For zest I like going to the cinema.
I like it when I go into a cinema and I'm not aware that I'm there; I'm totally involved in the film for two hours.
Nobody can replace Dev sahab. He changed the trend of Indian cinema. He was an icon.
Cinema plays an important role in uniting the entire nation as a single unit.
I didn't have this feeling that I should be a leading actor in the cinema. And I wouldn't want the responsibility of the opening weekend.
Sequels are not done for the audience or cinema or the filmmakers. It's for the distributor. The film becomes a brand.
I was lucky to land up in Mumbai when serious cinema was just beginning to flower. — © Naseeruddin Shah
I was lucky to land up in Mumbai when serious cinema was just beginning to flower.
What Shakespeare was able to do in English he would certainly not have done in French.
Be it cinema or TV, I have always been interested in taking up challenging projects.
Instead of watching DVDs at home, I prefer going to the cinema to get the experience.
I have my own ideas when it comes to making cinema. My films should be of my liking and suit my convictions.
It's a way of living, cinema. And I see my family, I do this and that, I travel. It's a long process to let it happen.
The ignorance of French society gives one a rough sense of the infinite.
What supermarkets did to small neighbourhood shops is what digital platforms will do to cinema.
Of course, like all film-makers I've been mesmerised by cinema since I was a child.
Good french cooking cannot be produced by a zombie cook.
It's shocking to say, but the cinema is quite a while away from me, and I haven't got a car yet.
When we are part of mainstream cinema, we want our movies to be seen by maximum viewers.
I want to do more new-age content, look beyond conventional cinema.
Bengal has always produced good cinema, be it Satyajit Ray or Ritwik Ghatak.
Your relationship to a film, and to cinema, is very much determined by yourself, so what is relevant is you.
I live cinema and passionately love music, and my efforts in both these crafts are unfolding.
Cinema is far too rich and capable a medium to be merely left to the storytellers.
I've always thought of absurdism as a French fad I'd like to belong to.
Sometimes I have better relationships with my barber then with people who are into cinema from an upper class.
DVDs have their place, but the cinema is a tangible, emotional experience that I would hate my children not to have.
'Baahubali' was really the film that broke most barriers of what regional cinema can do nationally.
Tamil cinema has always been special for me for people here are thorough professionals.
I believe that cinema picks up ideas from society and not the other way round.
Anything written in the French Revolution, that kind of era, is so poignant.
People in Kolkata know me well for both commercial and art cinema.
I got my name, fame, identity and even my National award from Bengali cinema. — © Rituparna Sengupta
I got my name, fame, identity and even my National award from Bengali cinema.
I tend to curse in French more often than I do in English.
Nobody has tried anything like this in Telugu cinema. 'Eega' is a landmark film.
Franchesca and Sharkey, my French bulldogs, have their own blog. And they are brilliant at it.
My first public impression was my French teacher, Derek Swift.
Eat more like the French. Or the Japanese. Or the Italians. Or the Greeks.
There is no good or bad cinema, there are films that connect either less or more with audience.
During the war, I saw many films that made me fall in love with the cinema.
I would like to balance my career, do meaningful cinema and also do fluff films.
Exhibition is certainly the safest part of the cinema business, but it's very capital intensive.
I do not want to belong to cinema history. I am a woman - I know I'm doomed anyway. — © Celine Sciamma
I do not want to belong to cinema history. I am a woman - I know I'm doomed anyway.
I was born in New York City speaking French at home.
It is as difficult to define or classify Islamic cinema as it would be a Christian, Jewish or Buddhist one.
I am French. I was born here, I live here and France is my cultural identity.
I am not someone who sacrifice all for the cinema, my life will be always more important.
I came to the cinema industry to become a director from the inspiration of Guru Dutt and Shantaram.
With American blockbuster cinema, everything is very fast, there's a lot of action and narration.
A little of everything and nothing thoroughly, after the French fashion.
Cinema affects everything, from the way I get dressed to how I build my stages.
Indian cinema is entertaining, and what I love most about it is the songs and dances in the films.
'French Women Don't Get Fat' has become something of a phenomenon.
To me cinema can be a much more friendly world if there's a lot of things to choose from.
My favourite film is 'Le Diner de Cons,' a French movie.
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