Top 1200 Fun Song Quotes & Sayings - Page 2

I thought it would be fun to write a song where a bunch of my favorite guitarists contributed, so I started 'Valley of Fire.'

"My Trigger" is the best combination of song and track. "Heart Is Full" is maybe the best song we've done as a song, and that's why we try to play it in different ways, too, because I think for a lot of people the track was a bit distracting from the song.

The editing of a song is largely what makes the song for me and I think that actually if I had started going like 'I want you to burn' it would have pinned that song down to a particular thing and made that song a smaller idea than what it is. By leaving that off it's much more open, broader.

Will none of the powers that be realize what Brian Wilson did with the chords. Deftly taking from all sources, old rock, Four Freshman, he got in his records a beautiful hybrid sound - Let Him Run Wild, Don't Worry Baby, I Get Around, Fun, Fun, Fun - 'and she had fun, fun, fun 'till her daddy took her T-bird away.'

My first song was Hula Hoop Song, in 1955. It was a novelty song. I had to find someway to reach out and it was with a novelty song. Now, all of my recording obligations have been taken care of. I made 14 albums for Warner Brothers. Five for United Artist before that.

'Proud Mary' was the best song for me to perform because it was so much fun.

I think when you have one song that does really well, people love you from that song, or they hate you from that song.

'Barracuda' is very fun to play because it's like a galloping steed of a rock song.

The pause makes you think the song will end. And then the song isn't really over, so you're relieved. But then the song does actually end, because every song ends, obviously, and THAT. TIME. THE. END. IS. FOR. REAL.

Will you make a song for him?' the woman asked. 'He has a song,' the man replied. 'He is the prince that was promised, and his is the song of ice and fire.

'Mr. Brownstone' is always a fun song to play because it's got that beat, and you see people bouncing.

There's always so much energy from me and my band. Lots of fun and twists in each song.

Even if it's the same song, making our performances different, new or more fun is the greatest challenge.

You want the song to be at least at the same level of goodness throughout. Whereas with something you're doing live, a song dips and rises and that can actually be worked to the song's benefit.

Sometimes you're writing a song and you have an image whilst writing a song. I don't think you ever base a songwriting process around a video, but when you're writing a song sometimes it'll be a very visual song.

Friday' is about hanging out with friends, having fun. I felt like it was my personality in that song.

Musically, though, you're a character and you're singing a song. If you're not your own character, you're the character in the song, most of the time. Even blues musicians, a lot of them who were the most realistic, at times, they were singing a song and portraying a character in the song. There's something to be said for getting involved in the emotion of a song, too, with the characters.

Whether it be a reggae song, rock song, a love song, the main thing was just to, whatever I was feeling, to try to capture that emotion.

The song becomes the meaning itself through the vibratory qualities. When we begin to catch the vibratory qualities...the song begins to sing us...I don't know anymore if I am finding that song or if I am that song.

Every song that is a Hopsin song, I 100 percent made it. Nobody helped me. There was no producer to say, 'Hey, put the beat like this... ' It was all me. If the song was wack, then the song was wack. If it's dope, it is what it is.

The song 'Tyler Durden' is about the movie 'Fight Club,' so obviously, it's not a personal experience, but I love that song. It's my favorite song.

I don't think about, "How does this song that has more of an electronic mix prefix to a song that has a full orchestra next to a song that has other things?" I just work on it as-needed.

I really like the P!nk song with the guy from fun., 'Just Give Me a Reason.'

I started with the chorus of that song, kind of like a fun bouncy thing to play, and then one of the lines popped up: 'I got things to do today, people to see, things to say.' I wrote about a dozen verses for it, but no song needs to be that long unless you're Bob Dylan. So when we recorded it I started to tear it down to some of the lines I thought were the funniest.

It's so great when there's a catchy song that's fun and easy to listen to, but there's also a real artist behind it.

Like the Birth Of Venus, the song [Yello "oh, Yeah"] denotes the birth of the bro. The song just reminds me of bros looking out over lowered Ray-Bans. It birthed a negative sexual revolution. I was going to a lot of bondage clubs at the time and they did play this song. The song I associate more is that horrible Enigma song with the Gregorian chant. There's something good buried in that song and I might not hate it as much if I hadn't been a sex worker.

Each song is a child I nourish and give my love to. But even if you have never written a song, your life is a song. How can it not be?

Creating a decent pop song is a challenge - and occasionally, once in every decade - it's kind of fun to do that.

'Friday' is about hanging out with friends, having fun. I felt like it was my personality in that song.

Actually think anybody ever approaches writing any song, I think the song approaches them, truth be told. Usually what happens is that a song arrives and afterwards you say that "I wrote the song," and it's not actually true; they find you, they write themselves.

SOLO' is a fun, self-loving song. Through it, I wanted to show different sides of me.

Playing a song changes a song. Every night a song becomes something else on stage.

There have been a couple of times I've started the song in the wrong key. We stop the song, we all laugh together and we start the song again, and we go for it.

Sometimes a song just has to cater to whatever's goin' on. A well-written song is a song that stays true to the subject.

I don't have to say I'm going to make a song. A song is always there. I just have to open my mouth and a song comes out.

I am a firm believer in playing the type of music that compliments the song the best. If it's a folk song make it sound like one. If it's a rock song make it sound like one, if it's a rap song take it off the record.

If there's a song where there's a possibility of guitar stuff that would be fun to listen to, go for it. Don't worry about what anybody thinks.

But Mike was like a Bjork song-all happy and giddy and fun on the surface, but bubbling with turmoil and pain underneath.

It's no fun for me to cover a song and produce it the exact same way as it already exists. When I hear that happening, I have to say, 'What's the point?

All the song choices that we've picked are unique in their own right. They're fun, and it's really just to engage our fans.

'Unbelievers' was a song that we felt like we could tackle, so that's one of the reasons we wanted to start playing it live, we really believed in that song and we still believe in that song a lot.

I've always wanted to title an album 'Illinois.' I wrote the song, which was a very special song to me. The song isn't exactly about being from there, even though I am.

Donny Hathaway's 'For All We Know' is the song that I've sung the longest. It is a beautiful song about living in the moment and appreciating this very second. That is the song I did for my 'Rent' audition.

There is a lot of fun to be had when you try and fit as many words as you can within a three-minute song, but there is also a lot of fun in trying to get that message across in three words, or better yet when the music can overpower the words and convey something really pure and perfect that affects our psycho-emotional space.

Innocence is the way you really give fun to others, create the fun part of it. The fun is created only through innocence and innocence is the only way you can really emit also the fun. Imagine this world without any fun, what would happen? But people are very much confused between fun and the pleasure. The pleasure is nice to begin with and horrible to end with. But fun is a treasure. Anything that is full of fun you remember all your life.

There were no rules, other than that the song should sound good and be fun to play.

I can't try to write a song - songs come out of me. I have to play the guitar and if I jam a song, boom! That's a song.

I'm never sure if I'll ever write another song, what the song will be about and if what initially sparked the beginning of a song might complete it.

It's no fun for me to cover a song and produce it the exact same way as it already exists. When I hear that happening, I have to say, 'What's the point?'

There are no limitations with a song. To me a song is a little piece of art. It can be whatever you like it to be. You can write the simplest song, and that's lovely, or you can just write a song that is abstract art.

I'm very conscious that a music video is beyond just a promotional tool for a song. It takes a song to the next level and it gives a song a new life.

I can put some chords together and maybe write a song, but I'm learning every day. And that's the fun part.

I love the feeling of nostalgia vying with the present. That can be from song to song, or within the same song.

If we were to use the success of 'Need You Now' as the barometer for every other song, then we'll probably be highly disappointed. That song will probably undoubtedly be the biggest song of our career. We can hopefully have success for 20 years, but we may not ever have the success of that one particular song again.

What's really cool about 'This is Me' is that our friends loved the song. Older punk rock fans don't know 'The Greatest Showman,' haven't seen the movie. And they hear that song and they're like, 'This just sounds like an awesome New Found Glory song. This is a really good song.'

I love the song 'El Rey.' And for years, I never knew what the song was totally about. It was something new for me. I'd never sung a song in Spanish before. Then I got the translation and saw what a really cool song it was.

I'm a panicked karaoke participant because I am always searching for a song in the moment. I don't have my go to song. I will be driving along and I will be like, "That should be my karaoke song!" and then I forget what song it is.

The hardest song to write is a protest song, a topical song with meaning.

I am no fun at all. In fact, I am anti-fun. Not as in anti-violence, but as in anti-matter. I am not so much against fun - although I suppose I kind of am - as I am the opposite of fun. I suck the fun out of a room. Or perhaps I'm just a different kind of fun; the kind that leaves on bereft of hope; the kind of fun that ends in tears.

I think the Beach Boys' legacy is 'Fun, Fun, Fun,' you know? We're calling our next tour '50 Years of Fun, Fun, Fun.' By and large, the Beach Boys' legacy is about incredibly positivity. We've traveled around the world and uplifted the spirits of hundreds of millions of people. Our sound is one of the most recognizable in all of music.