Top 1200 Fun Song Quotes & Sayings - Page 20

It was fun playing with those jumps and the flashbacks in 'Zombieland,' but I don't think you need it to make a good movie. It's fun to just do a more straightforward one.

We didn't say, 'Hey, we're gonna pick a bunch of cover songs,' or, 'We're gonna write an original song that has to sound like this, because we're a metal band, so we're gonna cover some metal songs.' We did the opposite. We just said, 'We're gonna have fun with these songs, and we're gonna try different things.'

When you're in a songwriting class, and you write a song, and you hand it in to a teacher to grade, I'm still going to say that it's a really awesome song whether I got an A or a D. I learned to stick to my guns and take the tools as tools and not as rules.

My first song was 'So Sick,' which was my first number one as an artist, and I turned the mic around to the crowd, and they sang the whole song. Every lyric. That was my first experience with the power of music.

I think there's a song for every moment. I don't think there's one right love song.

It's already years ago now, but there's that South Korean music artist Psy, who had that hit song and it was a hit song here. I'm like, "Wait a minute. There's a chance. There's a way we can have language not be such an important part of comedy."

Whatever be the depth of woe Along the path that I must go, I'll sing my song— My song of joy for all the love That's lavished on us from above, And count no loss of treasure-trove When things go wrong. I'll sing the sunlight, and the bright Soft smiling stars that gem the night; For gifts of good That God hath spread along my way, The lilt of birds in tuneful play, The harvests full and flowers gay, The whole day long I'll sing my song Of gratitude!

I think people should be able to have at their behest, like, four hours of music, entertainment, visual knowledge, different pathways. That's what I'm trying to do with modern technology, not just another song and another song.

I always loved that old song Banks of the Ohio - it was always such a man's song, so I've always wanted to record it.

I always loved that old song 'Banks of the Ohio' - it was always such a man's song, so I've always wanted to record it.

It's fun when the writers take risk regardless of the reaction that it might get, and that's fun for an actor. You're able to not just play one thing all the time.

Sometimes when you're writing a song, it's work, and you really have to make sure you're kind of pounding out every little piece of it. And then sometimes you write a song, and you turn around and you go, 'How did we do that?'

We deny that it is fun to be saving. It is fun to be prodigal. Go to the butterfly, thou parsimonious sluggard; consider her ways and get wise.

I think one of the things about writing in the studio is that the song hasn't matured, if you like, so quite often the vocals are early attempts. Whereas once you've taken it out on the road a bit, you learn more about a song.

It was a complete dream to work with David LaChapelle. I collected his books as a teenager, and I fantasised that he would direct the video for 'Spectrum' from the moment the song was written. I still can't believe it actually happened, ?and I'm completely overjoyed that he felt such a connection with the song.

I feel like if it's a good song on a guitar, it's a good song no matter what.

Modeling is a lot of fun, but I prefer acting. It's so much fun to get to play different characters and transform into someone else for a while.

We haven't started playing it live yet but we're going to. And then 'Warpaint' is a song that's really, really close to me because it's actually - we've had that song for many years now and it's changed so many times, it's been through every reincarnation of our band with every drummer, with sometimes with me playing drums, it was when we were a three-piece, every incarnation of the band that we've had we have played that song.

For me, writing a song, I sit down and the process doesn't really involve me thinking about the demo-graphic of people I'm trying to hit or who I want to be able to relate to the song or what genre of music it falls under.

My favorite song of ours has to be 'Feel Special.' It was a little different than our bright songs that talk about love and general happy things, but we thought the song had a special message.

Have fun. Especially while you're still young, you gotta keep the spark up. Even when things get boring, just remember to have fun.

The way 'Coming Home' uses music in general is incredible, but the final song that really kind of crescendos all of the emotion that the whole movie has kind of been building to is this song called 'Once I Was' by Tim Buckley.

There are certain songs that if people come up to me and tell me how much that song meant to them, I think, You should have better taste, then, because I don't really like that song.

It doesn't take much for anyone to pick up anything I play - it's quite simple. I go for a good song. And if you hear a good song, you don't dissect it - you just listen, and every bit seems right.

Eventually I had so many little melodies and ideas that, you know, that they were all songs to me and I threw in a few cover songs like Enya's "Watermark," Bach, and my dad's song, "Song for the Whales."

I think people should be able to have at their behest, like, four hours of music, entertainment, visual knowledge, different pathways[.] That's what I'm trying to do with modern technology, not just another song and another song.

Sitcoms are fun. The whole multi-cam genre is always a lot of fun. You throw a live audience in the mix, and it's even better.

The basis of everything I do is down to the song. If I don't have the song I don't sing, and if I don't sing I don't perform.

I only do this because I'm having fun. The day I stop having fun, I'll just walk away. I wasn't going to have fun doing a teen movie again. I don't want to do this for the rest of my life. I don't. I don't even want to spend the rest of my youth doing this in this industry. There's so much more I want to discover.

I'm listing to music all the time. I have favorite artists. Kid Rock loves the Civil Wars' song 'Barton Hollow.' We both said that's our favorite country song of the year. That knocks me out.

The song of the voice is sweet, but the song of the heart is the pure voice of heaven.

'Dirt On My Boots' is a very different song. I heard the melody, and I heard the lyrics, and I heard the drive of that song. I totally related. It was kinda me when I was on my bulldozer working for my dad.

An achievement-oriented culture is very pro-employee - it's so much more fun than one that isn't. Excellence is a tremendous amount of fun; mediocrity is not.

People around me are always an inspiration due to their love of the music and they help me to generate ideas for music. But it's really the passion and drive I have for my music that keeps me connected. I recorded my first song in the studio at 8 years old and I've taken it seriously since then. Making music is fun to me so I aim to translate those feelings into the music.

The movie I'm really excited about that I had really fun doing is 'Feed the Dog.' It's with Nat Wolff and Selena Gomez. It's really fun. It's raunchy, like 'Superbad' meets 'Risky Business,' kind of. I got to be a really fun character, an out-there Mrs. Robinson-type character. I get to seduce Nat.

I don't really have a favorite genre. I could listen to a rock song, a metal song, jazz, pop music, whatever. For me, whatever style it is, it always depends on the chord progression, the lyrics, and the melody used.

You gotta have fun. Regardless of how you look at it, we're playing a game. It's a business, it's our job, but I don't think you can do well unless you're having fun.

I've remained friends with all of them. We'remaking a fun kids movie and it's a comedy so we're just having fun and running around fighting these aliens.

I think the last thing you want to do as a writer, as a storyteller, is to create indifference. I don't necessarily go out of my way to provoke, but I would much rather have a song that triggers a whole myriad of reactions than a song that inspires a shrug of the shoulder.

With 'Transformers,' I'm going to get to drive fast cars and have a lot of fun. That's what appeals to me about it. I want to have as much fun as possible.

I was 16 when we made the first song. We've been touring for half a decade together and we've had quite a bit of time spent learning our craft. You improve as a song writer and as a musician over time.

If you write a hit song for Britney Spears, it's worth several million dollars. Just one song! And it might have taken you two hours to do it. It's like mining for gold. It takes a lot of skill and a lot of technique.

In order to actually have a touchscreen in front of me and somehow still be connected to nature, I needed to be able to incorporate natural elements into the song structures. Because that's always been my song-writing accompaniment: nature.

The thing about albums is just coming up with new material. I just got tired of that syndrome of putting out an album and then some reviewer claims that this song or that song has something to do with x y or z.

The people at the record company had asked me if I could write a song about my life, my relationship with God, and where I'm from. Well, I can't write a song on purpose, my songs come in a moment of inspiration or desperation.

When I was preparing for '1994,' the song for Deena and Sam was 'Fast Car' by Tracy Chapman. I just really love that song so much, and I think the lyrics really hit home and reminded me of their dynamic.

It's one thing having a great song, but I think for me if you take it to the next level... say you had a guitar and a vocal, and the song was amazing but the vocalist wasn't that great and it just was a guitar and vocal acoustic track, switching that to something like an amazing voice singing the exact same song with the instrumentation being really nice and lush or unique in some way and interesting and diverse... I think it's all about the instrumentation and textures in the sound.

There are so many fun charity festivals in the Hamptons. We enjoy so many fun events for kids such as Kidsfest. We also go to Super Saturday. We like to chill out and go out by the pool. We do things that are fun for kids and good for charity.

My favorite songwriting trick is writing something like 'XO.' In my brain, I thought, 'This is probably going to be a love song. How can I change that and find ways to twist that.' As a songwriter, it's your job for the song to take twists and turns that people don't expect.

For me, writing a song, I sit down and the process doesn't really involve me thinking about the demographic of people I'm trying to hit or who I want to be able to relate to the song or what genre of music it falls under.

I was raised in a musical house. Marvin Gaye. Boyz II Men. Jodeci. My mom always played that Toni Braxton song, 'Un-Break My Heart.' When I hear that song, it still puts me right back in the car with her.

I think the fun of following the movie box office and stocks is very similar to the fun of sports - all three combine passion and unpredictability.

Everything runs smoothly. I'm never uncomfortable with anything I do. I never feel like I regret anything. I love music. All kinds of music. I'm a producer first. I feel like I can do anything and still be myself. You hear a song and you're like, "Juicy J is on this song, Juicy J is on that song," but it's still me at the end of the day.

I have a notebook that I take with me everywhere. I free-write in it when there are situations that I know I can write a song about. I will just start writing everything that I can think of while trying to write some things that are kind of poetic or sound like they could be in a song. Then, after the music is written, I go back and look at my subjects to see which one I think woud go with what music. Then, I formulate it into a melody and get the song.

My most successful song was 'Language' and I think partly because it's a nice, dancey record, but I'll see people cry in the audience to that song, and that's so much more interesting to me than making someone just jump up and down.

I think all the covers I do have nice sentiments, particularly 'Your Song.' People write me very sweet messages about that song, though I'm sure there are people out there saying that I've ruined it too!

You will taste a way of life profoundly nourishing and from your tongue may spring a song or poem or sentence or word or maybe nothing but silence. Silence only the heart can turn to song.

I think our songwriting has evolved. We can show that we have continued to branch out and do different stuff and incorporate different instruments. When it comes to writing, I think that we have pushed the envelope. We can do whatever we want to try - a longer song or a shorter song, some different instruments, some piano, an intro with just vocals, something that's scathing. Whatever. However we feel the song should go, that's what we will do. With that mindset, I think it's made us better writers.

A song called Never. Which we never play. But it's a great song.

It's so important, after a song is finished, to go to sleep and listen to the song with fresh ears the next day. It's sometimes a traumatic event. And playing it for someone else for the first time - that is the most nerve-wracking thing of all. But we learn so much.