Top 1200 Funny As Hell Quotes & Sayings - Page 16

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Last updated on April 22, 2025.
I went out with seven actors in a row. There are problems with that. I've had the really good-looking dramatic actor, and that has its problems. And then I'll go out with the funny guy. It's almost like the funny guy has more to prove.
I've done so much healing on myself, been through personal hell, through hell in my relationships; my children have been through so much, and we've gotten to a place of healing.
Humor is not funny. Humor is something else. Funny is a joke, sometimes silly. Comedy is deep and connected to tragedy; comedy could be deeper than tragedy, in my view. — © Gerald Stern
Humor is not funny. Humor is something else. Funny is a joke, sometimes silly. Comedy is deep and connected to tragedy; comedy could be deeper than tragedy, in my view.
I don't think comedy is something you learn. I think it's something that's either there or it's not. When I read a script, I have to see the funny, and if I can see it's funny, it helps me to be able to transmit that.
I always felt that it was easier to take a funny person and teach them to write television than to take somebody who was a television writer and make them funny.
Anybody can go onstage and be dirty. You have to be funny, that's the key. You can say anything as long as it's funny. You can't take it too seriously up there. And people coming to see you can't take it too seriously.
Andy Parsons was always very funny. He was in a double act with a guy called Henry Naylor. Dan Mazer was always a very funny guy.
When I was in college, I had a friend who was an artist and her theory was that all the best art in the world is funny/sad. That was her favorite genre. Funny/sad are probably my two favorite tones.
A long-term substance abuser, a few months before his death, penned this poem: Went downtown, Hastings and Main, looking for relief from the pain. All I did was find a ticket on a one-way train. ... Give me peace before I die. The track is laid out so well; we all live our private hell; just more tickets on the hell-bound train.
I also found it funny to think about blackness as the second person. That was just sort of funny. Not the first person, but the second person, the other person.
When you think you're going through hell, keep going. The only way out, keep going. If you're going through hell you've got to keep going. You can't stop or that's where you're gonna end up.
When I say something funny, I don’t laugh, so my friends are always like, ‘Hahahahaaaa!’ so people know. When I’m not with them, I always think, This person doesn’t know I’m funny; they just think I’m a jerk.
Men talk of heaven, - there is no heaven but here; Men talk of hell, - there is no hell but here; Men of hereafters talk and future lives, - O love, there is no other life - but here.
Just as many who were brought up to think of God as a bearded old gentleman sitting on a cloud decided that when they stopped believing in such a being they had therefore stopped believing in God, so many who were taught to think of hell as a literal underground location full of worms and fire...decided that when they stopped believing in that, so they stopped believing in hell. The first group decided that because they couldn't believe in childish images of God, they must be atheists. The second decided that because they couldn't believe in childish images of hell, they must be universalists.
Don't try to give a funny opinion; give your opinion in a way that will be funny.
It's funny looking at yourself. You know how it is when you look back at old pictures? It's just funny looking back at yourself walking and talking at age 14.
The times I've tried not to be funny, it's never worked, and the times I'm trying not to be dark and just be funny, that never works, either. As varied as my subject matter is, I think the worldview is pretty consistent: seeing darkness and seeing humor.
As a kid, I thought of myself as a funny person who secretly wanted to be serious, but now I think maybe I'm a serious person who secretly wants to be funny.
My parents and my sister died... very close together, and after that, I lost quite a bit of my sense of humor. Most of it I think has kind of come back, but I know there was a time when I didn't think things were funny anymore. I kind of think they're funny again.
It's just so funny that when I was growing up, I was very much of an Australian. I just thought it was funny that there was this war, like, 'No, she's ours, she's practically a Miss Australia.' But I am a Miss Philippines.
I always tend to remember the funny moments. When I lost my shoe (even though it was funny) there was something motivating about it, I just ended in this spastic emotional way. I tend to remember the more extreme moments.
Ain't it funny what people say? Ain't it funny what people write?
I always say, if I tell you a joke right now and it's funny, you laugh. Now, we set the lights, and I tell you the joke again, it's hard to find it funny the second time.
You get to the end of something, you're laughing, you're like, 'That's funny, and that's funny,' and then you get to the end, and the credits come down, and you're like, 'That's it?! That's the whole thing?! You had me here for that?!' I just don't want to do that.
I try to think of something catchy to say, but there's nothing but irritation that something that was funny yo an eleven-year-old boy is still funny to a seventeen-year-old one.
Habits are funny things. What's funny, or rather tragic, is that bad habits are so predictable and avoidable. Despite this, there are people by the millions who insist on acquiring habits that are bad, expensive, and create problems. The habit they weren't going to get, got them!
I think it's funny that nobody wants to be liked by Washington. All the politicians go, 'I don't like Washington. They don't like me.' I always find it funny that people are trying to distance themselves from Washington as much as they can, even though they're all in Washington.
I probably would never be able to direct a comedy because I'm not that funny. I don't have that funny bone in me, so it wouldn't be a natural fit. But I love the world of science fiction, and I love the world of technology and science too.
Nowadays they have 12 directors and 15 producers and 30 writers. And all the writers want their lines said a certain way-which isn't necessarily funny. I mean the lines aren't necessarily so funny to begin with.
I like shows where the female characters are as funny as the male characters, not just commenting on how funny the male characters are.
It's funny looking at yourself. You know how it is when you look back at old pictures? It's just funny looking back at yourself walking and talking at age 14
The middle class is so funny, it's the class I know best, and it's the class where you find the most pretension, so that's what makes the middle classes so funny.
Couples are really funny, because if they are together, they can fight and do fun things together. In Jane Austen books, marriage is the end of the story, but I actually think a really funny couple could be a fun thing to watch.
There is always something funny going on between scenes with Adam Sandler. He's always cracking jokes and yelling at people for no reason. It's pretty funny. He'll joke around during scenes, too. When he guest-starred on 'Jessie,' there was nothing in the script that he said first take.
I have my website, The Ruckus, which is an Internet site, similar to the Funny or Die format, where people post funny videos. I get a chance to rate their videos; they get a chance to blog and kick it with me.
People like light and silly, and they like stuff that's really energetic, and you get a character in a film bouncing around and screaming, people laugh. That's all it takes. I don't find that funny. To me, what's funny is dialogue and nuance of character and performance.
I had a sister who died and my mother passed away. I know that grief comes in waves. When deep grief hits, I know that it hurts like hell, and then you get a little bit of a respite, and then it comes back, and it hurts like hell. I know it can be survived.
Marriage is a hell, but sometimes people need it. What to do? So I have to tell them to get into marriage. They need to pass through the hell of it, and they cannot understand the hell of it unless they pass through it. I am not saying that in marriage love cannot grow; it can grow, but there is no necessity for it. I am not saying that in love marriage cannot grow; it can grow, but there is no necessity, no logical necessity in it.
Laurence Olivier said in an interview once that when he plays a tragedy he always aims for the funny parts, and the other way around. Because in a comedy you look for what's serious. I think that's true. Sometimes things are really funny if you're absolutely earnest. If you're really serious, it's hilarious.
I don't believe in hell. I believe in unemployment, but not hell. — © Dustin Hoffman
I don't believe in hell. I believe in unemployment, but not hell.
People who have intended and loved what is evil in the world intend and love what is evil in the other life, and then they no longer allow themselves to be led away from it. This is why people who are absorbed in evil are connected to hell and actually are there in spirit; and after death they crave above all to be where their evil is. So after death, it is we, not the Lord, who cast ourselves into hell.
What I've understood is that to be funny is not my job. To see funny is my job.
Heaven or Hell? You make it seem as if that's an easy choice to make. Sitting there in heaven watching others burn, and I can't do anything to help? That in itself would be hell for me. I'd be up there fighting god and his angels to let me out, so that I can come down and at least try to help. I am a moral person. Heaven is for uncaring Hypocrites.
Reynie's fce fell. 'It's not funny, Kate.' For a moment - a fleeting moment - Kate looked desperately sad. 'Well, of course it's not funny, Reynie Muldoon. But what do you want me to do? Cry?
You mostly know that you want to be funny, know that you have the desire. It's not like people who grow up beautiful and can look in the mirror and be like, I'm beautiful! Funny is more of a journey. And a desperate attempt.
When you're doing comedy, it is so subjective. What is funny to you is not funny to another person. What is dirty to you is not dirty to the other person. Comedy is one of those things you throw against the wall and see what sticks.
Well, I mean, if a joke or humor is bawdy, it's got to be funny enough to warrant it. You can't just have it bawdy or dirty just for the sake of being that - it's got to be funny.
I've experienced plenty of times when something I think is funny doesn't do very well. And there are times when something I don't think is funny makes the audience laugh so hard.
We've all seen comedians look like they're reaching just a little bit too much for the laugh. This is counterproductive. The conceit of standup is that it is effortless, which makes the prospect of generating new comedy a tricky one: you are trying to be funny without looking like you are trying to be funny.
Bette Davis had very strong opinions and was not afraid to express them. She wasn't afraid of anything that I ever saw. And she was so funny. She's just funny and she was laughing all the time.
I've never seen Kendrick Lamar crack a joke, and I've met him, but I'm sure he's hilarious, too, just because he's so good at rapping. J. Cole is a funny guy as well. Drake is funny. But who's the funniest guy I've met who is a rapper? I would say 50 Cent.
I'm definitely in the market for being uncool. There was some funny stuff, like the thing about making sure I show people that I have tattoos and cigarettes so that they know I'm badass. But really, I do have tattoos! And I do smoke cigarettes sometimes, and I can't change that. But I am not badass, by any means. I do some stuff that's tongue-in-cheek, and some stuff that's on the line. And it could be funny, it could be serious, and I never even know myself, because it could be funny that day, and the next day it's totally embarrassing.
What's interesting about Laurel and Hardy is that in most comedy teams, there's a straight man, and then there's the funny guy. And with Laurel and Hardy, they're both the funny guy.
I always thought when I was doing more melodramatic stuff like Everwood that the directors were constantly reeling me in and stopping me from being funny. I've always tried to find a funny angle on things, and 99 percent of the time, it just doesn't work.
You find out in life that people really like you funny. So what do you give 'em? Humor. And then if you show them the other side, they don't like you as much. I find, too, that I can hide behind the idiot's mask being funny, and you never see the sorrow or the pain.
The magic in performing as an entertaining ventriloquist happens when the characters come to life and the interaction between the separate personalities on stage becomes 'real.' Then don't forget that the act has to be funny, and to me, being funny and entertaining any given audience is more important than anything.
It's funny how you can look back in life and there are all these 'if's' - if this hadn't happened would I have been here? If I hadn't done this would I have ended up talking to you? It's funny how life is seriously just a bunch of those moments.
I regret behaving badly when I was younger. I did not know any better at the time. The thing is that the incidents that I caused were not funny... Youth is wasted on the young. It is better to have the wisdom of an old man in a young body... I was a bit foolish and teased people, trying to be funny.
I am endlessly fascinated by this notion that everyone has a secret. Some of our secrets are tiny, small things, and some of them are huge. Given that reality of the human condition, that's what our characters will go through. There will be some things where you'll just be like, "What the hell! How the hell did that happen?"
I've been seesawing between not doing too much racial stuff - because I'd rather be known as the funny comedian than the funny Chinese comedian - but at the same time embracing my voice and who I am and what makes me unique, you know, which is the racial background.
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