Top 1200 Funny Bar Quotes & Sayings - Page 2

Explore popular Funny Bar quotes.
Last updated on April 21, 2025.
It is much the best way... to lay the emphasis on the first part of the bar in triple time, and on the first and third parts of the bar in common time.
I'm not so funny. Gilda was funny. I'm funny on camera sometimes. In life, once in a while. Once in a while. But she was funny. She spent more time worrying about being liked than anything else.
"Let us find the dam snack bar," Zoe said. "We should eat while we can." Grover cracked a smile. "The dam snack bar?" Zoe blinked. "Yes. What is funny?" "Nothing," Grover said, trying to keep a straight face. "I could use some dam French fries." Even Thalia smiled at that. "And I need to use the dam restroom."... I started cracking up, and Thalia and Grover joined in, while Zoe just looked at us "I do not understand." "I want to use the dam water fountain," Grover said. "And..." Thalia tried to catch her breath. "I want to buy a dam T-shirt."
My mum and dad are both really funny. My granddad's really funny. My uncle's really funny. Everyone's really funny. You have to be quick; otherwise, you get roasted. Everyone takes the piss quite a lot. You have to be really sharp.
There is something about the vocal quality of the actors who can really do it. Jim Burrows, the great sitcom director who directed Will & Grace and Cheers, when an actor comes in to audition for him, he never looks at them. He just listens. Because funny is funny. You can be fooled by the eye, but if your performance is funny to the ear, it will be funny.
You can't fake comedy. You can't make it look beautiful or put an interesting bit of music on in the background: funny can only be funny if you're funny. — © Aisling Bea
You can't fake comedy. You can't make it look beautiful or put an interesting bit of music on in the background: funny can only be funny if you're funny.
Comedy is the slave of time. What seemed funny then is unlikely to seem funny now, just as what strikes us as funny now would not have seemed funny then.
The fantasy of doing a task perfectly is common with procrastinators; they set the bar for success very high. Then they are afraid to approach it. As the deadline approaches, they must set the bar lower.
My comedy isn't about being attractive - it's about how the bar of dumb seems so low right now, and I desperately want to raise the bar of dumb just a tiny bit.
I am not funny. The writers were funny. My directors were funny. The situations were funny… What I am is brave. I have never been scared. Not when I did movies, certainly not when I was a model and not when I did I Love Lucy.
Long before it legally served me, the bar saved me. It restored my faith when I was a boy, tended me as a teenager, and when I was a young man the bar embraced me.
What I don't like is when I see stuff that I know has had a lot of improv done or is playing around where there's no purpose to the scene other than to just be funny. What you don't want is funny scene, funny scene, funny scene, and now here's the epiphany scene and then the movie's over.
If it isn't funny, it isn't worth mentioning. And if it isn't funny, why, you make it funny!
But I think once the word gets out that the movie is funny - funny is transcendent - it will traverse all demographic barriers if people embrace it as a funny movie.
It's just my natural way - to be funny. I don't know why that is. But as I've said, humor is a quick cover for shock, horror, confusion. The critics hate funny writers for the most part. They think funny is not serious, but I think that funny can be even more serious than nonfunny. And it can be more affecting, too.
People like to set the bar high. I like to put the bar on the ground and barely step over it. I like to keep the expectations really low. — © Kevin Smith
People like to set the bar high. I like to put the bar on the ground and barely step over it. I like to keep the expectations really low.
I used to work over a bar. That was - there was no stage. I stood over a tiny bar. Louis Prima, rest his soul, he worked there. I was the guy that filled in when he was off the stage.
If you want to dance on a bar top, some of us will fall off the bar top. Some people will die as a result of liberalising bar top dancing... a young girl with a short skirt dancing on it may attract some insults from some other men, the boyfriend will start fighting and some people will die.
I look at the world and I find the funny in it, because there's funny in everything. No matter how ugly it may be, there's a funny way to look at it.
My uncles were all funny. My dad wasn't funny, but my uncles were all funny. Now I go back and I like him better than them, they were manipulative funny.
Just be funny. Funny always goes over well, so try to think of something funny to break the ice rather than being weird or using pickup lines.
Thing is, I'm a funny actor, but I'm not good at being funny. I'm going to ramble for a second: I'm an actor who can make things funny in the moment, like in stakes or in circumstances or out of character.
I don't do comedy. I think if a situation is funny you just play it for real and if it's funny, it's funny.
I was funny in a way that was not dissing the teacher; I was funny just to be funny. A real charmer with a prominent mustache that he didn't know what to do with and a smart-alecky attitude.
I am much more likely to care about someone trying to be funny and give them some credit for whatever he or she did that was remotely funny than I am to be mused by somebody declaring this isn't funny, that isn't funny, this sucks. If you want to write humor, you're going to have to get used to that.
You see a lot of comedic content that's not funny, and you can tell that it's supposed to be funny, but it's actually not funny.
The second I walked into the first interview with Harry & Niall, Harry immediately came bounding up to me asked me my name, gave me a hug and a kiss on the cheek and asked if i’d like a drink or a chocolate bar from the fridge. Having only 8 minutes with each group, he probably knew I couldn’t sit munching on a chocolate bar, but he gave me the tour of his fridge nonetheless, and I did take a Daim bar.
You know, 'Cheers,' you didn't have to leave the bar because what they were saying in the bar was important. 'All In The Family' is the same rule. On 'The Golden Girls' they didn't have to leave the table. And 'Friends' - the coffee shop. You can contain it if it's interesting.
If you set the attractiveness bar really low, people have to compliment you on your looks when they meet you in person. I'm pretty much a genius. I'm actually applying to work at the Genius Bar based on this trick.
When you do 'Before Sunset,' you know while it's a limited audience, there was a very small group of people that love 'Before Sunrise.' You feel a certain pressure to make sure that you uphold a level of quality that has been a bar. You set a bar and you have to at least match it.
I'm not a comedian. I don't make things funny if they're not funny. I don't invent funny stuff.
It's funny because 'Felicity' didn't have a huge following, but the following it did have is hugely devoted, so people who are fanatics about 'Felicity' would run up to me all the time. I'd be at a bar, and someone will go, 'Hey, were you on Felicity? ...' I loved doing the show.
I think because of my name and my dad, two things I am so proud of, the bar has always been so high in people's minds. But my bar has always been higher than that.
If the world were a bar, America would currently be the angry drunk waving around a loaded gun. Yeah, the other people in the bar may be afraid of him, but they sure as hell don't respect him.
For me, funny is funny, and what's unfortunate is these comedians aren't being allowed to operate in rooms for everybody and that everybody can laugh and say, 'Okay, I find that person funny, and I don't just have to find them funny because they look like me.'
I have a funny sense of humor. If I was a comedian and I was up on stage, people would think that's funny, because I'm a funny comedian. I'm an entertainer.
A guy in Pennsylvania was arrested because he was drunk in his golf cart going from bar to bar. So they arrested him. I said: Wait a minute. Isn't that golf?
In Romania, I train on a bar that is bent. My gym has bad lighting and very little heat in the winters. Here in America, you have everything you need to train. It's not in the bar or the gym or the platform it's in you.
The whole social media thing is ridiculous. Everybody gets to say what they want all the time. That's fine in theory, but it's not civilised. Imagine going into a bar, and everybody in that bar is talking like people do online. They'd just get their teeth punched in.
I don't remember much about my bar mitzvah. The only thing I remember - I killed! That's what I remembered. Nobody could follow me at my bar-mitzvah. It was over when I was done.
You shouldn't worry who gets the funny line, just that you're being funny as a double act. With us, it flips all the time. There's no real straight man or funny man. — © Ant McPartlin
You shouldn't worry who gets the funny line, just that you're being funny as a double act. With us, it flips all the time. There's no real straight man or funny man.
It's a fun job, but it's stressful because you have to be funny. You have to have punch lines and captions. Be funny now! And if you're not inspired, they don't care - be funny now! They have to fill that hole the next day.
There are a couple hard things. One, getting a funny idea that people can relate to; a funny idea or a funny script; there's a million pitches.
Being effective at social media, whether for business or personal use, means capturing people who have short attention spans. They're only a click away from a picture of a funny cat, so you have to make your thing more compelling than that cat. And that can be a high bar.
I didn't know if I could be funny on stage or write a joke. But I saw that there are no rules. If you're funny offstage, you can figure out a way to be funny onstage.
My dad was listening to me noodle around on the guitar in the house and sing, and he was like, 'Man, you're funny, and you sound good when you do that. You should do that at a bar.' I had stage fright, so I was like, 'No, Dad. Leave me alone.'
We [with Les Charles] started talking about hotel stories, and we found that a lot of the action was happening in the hotel bar. We actually thought of that while we were in a bar: "Why would anyone ever leave here?"
Expectations shouldn't be lowered, even if Donald Trump was just telling stories to impress the crowd around him and never grabbed as many women as he suggested. Lower the bar for what you can talk about, and you lower the bar for what is acceptable behavior.
In New York, we tip everyone. We tip doormen, we tip cab drivers, and we tip bartenders at the bar. You'll get quite an evil eye if you don't leave a tip at the bar.
I don't get a chance to be funny with the thrillers. I like to be funny, and I think I am really funny. So with 'Middle School: The Worst Years of My Life', it was fun to let loose.
There's nothing less funny than somebody trying to be funny. I loved Jack Dee, then I met him and I became the least funny human to exist because of my desperation to say something amusing.
I don't feel any pressure to be funny at all. I'm funny because I want to be funny. I could sit here and be serious for an hour and you would go away and make me much funnier than I am.
My mum and dad are both really funny. My granddad's really funny, my uncle's really funny, everyone's really funny. You have to be quick, otherwise you get roasted. Everyone takes the piss quite a lot. You have to be really sharp.
Over the last ten years, technological advances have dramatically lowered the financial bar for starting a new company, but the courage bar for building a great company remains as high as it has ever been.
If you want to relate me to the newer cats, let's go. Let's go line for line and bar for bar. If it's all about spitting and metaphors and MCing and lyrics and entendres, I will eat 99 percent of you dudes up.
It's really easy to be funny. You get a lot of funny people in a room, the show is funny. — © Jill Soloway
It's really easy to be funny. You get a lot of funny people in a room, the show is funny.
Even when I ran my bar I followed the same policy. A lot of customers came to the bar. If one in ten enjoyed the place and said he'd come again, that was enough. If one out of ten was a repeat customer, then the business would survive. To put it another way, it didn't matter if nine out of ten didn't like my bar. This realization lifted a weight off my shoulders. Still, I had to make sure that the one person who did like the place.
I've never set out to write a funny movie or be a funny comedian as a woman. I am a woman. I don't really have a choice in the matter. My goal is just to be funny.
When I started lifting weights, I remember I could barely bench the bar. I mean, I'm shaking all over the place, the bar's falling, and I'm like, 'I can't lift 45 pounds,' but it just goes to show how much work I put in.
I went through in the edits and cut tons of stuff that was "funny" because if it wasn't funny at the time, so it shouldn't be funny now. It's about having that unity of experience. You have to try and take away your hindsight knowledge of a situation.
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