Top 1200 Funny Character Quotes & Sayings - Page 3

Explore popular Funny Character quotes.
Last updated on November 16, 2024.
Funny is as funny does, and funny puts on a walrus mask and slowly gyrates in a mall food court. I laugh at absurdity hardest, then stories, then observations, then bearded men on roller skates.
A joke is either funny or it's not funny. If I hear a funny joke, you know what I do? I laugh, that's what I do. I don't start a focus group to see who got hurt by the joke.
What is the character trying to say? Why? Be as specific as you can, using sense images that evoke something about the character. Try using the character's senses, even if the character is you.
I just hate the whole idea of labeling anything as a comedy. If you tell me something's funny, I'll want to rebel against it. When I go to a bookstore and see books categorized as humor, I get furious. Don't tell me that a book is funny. Let me decide if it's funny. It's the same with sitcoms. You call something a sitcom and people expect it to be funny. And that ruins everything.
I never know when I am being funny, and the other way too. I don't think you can think about that. I don't think you can try to be funny. Some people are just funny.
I understand a woman who validates herself by getting attention from the opposite sex. I have a friend who is that to a T... Doesn't mean she isn't a good person. That's a funny character to play.
I just talk about the funny things in my life, and the idea is that my observations reflect the lives of my audience - so people are really laughing at themselves. This is the theory, anyway, and I am aware that in print, that it doesn't appear to be very funny. But it is, and I am definitely funny.
Something is funny, most of all, because it's true, and because the velocity of insight into this truth exceeds our normal standards. Something is funny because it's outside our accepted boundary of decorum. Something is funny because it defies our expectations. Something is funny because it offers a temporary reprieve from the hardship of seeing the world as it actually is. Something is funny because it is able to suggest gently that even the worst of our circumstances and sins is subject to eventual mercy.
[Shaquille O'Neal ] walked in and said we were hiring him, so we said, "Yes sir!" Shaq is a genuinely funny guy. He's really funny in the movie. He's not just a stunt cast- he's a genuinely funny actor.
When I heard that Hitler had problems with flatulence, it's funny. What - does that make him a funny man? No. It means he had funny moments when his rear end was speaking louder than his mouth.
I think all good drama is funny. All the best drama is ultimately very funny. Life is funny. You can't have any honest treatise on life without bumping into some humor.
Richard Pryor introduced me to the world of the inner city, and the urban world, and did it hysterically. My favorite comedian, even though we work 180 degrees differently, but funny is funny is funny.
My sons the same, hes terribly funny. Its a wonderful power to have. Its also fantastically disarming. Women find it unbelievably disarming. You can say the most astonishing things if youre funny. You can tell a woman that shes irresistibly attractive, but do it in such a funny way.
As far as my personality, my friends and family know I'm crazy! I love to have fun; I'm bubbly. People say I'm funny but I don't know that I'm funny: I don't try to be funny and tell jokes and stuff like that, but I always got something slick to say.
I had to audition for the part of Jnior, and I wanted the role terribly because I knew it was a great character. This guy is a wonderful, funny, mean old guy. — © Dominic Chianese
I had to audition for the part of Jnior, and I wanted the role terribly because I knew it was a great character. This guy is a wonderful, funny, mean old guy.
I don't think you can strategize to be poetic and neither can you strategize to be funny. It is not a tool, it is itself - it comes from the moment, from the character, from the background, from the streets.
There's always a source for humor [in politics]. If it's inappropriate to write about, if there's nothing funny about it, then it's not funny. So it sort of selects itself. It has to. And plus, often something that wouldn't be funny at the time is okay to make jokes about later.
That was the most important thing to me: making sure 'Gardner Elliot' was likeable and funny and interesting. I took my time before filming to chat with Peter, the director, to create this character.
I love the idea of seeing a character - I mean, there's nothing like seeing a character and having the huge detail and roundness that a character in a book can give you. It's so much more full than a character in a script can give you, isn't it?
Funny to watch these Senators switching back and forth on Prohibition. Politics is a great character builder. You have to take a referendum to see what your convictions are for that day.
Now I'm just like everybody else, and it's so funny, the way monogamy is funny, the way someone falling down in the street is funny. I entered a revolving door and emerged as a human being. When you think of me is my face electronically blurred?
There are funny gay people, and there are funny Indian people, and that's why we watch TV, to laugh. It only makes sense to include all types of funny people, whether or not they're gay or straight or what have you.
Teenagers falling off skateboards - funny. Nut shots - funny. Breaking wind - funny. The world cannot change those. Those three things are columns upon which humor is built.
Reputation is seeming; character is being. Reputation is manufactured; character is grown. Reputation is your photograph; There is a vast difference between character and reputation. Reputation is what men think we are; character is what God knows us to be. Reputation is seeming; character is being. Reputation is the breath of men; character is the inbreathing of the eternal God. One may for a time have a good reputation and a bad character, or the reverse ; but not for long.
With any television series - and it's something that is taken for granted with movies because you have the whole arc within two hours - you establish who the character is and it's a two-dimensional version, or if you're lucky, a two and a half-dimensional character. Once you establish that, you can move forward and break all the rules. Once the audience has accepted who the person is, then you can do the exact opposite. What makes it funny and interesting is doing the opposite.
I think I knew I was funny in Elementary School. I think most funny people realize it when they're young. It tends to come out of stress or trauma - something that makes you want to be funny.
The idea of surprise is part of what makes something funny, or what gets a reaction. At least when I'm an audience member, after you hear a joke so many times it's not as funny because it loses its surprise or its twist. So I think funny has to do with surprise.
Brad Paisley is very funny. Who else is funny? I think Reba McEntire is very funny. — © Sara Evans
Brad Paisley is very funny. Who else is funny? I think Reba McEntire is very funny.
The character of 'Mama' is so ambitious in a way that everything I did was always on the verge of being almost funny. So you have to be very careful with that. It's that sort of face that you don't usually see in horror.
Then with Lucy [Hale], her little thing that I kind of learned from her is her country music because she’s obsessed with country and at the beginning, I wasn’t a huge fan of it, but I was listening to some songs that she plays in the hair and makeup room and she’s also so funny, too. She does these character impersonations and they’re just so funny. Made up characters of course, but she can switch into someone else so fast. I’m always laughing at Lucy and she’s like a little Polly Pocket, you know? The tiny one.
Since she got a cause and stopped being funny. I think she's real funny, but lately it's all been hearts and flowers and tears and saving teenagers and creating a role model. And that ain't funny. No giggles there.
I remember working with Jackie Chan on Shanghai Noon [2000], and when we were working on the script, I thought that my character thought about being an outlaw the way a kid today would think about being a rock star, as a way to impress girls. So it was just kind of a funny idea, but once we had that idea, it changed the character and made it something that was funnier to me to play.
Comedy is probably a lot harder for me. Maybe it's because I've been doing drama for so long or maybe it's because... you don't want to search for a laugh; you can't try to be funny, you just have to naturally be funny or be in a situation that's funny.
As I get older, the character evolves tremendously because I'm married and have kids now and realize certain things are not funny anymore. I threw them out of my act.
I want to be funny. When I first started writing, I didn't find my stories funny, but people kept saying they were. It kind of worried me; these are some pretty disturbing and sad pieces. Why do people think they're funny?
I see 'Jekyll' as a very scary comedy thriller, partly because Hyde is violent and frightening as a character but at the same time he's very funny - and that's quite an achievement.
Before 'Sunny' came along, I would audition and do chemistry reads with very funny actors. And then they would cast someone who was beautiful and benign. I don't think that very funny men wanted to headline with very funny women. They wanted to be the funny ones, and they wanted the wife to be the wife. That was very frustrating.
When Andy Kaufman performed, he was not just trying to be funny. He was playing with the notion of what it means to try to be funny, of what it means to be an audience expecting somebody to be funny. He was doing a dance and playing a game.
The popular girls let me hang out with them because I was funny. They told me that. 'You're not popular, but you're funny.' Now all my friends are funny. — © Nia Vardalos
The popular girls let me hang out with them because I was funny. They told me that. 'You're not popular, but you're funny.' Now all my friends are funny.
Whenever you get a bunch of guys that are funny or think they’re funny, when you first meet, there’s always a lot of bits and it’s never, ever, ever funny. So basically you have to get through the awkwardness.
Stand-up is just me trying to be as funny as possible in the most concentrated hour with me standing on stage with no storyline, no plot line, and no character development.
A woman can be demure, lady-like and the most prim and proper character, and still have a toughness and resiliency as apparent as a superhero-type female character or a warrior or soldier type. It's all about the story, the character, and the course of events in that piece of work and how that character is presented.
The funny thing with Ophelia is that I remembered her being this really cool, awesome female character when I read 'Hamlet' in high school, and when I went back and read it, no, she's not.
It's funny - Frankie Valli's story and that advice that he was just getting from, you know, Christopher Walken's character, is very true for someone who's in a creative field.
A comedian's body is funny as well as his mind being funny, his whole personage is funny.
I don't control the line of 'funny,' 'funny,' 'funny,' 'not funny.'
Comedy needs to happen naturally and be in touch with the character. When you see that guy in your office that everybody laughs at, he doesn't think he's funny. He's just being him, and that's the joke.
I like jokes and one-liners. I enjoy entertaining and making people laugh, being the funny man. But when I'm launched into unfamiliar environments I shut down, and as I relax then my character emerges.
One of the great myths in America is that sports build character. They can and they should. Indeed, sports may be the perfect venue in which to build character. But sports don't build character unless a coach possesses character and intentionally teaches it. Sports can team with ethics and character and spirituality; virtuous coaching can integrate the body with the heart, the mind, and the soul.
If you have a character that doesn't have anything wrong with him, there's nothing funny about it. The idea of the straight man is very important. But I'd rather it be somebody else, because it's not as fun.
People are funny in like young adulthood, just like how people's musical tastes are cool, but it changes very rapidly. In five or ten years, I'll probably still be confident about what's funny but it probably won't be funny anymore.
Definitely that was a big part of my childhood: wanting to fit. As an immigrant, you talk funny, you look funny, you smell funny. I wanted to do nothing but fit in and talk English and sit with everybody else.
I did musicals. It's funny, because I can hide behind a character and a voice, but when I have to bring myself and my own voice to it, it's very nerve-wracking. — © Ashleigh Murray
I did musicals. It's funny, because I can hide behind a character and a voice, but when I have to bring myself and my own voice to it, it's very nerve-wracking.
Real religion is about, developing real character; character of compassion, character of humility, the character of determination to grow in all circumstances.
Andy was a character, and the two of us did have some things in common. We appreciated funny things, didn't like serious things.
[Simone Weil's] life is almost a perfect blend of the Comic and the Terrible, which two things may be opposite sides of the same coin. In my own experience, everything funny I have written is more terrible than it is funny, or only funny because it is terrible, or only terrible because it is funny.
All those awkward moments - that's on the cast for doing such an amazing job. I think it was funny on the page, but when they did it, you definitely went, "Oh!" Watching it with a crowd that, like you said, was not expecting it to be funny, but then genuinely finding it funny, is totally a credit to their performances.
Humor strips dominated what were called the funny papers early in the century, but by the 1920s and '30s, adventure strips had taken over. With 'Beetle Bailey,' I revived the funny part of the funny papers, and I'd be proud to be remembered for that.
I remember watching Gilda Radner when I was a kid and everyone thought she was so funny and no one ever said that she was a funny woman, she was just funny.
At a Metro station, I got called out by my character name - Meera - and I realised that I had started responding to that quite intuitively. It was quite a funny moment.
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