Top 1200 Funny Character Quotes & Sayings - Page 6

What's funny is funny. It doesn't matter what expense it's at. There are people who don't like that and I understand.

At home in my room, I'm funny, but if I'm commissioned to be that, I don't feel very funny.

There are few lonelier sights than a good comedian being funny in a movie that doesn't know what funny is.

I think I'm funny because my family, my siblings were funny.

My funny speech wasn't funny. That's not the first time a politician has done that.

One time, Bert and I were making out for so long it wasn't even funny..But then it was funny.

It's not funny when you actually get shot, but afterwards, yeah, it's funny.

The Bible is the funniest book I have ever read. It's so funny! Right in the first six pages, it's funny!

A funny person is funny only for so long, but a wit can sit down and go on being spellbinding forever.

I remember Tucker Toomey was named so because "T's are funny!" And if Garry Marshall says it's funny, by god, it must be so.

I'll just talk and talk for an hour, an hour and half, until funny things come out of my mouth - often things that I don't think will be funny, often things that I just thought were sentences, turn out to be funny, because they're the sentences of an idiot. There's level of self-awareness that develops, and I write down things that were funny, usually when I'm on stage, and that becomes the show.

Funny is funny, and it can come in 8 billion different shades and flavors, so I think it's silly to kind of limit it.

When I'm with other people who inspire my silliness or sense of humor, I'm funny. When I sit down to write, it's hard not to be funny.

Those who quit their proper character to assume what does not belong to them are, for the greater part, ignorant both of the character they leave and of the character they assume.

My job changes very little because I've found that the more you try to be funny, the less funny you become.

In my forthcoming movie 'Jerry,' I play a funny character, where there is scope for me to perform. I hope people would appreciate my performance. Hence forth I would concentrate on doing variety of roles, rather than appearing in skimpy costumes.

There are some situations in life that are simply not funny, and there's nothing funny about them, but they're rare, and they don't last all that long.

I don't want to be a facilitator for other funny people. It doesn't seem smart for me to be in a comedy and not be funny. My spirit can't take it.

I think I think in the moment. So when I'm in character, I'm in character, and I'm obviously thinking about what's going on around me, but it's easier to do stuff when you're in character.

I don't make fun of my characters. I just like to laugh and I think people are funny and the world is funny.

I mean, it's funny, I'm not going to lie. It's funny saying it. We're the Pelicans.

When people are funny, I like to let them know that they're funny. There's so much negativity, it's cool to get some positivity out there.

Adam Sandler is a really funny guy in real life. Separate from all of the movies, that is a funny man.

I just didn't want to get bored playing a character, and that's kind of the benefit of doing films; you've lived with a character for four or five months and that's it, and you walk away from that character and you feel like you told a story.

I tend to play characters that I can infuse with certain kinds of humour. Even the baddest guy can be funny in his own particular way. I want the audience to engage with the character on some deeper level so that they leave the cinema still thinking about him.

I was always good at being observationally funny - like, contributing something funny to the conversation.

The world is a funny paper read backwards. And that way it isn't so funny.

You want to be able to really tackle a character and make it a fully-dimensional human being who is complicated, funny, and all the things that a person could be. If you can achieve that, you feel great. You so rarely get to do that as an actress in general, but as a black actress, it's almost never.

My name is Steven Crowder, and I happen to find blatant gayness funny. I mean really funny.

Every character gives you something or the other, and you can't calculate it unless you are living the character. You learn something about the character that stays with you.

Farts and poop are still funny and will always be funny.

I like funny things, but I don't find myself particularly funny.

I never think I want to try to be funny. And humor, if there is anything funny, should come from a real place.

In America, funny women are allowed to be glamorous and funny, but over here, you're not.

If you were half as funny as you think you are, you'd be twice as funny as you are now.

I realized there's a difference between creating a character and sustaining a character. The challenge that comes with sustaining a character is that you have this sudden impulse to think about all the things the audience liked.

By putting myself out there the way I've been doing people see me as a real person. Even though I do character voices and funny noises the stories are still real and I put them all out there.

The character is what trips you up - the thing of, "I'm going to get so dark in this character that I'm going to get lost in a character." You can't get lost in a character. You can only think you're lost in a character.

Optimism isnt funny unless you are laughing at the person, whereas extreme pessimism is extremely funny. Its exaggeration.

I don't come from Lake Wobegon, and that world is not mine. It's not that funny to me. It's funny to other people, and I'm not judging it, but the world that I come from is not considered funny by other people as well. There's so much pain in it.

My favorite classic novel may be 'The Invisible Man.' It's smart and genuinely funny. Otherwise, my favorite character is probably Frankenstein's Monster/Frankenstein the Monster.

If I have an audition, I go to the audition in character. I'm in character when I walk in the room. I mean, I'm still sweet to everyone, but I'm very much the character.

I don't think it's ever easy to be funny. I find it easy to amuse myself with a certain sort of cynical dark humor that tends toward the meaner side, like my character in Happy Gilmore. Those kinds of characters come easily to me.

Once you click into a character, to a certain degree, you can do a lot else. You can do other stuff, then come back and click right into the character. It's sort of funny that way, the way the mind works. Once it's there, it's sort of there. For the stage, for example, all through the day, you're not onstage. You're living your life, la-la-la, then the lights go down, then boom! All of a sudden, you're in this thing. There's a kind of reflex muscle trigger that happens, and all of a sudden you're back into the role. It's just getting there in the first place that's tricky.

To the U.S. and the world, I'm just known as some funny song and some funny music, some funny video guy. But in Korea I'm doing one of the biggest concerts; it's not a dance music concert. I'm playing with the band, so I change my every song to a rock song.

At 21, my career took a comedic turn when I was cast in a new Broadway play called 'Brooklyn Boy,' by Donald Margulies, which was equal parts funny and sad. I realized that the more seriously I expressed my character's feelings, the funnier the scene became.

It's not always easy to go from funny on the page to funny on the screen.

I wasn't particularly funny in high school, but I grew up with three older brothers who were quite funny.

I opened the door. He looked down at my shirt and smiled. "Funny," he said. "Don't call my boobs funny," I answered.

Optimism isn't funny unless you are laughing at the person, whereas extreme pessimism is extremely funny. It's exaggeration.

I have funny bones. If there's ever any kind of tension, I'll always be the one to try and be funny to loosen things up.

I think anyone who's perfectly happy isn't particularly funny. And when you're very, very happy, you're not very funny. You're just happy. I'd rather be damaged and funny.

Be Funny. Be naturally funny. If you're not, get out of the business. Be compassionate.

There's nothing less funny than trying to force funny.

Michael is a funny character, for whom I have a great deal of affection. He sat across his desk and seemed to be a bit of a blunt fellow. We began talking about the characters and he opened up about his vision.

If you try to deliver a funny line in a funny way, it comes out as wacky and you ruin the scene.

People want me to be funny all the time. They think I'm being funny no matter what I say or do and that's not the case.

The leading character isn't always the most important or interesting character; when people think that the protagonist is the character portrayed, it's people who haven't read Shakespeare.

There's nothing worse than trying to be funny and not being funny.

Peyton Manning is funny, hence the 'Saturday Night Live'; you see him in his commercials. He's funny.