Top 1200 Funny Kid Quotes & Sayings - Page 17

For a very long time, people have been saying to me, "What if you want to do this approach with every kid?" For a behaviorally challenging kid, you're parenting this way just to help bring the kid's behavior under control and to greatly reduce conflict. But you want to teach all kids the skills that are on the better side of human nature: empathy, appreciating how one's behavior is affecting other people, resolving disagreements in ways that do not involve conflict, taking another's perspective, honesty.

I probably would never be able to direct a comedy because I'm not that funny. I don't have that funny bone in me, so it wouldn't be a natural fit. But I love the world of science fiction, and I love the world of technology and science too.

You get to the end of something, you're laughing, you're like, 'That's funny, and that's funny,' and then you get to the end, and the credits come down, and you're like, 'That's it?! That's the whole thing?! You had me here for that?!' I just don't want to do that.

It's funny looking at yourself. You know how it is when you look back at old pictures? It's just funny looking back at yourself walking and talking at age 14.

Humor is not funny. Humor is something else. Funny is a joke, sometimes silly. Comedy is deep and connected to tragedy; comedy could be deeper than tragedy, in my view.

I'm kind of a simple guy. The best way you can describe it is, I'm the same person I was when I was a kid. Everyone's like, 'Of course you are,' but I'm like, 'No, seriously.' I liked 'ThunderCats' when I was a kid; I call myself Thundercat now.

I remember working with Jackie Chan on Shanghai Noon [2000], and when we were working on the script, I thought that my character thought about being an outlaw the way a kid today would think about being a rock star, as a way to impress girls. So it was just kind of a funny idea, but once we had that idea, it changed the character and made it something that was funnier to me to play.

Habits are funny things. What's funny, or rather tragic, is that bad habits are so predictable and avoidable. Despite this, there are people by the millions who insist on acquiring habits that are bad, expensive, and create problems. The habit they weren't going to get, got them!

I was an adult when I was supposed to be a kid. So now I'm an adult and I'm acting like a kid.

Listen, I'm not a rich kid. I'm a cultured kid; I'm very rich in culture.

I couldn't have accomplished the things in my career if I didn't practice, and the worst part about that whole thing is when a kid comes up to me and says 'Allen, I don't like practice, either.' I've got to straighten that kid right then.

Not only was I the only black kid and the only poor kid, but my parents were transcendental meditation devotees, and I live in an ashram for a good portion of my childhood.

People will tell me, "Oh, my kid watches your show on their iPad, over and over again until they memorize." And I'm like, "Wow, I was that kid watching other shows. That's the coolest!"

I think what's at risk is kids losing touch with being a kid. Being a kid is being defined differently than it was when you didn't have all this stuff you could put in front of your face.

I was a bad kid. I was a bad and good kid in and out of the boxing gym.

I always say, if I tell you a joke right now and it's funny, you laugh. Now, we set the lights, and I tell you the joke again, it's hard to find it funny the second time.

I just want kids to have a chance to go and try an Olympic sport. Every kid has a bike - that's how I started, and one kid coming along and giving it a go could make that journey to the Olympics.

I am like a kid. I tell my family and friends I'm like a kid.

I'm definitely in the market for being uncool. There was some funny stuff, like the thing about making sure I show people that I have tattoos and cigarettes so that they know I'm badass. But really, I do have tattoos! And I do smoke cigarettes sometimes, and I can't change that. But I am not badass, by any means. I do some stuff that's tongue-in-cheek, and some stuff that's on the line. And it could be funny, it could be serious, and I never even know myself, because it could be funny that day, and the next day it's totally embarrassing.

Anybody can go onstage and be dirty. You have to be funny, that's the key. You can say anything as long as it's funny. You can't take it too seriously up there. And people coming to see you can't take it too seriously.

I'm a black kid from the ghetto of Coney Island, Brooklyn, who only ever dreamed of playing in the NBA. So to have that dream come true but then go on this second journey in China... it's so far beyond anything that kid could have imagined.

The times I've tried not to be funny, it's never worked, and the times I'm trying not to be dark and just be funny, that never works, either. As varied as my subject matter is, I think the worldview is pretty consistent: seeing darkness and seeing humor.

The magic in performing as an entertaining ventriloquist happens when the characters come to life and the interaction between the separate personalities on stage becomes 'real.' Then don't forget that the act has to be funny, and to me, being funny and entertaining any given audience is more important than anything.

The big problem for comic art is you don't want to overwork it. If a drawing is overworked it isn't funny. It's the spontaneity that keeps a work fresh and funny. If they can see how hard you work, if they can see the beads of sweat, it's no good. I always try to make it look easy.

I was a completely normal kid, the school nerd. In Year 8 and 9 I got picked on. I was a freak- no one understood me. I was the kid who wanted to be abducted by ET. Then all the losers left in Year 10. But I was quite good at school, and very artistic. In Year 11 it turned around. I became one of the coolest kids in school. I was in school musicals- the kid who could sing. It was bizzare. I loved school. It's an amazing little world. The rules inside the school are different from the outside world.

I went to the park and saw this kid flying a kite. The kid was really excited. I don't know why, that's what they're supposed to do. Now if he had had a chair on the other end of that string, I would have been impressed.

The middle class is so funny, it's the class I know best, and it's the class where you find the most pretension, so that's what makes the middle classes so funny.

I try to think of something catchy to say, but there's nothing but irritation that something that was funny yo an eleven-year-old boy is still funny to a seventeen-year-old one.

When you're doing comedy, it is so subjective. What is funny to you is not funny to another person. What is dirty to you is not dirty to the other person. Comedy is one of those things you throw against the wall and see what sticks.

I had one kid with the birth control pill, I had one with the diaphram and I had one with the I.U.D. I don't even know what happened with my I.U.D. It never came out. But I have my suspicions because that kid picks up HBO.

When I was in college, I had a friend who was an artist and her theory was that all the best art in the world is funny/sad. That was her favorite genre. Funny/sad are probably my two favorite tones.

Nowadays they have 12 directors and 15 producers and 30 writers. And all the writers want their lines said a certain way-which isn't necessarily funny. I mean the lines aren't necessarily so funny to begin with.

Whenever there's a crying kid, I have to make sure that the kid stops crying.

Bette Davis had very strong opinions and was not afraid to express them. She wasn't afraid of anything that I ever saw. And she was so funny. She's just funny and she was laughing all the time.

It's just so funny that when I was growing up, I was very much of an Australian. I just thought it was funny that there was this war, like, 'No, she's ours, she's practically a Miss Australia.' But I am a Miss Philippines.

I always tend to remember the funny moments. When I lost my shoe (even though it was funny) there was something motivating about it, I just ended in this spastic emotional way. I tend to remember the more extreme moments.

I have my website, The Ruckus, which is an Internet site, similar to the Funny or Die format, where people post funny videos. I get a chance to rate their videos; they get a chance to blog and kick it with me.

In general I think the inspiration was to think about all those movies that I saw as a kid and never knew they were remakes, because I know there's probably another kid going to watch Evil Dead who has no idea.

There is always something funny going on between scenes with Adam Sandler. He's always cracking jokes and yelling at people for no reason. It's pretty funny. He'll joke around during scenes, too. When he guest-starred on 'Jessie,' there was nothing in the script that he said first take.

Back when I was on my first assignment as a seeker, I was way out in Arizona. Brought in this kid named Clarisse.” “Clarisse?” “Sibling of yours,” Hedge said. “Ares kid. Violent. Rude. Lots of potential.

I went out with seven actors in a row. There are problems with that. I've had the really good-looking dramatic actor, and that has its problems. And then I'll go out with the funny guy. It's almost like the funny guy has more to prove.

Couples are really funny, because if they are together, they can fight and do fun things together. In Jane Austen books, marriage is the end of the story, but I actually think a really funny couple could be a fun thing to watch.

I think it's funny that nobody wants to be liked by Washington. All the politicians go, 'I don't like Washington. They don't like me.' I always find it funny that people are trying to distance themselves from Washington as much as they can, even though they're all in Washington.

I never wanted to be an actor as a kid. I wanted to play hockey, like every other kid in Canada. I had a pretty good shot at it until I was 15 and badly injured myself.

When I first came to New York, I knew some painters older than myself. I was kind of the kid who was allowed to hang out with them. That is more the way people talked in those days, it was perfectly normal to question a work's fundamental premises and its fundamental visual manifestations. It was perfectly okay to say, "Oh, that should have been red" or something like that. In a funny way, the way artists talk about art is to de-privilege it.

I think David Letterman is a genius. Night after night he is funny and smart. He seems to really enjoy his jokes. They seem connected to who he really is. I like watching him, and there is no one better at turning an awkward moment into something very funny.

It's funny looking at yourself. You know how it is when you look back at old pictures? It's just funny looking back at yourself walking and talking at age 14

Every kid, every minority kid can be so successful if they focus on their education.

What's interesting about Laurel and Hardy is that in most comedy teams, there's a straight man, and then there's the funny guy. And with Laurel and Hardy, they're both the funny guy.

You mostly know that you want to be funny, know that you have the desire. It's not like people who grow up beautiful and can look in the mirror and be like, I'm beautiful! Funny is more of a journey. And a desperate attempt.

I don't think comedy is something you learn. I think it's something that's either there or it's not. When I read a script, I have to see the funny, and if I can see it's funny, it helps me to be able to transmit that.

I remember playing hockey as a kid - I was goalie in gym class and I was pretty good at it. But basketball was my passion. As a kid I went to class, came back from school, did my homework and went straight across the street to practice.

I always felt that it was easier to take a funny person and teach them to write television than to take somebody who was a television writer and make them funny.

It's funny how you can look back in life and there are all these 'if's' - if this hadn't happened would I have been here? If I hadn't done this would I have ended up talking to you? It's funny how life is seriously just a bunch of those moments.

Andy Parsons was always very funny. He was in a double act with a guy called Henry Naylor. Dan Mazer was always a very funny guy.

It may come as a surprise to people, but I'm actually quite boring and normal. What do I do? I read books. I drive my kid to school. I have lunch with my wife. I pick my kid up from school. I go home.

Reynie's fce fell. 'It's not funny, Kate.' For a moment - a fleeting moment - Kate looked desperately sad. 'Well, of course it's not funny, Reynie Muldoon. But what do you want me to do? Cry?

Well, I mean, if a joke or humor is bawdy, it's got to be funny enough to warrant it. You can't just have it bawdy or dirty just for the sake of being that - it's got to be funny.

When I say something funny, I don’t laugh, so my friends are always like, ‘Hahahahaaaa!’ so people know. When I’m not with them, I always think, This person doesn’t know I’m funny; they just think I’m a jerk.

I always thought when I was doing more melodramatic stuff like Everwood that the directors were constantly reeling me in and stopping me from being funny. I've always tried to find a funny angle on things, and 99 percent of the time, it just doesn't work.