Top 1200 Funny Person Quotes & Sayings - Page 17

It would be amazing if we got someone like Sarah Silverman on the show, not having a script and just being herself. That's the best part of doing this show: just having funny people being funny.

Deep inside, she knew who she was, and that person was smart and kind and often even funny, but somehow her personality always got lost somewhere between her heart and her mouth, and she found herself saying the wrong thing or, more often, nothing at all.

I think there have always been funny women, from Carol Burnett to Joan Rivers. When the audience sees a woman, they innately know she's worked twice as hard to get there, she's had to prove that she can be the leader, first, and then be funny on top of it. She has to emit a confidence that she's in control.

I truly think comedy is - being funny is DNA. My dad was a doctor, a wonderful doctor, and people still come up to me today, 'Your father helped my mother die.' You know what I'm saying? He made her laugh 'til she died. My father was always very funny.

Tell me: when God looks at a gay person, does he endorse the existence of this person with love, or reject and condemn this person?... It is necessary to accompany them with mercy.

The only person who succeeds is the person who is progressively realizing a worthy ideal. That's the person who says, 'I'm going to become this' and then begins to work toward that goal

Actors are a really funny bunch of people, especially the X-Men cast. They're super funny and super nice, and they like to go out and get drinks and dinner and hang out. It's an experience. It's a summer. It's like camp. Everybody gets together and hangs out.

No funny stuff in here tonight, you understand?” Dash said, “I assure you I could not contemplate any of your so-called funny stuff seeing as how I have no idea why I’m even here.” Mark scoffed. “You bookish little pervert.” “Thank you, sir!” Dash said brightly.

The reason why you know more funny dudes than funny chicks is that dudes are funnier than chicks. If my daughter has a mediocre sense of humor, I'm just gonna tell her, 'Be a staff writer for a sitcom. Because they'll have to hire you, they can't really fire you, and you don't have to produce that much. It'll be awesome.'

My stories take three or four months to fix, and it's not magical of a process. Ultimately it's a boring, difficult process. I write everything out, and then the parts I think are funny I put in bold. Then I go perform it. Then the parts that aren't funny, I unbold them.

People always tell me, 'You should do drama. You should do drama.' Even when I first got an agent, they were like, 'We want to send you out to be dramatic.' And I'm like, 'No. I'm a comedian. I'm funny. I want to do funny stuff.'

Sometimes, comics will make the observation that it's not jokes that are funny, it's characters that are funny. And isn't that true! That's why I always kill jokes. I'm terrible at them, because I get the joke right, but I can't get the character right, and it just goes down like a lead balloon.

'Funny People' is my favorite performance of myself to date. Even though it's a comedy and there are serious moments, I really felt like Leo felt like a real person. It didn't feel like I was playing myself. Whether it's a comedy or drama, I just try to make it as realistic as possible.

If there's age discrimination - and there may be - I've always felt that the person who discriminates is hurt more than the person being discriminated against, if the second person shucks it off and moves forward.

The reason why you know more funny dudes than funny chicks is that dudes are funnier than chicks. If my daughter has a mediocre sense of humor, I'm just gonna tell her, "Be a staff writer for a sitcom. Because they'll have to hire you, they can't really fire you, and you don't have to produce that much. It'll be awesome."

You can know a person is a good person or a bad person by who they are, not by what they look like.

What reaches an audience is honesty. If you're saying something truthful that's supposed to be a funny line, it's going to be funny. And if it's supposed to be a serious line, it's going to be serious. But, I don't think there's a distinction between how you play drama or comedy, if it's based in the truth.

I've had chronic back pain since I was a preteen - like, 12. I have really funny posture. I developed this funny posture where I hunch my back a little bit when I'm playing, and I overuse my back muscles instead of my abs. My posture has put a lot of strain on my lower back.

Not that I feel like I have a lack of confidence, it's just good to stand up in front of people who don't really know what to expect. Am I going to say something? Am I going to sing? And often when I do say anything it gets a laugh, because everyone's already used to laughing. So I can seem like I'm actually a funny person.

It's so funny that people think I actually ran for President. I am maybe the most un-political person you're ever going to meet. When I put "Elected" out, it was definitely a satire... "Alice Cooper for President"... when everybody realized I was running against Nixon, you known, even on a joke level, I think I got a lot of write-in votes.

I've just seen really, really funny guys, and if I didn't know them, I wouldn't know they were funny from the television. I don't know what it does, it just sucks it away.

As soon as you start to talk about your own mannerisms, you are screwed. Because if you are aware of your own mannerisms, or beyond that even what makes any one thing funny to people, I really ascribe to that that if you start deconstructing it too much, it is immediately not funny.

You want to have the perfect balance of hot and funny on your Instagram, but you never want too much of either... Don't try to add humility to your blatant 'hot' posts through a half-hearted attempt at being funny. You look good; just own it.

Of the Queen tributes, some of them are very funny, and some of them are really not funny at all. The terrible ones are cheesy and pantolike, more about dressing up in a Brian May wig and a Freddie Mercury moustache, and what they're missing out is the fact that the music is quite complicated and actually not easy to perform.

The gummy bears tattoo was my idea. It's my son's favorite candy. The sketch was my other son's idea. It's a self-portrait of himself. I just showed the artist his sketch and had him tattoo it on my forearm. It looks like a stick person with big hair. It's pretty funny.

When it comes to exploring the mind in the framework of cognitive neuroscience, the maximal yield of data comes from integrating what a person experiences - the first person - with what the measurements show - the third person.

All the greatest comedians use comedy and humor to release pain and sadness, and I think that instead of wanting to live within my pain, or live within my sadness, I try to be funny and look at things with a funny view.

When I worked with various healers of one kind or another, very often what came up was that there was an "inner" person who was controlling what was going on in the life of the "outer" person, who thinks he's in control of his life. That inner person has a vested interest in keeping the person from getting well, so the healing doesn't take place.

The idea that you live your life in phases - I've never bought that. I feel like I'm the same person who sat in at the draft board in 1965, I'm the same person who joined a fraternity, I'm the same person who got an MFA at Bennington, and I'm the same person who founded Weather Underground. My values are still intact.

I've come to realize that you're going to get criticized no matter what. Somebody will always hate what you write, especially if you write humor for a fairly broad audience. Somebody will always find it not funny and declare you're not funny anymore. And sometimes people are just crazy.

I don't judge people by their sexual orientation or the color of their skin, so I find it really hard to identify someone by saying that they're a gay person or a black person or a Jewish person.

The way that I see third person is it's actually first person. Writing for me is all voice work. Third person narrative is just as character-driven as first person narrative for me in terms of a voice. I don't write very much in third person.

When you have passion it changes your perspective on things, you want every tiny detail to be right. You want funny moments to be funny, sad moments to be sad. You wanna give your all.

It's harder to be funny if you're handsome than if you're very normal-looking. It's just more relatable. You're the underdog. I mean it's funny to see people struggle, and you don't buy that Brad Pitt is struggling, you know that guy could be the most skill-less guy in the world, but if you look like that you will be fine for the rest of your life.

Many things are possible for the person who has hope. Even more is possible for the person who has faith. And still more is possible for the person who knows how to love. But everything is possible for the person who practices all three virtues.

"I've learned what's funny verbally ain't so funny on e-mail: They don't hear your intonations. Melissa broke up with somebody over that. She tried to tell him: "That was a joke!" But he just didn't get it. Mick Jagger said, "F- 'em if they don't get the joke." And I love him. That comes with age: Knowing it's their problem, not mine."

She wished there was some place where she could go to hum it out loud. Some kind of music was too private to sing in a house cram fall of people. It was funny, too, how lonesome a person could be in a crowded house.

We all know how funny Morrissey is. Actually, you know what? I say that sarcastically. His songs are some of the funniest songs I've ever heard in my life. I mean, really. I mean, not that the 'Girlfriend in a Coma' is, like, really funny.

Who knew Rob Lowe was funny? On 'Parks and Rec,' we've got some of the funniest comedy writers, some of the funniest comedians in the world working there. And if anything, we don't just effuse to one another and be like, 'Oh, Rob Lowe's really funny,' if he wasn't.

We all know how funny Morrissey is. Actually, you know what? I say that sarcastically. His songs are some of the funniest songs I've ever heard in my life. I mean, really. I mean, not that the "Girlfriend in a Coma" is, like, really funny.

It's not only imagination, it's the distortion of the vision. You suddenly think, This person is idealistic, this person is strong, this person has dreams, when you know better most of the time. You put what you want to see on people.

I think it's always funny when you see kids do Shakespeare. When I was at school, I was in Hamlet. I played Claudius, who's supposed to be a 60-year-old man, and I was like 18. It's inherently ridiculous seeing 18-year-old boys with gray beards. That's always funny.

I came to work one day, and Ricky was playing music on his guitar, just snickering. He played me the riff that turned out to be 'Rock Lobster,' and it was hilarious. He was just trying to be funny. His guitar style made it moodier, and it really is a driving song, but it does have that funny humor to it.

I'm not a very serious person. You know how they say that clowns are very funny in public and are really sad at home? I'm really kind of stupid at home and more serious in public.

A person is either himself or not himself; is either rooted in his existence or is a fabrication; has either found his humanhood or is still playing with masks and roles and status symbols. And nobody is more aware of this difference (although unconsciously) than a child. Only an authentic person can evoke a good response in the core of the other person; only person is resonant to person.

I find things funny that aren't self-aware. That don't know they're funny, and I think the same can hold true for drama. If you think you're in this tragedy and you play it for tragedy, there's a self-awareness there that I think takes you out of watching it and I believe it cuts both ways.

You feel like telling him you're not single in the way that he thinks you're single. After all, you have yourself. I think a lot of humor is about distracting yourself. Pretend you're not trying to make it funny. Because for some reason the effort to be funny smells like sulphur in our culture.

The reason why you know more funny dudes than funny chicks is that dudes are funnier than chicks.

I just know from experience that reading a funny poem aloud, especially at the beginning of a public reading, can have a certain effect. Somehow narrowing the spectrum of possible emotional reactions. So while I like it when people laugh at my poems, and I definitely enjoy being funny in them, I don't really think that's the most important thing that's going on, at least not to me.

You know, he would go and look at different funny books because he wanted his character to be different and make different faces. I saw a funny book in his room and it looked like the same character he was playing. It was about a duck.

An early editor characterized my books as 'romantic comedy for intelligent adults.' I think people see them as funny but kind. I don't set out to write either funny or kind, but it's a voice they like, quirky like me... And you know, people like happy endings.

Give a truly good person power, and they’re still a good person. Give a bad person power, and they’re still a bad person. The question is always about the person in between. The one that isn’t evil, or good, but just ordinary. You don’t always know what an ordinary person is like on the inside.

As a comedian, I don't know if they're laughing because it's funny or if they're laughing at me because I'm not funny. And I'm thinking, 'Who cares? They're laughing.' If you go on stage, and they're laughing at you full-on for 60 minutes? You know, whatever puts them in the seats.

Give up the idea of being a person, that is all. You need not become what you are anyhow. There is the identity of what you are and there is the person superimposed on it. All you know is the person, the identity - which is not a person - you do not know, for you never doubted, never asked yourself the crucial question: 'Who am I?'

The people in the decision-making positions need to be thinking differently about who to hire, and looking more unsparingly at their choices. Why give this person a break over that person? Why give this person a second chance over that person? I do think that's where gender comes into play.

I was able to work with some really talented funny people! I was a fan of both Max Greenfield and Jake Johnson before being on the show and it was amazing working with them! My main scene was with Max and we did so many takes with different reactions. He is so funny! After ever take everyone was laughing so hard!

I know what I look like. I'm not a babe who's automatically going to be the leading-lady type. I think I would always be cast as the friend. I probably tend to look crap more often than I look good. I like messing around and pulling funny faces and doing funny walks.

It's not only imagination, it's the distortion of the vision. You suddenly think, "This person is idealistic, this person is strong, this person has dreams", when you know better most of the time. You put what you want to see on people.

A person is not the same in his life at all times. Your consciousness is developing all the time. When I started making 'El Topo,' I was one person. When I finished that picture, I was another person.

I am a candid interview and I have a dark and dry sense of humor - a very Canadian sense of humor and I am only learning now stupidly that you can't read tongue. When I say something funny in a newspaper and I meant it to be funny, it doesn't read that way.