Top 1200 Funny Song Quotes & Sayings - Page 2

Explore popular Funny Song quotes.
Last updated on November 14, 2024.
I don't have to say I'm going to make a song. A song is always there. I just have to open my mouth and a song comes out.
The way to talk about something sad is to sing a funny song about it.
It's funny how a song can start in your mind, and then when it goes through all the filters, it ends up in a totally different spot. — © Jenny Lewis
It's funny how a song can start in your mind, and then when it goes through all the filters, it ends up in a totally different spot.
My first song was Hula Hoop Song, in 1955. It was a novelty song. I had to find someway to reach out and it was with a novelty song. Now, all of my recording obligations have been taken care of. I made 14 albums for Warner Brothers. Five for United Artist before that.
Every song that is a Hopsin song, I 100 percent made it. Nobody helped me. There was no producer to say, 'Hey, put the beat like this... ' It was all me. If the song was wack, then the song was wack. If it's dope, it is what it is.
That word 'funny' always makes me feel uncomfortable. Because if I were trying to be funny, I would be something like Bill Wegman - he really tries to be funny. I don't try to be funny. It's just that I feel the world is a little bit absurd and off-kilter, and I'm sort of reporting.
"My Trigger" is the best combination of song and track. "Heart Is Full" is maybe the best song we've done as a song, and that's why we try to play it in different ways, too, because I think for a lot of people the track was a bit distracting from the song.
'Ex-Boyfriend' is a really funny story that is that much funnier when you have visuals attached to it as opposed to just hearing it. I couldn't let a song like that go un-videoed.
Just be funny. Funny always goes over well, so try to think of something funny to break the ice rather than being weird or using pickup lines.
Musically, though, you're a character and you're singing a song. If you're not your own character, you're the character in the song, most of the time. Even blues musicians, a lot of them who were the most realistic, at times, they were singing a song and portraying a character in the song. There's something to be said for getting involved in the emotion of a song, too, with the characters.
I can't try to write a song - songs come out of me. I have to play the guitar and if I jam a song, boom! That's a song.
I didn't know if I could be funny on stage or write a joke. But I saw that there are no rules. If you're funny offstage, you can figure out a way to be funny onstage.
Each song is a child I nourish and give my love to. But even if you have never written a song, your life is a song. How can it not be? — © Michael Jackson
Each song is a child I nourish and give my love to. But even if you have never written a song, your life is a song. How can it not be?
I don't feel any pressure to be funny at all. I'm funny because I want to be funny. I could sit here and be serious for an hour and you would go away and make me much funnier than I am.
I'm never sure if I'll ever write another song, what the song will be about and if what initially sparked the beginning of a song might complete it.
My uncles were all funny. My dad wasn't funny, but my uncles were all funny. Now I go back and I like him better than them, they were manipulative funny.
The song 'Tyler Durden' is about the movie 'Fight Club,' so obviously, it's not a personal experience, but I love that song. It's my favorite song.
Comedy is the slave of time. What seemed funny then is unlikely to seem funny now, just as what strikes us as funny now would not have seemed funny then.
It's just my natural way - to be funny. I don't know why that is. But as I've said, humor is a quick cover for shock, horror, confusion. The critics hate funny writers for the most part. They think funny is not serious, but I think that funny can be even more serious than nonfunny. And it can be more affecting, too.
I don't do comedy. I think if a situation is funny you just play it for real and if it's funny, it's funny.
My first gigs were at university: I'd dress up as Jesus, jump off a cross and dance to a Mick Jagger song. I don't know if it was funny or not, but it was a start.
I went through in the edits and cut tons of stuff that was "funny" because if it wasn't funny at the time, so it shouldn't be funny now. It's about having that unity of experience. You have to try and take away your hindsight knowledge of a situation.
I was funny in a way that was not dissing the teacher; I was funny just to be funny. A real charmer with a prominent mustache that he didn't know what to do with and a smart-alecky attitude.
Comedy is just an unspoken language. Everybody understands it. Funny is funny. When it's not funny, they'll let you know.
You can't fake comedy. You can't make it look beautiful or put an interesting bit of music on in the background: funny can only be funny if you're funny.
I'm not funny. People assume that because my books are funny, I'll be funny in real life. It's the inevitable disappointment of meeting me.
Playing a song changes a song. Every night a song becomes something else on stage.
I'm a panicked karaoke participant because I am always searching for a song in the moment. I don't have my go to song. I will be driving along and I will be like, "That should be my karaoke song!" and then I forget what song it is.
The editing of a song is largely what makes the song for me and I think that actually if I had started going like 'I want you to burn' it would have pinned that song down to a particular thing and made that song a smaller idea than what it is. By leaving that off it's much more open, broader.
The fact that I'm shouting that I have Gangnam style makes people crack up. Imagine if Brad Pitt was singing the song - would it be funny? A twist is important when it comes to writing lyrics.
I don't get a chance to be funny with the thrillers. I like to be funny, and I think I am really funny. So with 'Middle School: The Worst Years of My Life', it was fun to let loose.
The 'Billionaire' song is what my kids tease me with. They sing it to me. It's funny.
My mum and dad are both really funny. My granddad's really funny. My uncle's really funny. Everyone's really funny. You have to be quick; otherwise, you get roasted. Everyone takes the piss quite a lot. You have to be really sharp.
I'm not so funny. Gilda was funny. I'm funny on camera sometimes. In life, once in a while. Once in a while. But she was funny. She spent more time worrying about being liked than anything else.
I'm not a comedian. I don't make things funny if they're not funny. I don't invent funny stuff.
I'm very conscious that a music video is beyond just a promotional tool for a song. It takes a song to the next level and it gives a song a new life.
If we were to use the success of 'Need You Now' as the barometer for every other song, then we'll probably be highly disappointed. That song will probably undoubtedly be the biggest song of our career. We can hopefully have success for 20 years, but we may not ever have the success of that one particular song again.
Sometimes a song just has to cater to whatever's goin' on. A well-written song is a song that stays true to the subject. — © Dolly Parton
Sometimes a song just has to cater to whatever's goin' on. A well-written song is a song that stays true to the subject.
Will you make a song for him?' the woman asked. 'He has a song,' the man replied. 'He is the prince that was promised, and his is the song of ice and fire.
I think when you have one song that does really well, people love you from that song, or they hate you from that song.
If it isn't funny, it isn't worth mentioning. And if it isn't funny, why, you make it funny!
I could not extrapolate some emotion from any song after 1997 so I bought a drum machine and popped pills. The pink ones make me funny like elephants!
I am not funny. The writers were funny. My directors were funny. The situations were funny… What I am is brave. I have never been scared. Not when I did movies, certainly not when I was a model and not when I did I Love Lucy.
I wanted to do work that elevated. Otherwise, it's cheap funny. It's dirty funny. It's degrading funny.
It's really easy to be funny. You get a lot of funny people in a room, the show is funny.
You see a lot of comedic content that's not funny, and you can tell that it's supposed to be funny, but it's actually not funny.
For me, funny is funny, and what's unfortunate is these comedians aren't being allowed to operate in rooms for everybody and that everybody can laugh and say, 'Okay, I find that person funny, and I don't just have to find them funny because they look like me.'
My mum and dad are both really funny. My granddad's really funny, my uncle's really funny, everyone's really funny. You have to be quick, otherwise you get roasted. Everyone takes the piss quite a lot. You have to be really sharp.
There have been a couple of times I've started the song in the wrong key. We stop the song, we all laugh together and we start the song again, and we go for it. — © Mandy Harvey
There have been a couple of times I've started the song in the wrong key. We stop the song, we all laugh together and we start the song again, and we go for it.
What I don't like is when I see stuff that I know has had a lot of improv done or is playing around where there's no purpose to the scene other than to just be funny. What you don't want is funny scene, funny scene, funny scene, and now here's the epiphany scene and then the movie's over.
Whether it be a reggae song, rock song, a love song, the main thing was just to, whatever I was feeling, to try to capture that emotion.
I love the feeling of nostalgia vying with the present. That can be from song to song, or within the same song.
There's this art form in songwriting that's incredibly difficult - to be really funny in a song and also really touching. I can't do that.
There is something about the vocal quality of the actors who can really do it. Jim Burrows, the great sitcom director who directed Will & Grace and Cheers, when an actor comes in to audition for him, he never looks at them. He just listens. Because funny is funny. You can be fooled by the eye, but if your performance is funny to the ear, it will be funny.
The pause makes you think the song will end. And then the song isn't really over, so you're relieved. But then the song does actually end, because every song ends, obviously, and THAT. TIME. THE. END. IS. FOR. REAL.
I'm a very funny man, so funny comes natural. And if you want to create horror, you need to be funny or campy.
I am much more likely to care about someone trying to be funny and give them some credit for whatever he or she did that was remotely funny than I am to be mused by somebody declaring this isn't funny, that isn't funny, this sucks. If you want to write humor, you're going to have to get used to that.
Sometimes you're writing a song and you have an image whilst writing a song. I don't think you ever base a songwriting process around a video, but when you're writing a song sometimes it'll be a very visual song.
There are no limitations with a song. To me a song is a little piece of art. It can be whatever you like it to be. You can write the simplest song, and that's lovely, or you can just write a song that is abstract art.
It's fun to be able to revisit a song and do something that doesn't really illustrate the song but works tangentially or runs parallel to the song in some way.
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