Top 1200 Funny Story Quotes & Sayings - Page 4

It's not easy to tell a story about writers and make that feel like a complete story and an interesting story.

He thought about the story his daughter was living and the role she was playing inside that story. He realized he hadn't provided a better role for his daughter. He hadn't mapped out a story for his family. And so his daughter had chosen another story, a story in which she was wanted, even if she was only being used. In the absence of a family story, she'd chosen a story in which there was risk and adventure, rebellion and independence.

The original outline for 'Mississippi Grind' was actually an attempt to go funny. But when we showed it to people we realized that maybe it wasn't as funny to other people as it was to us - we have a pretty specific sense of what's funny - and then we thought, O.K., we need to do this more like we would actually make one of our movies.

I feel for Veronica Mars so much when I'm watching at home. It is a wonderful story. The writing is consistently funny, biting, charming, heart-wrenching, etc. I also like the look of it. The cinematography - different from any other show.

The true story of every person in this world is not the story you see, the external story. The true story of each person is the journey of his or her heart.

For Keeping the Faith, I looked at [George ] Cukor's old films like The Philadelphia Story, stuff that's hilariously funny and really smart with a cutting critique in the humor, too. With this, when I read it, I was laughing a lot.

The story it told was unremarkable: a tale of love found and lost- the oldest story in the world. The only story.

When I was in improv workshops or doing stand-up or writing comedy with others, or just doing comedy, I just laughed. Funny was funny; I loved to laugh. I always liked people I found generally funny.

The incredible thing happens at the beginning of the story always, you notice, not the end. A Sherlock Holmes story is never a trick story.

I think repetition is the hardest thing to avoid with sequels, because you've told a story and now you're adding more story to the story.

When you can state the theme of a story, when you can separate it from the story itself, then you can be sure the story is not a very good one.

I think that Obama is very cool. And I think he's clever, and I think he can be witty. But I don't think he's funny in either the way that Reagan was funny - or John McCain and Dick Cheney are both funny in that ruthless, kind of mean way.

My philosophy is that if you're playing a moment truthfully, that it's a funny moment, then hopefully it will be funny. I like to just go for a truth in the work as much as I can. There's a lack of ego when you're working with comedy that I really love. It's hard to come up with something funny. It's become a fun game in a way. Everyone is going for the gold, for that humor.

I don't really find things funny unless they're deeply tragic at the same time. I think if you're funny just for the sake of being funny, it's just frivolous nonsense. To me, all the best comic plays have been written about really serious and rather bleak things.

For every once upon a time there must be a story to follow, because if a story doesn't, something else will, and it might not be as harmless as a story.

Mr. McCabe thinks that I am not serious but only funny, because Mr. McCabe thinks that funny is the opposite of serious. Funny is the opposite of not funny and nothing else.

I do think there are some actors that can get away with trying to be funny, and they're still funny because they're just likeable, and you want to see them. Me, though, when you see me trying to be funny, it's like the worst thing in the world. It's needy, it's cloying, it's manipulative - it's bad.

We're special because dreams that are impossible anywhere else, come true here. That's not just my story. That's your story. That's our story.

When we shot that [Westworld], it was so funny. Not funny - I mean, like, funny-strange because I, personally as an actress and as a person, am so used to having to play the damsel, that when we were shooting that scene, and Jimmi looked at me and said, "Dolores, run," I ran. Then I stopped myself, and I turned around and I went, "Oh my God. I'm so used to running."

'Entourage' was a show that existed around wish-fulfillment. People watched it because they wanted to believe they could go on private jets and be hanging out in Hollywood, but as a show, comedically, it was not funny. Not a funny show. It's funny, ironically, because of how terrible it is.

Directing made me realise what I do as an actor that's extraneous, it focuses your mind on story, story, story.

The mystery story is two stories in one: the story of what happened and the story of what appeared to happen.

Comedians, we're just people who whine. But we happen to be funny when we whine. Like, if Jerry Seinfeld wasn't funny, you'd want to punch him in the face; he'd just seem like a whiner to you. But the fact is that he's funny.

Tell me a story. In this century, and moment, of mania, Tell me a story. Make it a story of great distances, and starlight. The name of the story will be Time, But you must not pronounce its name. Tell me a story of deep delight.

Comedy isn't really something where you get discovered. You can't network your way to being funny or talented. It's not hard to get seen if you're funny. If you're funny, talented, and work hard, you will go somewhere.

I'm quite sarcastic, and I'm funny, but not kind of funny. It's a weird funny, and some people don't get me, and some people do.

My story was not a football story. My story was more about going against the odds of what life was handing me.

It's a funny thing about writing. You get so balled up in a story idea that you lose your perspective and forget that human being might read your words someday.

The hardest thing for me to do, and the best thing I've done and learned as an actor is to sacrifice being funny in certain circumstances in order to do something that makes sense for the story or the character, or emotionally.

Everywhere I go - from villages outside Kandy, Sri Lanka, to community centers in Amman, Jordan, to offices at the State Department in Washington, D.C. - I find people with a similar story. When thousands of people discover that their story is also someone else's story, they have the chance to write a new story together.

Comedy should never be over-analysed. It's either funny or it isn't. There's a subtle difference between those who say funny things and those who say things funny.

When I'm writing a story, which takes me a year or more, I can feel my character living with me - they're responding to whatever funny, familial, or social situation I'm in, and I think about their responses constantly.

It occurred to me that there was a story behind the scar -- maybe not as dramatic as the story of my wrists, but a story nonetheless -- and the fact that everyone had a story behind some mark on their inside or outside suddenly exhausted me, the gravity of all those untold pasts.

I think funny is just the foundation. I don't really think, to some extent, funny is the absolute most important thing. It should also communicate some idea through the medium of cartooning. Just to be funny is... You know what, the things that you laugh hardest at aren't cartoons.

People in America think of it as a sad and downtrodden place, and I guess it could be, but it's not because that's not who Cubans are. In Cuba, you get a good story every day you go out walking. People are so funny.

Kyria Abrahams, former teen bride of a doomsday cult and seeker of salvation in slam poetry, tells the terribly funny story of her improbable life with candor, wit, and an unsparing eye for the perfect detail. Brilliant.

Trust the story ... the storyteller may dissemble and deceive, the story can't: the story can only ever be itself.

I thought my story was over. But that was when I realised I finally had a story to tell - and it seems to remind people of their own story.

It's a universal story, it's an immigrant story, and it's a love story. In the United States, if you believe in yourself and you're determined and persevere, you're going to succeed.

When thousands of people discover that their story is also someone else's story, they have the chance to write a new story together.

I look for what responsibility the character has in telling the story. If you remove the role from the story, can you still tell the story properly? And if the answer is no, then I'm interested.

I had always felt life first as a story: and if there is a story there is a story-teller

For me, a story's a story if people want to hear it; it's very much based on oral storytelling. And for me, a story is a story when people give me the privilege of listening when I'm speaking it out loud.

It's funny, because even though Bridgerton' is obviously a period drama, Anthony's story is quite modern in the sense that he's reached a point where he genuinely believes that love will never happen for him.

It's funny because the perception is that the typical 'X Factor' contestant is the person who's just working 9 to 5 and just decides to one day go and audition. So yeah, for me, it was a very different story.

I think I'm the funniest guy in a room full of unfunny people. Unfortunately, my career is increasingly leading me into rooms where everybody is funny. I'm the least funny person in a room full of funny people.

I like ones that pertain to the music they make. Talking Heads does that somehow. More often than not band names are just a quirky joke that doesn't really stay funny for very long. It's like Homer Simpson's barbershop quartet, the Be Sharps. At first you're like, 'That's funny!' Then you're like, 'It's not that funny.'

Writers are given one great story to tell their story. I’m telling my story as a political document.

I was determined to make a movie - about families and a love story - that black women would be proud to see and which would depict them as being smart, loving, sensitive, sexy, and funny.

Take the story of Cain and Abel. Why were we given that story? Scientifically, you may have an explanation for it, but I'm not approaching it from the scientific point of view. I'm saying: Why do we need that? It's a sordid story, a depressing story, a dark story. Why should I believe that I'm a descendant of either Cain or Abel? Thank God there is a third son! [Genesis 4:25]

Lou Holtz, I was also a huge fan of. He was really funny. I think that's a big part of why I was attracted to the Razorbacks: I thought Lou Holtz was really funny. He is really funny. Too bad he's a born-again, or whatever.

You have to do three things really well to make a successful film. You have to tell a compelling story that has a story that is unpredictable, that keeps people on the edge of their seat where they can't wait to see what happens next. You then populate that story with really memorable and appealing characters. And then, you put that story and those characters in a believable world, not realistic but believable for the story that you're telling.

With Dustin Hoffman, I just enjoyed the fact he was this flamboyent and very ironic person that still followed my desire to make Baldini in the Perfume: The Story Of A Murderer not simply a joke, or the funny guy, but also a personality and a character.

Strange questions are the more interesting ones. Children by and large don't try to trip you up... they want to find out how you do this funny thing that you do... if they've loved a story they love to know how it started.

For some reason, people find me funny. It's quite hard to define why a thought is funny. It's even harder to define why a person would be funny. It's a word that I can't define at all. But whether I know quite what it is or not, I seem to be it.

I think, as a comedian, the funniest you can be is with people you know, and [whom] you've known for years, in a pub. That's as funny as you get, and so the aim [while stand-up] is to get that funny on stage with 5,000 strangers, to get that funny in a room where people shouldn't be listening but they are.

I've noticed, as a comedy fan, that I really like Paul Thomas Anderson or Quentin Tarantino because when they're funny, they're actually funny. It's not like when other dramatic writers have comedy, and I'm just like, 'Well, that's not funny. Why are you even trying to make a joke here?'

My music has to be funny and sad and happy and loving; it's gotta have it all. When somebody's just too dark all the time, it's just drama. Or if somebody's too funny? Well, I like being too funny sometimes.

I think that 'Heroes' really is about family. I mean, sure, it's this surreal story, and it's about people with powers, but the story behind that story is a story of family.

When you write a story, you’re telling yourself the story,” he said. “When you rewrite, your main job is taking out all the things that are not the story.