Top 63 Fyodor Dostoyevsky Quotes & Sayings

It is regrettable that a Dostoyevsky did not live near this most interesting of all decadents (Jesus Christ) - I mean someone who would have known how to sense the very stirring charm of such a mixture of the sublime, the sickly, and the childlike.

When I was young, about 18 or 19, I read all the Dostoyevsky novels, which made me want to go to St. Petersburg. So I went, and I was so inspired.

Maybe you can make art out of unredeemed pain, but only if you're a genius -- Dostoyevsky perhaps.

My God, I'd love to smash into the casket of Dostoyevsky, grab that bony hand and scream at the remains, 'Well done, you god-damn genius.'

Dostoyevsky was an influence - what's his name, the saintly priest in 'The Brothers Karamazov,' Father Zossima... 'Kiss the earth,' he'd say. Love everything.

There is one other book, that can teach you everything you need to know about life... it's The Brothers Karamazov by Fyodor Dostoyevsky, but that's not enough anymore.

I don't think anybody says to Coetzee or Dostoyevsky or Kafka, "Your characters aren't likeable." It's not about your character winning a popularity contest. That's not the writer's job.

I used to have a great love for Dostoyevsky and Tolstoy, the big boys of the last century.

It's more interesting when people overcome inner turbulence, but at the same time I do like the innocent. Have you ever read The Idiot? I think Dostoyevsky created a brilliant character there. He doesn't have any self-inflicted wounds. I love that. People don't like him because he's so pure.

I read 'the Hobbit' at the age when you're supposed to read it. I didn't read 'The Lord Of The Rings.' My father, who was an English teacher, advised me that once I had read 'the Hobbit,' that would be enough. I could then move on to Dostoyevsky.

Poverty is not dated. Homeless people have looked the same since the thirteenth century. Go back to the times of Tolstoy and Dostoyevsky. Look at photographs. It's amazing. The face on a homeless person is timeless.

Many a person has been saved from summer alcoholism, not to mention hypertoxicity, by Dostoyevsky.

I took a 19th-century Russian novel class in college and have been smitten with Russian literature ever since. Writers like Tolstoy, Dostoyevsky, Grossman, and Solzhenitsyn tackle the great questions of morality, politics, love, and death.

We were talking about television one time, and Damon Lindelof said he felt that, if Ernst Hemingway was writing for media, he would write feature films, and Lev Tolstoy and Fedor Dostoyevsky would write television series because there are some stories you just can't tell in two hours.

The novelistic attribute of my work is very much like the Russian way of creating novels. Tolstoy, Dostoyevsky - their work has so many gaps. But for the reader, you cannot erase those gaps because they are important. They contextualize the whole struggle. My cinema is like that.

I got on a Dostoyevsky kick right after college. I started with 'Crime and Punishment,' went on to 'The Possessed' and then 'The Brothers Karamazov' and 'The Idiot.'

One of the greatest things about writing as a profession is that the words of Tolstoy, Chesterton and Dostoyevsky have lived for a hundred years and are just as powerful today. Their words have changed me just as much as the people I actually met.

I don't really know what 'American' is. I know what Ukrainian is. We're happy Slavic people. We're not Dostoyevsky Slavic people. There's this sense of 'pick it up, get your hands dirty, make the best of it, celebrate.'

All of writing is a huge lake. There are great rivers that feed the lake, like Tolstoy or Dostoyevsky. And then there are mere trickles, like Jean Rhys. All that matters is feeding the lake. I don't matter. The lake matters. You must keep feeding the lake.

I recognize limitations in the sense that I've read Tolstoy and Dostoyevsky and Shakespeare . . . Aside from that I don't think of limiting myself.

I was influenced growing up by everything from Harlequin romances to Fedor Dostoyevsky and Albert Camus, James Baldwin, Toni Morrison, and later Lydia Davis, Mary Gaitskill, bell hooks.

Despite Langdon’s six-foot frame and athletic build, Anderson saw none of the cold, hardened edge he expected from a man famous for surviving an explosion at the Vatican and a manhunt in Paris. This guy eluded the French police…in loafers? He looked more like someone Anderson would expect to find hearthside in some Ivy League library reading Dostoyevsky.

A tenth of Dostoyevsky is plenty for a seventh grader, I think.

I first read Dostoyevsky when I was 14 years old and was entranced. Dostoyevsky truly is a writer for 14-year-olds, and I mean that in the most approving way - approving of his energy, and rage, his endless pessimism, and endless innocence.

I quite liked Dostoyevsky when I was younger.

Imagine the anticlimax of opening a novel you'd just got Dostoyevsky to sign and finding 'Keep smiling - Fyodor.'

I recommend for any basic course on the Beat Generation to familiarize yourself with 'The Idiot,' Prince Myshkin. He was Dostoyevsky's idea of the most beautiful human being he could imagine, the creation of a saint in literature.

I was raised in a household where I read Nietzsche and Dostoyevsky and Kant, and I was never taught that my mind was feminine. I'm aware that my body is.

Making eye contact during rough sex is roughly the equivalent of trying to read Dostoyevsky on a rollercoaster.

In adopting the form of the adventure novel, Wells deepened it, raised its intellectual value, and brought into it elements of social philosophy and science. In his own field - though, of course, on a proportionately lesser scale - Wells may be likened to Dostoyevsky, who took the form of the cheap detective novel and infused it with brilliant psychological analysis.

White people use their literature to maintain culture. That's why you find references to Milton and Spencer and Shakespeare and Dostoyevsky in contemporary novels.

Because Dickens and Dostoyevsky and Woody Guthrie were telling their stories much better than I ever could, I decided to stick to my own mind.

Dostoyevsky wrote of the unconscious as if it were conscious; that is in reality the reason why his characters seem 'pathological', while they are only visualized more clearly than any other figures in imaginative literature... He was in the rank in which we set Dante, Shakespeare and Goethe.

I'm most impressed by the Russian writers, so I love reading the works of Tolstoy and Dostoyevsky. Another author who has informed the way I think is the French philosopher, Blaise Pascal.

I've been wondering about Dostoyevsky. How can a man write so badly, so unbelievably badly, and make you feel so deeply?

I was in my senior year of high school when I read 'Notes From Underground' by Dostoyevsky, and it was an exhilarating discovery. I hadn't known up until that moment that fiction could be like that. Fiction could say these things, could be unseemly, could be unsettling and distressing in that particular way, that immediate and urgent way.

As a piece of literacy criticism, Freud's best writing is about Dostoyevsky. It's a kind of displaced literacy criticism.

I jabbered too much in class about all the Russian writers whom I admired for being, among other things, uncouth and somewhat humorously melodramatic, such as Gogol and Dostoyevsky, just as it was in my own household when I was growing up.

Russia is a place of great culture. If you've read Tolstoy's "War and Peace", Dostoyevsky, Pushkin, Chekhov...the culture of the great Russian literature is amazing. The human narrative you get out of "War and Peace" is universal.

In fiction, there happens to be a long history of creative engagement with marginality, with the very human components of society that others don't want to think about, from writers such as Dostoyevsky, Baudelaire, and Rimbaud to Genet and Sarrazin and right on up to Norman Mailer.

Oh, I am very old fashioned about my literature taste. I like Henry James. I like George Elliot. I like Dostoyevsky. I like the old people. I really do. I like people who write big, fat, juicy novels you can get completely lost in!

We talk about a civilization and love and we're seeing it at the end. So many people around the world are - that whole electronic band that Dostoyevsky imagined of love around the world - that every contribution, every moment of love, every act of kindness feeds that and is like a reservoir for somebody in need to draw upon.

People think I'm crazy to put myself through such torture, though I would argue otherwise. Somewhere along the line we seem to have confused comfort with happiness... Dostoyevsky had it right: 'Suffering is the sole origin of consciousness.' Never are my senses more engaged than when the pain sets in. There is a magic in misery. Just ask any runner.

My high school did not offer courses in philosophy, so the books that initially stimulated philosophical reflection in me were novels by Charles Dickens, Henry James, and Fyodor Dostoyevsky.

I'm not only my spirit buy my body, and who can decide how much I, my individual self, am conditioned by the accident of my body? Would Byron have been Byron but for his club foot, or Dostoyevsky Dostoyevsky without his epilepsy?

Certainly, my exposure in high school to writers like Flannery O'Connor, Shusaku Endo, Fyodor Dostoevsky and Graham Greene was formative.

I like reading... French, Russian classics - Gogol, Tolstoy, Dostoyevsky, Flaubert. I also like Hemingway, Virginia Woolf.

When I bought a collection of Tolstoy and Dostoyevsky, I returned home with a bright enthusiasm to begin the long march into the Russian soul. Though I've failed to read either man to completion, they both helped me to imagine that my fictional South Carolina was as vast a literary acreage as their Russia.

It happened, as many things do, imperceptibly, in many ways at once. I date it - the slow crumbling of my faith, the pulverization of my fortress - from the time, about a year after I had begun to preach, when I began to read again. I justified this desire by the fact that I was still in school, and I began, fatally, with Dostoyevsky.

The point is that if there is no God, then objective right and wrong do not exist. As Dostoyevsky said, “All things are permitted.

The whole world knows that American TV companies have monopolized Olympic broadcasts and in order to please the fans in their country they do everything they can to keep American viewers interested in what is going on at the hockey rink in Sochi. According to their logic, Americans should always win, no matter what. It was absolutely obvious that [Fyodor] Tyutin's goal yesterday should have been allowed. This was clear to the whole world except the American referee, American TV and those officials with American passports who rule international hockey, grossly neglecting all Olympic principles.

If they can learn to say Tchaikovsky and Michelangelo and Dostoyevsky, they can learn to say Uzoamaka.

Your eyes flashed fire into my soul. I immediately read the words of Dostoyevsky and Karl Marx, and in the words of Albert Schweitzer, I FANCY YOU!

I think that most creative fiction involves the transformational process, whether it is Dickens or Dostoyevsky and the writer in some sense is expressing their own journey through such a wilderness.

The slight, the facile and the merely self-glorifying tend to drop away over the centuries, and what we are left with is the bedrock: Homer and Milton, the Greek tragedian and Shakespeare, Chaucer and Cervantes and Swift, Dostoyevsky and Tolstoy and James and Conrad. Time does not make their voices fainter, on the contrary, it reinforces our sense of their truth-telling capacity.

The soul is healed by being with children. --Fyodor Dostoyevsky

If I had not existed, someone else would have written me, Hemingway, Dostoyevsky, all of us.

I would say it was [ifluence] all the Greeks and the Russian classics like [Lev] Tolstoy, [Andrey] Goncharov,[Fedor] Dostoyevsky, [Alexander] Pushkin, and the international classics in Russian translation like Victor Hugo, George Sand, Charlotte Bronte, Sir Walter Scott, Mark Twain.

I identify with my culture, but I am happy to be living on a tolerant, intellectual island where I can deal with Dostoyevsky and Sartre, both great influences for me.

I think our conception of literature should accommodate not only apolitical writers but also those whose political opinions we find unpalatable. Fiction after all comes from a different, less rationally manipulable side of the brain. I am personally very attached to reactionary figures like Dostoyevsky, Hamsun, and Céline.