Top 1200 Gangnam Style Quotes & Sayings - Page 8

I am thrilled FLIRT! tapped into me to be their new Style Ambassador. I love FLIRT! products because they help me express my own personal style - especially when I want to stand out on set or in the crowd. What could be more fun than getting to play with makeup and fragrance and tell people all about it!

I personally do not believe in the word style. Why? Because, unless there are human beings with three arms and four legs, unless we have another group of human beings that are structually different from us, there can be no different style of fighting.

I like Lil Wayne's style. His style probably influences me the most. Basically, he's just wearing exactly what he feels like wearing. He goes to the club, and he's got shorts and a wife-beater on. That shows you what type of celebrity he is and what he is able to pull off, fashion-wise. I try to be in that same lane.

Underneath all his writing there is the settled determination to use certain words, to take certain attitudes, to produce a certain atmosphere; what he is seeing or thinking or feeling has hardly any influence on the way he writes. The reader can reply, ironically, "That's what it means to have a style"; but few people have so much of one, or one so obdurate that you can say of it, "It is a style that no subject can change.

Style. People talk about it being stylish and beautiful, that's at the service of the story. Style for me means nothing without substance and there are moments and things about the film that are stylish but hopefully at the service of the story.

I'm always the one on the carpet that will be wearing something that nobody else will pick from the collection. I feel like I have some style soul sisters out there, like Diane Kruger and Zoe Saldana, they feel very much kindred spirits when it comes to style.

I think somebody like Wes [Anderson] has a very good sense of style and is original. I think my sense of style got a little bit better after I was exposed to you guys at Valentino. Because I'm just in Hawaii and Malibu; it's just kind of T-shirts and surfing-type stuff.

I seemed to have instinctually a strong idea of how the strip had to be written from the beginning. That changed too, but it was more in the direction of where it was headed. I didn't have a clue as to the drawing style, because the drawing style that I was groomed on from the beginning was newspaper comic strips, which were much more conventional.

I have had to fight every single style coming up on my way to get here I wasn't fed anyone in any point of my career. I fought every style you could think of - righty, lefty, tall, short, power-puncher, fast guys, counter guys, so for me it is the norm - training for guys with different styles.

Cultivate your own capabilities, your own style. Appreciate the members of your family for who they are, even though their outlook or style may be miles different from yours. Rabbits don't fly. Eagles don't swim. Ducks look funny trying to climb. Squirrels don't have feathers. Stop comparing. There's plenty of room in the forest.

As one of my creative writing professors once said, there are only seven plots. What makes those plots different is how you handle them, your voice, your style, and your way of thinking. That’s all. People can mimic your style, but they can never achieve your unique point of view.

The 'King of Small Style' moniker was actually an idea that a real good friend of mine back home in Oshkosh, Wisconsin came up with the day I was released by WWE. Nakamura was the 'King of Strong Style' and that nickname was hot at the time so I jumped on the bandwagon and made a name of my own. It's stuck with me ever since.

You must find some way to elevate your act of writing into an entertainment. Usually this means giving the reader an enjoyable surprise. Any number of devices will do the job.... These seeming amusements in fact become your 'style.' When we say we like the style of certain writers, what we mean is that we like their personality as they express it on paper.

It was Thomas Tuchel's first season as coach and I played centrally always. The whole team had a great year, one that I enjoyed a lot. Our style has changed a bit, from trying to score within five seconds to a more calm and in some regard more educated style of play. We try to find the right moment - and then we explode.

We must reflect a holistic view of the leader, in three dimensions, character, substance and style. Character consists of the qualities that win trust whereas substance consists of the qualities that earn us credibility; style is the dimension of execution - getting others to get things done.

It seemed to me that had Haydn lived to our day he would have retained his own style while accepting something of the new at the same time. That was the kind of symphony I wanted to write: a symphony in the classical style. And when I saw that my idea was beginning to work, I called it the Classical Symphony.

The earlier stuff is more like "this is happening to me," but now there are more songs that are accusatory or something, or more declaratory. I don't know where that voice comes from, like, "I've been down the road, we've been there and done that." That's sort of like a tougher style, or a less vulnerable style.

I never saw myself as a director. It's certainly a second language but making movies for 40 years, you pick stuff up. However, this style of making movies, this documentary style, is easier for me because I gather a lot of material and with an editor, write it on screen. You try to write based on what you shot.

That competition grew through high school and you step outside more and it grew through college. Then you had regional style speak volumes through college. As you get older, and begin to travel and see more, that was the progression of style for me.

I know I have a very unusual style of playing, where other more recognized and technically proficient players might look at me and wonder what the heck I'm doing. The purpose of my learning to play the way I do was more to accompany my singing. I figured out a style where I'm mentally playing the drums over a simple melody.

I'd hate it to become style over substance, I'd hate people to start putting me in a magazine article about my style. I don't like dressing up in something I'm not necessarily comfortable in just to make it more of a show. I want the power to come from what I sing about and how I sing.

I changed my writing style deliberately. My first two novels were written in a very self-consciously literary way. After I embraced gay subject matter, which was then new, I didn't want to stand in its way. I wanted to make the style as transparent as possible so I could get on with it and tell the story, which was inherently interesting.

My technique is laughable at times. I have developed a style of my own, I suppose, which creeps around. I don't have to have too much technique for it. I've developed the parts of my technique that are useful to me. I'll never be a very fast guitar player. I don't really know what to say about my style. There's always a melodic intent in there.

In all, his outfit required nearly two thousand man-years of research and development, eight barrels of oil, and sixteen patent and trademark infringement lawsuits. All so he could possess casual style. A style that, in logistical requirements, was comparable to fielding a nineteenth-century military brigade. But he looked good. Casual.

Hemingway was a prisoner of his style. No one can talk like the characters in Hemingway except the characters in Hemingway. His style in the wildest sense finally killed him.

To translate, one must have a style of his own, for the translation will have no rhythm or nuance, which come from the process of artistically thinking through and molding the sentences; they cannot be reconstituted by piecemeal imitation. The problem of translation is to retreat to a simpler tenor of one’s own style and creatively adjust this to one’s author.

My mom, well, she's half Greek, half German-Italian; born in England. She's just a nomad. She loves Middle Eastern style, Indian style, so much so that she ended up having Indian babies.

Sometimes directors get hired into TV shows, and it's so formulaic and they're a slave to whatever everybody wants them to do. But everyone came in with their own style, and it blended together with the Helix style that was set, and at the same time, they're bringing their own ideas and their own input. It was really fun working with all of them.

I'm sure any vocal teacher that listens to me would rather cut my throat than do anything - I do everything all wrong - but I think for me that's the best - because I don't think I have a voice so I think what I project would be style - if I learned to sing I'd lose my style.

I've reinvented myself every year since 1998, and my style's still changing. It's grittier now. I always gotta try something new. I've grown up. Then I was rapping; now I do music, I write albums. But my distinctive voice and style, people still can't catch it. They're still asking me, "What were you saying on that song?".

You always have to keep up with the trends. The biggest thing is making your own trend and making your own stamp in the fashion industry. Whatever is going to be your style, make that your style and go from there.

For John Woo, it is quite difficult to make a movie in Hollywood in his own style. Because Hollywood is based on a producer system, it is difficult for a director to express himself using his own style of filmmaking.

I don't really have a style icon but I really admire the way people dress like Gaga, Rihanna and Gwen Stefani. It's good to be inspired by singers who write music and dress incredibly - rather than models and people in the fashion industry who dress immaculately anyway because it's their style.

When I was in high school, the energy in hip-hop at that point was the park energy... I was just trying to develop my style at that point, and I think, when you're trying to find your style, you find yourself.

We went from being thought of and talked about as "a band that plays a so-and-so style of music" (a grunge band, a stoner band, etc) to "a band that plays music with a certain sensibility or style to it". I'm not able to see quite what that is, but it's there and some people like it a lot.

G.O.O.D. Music is just real tastemakers, man. Kanye's a real tastemaker. One thing that I feel is tight about G.O.O.D. is that a lot of people have their own style, and you can see that. My style is different than Pusha's, it's different than Cudi's. But it's also slightly similar 'cause we have some similar tastes.

Balling is balling; it is all just basketball for me and I'm used to playing both games, so it really does not matter if it is international style, American style; it does not matter at all for me.

I was part of a hip-hop group called Fly Style. I was one of two white girls, and I was part of the younger company, which was called Touch of Style. And it was amazing. It gave me a different perception of dance and beauty because the other girls were mostly African-American and Latina.

Flaubert spoke true: to succeed a great artist must have both character and fanaticism and few in this country are willing to pay the price. Our writers have either no personality and therefore no style or a false personality and therefore a bad style; they mistake prejudice for energy and accept the sensation of material well-being as a system of thought.

I think style is both something that you have naturally and something you need to study. The most important thing is to find your personal style, your personal difference and choose things that suit you best and bring out your personal attributes.

If you go in Spain, you have to play with another style. The English culture is the English culture. If you come here, you have to play in this style.

I’m elated. I guess it’s better late than never. Welcome to the 21st century. It’s fantastic. I love Dior, and Rihanna is very much one of my style icons. I’m happy they got there in the end. I adore her style. She loves fashion, she’s unafraid. She uses her imagination, which is something we should all strive to do.

To me, he has his own style. He doesnt remind me any more of myself than I did (other tailbacks). I did things to remind people of Tony Dorsett, but it was a different style. Hes a guy who can catch balls like Marshall Faulk or somebody like that.

Any executive, any CEO should not have 1 management style. Your management style needs to be dictated by your employee.

What's important is the way we say it. Art is all about craftsmanship. Others can interpret craftsmanship as style if they wish. Style is what unites memory or recollection, ideology, sentiment, nostalgia, presentiment, to the way we express all that. It's not what we say but how we say it that matters.

One thing I've noticed over the years is that young players - I mean 10- and 12-year-olds - really like my guitar style. There's something in my guitar style that they totally can latch onto and learn quickly, and then go from there to your Yngwie Malmsteens or your Steve Vais or whatever.

Style is indeed the valet of genius, and an able one too; but as the true gentleman will appear, even in rags, so true genius will shine, even through the coarsest style.

I liked watching Rossi, his style, his colours and everything. He was someone I looked up to and until now he is still my only hero. He is the king of motorbikes and most people like Rossi mainly because he comes across as a pretty fun and good character. He is cool and has a good style and look.

Even my most physical matches in New Japan have all been athletic contests, and generally, they've all been fair and square. It's been this new, strong style we've been trying to create in New Japan, with my own personal style.

Most people say that Asian or female artists should be sexy in America, but I don't think that I have to be like that. I have a tomboy style. My choreography is not that way. So, I want to focus on my music style to match the choreography, which is really cool. No girls can dance those moves. I try to make them really fresh.

The parenting style that is good for grit is also the parenting style good for most other things: Be really, really demanding, and be very, very supportive.

I think the biggest thing for me is being able to adjust to the way the game has changed. It's basically a 180-degree turn from the style I like to play. That's what I think I'm most proud of, being able to fit into this style of game and still be fairly successful.

The flow that I use, I really developed my rap style in the mid '80s based on Grandmaster Caz from the Cold Crush Brothers, from listening to him. That's like really who I pretty much patterned my style from and I just really took it to another level once I had the opportunity to get out amongst the world myself.

That's my parenting style - 'Go watch the TV.' I'm one of 11 children, and my mother's parenting style was, 'There's the TV. Go watch it. Mommy's got 10 other people to take care of.'

My personal style reflects my music. My music and how I dress is just how I express myself; it's just me. My music is urban pop, and my style of dressing is urban but still girly. I like that combination. The contrast is very nice.

I think my brand of country music is that's been influenced by not just the rough-stock rodeo side or Ted Nugent's "let's get crazy style", but also the stand-up and sing style's like George Strait and Merle Haggard, and also the wild side of Chris Ledoux

My dishes tend to have a very carefree style: what's ripe at the farmers market or what's in my fridge, even if I'm cleaning out my fridge. It tends to be a very improvisational style. I major in salads, but a loose definition of salad; it can have a real robust skirt steak on top of it off the grill or quinoa or buckwheat or sprouted almond.

In description we hear and feel the absorption of the author in the material. We sense the presence of the creator of the scene. .. This personal absorption is what we mean by 'style.' It is strange that we would choose so oddly surfacey a word - style - for this most soulful aspect of writing. We could, perhaps more exactly, call this relation between consciousness and its subject 'integrity.' What else is the articulation of perception?

Content without style is propaganda or adolescence. Style without content is decadence.

[T]he visibility of styles is itself a product of historical consciousness. ... The very notion of "style" needs to be approached historically. Awareness of style as a problematic and isolable element in a work of art has emerged in the audience for art only at certain historical moments - as a front behind which other issues, ultimately ethical and political, are being debated.