Top 1200 Gangster Rap Quotes & Sayings

Rap is hardcore street music but there are women out there who can hang with the best male rappers. What holds us back is that girls tend to rap in these high, squeaky voices. It's irritating. You've gotta rap from the diaphragm.

I think when people think of Compton, of course, they always think of gangster rap. But if you ever had an opportunity to go to Compton, you would know that Compton is a beautiful city.

The perpetuation of gangster rap has really put a negative image on the city of Compton... So I look forward to addressing that image, changing it and making it more accurate.

Rap, rap! upon the well-worn stone, How falls the polished hammer! Rap, rap! the measured sound has grown A quick and merry clamor. Now shape the sole! now deftly curl The glassy vamp around it, And bless the while the bright-eyed girl Whose gentle fingers bound it!

Aaranya Kaandam' is not the biography or history of a gangster but a page out of the life of a gangster. It is like a day in his life.

I don't only like rap music. There's everything from R&B to crazy gangster rap, hip hop... everything! But it all blends together nicely. It's like a magical music rainbow.

Moving to Australia was not a career move, but a quality of life issue. It has no guns, no God, and no gangster rap. As an Ethiopian cab driver said to me the other day when I was returning from a gig in Sydney, Australia is a peaceful, democratic place. I like the relatively stress free lifestyle. It's worth the drop in income.

Not only the brothers on the street but the middle class brothers are also identifying with the gangster rappers because of the extent to which this music circulates. It becomes possible for the - not only the young middle class men, but it becomes possible for young middle class white men and young men of other racial communities to identify with the misogyny of gangster rap.

Attitude is attitude, whether you're a West Coast gangster or East Coast gangster, you know?

A lot of black actors will sit there and go, 'Every role is about being a gangster' - then they get an opportunity to write a script and they write about a gangster. You know... write about a superhero.

I play the role of a gangster's wife in a web series, a cop's wife in Hindi film 'Vodka Diaries,' a cop in 'Adangathey' and a gangster in 'Saaho.' So yeah, I have got all the roles covered.

I originally got my name after a gun because the way I rap; a gangster gave me the name in 1988.

A studio gangster dupes people into believing he's a tough guy, but in reality he's the former student body president and member of the National Honor Society. Once Vanilla Ice was fingered as a studio gangster, his career was over. Thank God.

I've never been a rap guy, I don't really know that much about rap music, to be honest. I like it, but I think what really happened was just my music seems to work so well with rap music.

I don't want my kids saying, 'My dad was a gangster, so I need to be a gangster. I would rather mine say, 'My dad was a stunna, so I need to be a stunna.'

My dad had a real big reputation as being the hard man, street fighter, the gangster. My stepdad was quite timid, and I wanted a bit of the gangster in my life.

I don't have any sympathy for the subject matter, [but] I have great respect for rap artists. In fact, not for the rap artists, but the people who make the music over which they rap. Rap music - the music itself is incredible - but [the people that make the music] are hardly ever credited.

But, Eminem... No, I've loved rap for a long time, especially when it got out of its first period and became this gangsta rap, ya know this heavy rap thing? That's when I started to fall in love with it. I loved the lyrics. I loved the beat.

For you to be able to rap fast and fit many words into a bar, that's what rap is about, the showmanship. That's the thing we're kind of losing now. I'm not saying that the music now is horrible. I mean, I don't listen to it. The showmanship and creativity in rap is what made it special and what made it different.

There was an article about me once, and the first line was, 'It's good to be a gangster.' Well, I'm not a gangster. I'm an actor.

I feel like your city - with hip hop in particular, because we're always beating our chest and shouting where we're from - your city is just as influential as your parents. Even the grimy, hardcore gangster rap from New York - KRS-One and Wu Tang, the stuff acknowledges it.

The experience of the gangster as an experience of art is universal to Americans. There is almost nothing we understand better or react to more readily or with quicker intelligence. In ways that we do not easily or willingly define, the gangster speaks for us, expressing that part of the American psyche which rejects the qualities and the demands of modern life, which rejects Americanism itself.

I love country music, but I also love gangster rap.

My core thing is gangster rap, but a lot of my music is melodic and carries a message of survival.

Jay Prince is a real gangster. He ain't hiding behind a desk talking. He is the true living definition of what a gangster is. If you wanna see the truth and what gangster really is, that's what Jay Prince is.

I love the gangster genre, but how many gangster movies are there? If I get a good gangster movie script, I'll do it.

I feel like when it comes to rap - like, real rap music - and knowing the pioneers of rap, I feel like there's no competition for me in the NBA. Other guys can rap, but they're not as invested or as deep into actual music as I am and always have been. I think that might be what the difference is. I'm more wanting to be an artist.

Rap has so many possibilities that need to be explored. There are different factions of rap, but some are in a rut. Rap doesn't have to be about boosting egos and grabbing your crotch and dissing women. There's a way to make political and social issues interesting and entertaining to the young rap audience.

My uncle was a gangster in the real gangster days. I witnessed it, I felt it, I smelt it the situation, I was involved. It was like knowing a movie star.

You gotta be comfortable in your own skin, man. I am, yaknow. Like I said, I am what I am, b. I'm not a gangster, namean. I ain't no killer. Have I used a gun before? Yeah but, just because you use a gun, don't mean you a killer or a gangster. It means you a man.

I thought that God and rap would never work. I thought that God wasn't okay with rap. People knew I used to rap, and I went to the Bible studies. Someone said, 'Hey, you should rap about Jesus.'

All rappers predominantly sound the same and want you to think their meanest person in the world, and that they're all gangster and all that. My acting allowed me to be playful and crazy, and it helps me tell stories and all that. I think it's a good time; rap needs that kind of stuff.

90% of the people that rap are just rappers, they rap what they see, a lot of them exploit other peoples lives, I've been through it all, I don't glorify it cos when I was in jail, I wasn't like YES I'm in jail now I can say that in my rap.

I don't listen to rap all the time. Even though I rap, rap can be nerve-wracking.

As a conscious rap artist, you should not want to be in a gangster market. You should be trying to establish your own market, create a place where you can be yourself and make some money and feed your family.

Rap's the only music that they categorize like that. That's one thing that I hate, like, down South rap, or up North rap. Country is just country rather than wherever it's from. R&B, you don't call it Atlanta R&B, you know what I mean. So that's already like a shot at our culture.

What kind of role do you play after someone like Stringer, you know what I mean? You play another gangster. What’s the point of that? I’ve played the gangster. I try to keep it really varied; it just makes for more of a fun and interesting career.

I can't stand rap....people who can't sing do rap....you can sing rebellion as well as talk it....Hitler would have been in a rap band.

That's basically the gangster code. Just be yourself. Just be you, dog. The easiest way to get your card plucked around a gangster is to be a fake. If we feel like you're trying too hard, if you're trying to act like you're from the street, you're in trouble.

Especially in gangster films, with the gangster's moll - she would always be more or less of an object. And I'm not convinced of this theory. Because I think even gangsters' women have brains. They think and even, as we say, have balls.

My music isn't rappity-rap-rap-rap.

Without the piano, I would never have attempted to rap, because I'm a poor rapper. I'm enthusiastic, but it takes me a long time to write eight bars of rap. I would battle any pianist, and yet I would forfeit happily before even getting into a rap battle with anyone.

I guess rap has such a bad name, because everybody can do it now, and that's probably why people don't want to be considered as rappers anymore, they're not taken seriously anymore. But yeah, rap is definitely the core of what I want to do. But I'm also an artist so I try to do as many things as I can, but I always keep rap in the equation.

I'm trying to bring gangster rap back to the forefront, like in the early '90s.

The hip-hop that I really connected with was Public Enemy, KRS-One, Ice Cube, and N.W.A. That late '80s and early '90s era. The beginning of gangster rap and the beginning of politically conscious rap. I had a very immature, adolescent feeling of, "Wow, I can really connect with these people through the stories they're telling in this music."

Hip-hop was a big part of my life growing up, especially West Coast gangster rap.

I prefer comedy, as I have to act while playing a gangster. I have to put in a lot of effort to turn into a gangster, as I am not like that in real life. In comedy, one doesn't have to take up such stress.

I love rap lyrics, I love hearing people rap, I love molding a thought or idea into the shape that fits on a rap beat.

I always do my rap from the outside looking in. Like I do my rap as if I'm looking at me rap.

I never tried to emulate that New York rap style. What I do is a quasi rap. It's a honky rap, not a black rap. I find it puzzling that so many people have assumed I'm black.

I guess, like, I've always listened to rap, and I remember I specifically started listening to, like, pop-rap when I was, like, 11, you know, like Shaggy. I love Shaggy. And then I discovered, like, underground rap when I got to high school, and really, that's when it kind of blossomed. I don't feel like my love for rap blossomed off of Shaggy.

I think I could totally be a gangster, but I could never be the kind of gangster that carries things out myself. I would have to be the kingpin that has my minions go and do the dirty bidding. I think I'd be pretty good at giving orders.

I rap when I'm rich. I rap when I'm broke. I rap when I'm bullshit in the street. I rap about only having one woman now. If you can look at a continuum of my career, it's been an evolution of a real dude. So when I say I take my wife to the strip club, we're there, at the five-dollar joint. More than anything, I want people to take away that I'm not mainstream act.

In my world, of course, it don't matter. You could be a gangster with a dress, you could be a gangster with baggy pants.

The big stars in rap, they were too big, so when my rap generation started, it was about bringing you inside my apartment. It wasn't about being a rap star; it was about anything other than.

I think rap music is brought up, gangster rap in particular, as well as video games, every other thing they try to hang the ills of society on as a scapegoat.

I feel as if I have been blessed to undergo a transformation from 'gangster' to 'redeemed sinner with gangster proclivities.'

I have a song that's called 'Rap Dreams, Hoop Dreams'. Besides education, everybody's got hoop dreams from day one in rap. Rap, sports, music have so much of an impact on the world.

You gotta do a lot more than rap. Rap is not just rap. If you don't have an image, you're not capturing nobody's attention.

I believe that all of us have gangster proclivities and greedy orientations that need accountability. That's why democracies are necessary. We have to have institutions to try to curtail the use of arbitrary power so that our greedy orientations and gangster-like proclivities don't get out of hand.