Top 253 Gangster Quotes & Sayings - Page 4

Some time after 'Gangster Squad,' after I'd made a couple other movies, I was like, 'In retrospect that 'Zombieland' experience was about as good as it can get, both between the cast and the world of the movie and the way it was received.' I was like, 'We should probably do another 'Zombieland.'

You are not going to silence me. You are not going to silence America. You are literally like a little gangster thug. Rubio just threatened to silence me.

The thing that was fascinating and frustrating about Pac was that he clearly knew better than to go down the gangster road that he went down. Pac knew - and he was right - that thug energy could be redirected into fearless positivity.

Homeboy Industries is a healing center for broken children. I was a broken child, and they showed me how to put all those pieces back together. It's not about being a gangster. It's about being a man or a woman trying to recover and live better.

Nobody supported me; my family thought I had gone crazy. They thought, you crazy gangster, you crazy drug addict, now you want to be a writer? That's it! They totally gave up on me after that.

Maybe it's stress or anger or adrenaline or disillusionment or a bullying nature or simple fear of getting killed themselves, but there is a problem if a cop cannot tell the difference between a menacing gangster and the far more common person they encounter whose life is a little frayed and messy.

I don't only like rap music. There's everything from R&B to crazy gangster rap, hip hop... everything! But it all blends together nicely. It's like a magical music rainbow.

I saw the police thriller The Blue Lamp' and remember realizing the power that Dirk Bogarde as the gangster exerted over the audience simply by his expressions in the close-ups. I could see how the people around me reacted to him and realized that I wanted to have the same effect.

The hip-hop that I really connected with was Public Enemy, KRS-One, Ice Cube, and N.W.A. That late '80s and early '90s era. The beginning of gangster rap and the beginning of politically conscious rap. I had a very immature, adolescent feeling of, "Wow, I can really connect with these people through the stories they're telling in this music."

Melissa Barak, an ex-City Ballet dancer and sometime choreographer, has put together an unspeakably dopey and incompetent mess called 'Call Me Ben,' combining ultra-generic dance, terrible dialogue and disastrous storytelling, about the founding of Las Vegas by the gangster Bugsy Siegel, who insists, violently, on being addressed as 'Ben.'

I feel like your city - with hip hop in particular, because we're always beating our chest and shouting where we're from - your city is just as influential as your parents. Even the grimy, hardcore gangster rap from New York - KRS-One and Wu Tang, the stuff acknowledges it.

If you look at the movie 'Belly,' I identify with Sincere the most. I am a gangster. I love my lady to death. I'm not in the game for the wrong reasons. I'm not in the game for the glory. I'm in the game to survive so the people that I love could be straight. I'm a highly intelligent individual.

The whites have become black. A particular sort of violent, destructive, nihilistic gangster culture has become the fashion. Black and white, boy and girl operate in this language together. This language, which is wholly false, which is this Jamaican patois that has intruded in England.

Punishing enemies and rewarding friends - politics Chicago style - seems to be the unifying principle that helps explain the Obamacare waivers, the NLRB action against Boeing and IRS's gift tax assault on 501(c)(4) donors. They look like examples of crony capitalism, bailout favoritism and gangster government. One thing they don't look like is the rule of law.

I look forward to parts that have a dimension or depth to them. This makes it interesting for me to do and the audience to watch. Whether he's a chocolate boy die hard romantic or a gangster with swag, every good has a little bad and every bad has a little good in them.

Film noir is not a genre. It is not defined, as are the western and gangster genres, by conventions of setting and conflict, but rather by the more subtle qualities of tone and mood. It is a film 'noir', as opposed to the possible variants of film gray or film off-white.

I have obviously failed to galvanize and prod, if not shame enough Americans to be ever vigilant not to let a Chicago communist raised communist educated communist nurtured subhuman mongrel like the ACORN community organizer gangster Barack Hussein Obama to weasel his way into the top office of authority in the United States of America.

Hip-hop is not about crime. Hip-hop is not about being a gangster.

Russia, despite its heavy flirtation with capitalism and some quite unsavory oligarchs, is still building its foreign policy on the Soviet ideals of internationalism, solidarity and logic. And even domestically, President [Vladin]Putin is slowly, step-by-step, restoring many important Soviet achievements that were torpedoed by a nitwit, and one gangster - [Mikhail] Gorbachev and [Boris] Yeltsin.

I definitely would like to do something serious. Not like a love story, but serious like maybe a gangster or a mobster. A gang or a mob movie would be great.

Especially the young kids who don't have any guidance, just stuck on trying to be a tough guy or trying to be a gangster - there are different ways out there to better yourself. You just need the right guy out there to push you.

Trump wants to be the first American tsar. With his hero worship of Putin, his admiration for the apparent omnipotence of the Kremlin, schoolboyish crush on Putin's gangster swagger and his contempt for democracy, Trump wants to rule with his family, taking decisions purely because he's right about everything like a tsar.

Empty the cup every time and it comes back at twice as full. I developed that attitude when I was very, very young, when I decided I didn't want to be a gangster anymore. Whether it's just shining shoes, I said okay, I'm going to do this better than anybody else did it in my life.

Some of my friends became gangsters. You became a gangster depending upon how fast you wanted a suit. Gangsters weren't the stereotypes you see in the movies. I knew the real ones, and the real ones were out for big money.

As a conscious rap artist, you should not want to be in a gangster market. You should be trying to establish your own market, create a place where you can be yourself and make some money and feed your family.

I think when people think of Compton, of course, they always think of gangster rap. But if you ever had an opportunity to go to Compton, you would know that Compton is a beautiful city.

Having a persona people recognize, it's the thing that probably gets you paid the most - but it's also the thing that virtually every actor in the world doesn't want. 'Cause, like, no one would believe me if I wanted to play something ultra-realistic, like a gangster or something.

Your main contribution is spray painting your nickname on other people's things. And my cousin, who's a 'gangster', he's like, 'No, Tash, you don't understand; you throw a fat piece up there, that piece is yours.' I'm like, 'No one thinks you own Costco.'

You know, Castle's the kind of guy that when he meets somebody, that's a connection for him. He remains connected to the people that he meets. That's the kind of guy he is, be they criminals, gangster rappers, mafia guys, art thieves, whoever it is, he nurtures those relationships.

I've been acting a long time, and I can play a Cockney gangster or a womanizer in my sleep or standing on my head. But what I try to do is I try to find characters that are as far away from me as I possibly can and then make them real. A French Nazi is about as far away from me as I can possibly get without actually going to Mars or something.

The individualists stare into each other's eyes and yet deny each other's existence. We walk in circles, so limited by our own anxieties that we can no longer distinguish between true and false, between the gangster's whim and the purest ideal.

Let me say for the record, I am not a gangster and never have been. I'm not the thief who grabs your purse. I'm not the guy who jacks your car. I'm not down with people who steal and hurt others. I'm just a brother who fights back. I'm not some violent closet psycho. I've got a job. I'm an artist.

Roles constantly have to be redefined in any form of entertainment. Look back at the gangster pics of the 1930s and 1940s and the way James Cagney or Humphrey Bogart would play the part. These roles were redefined in the 1970s by Al Pacino and Rober DeNiro. And again in the 1990s by Gary Oldman and Anthony Hopkins.

I was a gangster when I was young. I had a Robin Hood mentality and tended to always want to support the weak against the strong, but sometimes it was cohesive and I really needed to fall in love with the power of education to find the right venue to express my rage. I still have a righteous indignation at injustice, no matter what form it takes.

Look, you see those groups talkin' about negativity and anger, and they'd do that for two albums, and then you'd see them change up. I knew they couldn't do a Kurt Cobain on their whole career. You can't stay like that all the time. It's like when Hammer tried to go gangster. You can't be something that you're not.

Some of the gangster films I made - not so much the 'Krays,' because I'm really proud of that - but some of the films I made after that... There are a few of those movies I wish I'd never gone near. I'm proud of about 10 percent that I've ever done. If I never see the rest again I won't mind.

Moving to Australia was not a career move, but a quality of life issue. It has no guns, no God, and no gangster rap. As an Ethiopian cab driver said to me the other day when I was returning from a gig in Sydney, Australia is a peaceful, democratic place. I like the relatively stress free lifestyle. It's worth the drop in income.

If you are black on television, you are probably going to be some kind of thug, gangster, or portrayed in a negative light. If you are some type of Muslim, you are going to be blowing stuff up. If you are Hispanic, you are going to be some type of gangbanger. I've felt like this for years.

'The Sopranos' gets praised as novelistic, but it follows the most banal of life patterns, showing the sheer tedium of being a mobster. It has dead spots, boring plotlines, weak episodes. Characters develop slowly, or don't. Like viewers, a gangster might get bored, fade out of the action, then come back to find none of his debts forgotten.

I think the part of media that romanticizes criminal behavior, things that a person will say against women, profanity, being gangster, having multiple children with multiple men and women and not wanting to is prevalent. When you look at the majority of shows on television they placate that kind of behavior.

The truth is that every intelligent man, as you know, dreams of being a gangster and of ruling over society by force alone. As it is not so easy as the detective novels might lead one to believe, one generally relies on politics and joins the cruelest party.What does it matter, after all, if by humiliating one's mind one succeeds in dominating every one? I discovered in myself sweet dreams of oppression.

My general theory since 1971 has been that the word is literally a virus, and that it has not been recognized as such because it has achieved a state of relatively stable symbiosis with its human host; that is to say, the word virus (the other Half) has established itself so firmly as an accepted part of the human organism that it can now sneer at gangster viruses like smallpox and turn them in to the Pasteur Institute.

The whole world is conscious. It's just that we become conscious at times, and you become conscious when you lose a parent, or just a loved one, period - a wife, a brother, you know. You wake up and say, "Man, it's real. I don't need this pimp gangster stuff anymore, I need something with a little more substance." And there is marketing for that.

I just think [Gangster Party Line] is funny and stupid and all the dudes in it are real dudes. It's just a funny construction.

All rappers predominantly sound the same and want you to think their meanest person in the world, and that they're all gangster and all that. My acting allowed me to be playful and crazy, and it helps me tell stories and all that. I think it's a good time; rap needs that kind of stuff.

I'm not a gangster, I'm not a thug.. I'm just me and if I feel like someone is trying to hurt me.. yeah I'm gonna hurt 'em.. if you come and you ain't coming right I'm gonna blow your head off.

Hermann Goering, Joachim von Ribbentrop, Albert Speer, Walther Frank, Julius Streicher and Robert Ley did pass under my inspectionand interrogation in 1945 but they only proved that National Socialism was a gangster interlude at a rather low order of mental capacity and with a surprisingly high incidence of alcoholism.

As I ran for president, I hoped that one child would come out of the ghetto like I did, could look at me walk across the stage with governors and senators and know they didn't have to be a drug dealer, they didn't have to be a hoodlum, they didn't have to be a gangster. They could stand up from a broken home, on welfare, and they could run for president of the United States.

I wasn't fully aware of the things that Madlib did musically, but my manager put me up on game. I'm not gonna act like I was a Madlib head when I wasn't. I didn't understand a lot of it at first. But it opened my mind to some things, and it's me bringing that gangster element to things that he does. It's like a perfect marriage.

I was always raised on cowboy films, and then when I could start making choices about the movies I wanted to watch I found myself wanting to watch gangster films which were slightly more sophisticated than the baseline stuff that was in westerns.

I like 'The Usual Suspects'. Great film. I also like 'Scarface', films like that. Lots of gangster films. I really like watching all kinds of films, dramas, romance. I'll watch comedies. I like Al Pacino, Robert De Niro, Denzel Washington, Chris Rock, Dave Chappelle. I'd like to meet them.

My dad is Scottish, and he read in the newspaper about the plight of the Scottish Freshwater Mussel, which is a real thing - like, a very real, serious conservation issue. And he's a writer, and he was going to do a film about a Glaswegian gangster, and then I stole the idea and turned it into a romantic comedy.

I got into an argument with someone because I said I think 2Pac will be regarded as a great poet. They said he was just a punk gangster. People said the same thing about Francois Villon, and he's now considered the best French Romantic poet of all time.

I never was that boy who loved gangster films, but when I was growing up, I was obsessed with the detective Dick Tracy. It was one of my favourite movies as a kid, and he really inspired me. I would have loved to be part of that golden age of Hollywood in the 1940s. It made me want to become an actor.

I love Huma Qureshi. She was amazing in 'Gangs Of Wasseypur.' I also love Richa Chaddha. She played a mother in 'Gangs Of Wasseypur.' And then I saw 'Fukrey' where she played a gangster, and I couldn't believe it was the same girl.

When you see my performances, even people that you might have known, like Nicky Barnes in 'American Gangster,' you have to get over the fact that I look like Cuba Gooding, Jr. But once you find truth in the performance, if I'm doing my job right, you believe everything.

After a show, I'll get the 16-year-old white kid whose lip is pierced, his head is shaved and his parents hate him, and the young gangster from the screwed-up 'hood, and they say that now they realize there's someone out there who thinks like they do.

We were in the heart of the ghetto in Chicago during the Depression, and every block - it was probably the biggest black ghetto in America - every block also is the spawning ground practically for every gangster, black and white, in America too.

I've always been into films. I've been offered lots of films but they've always been these very stereotypical roles. They wanted me to play some gangster or street guy, or pimp, drug addict.

We tell our children they're trapped like rats on a doomed, bankrupt, gangster-haunted planet with dwindling resources, with nothing to look forward to but rising sea levels and imminent mass extinctions, then raise a disapproving eyebrow when, in response, they dress in black, cut themselves with razors, starve themselves, gorge themselves, or kill one another.