Top 1200 Genre Is Quotes & Sayings

I absolutely love genre movies. When I was a kid, I was really impacted by genre films and cult classics.

When we started with 'Big Brother' and created the reality genre, no one could ever foresee that there was so much space in the genre that it could deliver so many formats. There will be periods where there is not enough new stuff to keep the genre alive. But it will never die.

If I'm a genre writer, I'm at the edge. In the end, they do work like genre fiction. You have a hero, there's a love interest, there's always a chase, there's fighting of some kind. You don't have to do that in a novel. But you do in a genre novel.

I think comedy is a genre that has a lot of potential. It is a very content-driven film genre.

I do think that once a horror genre is commonly parodied in other movies it sort kills that genre or that specific take on that genre. Once it sort of becomes a joke in and of itself, so you have to push and find something new.

I love the horror genre. I consider myself a genre filmmaker. I love genre, but I think there's a certain amount of complacency that comes with watching a genre film; people know what the devices are. They know what the tropes are. They know the conventions.

Any genre as it's called, I think can be quite reductive in terms of what a film is, because I think there is an eagerness to put in any film, in anybody's work, to give it a genre title and I think as a consequence of that, the film starts to obey the rules of the genre.

There are no requirements when you're using a particular genre. It's not like the genre is your boss and you have to do what it says. You can make use of the genre any way you want to, as long as you can make it work.

Everybody makes fun of me because I have no genre! My playlist is filled with different music. I decide the genre according to my mood.

There is only one genre in fiction, the genre is called book.

A great artist is not one who merely fits into a genre but one who defines the genre.

I grew up reading genre writers, and to the degree that Eric Ambler and Graham Greene are genre writers, I'm a genre writer.

Genre might certainly increase some of your narrative freedoms, but it also diminishes others. That's the nature of genre.

I describe me sound as international: reggae, pop, rap, R&B all in one. I think I have my own style. I can't really even describe it. People say, "What type of genre is your music?" It's Sean Kingston genre. I have my own genre. No disrespect to no artist or dudes out there. I feel like I am my own person. I am doing my own thing.

One of the mistakes I made was believing that the rock n' roll genre as a genre was much more free than the whole pop or R&B scene.

I love the horror genre for how cinematic it is. I gravitated, I think, initially, toward the horror genre because, of all the genres, I think it is the genre that is most friendly to the subject matter of faith and belief in religion.

My voice makes the genre because I sound like me on all my songs - I've made my own genre: Jorja Smith.

I'm not limited by genre and it doesn't really matter what the genre is as long as the film is going to be new and have some real artistic integrity.

I'm not comfortable with categorizing my own work, but I don't mind if others talk about it in relation to genre as long as they don't try to hold it up to some genre standard.

In my mind, there's this one 'super genre,' which is the only genre that matters, and that's the super genre of good music.

Being genre-bending doesn't really cross my mind. I don't consider anyone I work with a specific genre.

When I say my work is travel, that's what I'm doing. And part of being biracial and multicultural is I'm always playing with genre and genre expectations. So even if I say I'm doing straight memoir, you'll see that I'm doing weird stuff with the structure. I've got images, I've got lyrics, and I've got journalism. I really try to not get stuck in genre expectations.

We love genre, but in film if you make a genre film it has to all be about the genre. We were excited to be able to tell more complex stories on television.

I genre-hop quite a lot. I love manipulating genre and deconstructing it and making it irrelevant. Genreless music is great because it means you get to write in any genre that you like.

I do love science fiction, but it's not really a genre unto itself; it always seems to merge with another genre. With the few movies I've done, I've ended up playing with genre in some way or another, so any genre that's made to mix with others is like candy to me. It allows you to use big, mythic situations to talk about ordinary things.

Sure, it can happen that the director sees you in a particular genre, and they like your work in that genre; they tend to think that you can only do well in that genre.

I think romantic comedy, when done right, is my favorite genre. It's just a genre that's very human.

My theory on genre is that while there are people out there who believe that genre tells people what to read, actually I believe that genre exists as a marketing tool to tell you what to avoid.

My favourite genre lies inside myself, and as I follow my favourite stories, characters and images, it sums up to a certain genre. So at times even I have to try to guess which genre a film will be after I've made it.

A novelist's sense that he or she is 'above' a certain genre mainly comes out of the notion that the genre is somehow a debased version of his or her preferred form.

Can we call the essay its own genre if it's so promiscuously versatile? Can we call any genre a 'genre' if, when we read it from different angles and under different shades of light, the differences between it and something else start becoming indistinguishable?

I love the horror genre and the thriller genre, so I've got no problem with playing a psycho.

I did not fix any genre for 'AK.' We just write a story and audience will put it in a genre as they perceive it.

'Drive' is a genre piece, and a lot of times we don't get really sophisticated genre films.

It's so funny: I sort of fell into genre roles, but I'm not really a genre guy.

I had a lot of issues with the genre, and I probably even had issues with the whole idea of genre. I was coming into it with a certain degree of outsider attitude, and I didn't have a long-term plan. But I think the way it's worked out, it's sort of warped into what I suppose you could say is my own genre. If people like my books, they have some idea of what the next one will be like.

The horror genre is probably my favorite genre along with psychological thrillers.

Truth is, I love all the horror guys and girls: Gord Rollo, Shirley Jackson, Harlan Ellison, Ramsey Campbell, Dan Simmons, Thomas Ligotti. Each one of them brings something wonderfully different and, because I love the genre, I love those who love the genre, too. And I hope the genre ends up loving me back.

One of the mistakes I made was believing that the rock 'n' roll genre as a genre was much more free than the whole pop or R&B scene.

The funny thing about me is I move from genre to genre, but I essentially shoot all the movies the same way.

I love the science-fiction genre because there's always so many endless possibilities! It's a limitless genre and can be fun playing around with otherworldly ideas.

Superhero movies have become a genre unto themselves, and I didn't really grow up on superhero movies. I grew up on genre movies before superhero was a genre.

I love the romantic comedy genre. It's a genre rich with many of the best movies ever made and I try to treat it with the respect that Shakespeare treated it with.

Australian genre films were a lot of fun because they were legitimate genre movies. They were real genre films, and they dealt, in a way like the Italians did, with the excess of genre, and that has been an influence on me.

I wanted to look like the most diverse writer in comics! Spy genre, space genre, crime genre, and then you realize that it's all actually the same thing.

I have a complex feeling about genre. I love it, but I hate it at the same time. I have the urge to make audiences thrill with the excitement of a genre, but I also try to betray and destroy the expectations placed on that genre.

I think I've never really liked the idea of genre, a film that follows the rules of a genre.

I know it's dangerous to say you want to do something different with a genre because people always take that as an insult to the genre.

The thing about dating someone who listens to a totally different genre than you is they can help you find things to appreciate in that genre.

I get very frustrated by this term 'genre exercise.' I mean, what exactly is that? Genre is not really relevant when you are writing a song; hopefully you are doing it to explore something, to create something, and I don't agree that any of my albums are genre exercises.

I didn't really distinguish between genre and not-genre as a kid, until I made the transition to adult fantasy via Terry Brooks.

With parody, you're referencing and sending up a particular genre, and mostly your material is going to be taken out of that genre.

It's really rare that an entire genre of music allows an artist from a different genre to come and live there.

Edward Said talks about Orientalism in very negative terms because it reflects the prejudices of the west towards the exotic east. But I was also having fun thinking of Orientalism as a genre like Cowboys and Indians is a genre – they’re not an accurate representation of the American west, they’re like a fairy tale genre.

I don't write toward a genre, and I try not to make claim to a genre after a book is published. That said, The Guardians isn't poetry. It's prose.

The beauty of the horror genre is that you can smuggle in these harder stories, and the genre comes with certain demands, but mostly you need to find the catharsis in whatever story you're telling. What may be seen as a deterrent for audiences in one genre suddenly becomes a virtue in another genre.

In my opinion, the horror genre is a perfect genre for Christians to be involved with. I think the more compelling question is, Why do so many Christians find it odd that a Christian would be working in this genre?

This is a tried and true genre directed by a guy who's famous for character work. This could take a genre picture and lift it and elevate it. That was my thinking.

When you're a young writer and you look at people praising a big hefty anthology that has uncovered a long lost genre, it can be disorienting to look inside it and think, "But what it's uncovered still isn't me. What does this mean? Do I not belong in this genre, or is there more of the genre yet to find?"

I spent the first part of my career trying to avoid genre because I felt like genre, in some way, was cliche.