Top 1200 Genres Of Music Quotes & Sayings - Page 16

My goal is really to continue to make music. I really don't make music to have platinum records and all that kind of stuff. I've been there. I do it because I love music, and I love uplifting people through my music. That's my real goal.

As the voices beneath the music are talking, you find that the music is just as important as what they're saying. The traditional thing is to lower the music so you can hear the dialogue. We just couldn't do that for that song.

I love all kinds of stories and movies, and I did work hard to get through to the creative community and studio executives that I could work in a number of different genres and tones.

My family was into music. My dad was into music down south. My mom and grandmother were into gospel music so there were all types. That was my inspiration.

'Elect the Dead' is a rock record that takes you on a journey with different types of genres integrated, different lyrical themes digested, and many fun and colorful moments to enjoy.

It seems like people get afraid of a certain music if they can't pigeonhole it to their satisfaction... Good music is good music, and that should be enough for anybody.

I want to remind people that black music is amazing. And there are all forms of it that we've forgotten, you know? Rock music is black music! Don't forget that's what it is.

Yeah. It's all in the music first. The music is like women to me. It's like how you pick your music: everybody got their own different way how they pick their women and their music, and I guess that's what the album becomes.

I just wanna make more music, legit music as opposed to keeping the same constant thing. I wanna show growth in the music, pretty much.

I gave up that idea of trying to make music that I thought other people would want. I just made music for myself and music for people that I knew.

I just love Cape Breton fiddling! I think it's very close. They derive their music from Scottish music. Well, in Donegal we're very influenced by Scottish music as well. Independently the two areas became very alike, because they kind of changed the music a bit from Scotland and we did the same.

It's not like I think my art is inspirations from icons strung together. They're just sort of people who others talk about. I am definitely interested in the masters of different genres, they're talented and popular for a reason.

I don't compose songs to showcase my proficiency in music or to please hard-core music lovers. The basic criterion is that my work should reach all sections of music lovers.

The dilemma of the eighth-grade dance is that boys and girls use music in different ways. Girls enjoy music they can dance to, music with strong vocals and catchy melodies. Boys, on the other hand, enjoy music they can improve by making up filthy new lyrics.

I feel I have to play a role in the transformation of my thoughts. Music is the most powerful way for me to do that, through my own music, through listening to other people's music.

Genres do exist because frequent users of any large bookstore can instantly tell what any piece of fiction is supposed to be about by its title, its cover and its location in the shop.

I do have a big problem with the idea of music as a form of communication unless it's political - and that's where it's tricky because a lot of music is political, even if it's not overtly so. But my music isn't that; it's about a feeling.

As an artist, I feel that my father's biggest influence is me realizing that music has a purpose and it's not just for business and that music is spiritual. I get that from him that music is a spiritual thing.

I think that if you hear music young, whatever music you hear influences you. I'm white, but I've been influenced by black music.

I'm not limited to categories or genres. Anything human beings come up with fascinates me. If a three-legged idiot like me can dance to it, then that's all well and fine.

I'm trying to fuse popular and commercial music and just make very creative music. It's popular music: it's everything for everybody.

I don't listen to Bollywood music much. But yes, I listen to Indian music quite often, and other non- film music.

Well, regarding actors, my idol is Catherine Deneuve, but not in relation to my work, I'm just a fan. As far as genres, I've been reading a lot of science fiction, and I would love to make a fantastic film.

I spent many years in grad school in English, so I've read a lot in a variety of genres. But adventure fantasy is my bread and butter as a reader, and probably always will be. So it's only natural that I came to that genre as a writer.

The negative attitudes toward the genres - romance, science-fiction, westerns, suspense, etc. - are fallout from the academic world's long-standing fascination with existential philosophy and modern theories of psychology and sociology.

I didn't have musical upbringing. I never listened to music growing up, thinking "I want to make my own music". I just listened to music for pleasure.

Music is life. Music defines peoples' experience on this planet. Name one time in your life that wasn't punctuated by the music you listened to at the time. When people are down, they listen to music that commiserates that emotion. When people are amped up, they listen to more upbeat, loud songs.

The remix culture became very much controlled by the corporate world, it's a marketing tool mostly, to create mixes for different genres. So it's very soul-less in a way.

The comments you'll get from a filmmaker about your performance are going to be very different. My writing workshop is about mixing it up, cross-pollinating, not only in genres but in occupations.

I don't listen to Bollywood music much. But yes I listen to Indian music quite often and other non- film music.

I keep myself open to singing in different genres like classical dance songs, light classical folk, etc. There's so much to learn and I'm glad I'm on the right path.

Yeah, I can't separate the art from the music and the music from the art. I think that stems from going to school for film first, and kind of stumbling onto music as my career.

The biggest lesson to me is that I got the music from somewhere else - the notes, the music my parents listened to, and the stuff I listened to at every age. All of that inspired the music that I made.

It's satisfying and gratifying to make your own music, but I personally don't get the same enjoyment out of the music that I make as I do from somebody else's music that I like.

Classical music only really came into my life in 1969. I wish I had heard classical music and church music when I was a teenager or even as a child.

My sister loved country music. My mother loved Spanish music. And my dad was into big band music and jazz.

I hope people half my age and twice my age will listen to my music - I want it to live forever and for my audience to feel like they have a friend in my music. Music is a spirit. It heals. It's an amazing thing to be loved and appreciated, and sometimes, music has not just been my best friend, it's been my only friend.

I really don't make music to have platinum records and all that kind of stuff. I've been there. I do it because I love music and I love uplifting people through my music. That's my real goal.

The thing about Nashville is, it's not just country music...There's rock & roll, there's every kind of music. It's just a music town...There's so much fun stuff to get in to.

A lot of people make music to sell music. I don't just sell music. I am essentially, I guess the word I want to use is, it's like an energetic transaction.

I grew up with the Blind Boys' music. My family owns a music store in Claremont, California, called The Claremont Folk Music Center. I grew up with a heavy diet of gospel, folk, and blues because those are kind of the cornerstones of traditional American music.

I live my daydreams in music I see my life in terms of music. I get most joy in life out of music.

I saw what luck and success I had as an opportunity to twist it up and do something different, so I've always sought out different genres and different kinds of characters.

Christian music was music that I grew up listening to that I can't say has had much of an impact on anything I have done in my adult life. Maybe Christianity has, but certainly not the bullshit Christian music I was listening to when I was 12. To me there's not much substance in that music. I don't have a message or anything.

As far as my single selections, over the years it's been a very essential part of my survival tactic, but I have no problem being able to jump on records with whoever people think is the rawest rapper in the game or number one or King or whatever they wanna name themselves, to be honest with you. It doesn't affect me, 'cause that's what I come from; I'm comfortable in that zone. But I don't wanna make hood music, I don't wanna make street music, I want to make world music, global music, international music.

On the subject of literary genres, I've always felt that my response to poetry is inadequate. I'd love to be the kind of person that drifts off into the garden with a slim volume of Elizabethan verse or a sheaf of haikus, but my passion is story.

I make music that I know that people will enjoy, and balance the ideas and philosophy that we put in music with music that when we play it live, people can move to it and groove to it.

My music comes from country music. Merle Haggard is God, and I do believe that. I'm not too tuned in to country music. I don't know who Brooks and Dunn are. I like Shania Twain, though!

I always say this about my music, and music in general: Music is like a time capsule. Each album reflects what I'm going through or what's going on in my life at that moment.

I think that Shakespeare himself raided fairy tales and chronicle writers, and he always looked to people who worked in the mythic genres, whether it was folk tales or popular novels.

You don't ever want to devalue music. Music is important; it's necessary product. I always try to make sure that there's a value - that people appreciate music and realize that there's a value to it.

I listened to the rock music of that time, but as you know and can easily hear: my music of that era had nothing to do with the common music of this era. I was experimenting, I was searching for something new.

It's no secret that anybody who knows the music business knows that the numbers are substantially different in Christian music than they are in country music.

Everybody likes music. And rock 'n' roll - that was the music that brought white youth and black youth together for the first time in American music history.

I find a difference between what gets called world music - a fusion of western music and music from different cultures in more of a modernized version - and Explorer Series stuff, which is completely undiluted indigenous folk music. That's a lot more powerful than a lot of the super-processed stuff that comes out now.

I never liked opera growing up. I always liked chamber music or solo music even more than orchestral music.

I always think it's interesting to switch genres, because if I read a script and I know exactly how to manifest a story, I don't really want to do it anymore, because I've already done it in my head.

It is against the spirit of our non-discriminating times to openly prefer one sort of music to another, so let's just say that hearing grand orchestral music in a public place is exhilarating in a way that hearing popular music never can be, if only because, in a popular music age, a full orchestra is less familiar to our ears.

Someone like Russell Crowe is questioned for his passion for music, and whatever he does, music is just in his heart and soul. All he wants to do is music.

I was criticized by some people for my first album because they said I was taking sacred music. They knew nothing about what I was doing. That was no sacred music; that's music I wrote.