Top 1200 Get Moving Quotes & Sayings - Page 10

I think the experience of getting an audience a little bit tense and shocking them with a jump scare, and then moving on it can be cheap and easy. The harder thing is to get them unnerved and disturbed in a growing way. That starts off easy and increases all the way through the picture.

I think as you get older, you find you can play more things because you're moving to a different category. You play a certain thing as a younger man, playing action roles like I did. Then I moved out, and I kept trying to do different things all the time.

One of the coolest things about being an actor is growing, and changing with everything, and never making the same decision twice because you've learned so much from the last project. I guess that's like in life. You keep moving through, and you hopefully learn from your mistakes and just get better and better all the time.

In high school, I went to a place called the Mountain School. It's on a farm in Vermont, and I read Emerson and Thoreau and ran around the woods. Now I go hiking with a bunch of my comedy buddies. We talk about our emotions. I also do a lot of writing on hikes, just to get the blood flowing and the ideas moving.

It's not how hard you hit. It's how hard you get hit... and keep moving forward.

I really couldn't be more excited about the opportunity that we have with the new president to really turn this country around and get the economy moving again and have America standing tall again, home and abroad, to make America great again.

If we don't have the actors, or you get the sense that some of the other people involved in making the movie don't necessarily see the movie the way you see it - all those elements, for us, we like having those things feel like they're moving in the same direction.

In order to change the direction of this country, we need to change presidents. Americans need a conservative businessman to get this economy moving again, not career politicians. That is why I am running. Next week, I will lay out my specific plan to put America back to work.

I go through ups and downs in the psyche all the time, and then once you start moving again, it's amazing how you can always bounce back. You get, like, in a low rut, and you think, 'This is it; my life is a train wreck.' And then you bounce back again.

We always think about illegal stuff moving through the border south to north, but people forget that most guns - and we're not talking small guns, we're talking heavy weapons - they get to the cartels and create literally small armies out of the cartels.

There are two kinds of people. One kind, you can just tell by looking at them at what point they congealed into their final selves. It might be a very nice self, but you know you can expect no more surprises from it. Whereas, the other kind keep moving, changing... They are fluid. They keep moving forward and making new trysts with life, and the motion of it keeps them young. In my opinion, they are the only people who are still alive. You must be constantly on your guard against congealing.

But the trees seemed to know me. They whispered among themselves and beckoned me nearer. And looking around, I noticed the other small trees and wild plants and grasses had sprung up under the protection of the trees we had placed there. The trees had multiplied! They were moving. In one small corner of the world, Grandfather's dream was coming true and the trees were moving again.

In film, you get to take your time and make it right. In TV, it's all about the schedule. The train is moving and you sometimes just don't have time to make things right, which is painful 'cause you know it could be done better and you just have no choice.

I really feel like if you can get past your fear, if you can say, "Uh-uh, I'm afraid to do that and I'm going to do it anyhow," that that's really the way to have a satisfying life moving forward. I think I had that kind of fearlessness even as a young person. It wasn't tempered by experience or wisdom, but it took me a long way.

We should not be post-racial: seeking to get beyond the uplifting meanings and edifying registers of blackness. Rather, we should be post-racist: moving beyond cultural fascism and vicious narratives of racial privilege and superiority that tear at the fabric of "e pluribus unum.

The world keeps moving, the world keeps turning, and people get older, and young people become older and more important and cooler and interesting, and actually staying the same becomes a liability, especially in the advertising industry.

I hate it [driving] more than anything in the whole world. I'm just an awful, awful driver. I get lost, I hit things (parked cars, one moving car, a pole in my parking garage). Just when I think I got everything under control, I'll miss seeing something out of the corner of my mirror.

Surround yourself with those who are moving very quickly towards Unity. Be in the presence of those who are running forward. Besides the knowledge the Veda, the greatest thing we can do is be surrounded by those who are living and seeking the highest value of life, Brahmi Chetana. This is why yogic flying with groups is so much greater than flying alone. To live and work with others who are moving and aspiring fast towards Unity consciousness is the great force to help you achieve Unity.

I think we're in a very exciting time - visually, I think we are. I've not got a crystal ball. I'm not saying I know what the future is at all. In some ways I'm getting quite pessimistic about the future, but in other ways I think it might get better. We are moving into very big changes.

For the three years I lived in New York leading up to moving out to Los Angeles for 'Mad Men,' I was an office temp at Ernst & Young in Times Square. That's about as desk-jobby as it can get. There was a lot of, 'Go two floors up and make a copy of this and then bring it to me.'

What I like is having a conversation that gets you on the right page. And, if that means having conversations in lieu of rehearsal - I don't wanna get up and cook the thing before we shoot it but I do wanna know that me and the director know exactly what we both want to achieve, and that we're moving in the same direction.

I'll do anything to keep everyone laughing. Things get too intense on film sets. I remember on The Elephant Man, I used to imitate a cat without moving my lips. David Lynch would say, "Cut! Sorry, we've got a noise somewhere on set." Everyone would be looking around for this cat.

I think America should amass a strategy for success, and set out the milestones. We need to help the Iraqis get their democracy up and running, we've got to help them train their military and police and security people, and we've got to start moving out.

You just want to put the ball in play, whether I want to throw it downfield and it's not there, so I check it down, and it's a productive play and let the running back get a first down. Just keep the chains moving.

The topic is too big, there's too many people who live with it, and too many moving pieces for anyone to do a definitive statement on what depression is like for everyone. 'Depression Quest's' goal was to be a basic introduction to the concept and to get the conversation started.

On Apollo 11 in route to the Moon, I observed a light out the window that appeared to be moving alongside us. It was either the rocket we had separated from, or the 4 panels that moved away when we extracted the lander from the rocket and we were nose to nose with the two spacecraft. So in the close vicinity, moving away, were 4 panels. And i feel absolutely convinced that we were looking at the sun reflected off of one of these panels.

Underneath our ordinary lives, underneath all the talking we do, all the moving we do, all the thoughts in our minds, there's a fundamental groundlessness. It's there bubbling along all the time. We experience it as restlessness and edginess. We experience it as fear. It motivates passion, aggression, ignorance, jealousy, and pride, but we never get down to the essence of it.

Don't ever write just for a trend or fad, because it's a moving target, and by the time you get your work out there, the trend or fad is gone. Dig deep; don't be afraid to write fiercely. Expose your heart.

That's the storyboard that we have in the beginning [of Valerian]. It's an easy shot. It's just a spaceship coming in. That's the first layout. On the first layout, we see the timing of the shot and the speed. It starts to get some shadows, and we see that everything is moving in the back.

Men don't know enough about being courteous toward women. You should get into a cab before a woman so she doesn't have to slide across the seat. And you should always go first into a revolving door so she doesn't have to push - unless it's moving, then let her go first.

I really couldn't be more excited about the opportunity that we have with this new president [Donald Trump] to really turn this country around and get the economy moving again and have America standing tall again, home and abroad, to make America great again.

Once you start moving [market] lower, then you trigger of all sorts of things. You trigger people who have to sell because they're over-levered. So they sell their winners and their losers. They're just trying to raise cash. So, what you then get is spreading malaise throughout the global markets.

And I love that even in the toughest moments, when we're all sweating it - when we're worried that the bill won't pass, and it seems like all is lost - Barack never lets himself get distracted by the chatter and the noise. Just like his grandmother, he just keeps getting up and moving forward... with patience and wisdom, and courage and grace.

You can never get rid of all of your fears. Some are necessary and a part of life. But most of our fears are illusory, based on risks or threats that exist only in our minds. Such fears constrain and make you miserable. The feeling of moving past a particular fear is one of liberation and freedom.

The Barbarian Way was, in some sense, trying to create a volatile fuel to get people to step out and act. It's pretty hard to get a whole group of people moving together as individuals who are stepping into a more mystical, faith-oriented, dynamic kind of experience with Christ. So, I think Barbarian Way was my attempt to say, "Look, underneath what looks like invention, innovation and creativity is really a core mysticism that hears from God, and what is fueling this is something really ancient." That's what was really the core of The Barbarian Way.

Consider a man riding a bicycle. Whoever he is, we can say three things about him. We know he got on the bicycle and started to move. We know that at some point he will stop and get off. Most important of all, we know that if at any point between the beginning and the end of his journey he stops moving and does not get off the bicycle he will fall off it. That is a metaphor for the journey through life of any living thing, and I think of any society of living things.

So you're just moving along and suddenly you get this moment that breaks your ability to continue, and yet you continue. I wanted those kinds of moments. And initially people would say, "I don't think I have any." Their initial reaction was to render invisible those moments weaved into a kind of everydayness.

A majority of the successful women on the pop scene conform to what a woman is supposed to be. Some have tried to get things moving. They have tried to modify the image. But sometimes the image has a hard time changing the eye - to change the relationship between the image and the eye takes longer.

In animation, you can throw away people's defense. You can go right to the center of things, right through inside someone's heart. The characters anyway, they do represent different aspects of all of us - and put them all together, you get a human being. And so it's got a wonderful purity, a real purity that's so moving, exiting, everything.

White people moving into Brooklyn, I don't see anything wrong with that. I think that's fine and I think that's beautiful, but to hear about certain black people whose rent is getting hiked up so high and they're not able to get leases renewed. Now that I think is wrong.

I love movies; I grew up loving movies. I've always loved movies. I never thought about making movies until I took art classes and then I started studying different artists. As you study paintings, you see light and shadow, of course - Rembrandt, Eugène Delacroix. You start to understand the relationship between people and art, and images. For me, between movies that I watched and art, it was like, I'd love to make moving art. Moving pictures.

Virtually throughout its history, and certainly in the 20th century, California has been known as the place to go for dynamism and growth. It did not become the richest, most populous, and most productive state solely because of its weather and natural resources. So it takes a lot to turn California around from growth to contraction, from people moving into the state to a net exodus from the state, from business moving into California to businesses leaving California. It takes some doing. And the Left has done it.

Too many people hold a very narrow view of what motivates us. They believe that the only way to get us moving is with the jab of a stick or the promise of a carrot. But if you look at over 50 years of research on motivation, or simply scrutinize your own behavior, it's pretty clear human beings are more complicated than that.

One of the biggest, and possibly the biggest, obstacle to becoming a writer... is learning to live with the fact that the wonderful story in your head is infinitely better, truer, more moving, more fascinating, more perceptive, than anything you're going to manage to get down on paper.

It's just one of those deals where I have to keep moving and keep looking. It's a lot about timing and a lot about boat-positioning, and I'm just trying to get fish to react to several different baits.

it's so easy to get lost inside a problem that seems so big at the time it's like a river a that's so wide it swallows you whole while your sittin round thinkin 'bout what you can't change and worrying about all the wrong things times flying by moving so fast you better use it all cause you can't get it back sometimes that mountain you've been climbing is just a grain of sand and what you've been out there searching for forever is in your hands ooooo when you figure out love is all that matters after all it sure makes everything else seem so small.

I would have said, before the World Trade Center events, that he would try to get a normal relationship with China - making clear to China what the limits are of what America can accept, but also showing understanding for some of Chinese necessities. I thought he was moving towards the position that I have more or less advocated.

People might gain insight the longer they live, but things never get easy. There will always be challenges and miscommunications and the temptation to eat greasy, bowel clogging fried food, and take others for granted. The secret is to keep moving and try to see people yo love for what they are: flawed, beautiful and as confused as you.

I think this is when most people give up on their stories. They come out of college wanting to change the world, wanting to get married, wanting to have kids and change the way people buy office supplies. But they get into the middle and discover it was harder than they thought. They can't see the distant shore anymore, and they wonder if their paddling is moving them forward. None of the trees behind them are getting smaller and none of the trees ahead are getting bigger. They take it out on their spouses, and they go looking for an easier story.

Church wealth are moving into everything-gas stations, banks, television stations, supermarket chains, hotels, steel mills, resort areas, farms, wine factories, warehouses, bottling works, printing plants, schools, theaters-everything you could conceivably think of that has nothing to do with religion, they are moving into big. They're even coming in as stockholders in the big oil companies, and the Bank of America is almost entirely owned by the Catholic Church.

I think moving from Ireland to Australia, you couldn't get a more different accent on the palate. The Irish accent is very muscular and involves a lot of tongue and cheek-muscle work, whereas the Australian accent is really flat; the palate is quite broad. They're at almost opposite ends of the scale, so I feel it was good training.

It's interesting to see what people who you find talented come up with, so you work with them. Sometimes ideas come along quicker cause they'll come up with something and you'll be like, "It would have taken me forever to get to that point!" Because you're talking together, your brains are moving faster.

I guess it's going to have to hurt, I guess I'm going to have to cry, And let go of some things I've loved to get to the other side I guess it's going to break me down, Like fallin when you try to fly, Sad but sometimes moving on with the rest of your life starts with goodbye

We're getting the blues about having to walk away from this whole thing. We enjoyed it a lot and it all felt good. We had a good experience on it. We thought we could do good work together. And it is unusual to get the next one, straight off the bed. John is funny. When he gets moving, he moves pretty quickly.

My mom couldn't afford dance shoes, so she put me in these old cowboy boots with a hard bottom so I could get some sound out. I used them for seven months. When I finally got real tap shoes, I was nervous. I kept moving my feet, thinking, 'Oh, so this is how it's supposed to sound.'

We are probably the most frustrating band to soundcheck because we always go off on jams and our sound-man is sitting there going: "oh god, I don't want to interrupt this, but... we've got to get things moving along..." We're just easily distracted because we want to be writing all the time!

The biggest challenge is how to get people to wake up and realize this is a one-shot deal. If we fail, we are witting participants in the biggest experiment humans have ever done: moving CO2 levels to twice their value in the past 670.000 years and hoping it turns out okay for generations to come.

Let's get right to it: On page 5 of Paul Murray's dazzling new novel, 'Skippy Dies,'... Skippy dies. If killing your protagonist with more than 600 pages to go sounds audacious, it's nothing compared with the literary feats Murray pulls off in this hilarious, moving and wise book.

There are a lot of people who are moving from unemployment to disability rolls, and there are a lot of people who have been out of work for a long time who are unable to get jobs. And I think that from a long-term perspective, this is not just a human tragedy, but it's going to be a potentially big hit on the economy in the future.

Well, I think the way to go is civil unions. But I do think when you talk about the Republican Party and the debates that are going on within the Republican Party on a number of issues, what I'm hoping is that they will get to a point where they will work with us on moving forward with this economy.