Top 1200 Gifted Writers Quotes & Sayings - Page 2

Explore popular Gifted Writers quotes.
Last updated on December 22, 2024.
I feel like if writers used writing as therapy we'd have a ton of happy writers.
The smaller and younger kids are, the more patient you have to be. But if they're gifted, then it's a wonderful present that you're given by having a child like that in your film... more so than in the case of actors because, for example, if you ask them to play a lion, they don't then play a lion, they actually are a lion. So, a gifted child is something very special. On the other hand, if a child has no gifts in that way it's absolutely hopeless and there's nothing you can do!
I know a lot of crime writers feel very underrated, like they're not taken seriously, and they want to be just thought of as writers rather than ghettoised as crime writers, but I love being thought of firmly as a crime writer.
I am always interested in why young people become writers, and from talking with many I have concluded that most do not want to be writers working eight and ten hours a day and accomplishing little; they want to have been writers, garnering the rewards of having completed a best-seller. They aspire to the rewards of writing but not to the travail.
Certainly, historically, there has been more attention given in the international media to Indian English-language writers than to Pakistani English-language writers. But that, in my opinion, was justified by the sheer number of excellent writers coming from India and the Indian diaspora.
I think one of the things the writers' festival does that is very good is that it brings writers from around the world and around the country and locally and puts them all in the one spot together, and that's what a lot of the world's great writers' festivals do.
Ninety-five percent of all writers who write do not get published, but 100 percent of all writers write because they have a voice in their head. The vast majority of writers simply write because they have to.
The muscles that writers need for film are very different from TV muscles. Now, when I hire the writers and put the writers' room together, I know where their muscles need to be.
[On the writers she admires:] I prefer dead writers, because I don't see them at parties. — © Fran Lebowitz
[On the writers she admires:] I prefer dead writers, because I don't see them at parties.
Writers, at least writers of fiction, are always full of anxiety and worry.
Ilike ideas writers have that I might not have written. Writers are there for a reason... to write for me.
I'm a big believer in comedy writers. I've always defended the honor of all comedy writers. It's extremely difficult, but I've always felt that comedy writers far more easily can move toward drama than vice versa.
If writers were good businessmen, they'd have too much sense to be writers.
Indonesian writers are so far behind in terms of global exposure compared with the Philippines and Japanese writers.
I think when writers play with dragons, we are simply doing what fantasy writers have always done.
I guess when I was younger, I'd have assumed that in 2008 music would be full of great writers following in the tradition of the young great writers of the '60s and '70s, but it hasn't turned out that way, or at least there are no other writers around that I look at and think: 'Wow, I'm outclassed, I need to get out of this business.'
I am not retiring. Writers don't retire. Writers never stop writing.
Writers, and particularly female writers, have to fight for the conditions they need to work.
I think of sports writers as mediating between two worlds. Athletes probably think of sports writers as not macho enough. And people in high culture probably think of sports writers as jocks or something. They are in an interestingly complex position in which they have to mediate the world of body and the world of words.
I'm one of the few Black writers, or African American writers, who managed to work my way through the system so that it has allowed me to speak in a kind of free way. But most African American writers don't have that. They don't have that opportunity, they don't have that.
Writing is not a great profession as a lot of writers proclaim. I write because this is something I can do. Another thing—very often I think a lot of writers write because they have failed to do other things. How many writers can’t drive? A lot. They’re not practical. They are not capable in everyday life.
I envy certain writers, because there are writers who do go into a kind of different zone, where the writing isn't controlled anymore.
I've grown up on a diet of metaphors. If young writers would find those writers who can give them metaphors by the bushel and the peck, then they'll become better writers - to learn how to capsualize things and present them in metaphorical form.
I was influenced by big, strong voices - writers like Elizabeth Bowen, Virginia Woolf, Jane Bowles; gay writers like Ed White, Michael Cunningham, Allen Hollinghurst; and contemporary lesbian writers, like Dorothy Allison.
I don't think of gay writers. I mean if you were to say to me who are the straight writers, well, you wouldn't ask me that question. So for me to identify a little tribe of gay writers, I don't know.
For the social ecologist language is not "communication." It is not just "message." It is substance. It is the cement that holds humanity together. It creates community and communication. ...Social ecologists need not be "great" writers; but they have to be respectful writers, caring writers.
There is not a special imposition on writers to be activists. All that does is encourage writers to write propaganda. — © Wole Soyinka
There is not a special imposition on writers to be activists. All that does is encourage writers to write propaganda.
There's a double standard between writers and readers. Readers can be unfaithful to writers anytime they like, but writers must never ever be unfaithful to the readers.
Black writers, of whatever quality, who step outside the pale of what black writers are supposed to write about, or who black writers are supposed to be, are condemned to silences in black literary circles that are as total and as destructive as any imposed by racism.
My friends tend to be writers. I think writers and painters are really all the same-we just sit in our rooms.
I was part of a writers' collective with 21 writers and filmmakers called the San Francisco Writers' Grotto. We had our own office space in this old converted dog and cat hospital, and we had a basketball hoop outside. I'd bring my dog to work every day and write.
I can well imagine that certain writers, even writers that we'd consider today very great writers, may not necessarily have tested highly on IQ just because of their numerical skills, or maybe they may not be very good at memory, and are not particularly good at these kinds of tests.
Writers learn their craft, above all, from the work of other writers. From reading. — © Marie Arana
Writers learn their craft, above all, from the work of other writers. From reading.
Most writers stick to what they know. The black experience is our experience, so it's not that challenging for us. That's why sometimes you'll see writers that start off telling black stories, but later branch out into other material. People say they "sell out." No, they evolve as writers.
It feels as though a very disproportionate number of main characters are writers, because that's what the writer knows. Fair enough. But nothing bothers me more in a movie than an actor playing a writer, and you just know he's not a writer. Writers recognize other writers. Ethan Hawke is too hot to be a writer.
Unemployed writers have muses. Employed writers just sweat.
There are so many different types of writers. It's just sheer coincidence that they're all called writers.
Writers of comedy have outlook, whereas writers of tragedy have, according to them, insight.
In TV, it's so much more about the writers because they're the ones creating the universe. The writers are the ones who know what's up.
It is deeply unfair to task writers of color with unique responsibilities that we don't assign to all writers.
Great writers create; writers of smaller gifts copy
Writers, as they gain success, feel like outsiders because writers don't come together in real groups.
There are all kinds of writers. The best writers write children's books.
Here in New York, we're media obsessed. Writers write about writers who write about writers and reporters and freelancers, and it's just a festival of information. We're all analyzing and examining and predicting, and I can't imagine that it's like that everywhere else.
We look at some people as if they were special, gifted, divine. Nobody is special and gifted and divine. No more than you are, no more than I am. The only difference, the very only one, is that they have begun to understand what they really are and have begun to practice it.
You were born with the seeds of your talent, the ability to observe the world around you and weave piece of it into a story. I believe that most -- if not all -- people are born with these seeds. What separates the writers from the non-writers is that the writers actually sit down and, you know... write.
We writers – and especially writers for children, but all writers – have an obligation to our readers: it's the obligation to write true things, especially important when we are creating tales of people who do not exist in places that never were – to understand that truth is not in what happens but what it tells us about who we are. Fiction is the lie that tells the truth, after all.
Young writers should be encouraged to write, and discouraged from thinking they are writers. — © Wallace Stegner
Young writers should be encouraged to write, and discouraged from thinking they are writers.
I didn't know writers could be real live people, because I never knew any writers.
Typically, there's this perspective among writers - and black writers: there's this idea that there is one person - and maybe beyond writers - among blacks, there is always one person who everyone should go to learn about all things black.
I've taken a lot of crap. That's just the way life is. There are going to be writers who like you and writers who despise you.
Fiction needs writers and readers, and writers should cultivate both.
I often wonder if all the writers who are alcoholics drink a lot because they aren't writing. It is not because they are writers that they are drinking, but because they are writers who are not writing.
I think there is a huge difference between writers who have very big sales, and writers who have small sales. Even writers with very high reputations, even Nobel prize winners, often sell in very low figures.
I'm definitely more influenced by European writers than I am by American writers, there's no doubt about that.
Real writers-that is, capital W Writers-rarely make much money. Their biggest reward is the occasional reader's response.... Commentators-in-print voicing big fat opinions-you might call us small w writers-get considerably more feedback than Writers. The letters I personally find most flattering are not the very rare ones that speak well of my editorials, but the occasional reader who wants to know who writes them. I always happily assume the letter-writers is implying that the editorials are so good that I couldn't have written them myself.
..few writers like other writers' works. The only time they like them is when they are dead or if they have been for a long time. Writers only like to sniff their own turds. I am one of those. I don't even like to talk to writers, look at them or worse, listen to them. And the worst is to drink with them, they slobber all over themselves, really look piteous, look like they are searching for the wing of the mother. I'd rather think about death than about other writers. Far more pleasant.
I'm overwhelmed by writers. Most people aren't impressed by writers, but if you can draw a cartoon or a picture, they think you're magic.
Captain Crawford didn't like the idea of any kind of murder, but he went at it patiently and honestly and with none of the stupidity and bombast and rubber-hose techniques that Los Angeles crime fiction writers had led me to expect. I'd gotten the impression that unless a gifted amateur in love with the lady got himself almost beaten to a pulp and practically inside the lethal gas chamber before he unmasked the venal and brutalized constabulary, any innocent bystander they could get their hands on was a gone duck.
As writers, our craft makes us sit alone at a desk and hammer away at our novel. Doing that day in and day out makes it really easy to forget that there's a whole community of writers out there, and they love contributing to other writers' success!
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