Top 640 Gig Quotes & Sayings

When we play an outdoor venue, you'll see whole families - boys, girls, men and women - from kids to grandparents who somehow heard the music... Think about how hard it is for artists who can never get a gig at an all-ages gig. Who goes to hear music in bars? People who can get into bars; people who drink.

You gig and gig and wonder what your first Edinburgh show will be like, if people will like it, and when they do, it just feels like it validates the last few years of your life, and that you're on the right track.

Post-'Daily Show' has been so busy, which I've been surprised about. We're basically independent contractors in a way. So you have one gig, and you're worried about never getting another gig again, or at least I do.

My very first gig was with the Sex Pistols, and it was also our first-ever gig. It was a very short set, and it was at Saint Martins College of Art in 1975. We were opening up for a band called Bazooka Joe, and their bass player at the time was Adam Ant, who went on to form Adam and the Ants.

In the early days I was on the road 45-50 weeks a year, driving from gig to gig 6-8 weeks in a row. Not everyone can do that. The show becomes the easy part. Tt's the life on the road that is the hardest... and you can't get any good at standup unless you do the road.

I went to Montreal. My first gig went very badly. They just weren't laughing at anything. I found out they were a load of Christians, and it was a gig to raise money for a new church roof.

New York musicians rarely have the time for idle chat and conversation after a gig. Despite popular assumption of our scintillating after-hours, that illusion is overtaken by the constant hustle to juggle a part-time or full-time job, a myriad of errands, a second or third gig of the day, and perhaps a child or two somewhere.

Well, I got pretty good and went on the road with a group. We starved. At that time I didn't realize that you'd work one gig in Kansas City, the next in Florida and the next gig will be in Louisville. You know, a thousand miles a night. That was really rough, man.

Being leader is a tough gig.

I've got the best gig in the world.

I was interning at a children's theater group in Kentucky - that was my first job out of college. I had jumped around a couple of regional theaters, and I was about to go back to Maine to work at a summer Shakespeare theater there. I didn't want to just jump around the country from gig to gig. I really wanted to go to a city and get involved in a theater scene and a theater community.

When you play a gig in Poland or Australia, or you play a gig in Toledo, they all clap at the same parts of the show. They're clapping for the solos in the exact same way.

I can do a gig without an instrument

Usually I'm only using my instruments when I'm recording or playing a gig.

I like to be on my own before I do a gig.

We played New Year's Eve in Los Angeles, maybe 1978, opening for Kansas or somebody. Driving to the hotel after the gig, we came on KLOS. It was like, 'All right! We're in L.A., we just played a big gig, and we're on the radio!' That was the start of something big.

The best gig is the one you've got.

Working at a restaurant is a tough gig.

I envied kids who played soccer and football, but that was not my gig.

Some artists see a gig as an audience worshipping them. I think it is about having a great time together. I have a part as the singer. An audience has a part. Playing a gig doesn't make me high on myself.

I knew from the time I was 6 or 7 that music was something I had to do. Growing up, my parents did everything they knew how to do to support me. My dad was always kinda my roadie; he drove me from gig to gig. But I got my own gigs. I was this 12-year-old kid, shuffling business cards, calling people, telling them I wanted to play.

AC/DC is a tough gig for everyone in the band.

A lot of people know me from Instagram, and most of the concepts that I post there are my looks or my makeup. They don't know or remember that, almost every night in NYC, I am running from gig to gig and working hard.

In the old days gigging was everything. The whole of life was about gigs. Everything was about waiting for the gig and then doing the gig and going nuts and then afterwards the party and all the stuff that goes with it. And then that party continues through your twenties and thirties. I'm now 51, and it's still very much in my blood, but I'm really hard pushed... the gig is the party for me now.

You get older and come to the conclusion that it's a great gig making music. Even if you turn into an old gnarly fart, no one cares what you look like if you write good songs - the only gig is to sing well and perform.

I have known people throughout my years of playing where maybe they had a gig, but then lost the gig because they didn't really move forward with them.

When I had my first gig, I was 18 in January in 2007. My first gig that I got paid, I was playing for 10 people in a 250 people capacity venue. The promoter wanted to book me because he liked my music. I played a couple of songs that made people dance. To me, that rush has always stayed the same.

If your gig is not in an office for eight hours a day, its going to be somewhere. If you're a truck driver, you get on a road. If you're a musician, you go to where the people are going to show up and you take the gig. I enjoy it, so I don't and I'm not complaining. Its just the traveling can get to be a bit much.

We all lived in the same house, or most of us did. And as far as I can make out we were confined to the property, because at twenty-four hours' notice we'd have to do a gig somewhere. So you couldn't leave the building for more than twelve hours in case a gig came through.

I got £30 for my first gig, cash in hand.

When I first started drinking, it was working for me. It was great. Like when you're doing a gig and you're in a band and you're in the truck and there's nothing to do in the truck and the gigs are all the same and the hotels are all the same...it's the hotels, the car, the gig.

I ran off stage at my first gig. Halfway through it, I forgot my lines and didn't know what to do, so I just ran out of the building down towards a lake. I was going to throw myself in, but the compere came out and said, 'No, it's going well, come back and finish the gig!'

I can do a gig without an instrument.

A lot of people think, 'Oh, you made 'SNL.' You're set. You're good.' No. All there is gigs, and you go from one gig to another. And hopefully you get a good gig, and it lasts for a while, and you get good work and people remember it, and you have good memories of it.

The weird thing about the subway is no one looks at each other. So I play the O2 in London. It's a 20,000 capacity venue, and then I'll take the subway to my gig, and everyone's going to my gig, and no one looks at you. If anyone does, they say, 'Hey, you look exactly like James Blunt, only smaller.'

I could play a gig on the moon and not be nervous about it.

I never thought we'd be put into any sort of historical thing. When we started as a band, it was a day-to-day thing. You sort of played a gig, you got your money and thought, 'OK, where's tomorrow's gig?' You never thought you'd get past a summer.

I really struggled with doing nine-to-five and just wanted to do something where it felt like I was in charge and I was doing something creative. I imagine if the first gig had gone badly I'd never have done it again. I imagine there's hundreds of people who could have been really great comedians and just had a bad first gig.

I booked an E-Trade commercial. That's a lucrative gig.

I've got a gig," Jim said. I sat up in my bed, wide-awake. A gig was good- I needed the money. "Half." "Third." "Half." "Thirty-five percent." Jim's voice hardened. "Half." The phone went silent as my former Guild partner mulled it over. "Okay, forty." I hung up.(...) The phone rang. I let it ring twice before I picked it up. "Fine." Jim's voice had a hint of a snarl in it. "Half.

Even to play a dead body; that'd be an easy gig.

Our very first gig in Melbourne was a confrontation.

For a time that you couldn't get a gig if you didn't look a certain way.

People don't recognize me from gig to gig. They have no idea. But, that's really what I strive to do. I strive to stip myself down completely and build another human and become them.

I love entertaining people, I love playing music, and I love rocking like an animal. But at a certain point, you're playing gig after gig after gig, in town after town after town, and you're lying down, staring at another hotel-room ceiling, and it's like, 'I want to be home. I'm a dad. I've got kids.'

Acting is a plum gig, and then animation is an even more plum gig.

My father told me when I first started that standup is exciting and I should pursue it, but that writing would be the thing that would give me power over my career. I never have to take a road gig or a writing gig I don't want because I always have the ability to play one against the other.

Your wig steers the gig.

'Crashing' was my first scripted TV gig.

No matter what - rehearsed, under-rehearsed, over-rehearsed, doubts about rehearsing - the first gig is always the first gig, and you put on your little praying hat, batten down the hatch, and do what you do.

Stand-up is the kind of gig that'll show you where you're at.

[Bill] Clinton and Vernon Jordan were talking about "the kitty," the pussycat every other sentence. Vernon got Monica [Lewinsky] a gig somewhere out of the White House, got her an offer for a gig somewhere. And then after Vernon left with Monica, here came Jesse Jackson to the White House for public prayer sessions so that Bill Clinton could get right with God after this mortal transgression and sin. It was the most puke-y thing.

I was doing gigs to stay alive. I worked two or three jobs at a time, there were times when I stayed up for 36 hours straight. I slept in shopping mall parking lots. A stand-up gig paid $35; then I could eat for another few days until the next gig. Literally, I was performing to live.

If I get a gig or I don't get a gig, I really have never, ever, ever cared.

I want to be made better personally. That is the gig.

Generally, what I try to do is always have a money gig and an art gig.

I always perform live. I've even received a cortisone injection when I was losing my voice before a big gig so I could fulfill my obligation to the promoter. I felt it the days following after the gig in my throat, but it was nice to know I didn't let anyone down. The show must go on.

People said I couldn't gig, and I proved them wrong.

Growing up, my parents did everything they knew how to do to support me. My dad was always kinda my roadie; he drove me from gig to gig. But I got my own gigs. I was this 12-year-old kid, shuffling business cards, calling people, telling them I wanted to play.

I was always pretty broad. I've had a couple bad experiences. One time, I showed up late for a gig in Brooklyn at an Italian restaurant. I ran on stage, did my show, and then some guy in the audience threatened to kill me because he didn't like my joke. Instead of talking to him, I just ran off stage. And then, because I was late, the owner of the restaurant threatened to kill me. And I was 19 years old and so scared that I almost started crying. But, I've done every gig you can imagine, in every state.