For a long time, my shows were about people walking out or about getting my gigs canceled or having the presenter not wanting to pay me.
Athens, much like Austin, is a difficult music scene. There are so many musicians there that it is hard to get gigs and hard for people to take you seriously.
I've spent a lot of time in Inverness, playing gigs and on a radio tour. I like heading up there because it is very tranquil and a contrast to how busy London is.
I went to a hypnotist to learn how not to use drinking a pint before you go on as a way of giving you the confidence to just fly at it, irrespective of the fear. That's not a long-term strategy, when you do as many gigs as I do.
Now when I say Sophie Ellis-Bextor I feel that's not really me because that's become this entity from doing the gigs and the shows and the make-up contracts and whatever else.
When you're a regular on a TV show, they give you more of a backstory, so with these recurring gigs, you have to make up your own backstory.
My paid gigs allow me to pay for my documentaries, like a drug habit, I suppose. If I'm lucky enough to be working steady, however, it leaves little time for the documentary hobby.
I did several corporate gigs as a presenter, worked on a few branded campaigns and also made money from my rugby events company and my business, Leaf Hospitality.
Being someone who plays gigs and finding many, many memorable ones in different ways, I guess I'd have to say I don't really have a single favourite one that I could pick out.
Keira was in America when we were having our moment in the sun in the U.K., so she was oblivious. But over the years, she came to loads of gigs and loved 'Surfing the Void.'
All those years we'd spent learning these chops, and all those gigs in Germany where you'd play all night, and along comes punk. It has nothing to do with that. A lot of people went out of business.
I've had a few gigs where things have got out of hand and there has been a huge crush with my fans. They are important and I don't want them being hurt. They are a mad crowd.
I've always gone to gigs; I remember before I passed my driving test I'd convince various family members or friends' parents to take us to Dundee or Edinburgh to see James or A-ha.
I'm sure I'm not the only artist to flinch remembering some of the tacky merchandise sold at gigs - flags, pillowcases - which I'd only seen for the first time when they were already on sale in the foyer.
It's hard to pinpoint highlights on tour because they're the gigs really. The whole day becomes about the show. From the time you wake up you are slowly building up to that.
I've seen a lot of women give up after they've had three or four bad gigs in a row. It's very difficult to learn not to take nasty heckles personally.
I do radio gigs, three-minute spots, solo shows, so I still get plenty of practice at the sniper attack - me at a piano or with a guitar, having to win people over fast.
We played some gigs in Switzerland a couple of weeks ago and it was the first time I really felt the group was really a band in the sense of something I could write for.
Because I live in London I'm always at busy places like airports and gigs. When you're up in the mountains the air's so clean and there's nature and the awesomeness of the slopes. It makes me reflective and think about the bigger picture.
And it's all just from word of mouth. No big marketing. That means the folk who come to the gigs are there 'cause they love their tunes. That means it's real.
I played cover gigs and traveled the country in my mom's old car, and my drummer and I set up a fake email and sent it out to agents. We pretended to be our own agent.
I went from playing small gigs for 80 people to like 2,000 or 3,000 people, and they were arriving with all this expectation and excitement.
Whenever a young comic asks me for advice I only have two things to say. One is to try and do what you think is genuinely funny and the other is just do loads of gigs.
For me, practice isn't doing scales but doing things like writing, jamming with other people, or playing gigs.
I learned so much about playing and touring being on the road and in the studio with Jeff, but I'd always played a lot of gigs in Seattle even prior to joining the Fusion.
I've made it very clear that I'm interested in voiceover work. I mean, I'm always looking for voiceover gigs. I love that.
My friends are the ones I've had since primary school. They're really cool and such a good bunch of people. They came to every one of my gigs before all of this happened, you know; they were there in the smoky pubs, wherever.
The only goal is in the process. The process is in the thing with little flashes of light: those are the gigs, the live shows... it's the life in between. That's all I've got.
I really worked with icons in the music business, which really had a strong effect on me. It wasn't just pick-up gigs.
There was a period when I stopped talking so much, because I was just going through certain things. I just did the gigs and just stayed in, tried to stay away.
Teaching has definitely become a big part of my life in the past ten plus years. As it often does for many dedicated players. Because you can have some great gigs.
The establishment? Well, guess what? Donald Trump now is the establishment. His primary opponents, many of them are interviewing for White House gigs.
I have been passed over on some things because people didn't think I was edgy enough. But the people who took those gigs are gone now, and I am still here.
The art helps, between the acting gigs. I feel that if I can sing in Mamma Mia! then goddammit, I can hang a few paintings, give people lots of cocktails, and have a good time.
I'm not going to play gigs as Jamie xx. I'm just going to DJ. I'm not comfortable performing my songs on a stage. It's not something I think I'm particularly good at.
I had known Hal [Needham] for a while by the time he moved in, so I was sure we'd get along well, and we did. He'd go off and do his gigs and I would do mine, and when we were lucky we got to work on the same ones.
MySpace is just spam central. I mean, every day I just get mail inviting me to gigs that are nowhere near Los Angeles!
Having drive is a big part of success, along with integrity. You need to have a clear vision of what you want and take the steps to achieve it, even if that sometimes means playing gigs in tiny clubs.
The only way to get better at stand-up is to do loads of gigs, and I don't know. I spread myself pretty thin to get the stage time. I'd love to do more, really.
I couldn't get gigs because you need to be 18 in most venues. So I started doing videos. I wasn't thinking about getting a record deal, I just wanted to know if people thought I was good.
My feet never touched the ground. Lots of good groups with crazy and unique images. It was wild. I spent all of my time doing gigs, TV appearances, interviews, or recording. I could write a book - and probably will.
You've seen one of the our gigs you've seen 'em all. But if you're into the music, you'll know that we played better the night before or we can play better.
My feet never touched the ground. Lots of good groups with crazy and unique images. It was wild. I spent all of my time doing gigs, TV appearances, interviews, or recording. I could write a book -- and probably will.
Most footballers play golf for five or six hours. I'd rather play my saxophone. I get out to gigs when I can.
I think after 1970 or so, after I sold Soul City, I took off for awhile and didn't do too many gigs.
People have said I played some pretty amazing gigs in the seventies, but in all honesty, I probably played one good show in three.
I paid my dues. I have crawled to gigs. I have served people coffee. I worked hard selling all these records out the back of my car. Girl, I'm ready to sell one the real way now.
There are a lot of women at my gigs. The first show I headlined was a sea of women, which I can't complain about. I'm pleased these 18-year-old girls like my music.
When I got started in New York, it wasn't like it is now. If you were different from Miles and Dizzy, it was very difficult to make gigs and make money with your own style.
I don't know how to do anything else and lack any skill that would be applicable on a resume. Drag is what I know. The gigs are my life.
In comedy terms, usually when the weather's bad, it goes much better. When it's sunny, people don't come to see comedy gigs because they're all really happy and don't need cheering up.
One way and another I was having a ball - playing gigs, jamming and listening to fine musicians. Then came a crisis at home. My stepfather fell sick, and it meant I had to support the family.
In my early performing days, I played gigs under the pseudonym Whitey McFearsun. I painted my face blue, wore crimson lipstick, and strung on some tight silver latex pants.
And I never missed one concert. In 89 shows, I think I did one a bit suspect show. In the old days, I'd pull gigs left, right and center because I was too f - - up.
I never have such luxury of leisure time. But whenever I get some time, I catch up on watching movies, keep going to theatre to watch plays, gigs of my actor friends.
Folk rock was my real roots. I did a few gigs as a folk artist, in the style of Fairport Convention.
I would drive to gigs in my tiny little Fiat. I would shoot up and down the M1 to play at various places.
When we treat music as an industrial commodity, and young people as merely consumers, we overlook the joy of participating in music... of learning to play an instrument, of joining a band or an orchestra, and playing gigs.
When I first started out modelling, I was binding my chest at gigs to make sure my physique was able to be 'passable' as male. But now, I never bind. It's highly unsafe and unhealthy.
I'm not interested in gigs unless I really want to do them. I walked away from music in 1997, and then there was a greatest hits in 2002. Thank God, it didn't do too well because the record company wouldn't promote it.
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