Top 56 Ginsberg Quotes & Sayings

I've listened to and know Allen Ginsberg music and met him a couple of times, but I don't have any strong statements to make.

What is ironic is that Allen Ginsberg's importance was in its twilight for so many years that it took his death to bring it to the front page. He electrified an entire world!

Maybe I haven't been tested, but I have no fear of death at all. I was with Allen Ginsberg during the last year of his life, and he called all his friends and said, 'I'm on my way out, and it's kind of exciting.' I see it as kind of exciting, too.

I saw [Allen Ginsberg] more as an old man who liked poetry and who had a lot of physical and emotional problems. We liked our time together.

Look at Allen Ginsberg. In poems like 'Kaddish' and 'Howl,' you can hear a cantor between the lines. It's fully alive, and I think that's what's missing in modern poetry. It's too dry and cerebral.

I'm doing research for a large comic book on the Beat Generation guys - Allen Ginsberg and Jack Kerouac and those guys.

I prefer formal techniques, and use sonnets and rhyme, any manner of scheme to give a shape and order-of feeling as well as argument-to a poem. But all my life, I've also been a person who's made his bed in the morning and picks up the bath mat. That's what I mean by temperament. Whether genetic or acquired, I have a disposition to arrangements. One is born with this, as if with blue eyes or a weak heart. Do you think Allen Ginsberg ever put the cap back on his toothpaste?

Forty million Americans smoked marijuana; the only ones who didn’t like it were Judge Ginsberg, Clarence Thomas and Bill Clinton.

Bob Dylan was really mad with my wife. I had asked by Rolling Stone - the only assignment I ever had for them - to do a story on the Rolling Thunder Review, which was Bob Dylan, Alan Ginsberg, Joan Baez and a host of stars. My wife, some weeks before, had written in The New York Times that The Kid wasn't The Kid anymore and he wasn't all that winning anymore.

The Beat Generation, that was a vision that we had, John Clellon Holmes and I, and Allen Ginsberg in an even wilder way, in the late forties, of a generation of crazy, illuminated hipsters suddenly rising and roaming America, serious, bumming and hitchhiking everywhere, ragged, beatific, beautiful in an ugly graceful new way.

My father shared the ethos of many of the beat writers and was a friend of Allen Ginsberg. Probably for 25 years of my father's life, He had been an itinerant piano player and so traveled the road with bands and that sort of thing.

The truest form of any form of revolutionary left, whatever you want to call it, was Jack Kerouac, E.E. Cummings, and Allan Ginsberg's period. Excuse me but that was where it was at. The hippies, I'm afraid, don't know what's happening.

It's something, since the nomination and confirmation hearings of Justice Ginsberg, that's really become kind of an unwritten rule, this "I can't answer a question if it's a potential issue that's going to come before me on the Supreme Court." I think that most senators have come to accept that as a very legitimate answer. They don't love it, they're not happy, but it is legitimate when you put it in that context.

I admire Ginsberg as a poet, despite the fact that he seems not to know when he is being good and when he is bad. But he will last, or at least those poems will last.

Allen Ginsberg was a world authority on the writing of William Blake, and had an incredible knowledge of classic literature and world politics.

I'm doing research for a large comic book on the Beat Generation guys - Allen Ginsberg and Jack Kerouac and those guys

I wasn't trying to be an outlaw writer. I never heard of that term; somebody else made it up. But we were all outside the law: Kerouac, Miller, Burroughs, Ginsberg, Kesey; I didn't have a gauge as to who was the worst outlaw. I just recognized allies: my people.

I still had to correct Allen Ginsberg at times when he called women girls. I'd say. Allen please, it's not politically correct.

I never really read Allen Ginsberg poetry, even though I have a book he gave me.

Regarding R. H. Blyth: Blyth's four volume Haiku became especially popular at this time [1950's] because his translations were based on the assumption that the haiku was the poetic expression of Zen. Not surprisingly, his books attracted the attention of the Beat school, most notably writers such as Allen Ginsberg, Gary Snyder and Jack Kerouac, all of whom had a prior interest in Zen.

I used to think of that line in Allen Ginsberg's 'Howl', about the 'sad cup of coffee'.. ..I have had cold coffee and hot coffee and lousy coffee, But I've never had a sad cup of coffee.

I think Allen [Ginsberg] was a person who's like a child.

Ginsberg's Collected Poems contains a wonderful poem about making it with Neal Cassady.

Allen Ginsberg was a remarkable guy. He was himself. He was an original.

See, you can't rewrite, 'cause to rewrite is to deceive and lie, and you betray your own thoughts. To rethink the flow and the rhythm, the tumbling out of the words, is a betrayal, and it's a sin, Martin, it's a sin." --Hank (Kerouac)to Martin (Ginsberg) in the film Naked Lunch

Bob Dylan is out of the mentorship of Allen Ginsberg.

I’m too young and ridiculous a person to speak for my generation, but I’d be happy to talk about my own experiences as a generation Y writer. I was raised by a generation of hippies. Throughout my childhood, teachers urged me to fight the establishment. My English teacher assigned Ginsberg and Kerouac and declared Bob Dylan “a genius.” My science teacher told me that television was “the new opiate of the masses” and bragged about never having owned one. My drama teacher made us perform Beckett.

[Polythene Pam] was me, remembering a little event with a woman in Jersey, and a man who was England's answer to Allen Ginsberg, who gave us our first exposure - this is so long - you can't deal with all this. You see, everything triggers amazing memories. I met him when we were on tour and he took me back to his apartment and I had a girl and he had one he wanted me to meet. He said she dressed up in polythene, which she did. She didn't wear jackboots and kilts, I just sort of elaborated. Perverted sex in a polythene bag. Just looking for something to write about.

I was photographing the photographer Brassaï. He had very prominent eyes, like a frog's. As I focused my lens, he brought his hand up and pretended to focus his eye. It was a joke, but it added mystery to the picture. There's a sense of action in a very small world. Or with Allen Ginsberg there were people smoking cigarettes and in the smoke there's a sense of motion. It makes much out of very little.

I never did know exactly what was meant by the term "The Beats," but let's say that the original meeting, association, comradeship of Allen Ginsberg, myself, Michael McClure, Lawrence Ferlinghetti, Philip Whalen, who's not here, Lew Welch, who's dead, Gregory Corso, for me, to a somewhat lesser extent (I never knew Gregory as well as the others) did embody a criticism and a vision which we shared in various ways, and then went our own ways for many years.

I'm not just influenced by the '60s - it's who I am. I grew up with Allen Ginsberg and Che Guevara. I flirted with various forms of communism when it was way out of style. It was this really strange and creative time in music and culture, and it was fabulous.

It's tough to make funny films. And the truth is, with this process, especially if you write your own movie, then you're giving three years of your life to it. And so, I just have to be sure that when I embark on it that I'm happy to think that in three years' time I'm going to be sitting in a room on the tenth floor of an odd office building at Ginsberg Libby talking about it. So I'm keen not to jump into it too quickly and just make sure it's something that I really want.

Allen [ Ginsberg] was a particular friend, one of my heroes, really. I knew him almost as long as I've been writing.

The truest form of any form of revolutionary Left, whatever you want to call it, was Jack Kerouac, E.E. Cummings, & Ginsberg's period. Excuse me, but that's where it was at.

I got Joan Baez to talk and Alan Ginsberg and some of the guys in the band. And by the end of the piece, another emissary came and said, `Bob [Dylan] is willing to speak to you now.' And I said with great pleasure, `No, thanks. The piece is over.'

People keep telling me about the white race and the black race - and it really doesn't make sense. I played Miami, met a fellow two shades darker than me - and his name was Ginsberg! Took my place in two sit-in demonstrations - nobody knew the difference. The he tried for a third lunch counter and blew the whole bit ... asked for blintzes.

My style of performance poetry came from the beatniks, Allen Ginsberg.

I absorbed the vinyl of Woody Guthrie, Pete Seeger, Jack Elliott, to Michael McClure and then into the Beat poets, Allen Ginsberg. At campus, we were absorbing that stuff. We looked to America.

I think the thing I really got from Ginsberg was that you can tell a story through kind of painting pictures with words. And when I found out that you could have a profession doing that, it was thrilling to me. It just became my passion immediately, playing with words and poetry.

The right place for the League of Nations is not Geneva or the Hague, Ascher Ginsberg has dreamed of a Temple on Mount Zion where the representatives of all nations should dedicate a Temple of Eternal Peace. Only when all peoples of the earth shall go to THIS temple as pilgrims is eternal peace to become a fact.

My last bedside conversation in the hospital just a few weeks before Allen Ginsberg died was 'please take care of so and so. And the legacy of the Kerouac school.

I never saw [Allen Ginsberg] as some kind of crazy figure.

Allen Ginsberg is a tremendous warrior as time goes by. He's a warrior first and a poet second.

I think Ginsberg has done more harm to the craft that I honor and live by than anybody else by reducing it to a kind of mean that enables the most dubious practitioners to claim they are poets because they think, If the kind of thing Ginsberg does is poetry, I can do that.

The major poets of New Jersey have all suffered, whether it's Whitman, who lost his job for 'Leaves of Grass,' or William Carlos Williams, who was called a communist, or Ginsberg, whose 'Howl' was prosecuted, or myself. If you practise poetry the way I think it needs to be done, you're going to put yourself in jeopardy.

We had collaborated with Allen Ginsberg on one of his last projects just before he died in the spring of '97, a book called Illuminated Poems - it was Allen's poems and songs and I illustrated them. Or, I illuminated them with paintings and drawings that bounced off of them. You want the picture to relate to the text without it slavishly regurgitating it or merely illustrating it, because that's redundant. You want to show another angle of what the text is saying.

I visited Paterson many years ago - 20 some years ago as a kind of day trip because of William Carlos Williams, because of Allen Ginsberg having lived there. And I went to the Great Falls and sat really in the exact same spot as Adam Driver does as Paterson. And I walked around the factory buildings, and I was rereading - I was reading at the time the epic length poem "Paterson" by Williams.

[Allen] Ginsberg totally helped that out. He was the best sales person. He was the most pop. They are still shocking and relevant, especially [William] Burroughs.

If I had a soul I sold it for pretty words If I had a body I used it up spurting my essence Allen Ginsberg warns you dont follow my path to extinction

Homosexuals are delicate and bad poetry is delicate and [Allen] Ginsberg turned the tables by making homosexual poetry strong poetry, almost manly poetry; but in the long run, the homo will remain the homo and not the poet.

When [Allen] Ginsberg and I founded the Jack Kerouac School of Disembodied Poetics - that was 1974 - we referred to it by a term used by Sufi thinker Hakim Bey, as "temporary autonomous zones." That for me sums up some of Whitman's sense of a community of likeminded people with a certain kind of adhesiveness and connection and sharing of this ethos.

Of course, there are some people who behave rudely. Allen Ginsberg used to like to get up in public and take his clothes off. I don't do that, but I liked Allen Ginsberg. He was a nice guy.

Writing and rewriting are the same thing to me. I don't believe what Allen Ginsberg said that "first thought, then - " I just don't believe that.

When Allen Ginsberg was still alive, he was was an artist, but he was very local. He was just another wing-nut in the neighborhood and he was very accessible. You'd see him in Tompkins Square Park or in the local delicatessen, in one of the greasy spoon restaurants on First Avenue or a Chinese restaurant.

I have lots of things that aren't so old that I value, such as a copy of Allen Ginsberg's "Howl," which he signed for me.

Alan Ginsberg was fabulous. The man is so filled with energy. He's 65 years old and he's just loaded with energy and charm and wit and his mind is constantly racing.