Top 48 Givenchy Quotes & Sayings

I don't have anything against homes for the elderly, but my mom, after having nine children, after all the sacrifices, living in an apartment - it gave me anxiety. Being the only male in the family, I said, "No I can't let this happen." Therefore I signed, because I wanted to buy a house for my mom. I started at Givenchy and the whole fashion world was saying, "Couture is finished." No, couture is not finished. Couture has changed - thank goodness.

I felt most beautiful on the red carpet in Givenchys sheer lace dress at a dinner hosted by Givenchy in honor of Marina Abramovich at the closing of her Museum of Modern Art retrospective, The Artist is Present, in 2010. It was the first time I had been dressed for an event, and everybody just fell in love with the dress.

My mum was very glamorous, an incredible seamstress. She made up those Vogue, Givenchy and Yves St. Laurent patterns they used to sell. It was church couture, darling! Because my dad was a pastor, she could get away with more than other women. Her skirts were that bit tighter.

For me, creating the clothes of Givenchy is the way to make my tribe. It's related to religion, too, because it's people trying to find identity - the young generation is looking for tribes. You have the hip-hop tribes, the punk tribes, the rockers, you have the hipsters, the bourgeois ... The fact of the tribe is that it's like a religion. Punk is like a religion, because it's a belief.

Look, if Givenchy is going to lend you a dress, I'm not going to turn it down. I would wear that dress to just go out and buy a pint of milk if they would lend it to me.

This is why I decided to work with Nike, too, because it is even more mass-market than Givenchy and could make entry-price shoes and make people dream to be part of the journey.

I really love Celine. Obviously. Alexander Wang. Givenchy. Those are probably my main favorites. Dolce & Gabbana, too.

I've been working with Riccardo Tisci from Givenchy.It's been a long collaboration, and I don't think it's going to stop now. It's very important to me. Riccardo is younger than me, so it's great to have someone new teaching you in everything, not just in fashion. I'm teaching him in French style, what a women's style is, but he's teaching me in all of these different styles of music.I love this new world for me. It's refreshing and nourishing to keep learning about new things.

The only thing that I travel with is an Ole Henriksen facial cleanser, something that my skin is used to avoid using different soaps at different hotels all the time, and Givenchy Man Pro-Energizing Massive Moisturizer. I usually keep my hair pretty short, too, so I don't require a lot of stuff.

I like me some Bape, you know. But I wear anything, to be honest. Adyn, Rick Owens, Givenchy, anything. I shop from everywhere.

My favourite designers are Stella McCartney, Balenciaga, Karl Lagerfeld, Chanel and Givenchy, but I wish I had loads of money to spend on them.

Do you think there'd be a Givenchy in the hood if it wasn't for that South Park photo?

When I arrived here at Givenchy, there was a lot of confusion. Before me, there had been some great geniuses - John Galliano and Alexander McQueen are great masters. They marked history. But when I came in after Julien Macdonald, it was also a bit of a mess, because not even I could understand what the true identity of Givenchy was. Everyone thinks that it's only Audrey Hepburn, but there is a whole other world behind it.

Don't say you don't know! It's because of Kim. Meaning there's no photo that I would have put up by myself, or next to one of my smarty friends, that would have got that amount of likes. So now you take this photo that has that amount of likes, and it has a flower wall from the same guy who does the Lanvin shows, and it has a couture Givenchy dress and Givenchy tuxedo in it. That's the point. Now the thing that is the most popular is also communicating the highest level of creativity. The concept of Kimye has more cultural significance than what Page Six could write.

There's a jean for everyone. And I'm a fan of that. I love a jean, and I love all these spins on them. I love a printed Balmain jean, or a Givenchy, and I love the prints, I love that you can have so much fun with it all, you know, dressing up.

I arrived here, with a destroyed house, with nothing. I had to do everything very slowly. And with a little team and a great president, we achieved a lot. I am happy here. For now, it is still Givenchy by Riccardo Tisci, and I think that it will be for a long time, because it will be difficult to evict me from my house. I feel good here!

When you're editor-in-chief of a big magazine, you cannot be a cover girl for MAC; you cannot be the face of Givenchy - of course you can't; it's doesn't go with the job.

When I started, everyone said couture was finished and I was so scared. Actually I was more terrorized than scared. I was arriving from a provincial area of Italy. They called me in to do Givenchy and I just thought, Wow.

I'm into all types of stuff. I might have on Pumas one day, Givenchy the next. I'd wear this John Elliott sweat suit to the club.

My mother, Robin Bell, is the master of balancing the finite line between classic and creative when it comes to fashion. Mom has no qualms about unleashing the pinking shears on a vintage Givenchy dress if it means she'll wear it more once it's sleeveless.

I was also very lucky to be able to work with talented people while I was learning. I didn't actually go to fashion school. I worked with Riccardo Tisci at Givenchy which was a really pivotal experience for me. He taught me a lot about being faithful to your own voice and to really believe in your own voice and that's made a big difference.

In the beginning, I was very punk. I was very revolutionary. When they asked me to do Givenchy, I didn't want to do it. My friends pushed me. But the situation with my family was so bad financially. I really did it because, when they told me how much they would pay me, I saw that my sisters and my mom could have a better life.

I haven't been to a job interview since I was 16 years old. When I was approached by Givenchy it was more like a courtship.

At LVMH, we have amazing heritage brands, and we put interesting talents in those brands, sometimes very young, like we did at Givenchy with Riccardo Tisci at the time, or like we just did with J.W. Anderson at Loewe, but also talents that are already further along in their careers, like Raf Simons at Christian Dior or Nicolas at Vuitton.

When I thought about the absolute favourite of favourites or what stood for the best of haute couture, it was Givenchy.

Victor Cruz just got his deal with Givenchy - amazing. I was so excited for him. That was amazing. So I think there are great opportunities for a lot of athletes out there.

I love costume jewelry, the stuff Givenchy/Riccardo Tisci do, and old school rock n' roll jewelry, too.

I love heels, and as a size 36, I've accumulated a wall of amazing high heels from catwalk shows over the years where designers had to make especially small shoes. Tom Ford's golden versions are my favourite. I do, however, also live in my flat Saint Laurent Chelsea boots or Givenchy sneakers.

What I like about houses like Givenchy. It's easy to pull from. With Givenchy you can accessorize to build anything, any look.

My obsession when I was kid, from '85 into the '90s, was Gianni Versace. It was Helmut Lang. It was Margiela. So I said, "I cannot have Givenchy only as a luxury house; I'm going to introduce products for everybody, things that are reachable."

Each time I'm in a film, Givenchy dresses me.

I was sitting at home one day and I got a call that Riccardo Tisci was considering me for the face of the Givenchy Spring/Summer 2014 campaign, and I said, "Are you kidding?" and that was the end of the conversation. I'm a really big fan.

Whether it's a canvas tote or Givenchy, a day bag you love is essential. It doesn't have to be a fashion It bag of the season, either.

I worked with the best - Givenchy, Dior, Yves Saint Laurent - and it gave me an ability to be confident. It turned me into a CEO and a creative director and a brand.

I started getting into clothes when I was really young. And then I went through a phase in middle school where I didn't care at all. But after that, after high school, I really got into high fashion. Balmain, Givenchy, Louboutin, all that.

Couture was only for rich people. Givenchy was for rich people. A bag cost 5,000 euro; a coat cost 10,000 euro. In the beginning, I couldn't react. I was just working like a machine, because I wanted to make the house happy.

Even at the beginning when I arrived at Givenchy, there were certainly people who supported me, but not everyone loved me. They were saying, "Why an Italian who acts Gothic?" Never mind the fact that Italy is one of the main exhibitors of Gothic art in the world. But it was like, "No, Italians should only do sexy!"

I can never tell what I'm gonna wear. I kind of just put on whatever feels right. Sometimes that's Converse and a T-shirt, sometimes it's Givenchy heels and leather pants.

I love Yves Saint Laurent and Giambattista Valli and Givenchy, and I get given quite a lot, but perhaps nothing is as wonderful as the white fake leather trench coat I got when I was 15.

I love Yves Saint Laurent and Giambattista Valli and Givenchy and I get given quite a lot, but perhaps nothing is as wonderful as the white fake leather trench coat I got when I was 15.

Looking feminine is important to me. My personal style is fairly traditional. I was definitely influenced by my mother, who always looks elegant, and by Estee's classic style; she was always in Givenchy or Ungaro.

I have this fancy Givenchy bag. I don't know what the Kardashians have in their bags - I bet they have really expensive products or six cellphones or something. I have a cellphone and some lipstick for me, and the rest is just filled with stuff for the kids - sunscreen and lip balm and little Ziploc bags of pretzels and cheese sticks.

I remember hearing other models talk about going to castings for Givenchy, and I was like, 'What are they saying?' And then I realized and was like, 'Oh, the Give-in-chee one.' I had been calling it Give-in-chee the whole time. I was shocked.

I am very happy at Givenchy and it is a moment in which I am bringing the game to the next level. I feel at home. It's as if it were my son. I don't know how to explain it. It would be very difficult for me to leave.

You can only go forward by making mistakes. I'm twenty-seven, not fifty-seven. I'm not Givenchy, I'm Alexander McQueen.

When I saw 'Breakfast at Tiffany's,' and Audrey Hepburn was standing in front of Tiffany's in this Givenchy dress, or when I saw 'All About Eve,' I thought that period was just fabulous. I mean, who would not want to walk down the stairs with their hands in their pockets, and say, 'Fasten your seat belts, it's going to be a bumpy ride.'

I felt most beautiful on the red carpet in Givenchy's sheer lace dress at a dinner hosted by Givenchy in honor of Marina Abramovich at the closing of her Museum of Modern Art retrospective, 'The Artist is Present', in 2010. It was the first time I had been dressed for an event, and everybody just fell in love with the dress.

At the beginning, I didn't see what Givenchy could give my career. It was like, "Okay, I'll do it for the money for a few years to help my mom and my sisters."