Top 1200 Giving Voice Quotes & Sayings - Page 18

Explore popular Giving Voice quotes.
Last updated on November 21, 2024.
I could have hidden in Boston and lived at home for three years, gone through my transition, taken voice lessons to make my voice more feminine, gotten gender reassignment surgery, and spent time to complete my transition, but I didn't want to wait. I wanted to be in the world.
At Julliard we had some voice classes. It was really just so you could carry a tune. It always just helps with your speaking voice also, when you connect your diaphragm and your breath.
Writing with voice is writing into which someone has breathed. It has that fluency, rhythm, and liveliness that exist naturally in the speech of most people when they are enjoying a conversation...Writing with real voice has the power to make you pay attention and understand --the words go deep.
My voice gets recognized before anything else. It's always gotten attention. In choruses at church and school, I started as a tenor, moved to a baritone and finally became a bass. I knew then that my voice would be my instrument. Now if I want to hide, I just keep my mouth shut.
There's this pet phrase about writing that is bandied around particularly in workshops about "finding your own voice as a poet", which I suppose means that you come out from under the direct influence of other poets and have perhaps found a way to combine those influences so that it appears to be your own voice. But I think you could also put it a different way. You, quote, find your voice, unquote, when you are able to invent this one character who resembles you, obviously, and probably is more like you than anyone else on earth, but is not the equivalent to you.
Ever since I was little, people would always make jokes about my low voice. But I think it's so cool that you don't have to have the picture-perfect, girly voice to do an animated film. I think it's great for kids with different voices to know that they could do something like this.
The greatest joy comes from giving and serving, so replace your habit of focusing exclusively on yourself and what's in it for you. When you make the shift to supporting others in your life, without expecting anything in return, you'll think less about what you want and find comfort and joy in the act of giving and serving.
We come from an abundant, endlessly providing, always forthcoming, always giving source. If we would just stay like that, if we would be forthcoming and giving and sharing and allowing, excluding no one, then it wouldn't be possible to have wars in the Middle East, or poverty in Africa, or any of these kinds of things.
If we are going to accomplish the global purpose of God, it will not be primarily through giving our money, as important as that is. It will happen primarily through giving ourselvs. This is what the gospel represents and this is what the gospel requires.
My wife's a really keen baker, and her mother is also a really keen baker, so they were giving me a little hand over the weekend, and giving me tips, things like that. — © James Buckley
My wife's a really keen baker, and her mother is also a really keen baker, so they were giving me a little hand over the weekend, and giving me tips, things like that.
I always think of a voice as an instrument, whether a voice is a trumpet, or violin, or bass. You know what I mean? A horn or wind instrument versus a string instrument. Horn instruments are definitely more toward jazz.
A little voice keeps telling me an Aston Martin really isn't me, but a louder voice is telling me that, as an England international playing for Liverpool, the old rules no longer apply.
The secret of successfully giving yourself away lies not so much in calculated actions as in cultivating friendly, warm-hearted impulses. You have to train yourself to obey giving impulses on the instant -- before they get a chance to cool. When you give impulsively, something happens inside of you that makes you glow, sometimes for hours.
Don't be thinking that this lama over there is giving better teachings or that this lama over here is giving more secret initiations. Leave that. Just keep the practice very simple, try to stay in the moment and try to stay mindful.
I know people, I know towns, farms, hills and rivers and rocks, I know how the sun at sunset in autumn falls on the side of a certain plowland in the hills; but what is the sense of giving a boundary to all that, of giving a name and ceasing to love where the name ceases to apply?
There is a voice inside of my head that is trying to convince me that I'm not good enough and that I don't deserve to be here in Hollywood. So courage is required. The courage to decide that I have a voice and need to do what I love. To believe that this opportunity is not wasted on me. To own the fact that I am worthy.
I've done a lot of radio in my life. I've done radio plays for the BBC when I was young so I was absolutely used to that style of work, of working with the voice. I have a very distinctive voice so it's always great for me because I open my mouth and everybody knows who it is.
The resistance is the voice in your head telling you to use bullets in your PowerPoint slides...It’s the voice that tells you to leave controversial ideas out of the paper you’re writing, because the teacher won’t like them. The resistance pushes relentlessly for you to fit in.
Phantom' was for me an interesting technique of telling the story. You have one voice that it is in the present telling what is happening, and then there's one voice from the past that's also driving the story forward. And you know that the two story lines will meet eventually.
I have 2 million Twitter followers. Some of those people are also yogis and activists and people who really go out and make a difference. I do as much as I can with my voice. It's effortless in some cases. I try to remind everybody that they have that kind of voice.
My voice is not angel voice.
How can you thank a man for giving you what's already yours? How then can you thank him for giving you only part of what's already yours?
What I enjoy most about doing voiceovers is that you can be completely unconscious with the rest of your body and just concentrate on doing something with your voice, creating an entire character with your voice.
They will kill me but they will not kill my voice, because it will be the voice of all Afghan women. You can cut the flower, but you cannot stop the coming of spring.
The vast majority of artists worldwide are unrepresented, disenfranchised or otherwise don't have an opportunity to sell or have their work shown. Giving those artists access to the collector community, expanding the collector community and giving artists a chance to be discovered is the goal of iStockphoto.
I'm always thinking about songs and how I can sing a song that would resonate with my voice, my persona. I want it to be a pleasant experience that's not just about hearing my voice. I remember some singers whose voices were so pretty, it didn't matter what they sang - you loved it.
I never got lessons. I took influence from Chet Baker, Ian Dury, and Joe Strummer. I don't hear my voice and think, 'Yeah, that's a banging voice!' It's more about putting the right emotions into the right words and the lyrics than anything else to me.
Her eyes were distant, and she seemed to be listening to that voice that first told her the story, a mother, sister, or aunt. Then her voice, like her singing, cut through the crickets and crackling fire.
Nina Simone had such an androgynous voice; the first time I listened to her I thought it was a man, and I'm sure a lot of people listening to me think I'm a woman. Her voice is kinda like the poster child for me.
'Phantom' was for me an interesting technique of telling the story. You have one voice that it is in the present telling what is happening, and then there's one voice from the past that's also driving the story forward. And you know that the two story lines will meet eventually.
I used to get very angry as I was getting older, because my voice was breaking. So I've trained my voice so religiously through my teenage years, because I wanted to be able to hit the notes that those females hit. And I can, which is great.
You have the power to think differently about who you are. You have the ability to turn off the critical voice inside of you. That's not you. That's coming from the culture. That's coming from the outside of you. You've internalized the voice of your parents, your teachers, your friends.
You could say that too much time has passed for us to take up new styles so it's entirely up to us to improve. I personally wanted to produce a voice that's different from when I did "V.V.I.P" so I put a lot of effort into finding my voice.
I just find it absolutely bizarre that we are being lectured by the Americans about giving up our sovereignty and giving up control when the Americans won't even sign up to the international convention on the law of the seas, let alone the International Criminal Court.
The Google Voice service is a lifesaver for me. My actual phone number changes a lot, so having a canonical Google Voice number that doesn't change - it's actually my same number from high school - is indispensable.
I think each player has an individual style. Each is concerned with giving the best to his team, and I think my best talent is dribbling and setting up goal situations, giving an assist or deceiving one of the other team's players.
Voice acting is very different from live-action. You only have one tool to convey emotion. You can't sell a line with a look. It's all about your vocal instrument. Doing voice work is also great because you don't have to get your hair done, which I despise.
People communicate anger of course through facial expressions, but in voice, there's a wider spectrum, like cold anger and hot anger and frustration and annoyance, and that entire spectrum is a lot clearer in the voice channel.
There's a certain feeling of giving, a certain feeling of generosity in love songs. When you sing a song of love, you're actually giving something to yourself, too. You're singing and casting these affirmations of love out into the universe. It resonates in your body in a way that feels extraordinary.
In the silences I make in the midst of the turmoil of life I have appointments with God. From these silences I come forth with spirit refreshed, and with a renewed sense of power. I hear a voice in the silences, and become increasingly aware that it is the voice of God.
Actually, I think the average voice is like 70 percent tone and 30 percent noise. My voice is 95 percent noise.
A good man giving bad advice is more dangerous than a nasty man giving bad advice.
You can laugh at somebody because they are innocent, and because they are naive or they are about to walk into a wall, but if somebody's giving you stuff, if somebody's talking, giving you their take on things, what makes you laugh, generally speaking, is going to be somebody who is telling it in an angry way.
The process for doing voice work goes by much quicker as opposed to shooting a feature. You can pretty much go in and knock it out in a day or two. It feels very natural for me to express myself using only my voice, so it wasn't too difficult.
Rigorously investigated and fearlessly reported, A Crime So Monstrous is a passionate and thorough examination of the appalling reality of human bondage in today's world. In his devastating narrative, Ben Skinner boldly casts light on the unthinkable, yet thriving, modern-day practice of slavery, exposing a global trade in human lives. The abuses detailed in these pages are repugnant, but there is hope to be found: by giving voice to the victims, Skinner helps restore their dignity and makes crucial strides toward closing this shameful chapter in history.
Once you've found your own voice, the choice to expand your influence, to increase your contribution, is the choice to inspire others to find their voice. — © Stephen Covey
Once you've found your own voice, the choice to expand your influence, to increase your contribution, is the choice to inspire others to find their voice.
Mine is an actor's voice, not a singer's voice, but the part was written for an actor (Richard Burton), not a singer.
At home, a man is entitled to raise his voice maybe once a year, if something really gets under his skin. At work, it's different. I raise my voice all the time. Not out of malice, but to get things right. It's never personal.
Service or giving is the other side of receiving. Giving and receiving is a full circle: a full circle feels more natural than a half circle.
Pop music has progressed. The singing voice has changed dramatically in pop music, and people now just sing the way they want to, in their speaking voice, instead of putting on some great transatlantic rock and roll sneer.
Those inner-cities, they're not giving kids a chance. They're not giving the teachers a chance to really help those kids. They're making it real tough. You're either gonna help or you're hurting your own country.
I know it was a gift from God. My father was a preacher and my mother worked in churches all her life. My father had a very deep bass sounding voice and my mother had an in-between soprano voice. Not great singers, but they had great tones to their voices. I think that had a lot to do with it. Also, I really believe my voice was a gift from God. I believe if you take care of it, He will help you take care of it.
The word 'survivor' carries a weight of remembrance that has broken the minds and bodies of more than a few men and women. It also contains a humbling light of recognition that compels many to do whatever they can to help reinforce the efforts of those who might be 'at risk' of not just giving up on their dreams, but of giving up on their continued existence.
We find our voice, we lose our voice, we retrieve it, honor it, and hopefully, learn how to share it with others and stand in the center of our power. Translation is a theme. Fear and courage are a theme.
In dreams the mind is constantly giving you substitutes just to protect sleep. And the same is happening while you are awake. The mind is giving you substitutes just to protect your sanity; otherwise you will be scattered in fragments.
I lost my voice for the first time. I was so bummed out, but it happens to every singer at some point in their career. I don't think most people understand, but I sing every night and sometimes we do five shows in a row, which is really bad for your voice.
Like my writing, my voice has been something I've worked at. I knew I had a good voice but it was a matter of time before it was what I've got now. I've had to build my vocal muscles up until they were like Arnold Schwarzenegger.
His own voice was older than he was. Ancient, unearthed from some mystical subterranean place...The voice seemed to make his whole body ache. Maybe it made him bleed inside. I wondered if it hurt, if it burned in his throat.
You can live a life of either trusting your inner voice or distrusting your inner voice. You can cling to familiar expectations, conventions, and "reasonable" responses or you can listen to the sweet madness in your bones.
It is necessary to give freely if we are to receive freely. The law of receiving includes giving. The knowledge that substance is omnipresent and that people cannot, therefore, impoverish themselves by giving (but rather will increase their supply) will enable us to give freely and cheerfully.
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